United States Open Music Competition PO BOX 418, 6114 LA SALLE AVENUE, OAKLAND, CALIFORNIA 94611 TEL 510.843.8686 | EMAIL [email protected] | WEBSITE

Total Page:16

File Type:pdf, Size:1020Kb

United States Open Music Competition PO BOX 418, 6114 LA SALLE AVENUE, OAKLAND, CALIFORNIA 94611 TEL 510.843.8686 | EMAIL Info@Usomc.Org | WEBSITE 1 TWENTY-SIXTH ANNUAL United States Open Music Competition PO BOX 418, 6114 LA SALLE AVENUE, OAKLAND, CALIFORNIA 94611 TEL 510.843.8686 | EMAIL [email protected] | WEBSITE www.usomc.org OFFICERS AND STAFF Co-founder & President: Lamae Loo Co-founder & Vice President: Elaine Lee Executive Secretary: Valerie Le Treasurer: Ivy Chen Music Consultant: Betty Woo BOARD OF DIRECTORS Board Chairman: Katherine Dang Directors: Ivy Chen, Anita Cheung, Valerie Le, Elaine Lee, Gar-Wei Lee, Yvonne Liu, Lamae Loo, Betty Woo 2 2018 USOMC Event Operations Team Cover Design: Edward Yang Program Book: Raymond Pak, Valerie Le, Trang Vu Program Committee: Lamae Loo, Betty Woo, Ariana Yu Adjudicator Coordinators: Lamae Loo, Betty Woo, Yvonne Liu, Trang Vu Accompanist Staff Coordinator: Nicholas Dold Official Accompanists of the 2018 USOMC: Anny Cheng, Nathan Cheung, Nicholas Dold, Gabrielle Lochard, Christopher Salocks, Chen Woo, Yi-Fang Wu _________________________________________________________________________________ Prize Winners’ Concerts Emcee: Irene Fong Gold Medalists’ Special Awards Committee: Dorian Ho, Lamae Loo, Shi-Hwa Wang, Betty Woo, Yu-Jane Yang Competition Week Staff – Volunteer Coordinator: Gar-Wei Lee Assisted by: Ivy Chen, Doreen Chiu, Anita Cheung, Peggy Choy, Katherine Dang, Anson Kwan, Valerie Le, Elaine Lee, Ping Lee, Robert Lee, Yvonne Liu, Raymond Pak, Dr. Shantha Ursell, Trang Vu, Helena Yip, Jonathan Yip, Ariana Yu General Catering Coordinator: Elaine Lee Assisted by: Kyomi Yang, Lillian Leung Special Advisors to the Board: Chrissy Huang, David Loo USOMC Music Library Curator: Ariana Yu Sight-reading Composer: Artur Videographer: Chris Cotter, Integrant Sights & Sounds Photographer: Alisha Justine Cabrera, Photography MARK YOUR CALENDARS FOR THE 27TH ANNUAL USOMC February 18 - 24, 2019 3 Greetings from the President Dear Parents, Teachers, Students and Friends: Welcome to our 26th Annual United States Open Music Competition. We are happy to see you here. Each year we continue to expand! This year more than 1,500 contestants have come from around the world to participate at the USOMC; with a total of 2620 entries in 171 events. What a joy it is to see all the smiling faces and to hear so many terrifically talented performances. Thank you for coming! To celebrate our 26th anniversary, we are happy to continue with the two additional special prizes for our 2018 annual competitions. (1) There will be extra monetary awards of $6000 from the Samuel Tak Lee Scholarship Foundation given in memory of Dr. Billy Loo Sr. at the six Prize Winners’ Concerts. (2) There will also be a Master Class on Sunday Feb. 25th from 2:00 – 5:00 PM presented by Dr. Sharon Mann at her Concert Studio in Berkeley, California. Five winners and alternate winners will be chosen from different events who are Winners of the 2018 USOMC Music Competitions, between the ages of 14 – 16. They will also receive additional monetary awards. Performing in a music competition can be a real challenge. It is not the same as running in the Olympics, where we can all see who crossed the finish line first. There is no such finish line here. In a music competition, musicality, artistry, technique, accuracy, poise, remaining faithful to the intent of the composer – these are some of the key elements which contribute to a great performance. Just to get to this level of performance requires three main essentials: (1) hours of practice each day, (2) learning to keep performance anxiety to a minimum, and (3) being in good health. Combine these factors with the fact that judges may vary in their opinions of how a particular piece ought to sound, and you begin to see the difficulties which can occur in choosing a winner. We do our best to help minimize such difficulties in several ways. We provide a relaxed venue to perform at, with the very best pianos available and in the very best condition. We hire only the very best judges we can find, and we write guidelines to assist them in their decision-making. As usual, we will announce the winners immediately after each of the 171 events. Unlike other competitions which strive to find one winner among many contestants, we prefer to have smaller groups of contestants and award prizes to the best in each group. In this way, we are hoping to offer awards to numerous outstanding performers and to give many of the contestants extra encouragement and inspiration to continue their pursuit of musical excellence. We know how highly important music education is to the growth and development of our younger generation. Every student is a winner just for being here, to receive invaluable comments from esteemed judges and to meet and listen to 1500 contestants perform – are terrific learning opportunities and that should inspire the students to work harder – medals and ribbons are of secondary importance in reality. Board members, staff and volunteers work hard all year to host this event. They donate their time and energy out of love of music and the desire to provide good experiences for the contestants, families, teachers, and friends who attend. If you are able, we welcome you to join us in our endeavors. If you have ideas or opinions about how we can improve USOMC, please let me know directly, or speak with any one of the dedicated board members. We like feedback and are continuously trying to improve the competitions. We sincerely hope all the contestants will be encouraged to continue working hard and to come back and perform again next year. Sincerely, Lamae Loo President United States Open Music Competition 4 We are indebted to many individuals and corporate representatives who support the United States Open Music Competition with their time, talents, and resources. We are grateful to our patrons and sponsors for their continuous support and generosity, and to all the volunteers who have donated their time and efforts to our music program. The USOMC Board is made up of extremely dedicated music lovers. Every board member labors without remuneration. All moneys received, whether from entry fees or donations go directly to the program. If you would like to learn more about our non-profit music organization or how to become more involved, please feel free to contact us. There are numerous ways you can support the USOMC and help to promote the love of music education in future generations. Your participation is very important to us and to every contestant who enters our annual event. PLACING ADVERTISEMENTS in our Program and the Prize Winners Concerts Program will help too. We look forward to hearing from you and meeting you personally. Acknowledgments We gratefully acknowledge the following organizations for their tremendous help in the past as well as in this year’s competition. We owe much of our success to them and want to express our sincere gratitude. The Oakland Inter-Stake Center (Mormon Temple of Oakland) once again graciously accommodates us with the use of its facilities. We so appreciate being able to hold the USOMC in this beautiful setting of the Oakland hills. Steinway & Sons provides us with the very best artist pianos available. Special thanks to Chrissy Huang, who serves as an advisor to our board, and works tirelessly year after year sending these pianos on time and in perfect working condition. The Samuel Tak Lee Charitable Foundation who has offered an unprecedented monetary donation in memory of Dr. Billy Loo Sr. to perpetually support the operation of USOMC. We are awed by this gesture of love. The Scholarship Foundation Donors are truly our silent partners. Their love, support, and generous contributions foster the growth of this unique, music competition. We are especially grateful to Drs. Shantha & Philip Ursell for investing twenty years of their time as well as financial support. The Billy Loo Sr. Memorial Scholarship Fund established since July 2016 by friends and families of Dr. Billy Loo Sr. is a newly added contribution to the competition. The USOMC Adjudicators, enthusiastically support the competition by availing to us their time, expertise, talent and love of music, which together are phenomenal contributions to the competition. Mr. D.J. Yun and Mrs. May Xu Yun enthusiastically donated all the Crystal medals for 2018. They have supported USOMC in the past as well (anonymously). Thank you all! The USOMC Board of Directors 5 USOMC Scholarship Foundation Donors The Samuel Tak Lee Charitable Foundation (in memory of Dr. B.W. Loo Sr.) – $250,000 Dr. B.W. Loo Sr. Memorial Scholarship Fund – $11,000 The Following are One-time $5000 Donors from 1993 - 2010 Dave and Betty Calfee; Robert and Jenny Hinckley; Dr. & Mrs. David & Tiffany Law; Valerie Le; Elaine Lee; Robert and Ping Lee; Dr. & Mrs. Shiu & Jennie Lee; Jim & Kitty Liu; Allan Loo; Dr. & Mrs. Billy Loo Sr.; Dr. & Mrs. Chung On Ng; Bertha & Arthur Sun; Joshua & Maria Wong; H.P. & Irene Wong 2018 Special Event Scholarship Donors: The following scholarships are given in addition to the winners of specific events: Sight-Reading Solo Prep: Kimmy & Wing Tsao ($100) in honor of all the Music Educators Sight-Reading Solo Elem: Jonathan Tsao ($100) Sight-Reading Solo Junior: Drs. Philip & Shantha Ursell ($100) Sight-Reading Solo Intermediate: Drs. Philip & Shantha Ursell ($100) Sight-Reading Solo Senior: Drs. Philip & Shantha Ursell ($100) Sight-Reading Duet Preparatory – Elementary: Drs. Philip & Shantha Ursell ($100) Sight-Reading Duet Junior: Drs. Philip & Shantha Ursell ($200) Sight-Reading Duet Intermediate: Drs. Philip & Shantha Ursell ($200) Sight-Reading Duet Senior: Drs. Philip & Shantha Ursell ($200) Piano Concerto Junior: Drs. Sean & Katharine May ($100) Piano Concerto Intermediate: Drs. Sean & Katharine May ($100) Piano Concerto Senior: Drs. Sean & Katharine May ($100) Piano Concerto Advanced: Drs. Sean & Katharine May ($100) Complete Piano Concerto: Drs. Sean & Katharine May ($100) Five or More $100 Scholarships will be added to the awards for the best Outstanding Gold Medalists at each of the six Prize Winners’ Concerts from the Samuel Tak Lee Scholarship Foundation in memory of B.W.
Recommended publications
  • 2016 Program Booklet
    Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p.
    [Show full text]
  • Joseph Kuipers Is One of the Rare Musical Voices of Today: the Fresh Sincerity of His Playing, Combined with Technical Sovereignty Over the Instrument
    “Joseph Kuipers is one of the rare musical voices of today: the fresh sincerity of his playing, combined with technical sovereignty over the instrument. He draws a dark, singing sound out of his Ceruti Cello, and creates lines that seem to float effortlessly.” Berliner Abend Post American cellist Joseph Kuipers is renowned for his creativity and versatility in his captivating performances on both modern and gut strings. Appearing at festivals and music centers around the globe, he has performed at the Ravinia Music Festival, Aspen Music Festival, Les Festival International du Domaine Forget, Kronberg Academy, Ascoli Piceno Festival, Carl Orff Festival, and the World Cello Congress. Equally at home with modern and baroque performance styles, and often juxtaposing them in concert programs, Joseph has worked extensively with living composers, among them Robert Cogan, Heinz Holliger, Helmut Lachenmann and Arvo Part: and has performed with the Ensemble für Neue Musik Basel, Neue Musik Ensemble Mannheim, Second Instrumental Unit, New York, and the Callithumpian Consort of Boston. Joseph is the Artistic Director of the Fredericksburg Music Festival where world renowned European classical musicians gather in historic Fredericksburg TX for a week of music making. In 2010 Joseph founded the Marinus Project an international collective of chamber musicians dedicated to the tradition of classical music in our time. Marinus is the “Ensemble in Residence” at Washington and Lee University and Eastern University. In April 2011 the Marinus Ensemble received a $200,000 unrestricted artist development grant to further the Marinus Project. Joseph completed his undergraduate studies at the New England Conservatory of Music in Boston, where his primary teachers were Paul Katz for cello and Pozzi Escot for composition.
    [Show full text]
  • Fifty-Seventh National Conference October 30–November 1, 2014 Ritz Carlton St
    Fifty-Seventh National Conference October 30–November 1, 2014 Ritz Carlton St. Louis St. Louis, Missouri PRESENTER & COMPOSER BIOS updated October 25, 2014 Abeles, Harold F. Dr. Harold Abeles is a Professor of Music and Music Education at Teachers College, Columbia University, where he also serves as Co-Director of the Center for Arts Education Research. He has contributed numerous articles, chapters and books to the field of music education. He is the co-author of the Foundations of Music Education and the co-editor, with Professor Lori Custodero, of Critical Issues in Music Education: Contemporary Theory and Practice. Recent chapters by him have appeared in the Handbook of Music Psychology and the New Handbook of Research on Music Teaching and Learning. He was the founding editor of The Music Researchers Exchange, an international music research newsletter begun in 1974. He served as a member of the Executive Committee of the Society for Research in Music Education and has served on the editorial boards of several journals including the Journal of Research in Music Education, Psychomusicology, Dialogue in Instrumental Music Education, Update, and Arts Education Policy Review. His research has focused on a variety of topics including, the evaluation of community-based arts organizations, the assessment of instrumental instruction, the sex- stereotyping of music instruments, the evaluation of applied music instructors, the evaluation of ensemble directors, technology-based music instruction, and verbal communication in studio instruction. Adler, Ayden With a background as a performer, writer, teacher, and administrator, Ayden Adler serves as Senior Vice President and Dean at the New World Symphony, America’s Orchestral Academy.
    [Show full text]
  • Incarnation Episcopal Church 1750 29Th Avenue, San Francisco Sunsetarts.Wordpress.Com | 415-564-2324
    Incarnation Episcopal Church 1750 29th Avenue, San Francisco sunsetarts.wordpress.com | 415-564-2324 1 Dear Friends, Welcome to the Sunset Music & Arts 2019 season. We are very excited to announce our fifth season with many new and returning artists. The season continues out tradition of strong offerings in solo instrumental performances, vocal recitals, choral music, opera, and jazz/world music concerts. Our season opener will feature a chamber concert on Friday January 11, 2019 with New York based cellist, Ben Capps, and Russian pianist, Vassily Primakov. The Holland Times hailed Ben Capps as a “young cello phenomenon from New York.” Ben Capps is the recipient of many awards, including the the Lillian Fuchs Award, the Francis Goelet Scholarship (Juilliard 2008-2009), the Irving Mulde Scholarship (Juilliard, 2009-10), and the Piatigorsky Scholarship (New England Conservatory 2012- 13). Gramophone wrote that “Primakov’s empathy with Chopin’s spirit could hardly be more complete.” Vassily Primakov is a prize winner at the Cleveland Piano Competition and was a semi-finalist at the Van Cliburn Competition. Solo piano artists include Laura Klein, Clare Longendyke, Robyn Carmichael, Amy Stephens, Mark Valenti, and Susan Ellinger, as well as concerts for piano 4-hands with the Duo Papillion and A&R Duo. Also featured are organ recitals with Angela Kraft Cross and David Jaronowski and a Grammy award guitarist Cristobal Selamé. Our chamber music concerts features return engagements with the Circadian String Quartet, Trio 180, as well as new artists, such as the Ensemble Illume, Trio Terme, Trio Foss, and Curium Piano Trio. Our choral music concerts features our artists-in-residence, the San Francisco Renaissance Voices, the San Francisco Boys Chorus, and the San Francisco Girls Chorus.
    [Show full text]
  • PAUL SCHENLY 2018 CONCERT SCHEDULE Hear Our International Prize-Winning Artists in the Great Classical Piano Repertoire
    JUNE 18 – AUGUST 13, 2018 DIRECTED BY PAUL SCHENLY 2018 CONCERT SCHEDULE Hear our international prize-winning artists in the great classical piano repertoire. Musical commentary by Paul Schenly, Director. CONCERTS IN SOUTHAMPTON LEVITAS CENTER FOR THE ARTS SCC 25 Pond Lane, Southampton Season Opens Monday, June 25 | 6:00 p.m.–7:30 p.m. Steinway & Sons • Long Island is proud to support AVRAM THEATER PIANOFEST IN THE HAMPTONS 239 Montauk Highway, Southampton All concerts are 6:00 p.m.–7:30 p.m. Monday, July 2 Monday, July 9 Monday, July 16 Monday, July 23 Monday, July 30 steinway & sons is proud to support Pianofest in the Hamptons Monday, August 6 and their talented participants. It is especially notable that Pianofest Monday, August 13 in the Hamptons has been carrying out its mission for 30 years - we congratulate the organization on this impressive milestone. CONCERTS IN EAST HAMPTON ST. LUKE’S EPISCOPAL CHURCH 18 James Lane, East Hampton All concerts begin at 6:00 p.m. 505 walt whitman road, melville, ny 11747 Wednesday, June 27 STEINWAYLONGISLAND.COM TEL. 631.424.0525 Wednesday, July 11 Wednesday, July 25 Wednesday, August 8 FOR FURTHER INFORMATION PLEASE CALL 631.329.9115 All tickets $20 per person at the door only. Students free. No reservations needed. All concerts are followed by receptions to meet the artists. 2018 PARTICIPANTS AND SCHOOLS Rolando Antonio Alejandro Nathan Lee The Juilliard School Whitmore High School Soyeon An Michael Lenahan Welcome to University of Southern California Rice University Katherine Benson Robert Levinger Northwestern University University of Houston Michelle Cann Adam Mayon Curtis Institute of Music University of Cincinnati Anthony Cardella Hyejin Pak CELEBRATING ITS 30TH ANNIVERSARY SEASON Lawrence University University of Cincinnati Alevtyna Dobina Victoire-Theodora Pruvost Pianofest made its debut at Southampton College with an enrollment of six Anton Bruckner Privatuniversitat Conservatoire National Superieur students.
    [Show full text]
  • Pittsburgh Concert Society 2014–2015 • 72Nd Season
    Pittsburgh Concert Society 2014–2015 • 72nd Season The sound of Pittsburgh’s artists Pittsburgh Concert Society WHAT WE’RE ABOUT The PCS involvement in the Pittsburgh scene The annual June Alumni Concert features “return is deep and varied: performances” by former Pittsburgh Concert Society winners who have achieved distinguished careers in the Major Artists Auditions, held each spring, are judged field of classical music. by independent adjudicators selected from among deans and faculty of leading schools of music. Candidates Outreach Performances. In addition to its formal audition anonymously and are judged solely on the level concert activity, the Pittsburgh Concert Society reaches of their performance and the quality of their program. out into the community and beyond. Outstanding artists Six Major winners are presented in concerts, generally are invited to perform in venues throughout the city, the following September, October, and November. Major with a special emphasis on reaching young audiences. Auditions are open to highly qualified classical musicians, These performances are arranged by the officers of over the age of 18, living within a 75-mile radius of PCS, working in close collaboration with organizations Pittsburgh who meet the PCS program requirements. such as the Children’s Museum of Pittsburgh, Allegheny Each winner receives an honorarium of $1,000 from the RiverStone Center For the Arts, Chamber Music William and Eleanor Benswanger Memorial Fund of Pittsburgh, assisted living communities, Pittsburgh The Pittsburgh Foundation. and suburban school districts, colleges, and other local arts organizations. Annually, one Young Artist winner Young Artists Auditions are held in January and is featured as a soloist with the Edgewood Symphony are also judged by independent, nationally known Orchestra and Major winners are featured on the adjudicators.
    [Show full text]
  • Richard Yongjae O'neill and Friends
    ARTIST-IN-RESIDENCE Richard Yongjae O’Neill and Friends LA Masters SUN / MAY 26 / 2:00 PM Richard Yongjae O’Neill VIOLA Molly Morkoski, Orion Weiss PIANO Jennifer Frautschi, Jesse Mills VIOLIN Fred Sherry CELLO PROGRAM Arnold Schoenberg (1874-1951) String Quartet No. 3, Op. 30 i. Moderato ii. Adagio iii. Intermezzo. Allegro moderato iv. Rondo. Molto moderato (Frantschi, Mills, O’Neill, Sherry) John Harbison (b. 1938) Viola Sonata (2018) i. Resolution ii. Passage iii. Night Piece iv. Certainties, Uncertainties v. Questions vi. Answers (O’Neill, Morkowski) Intermission Igor Stravinsky (1882-1971) Concertino for String Quartet (Mills, Frantschi, O’Neill, Sherry) Johannes Brahms (1833-1897) Piano Quintet, Op. 34 i. Allegro non troppo ii. Andante, un poco Adagio iii. Scherzo. Allegro iv. Finale. Poco sostenuto – Allegro non troppo (Weiss, Mills, Frantschi, O’Neill, Sherry) PERFORMANCES MAGAZINE 10 ABOUT THE ARTISTS Violist RICHARD YONGJAE O’NEILL, Gilbert Kalish. Molly lives in New York Two-time GRAMMY®-nominated EMMY® Award winner, two-time City and is an Associate Professor at violinist JESSE MILLS enjoys GRAMMY® nominee and Avery Fisher Lehman College in the Bronx. performing music of many genres, Career Grant recipient, has appeared from classical to contemporary, as as soloist with the London, One of the most sought-after soloists well as composed and improvised Los Angeles and Seoul Philharmonics; in his generation of young American music of his own invention. He BBC, KBS and Hiroshima Symphony musicians, pianist ORION WEISS has graduated with a Bachelor of Music Orchestra; and the Wurttemburg, performed with the major American degree from The Juilliard School in Vienna and Kremerata Baltica orchestras, including the Chicago 2001.
    [Show full text]
  • ITEC Program Book
    ITEC 2019 Program Addendum Voxman Building Notes - The Voxman School of Music’s facilities will be open every day from 7am – 10pm for the duration of the conference - The registration desk will be available on the 2000 level in the Pearl West Lobby from 8am-8pm for the duration of the conference - Instrument storage will be available in the Stark Opera Theater (0151) from Tuesday through Saturday, 8am-8pm and for 30 minutes after the end of the evening concerts o Exception: instrument storage will close at 4:30pm on Thursday to allow volunteers time to prepare for and attend the Banquet - No instruments or cases are allowed in the Concert Hall or Recital Hall audience during performances - No food or drink (except water) in any classroom or performance space - Lessons with students under 18 years of age require a parent or guardian in the room Schedule Corrections Monday, May 27 Correction 9:00am – Recital Hall (2301) – Competition: Mock Band - Tuba Incorrectly listed as taking place in Stark Opera Theater (pg. 17, pg. 27) Correction 9:00am – Stark Opera Theater (0151) – Competition: Electronics Incorrectly listed as starting at 5:00pm (pg. 27) Correction 3:00pm – Recital Hall (2301) – Competition: Young Artist Euphonium Final Round Incorrectly listed as Artist Euphonium Final Round (pg. 27) Correction 3:30pm – Concert Hall (2101) – Competition: Ensemble Final Round Incorrectly listed as starting at 3:00pm (pg. 17, omitted on pg. 27) Tuesday, May 28 Cancellation 9:00am – James Dixon Room (0002) – Presentation: Samuel Adler – David Saltzman (pg. 18, 32) Correction 2:00pm – James Dixon Room (0002) – Presentation: Young at Heart – Velvet Brown and Roger Bobo (pg.
    [Show full text]
  • Create Inspire Connect
    Timothy Chooi with Michelle Cann Generously sponsored by Deborah LaGorce JANUARY 24 I 3:30 PM CHRISTENSEN PERFORMANCE HALL on the Madeline Janis Courter Stage BIG ARTS 2021 CREATE INSPIRE CONNECT www.BIGARTS.org or (239)395-0900 COMING UP Monday Night Film January 25, 7:00 p.m. Talking Points: Fred Guttenberg January 28, 4:00 p.m. Ranky Tanky January 30, 4:00 p.m. & 8:00 p.m. Monday Night Film February 1, 7:00 p.m. Talking Points: Lyn Millner February 4, 4:00 p.m. Michael Cleveland & Flamekeeper February 6, 4:00 p.m. & 6:00 p.m. Monday Night Film February 8, 7:00 p.m. Talking Points: Ian Sherr February 11, 4:00 p.m. FORUM: Dr. Arin Reeves February 14, 7:30 p.m. FOR DETAILS GO TO BIGARTS.ORG 2 Timothy Chooi with pianist, Michelle Cann Canadian-American violinist Timothy Chooi has garnered huge critical and public acclaim, most recently when he won second prize at the 2019 Queen Elisabeth Competition in Belgium. Timothy has already made a name for himself, garnering numerous prizes including first prize in the 2018 Joseph Joachim International Violin Competition in Germany and first prize in the 2018 Schadt Violin Competition in the U.S. In addition to having already performed with every major orchestra in his home country of Canada, Timothy has played with the Brussels Philharmonic under Stéphane Denève, Santa Barbara Symphony, and Orchestre Philharmonique de Liége and is making his Carnegie Hall debut. Sponsored by Deborah LaGorce This performance is dedicated to Jan Holly and her many years of selfless work on the classical committee for BIG ARTS.
    [Show full text]
  • Fischoff National Chamber Music Competition
    THE 47TH ANNUAL FISCHOFF NATIONAL CHAMBER MUSIC COMPETITION Thursday, May 7 – Saturday, May 9, 2020 TheFischoff fischoffchambermusic Fischoff FischoffNCMC Fischoff.org THE 47TH ANNUAL WELCOME TO THE FISCHOFF Elected Officials Letters ................................ 3 Fischoff President Letter & Board of Directors ............. 4 Letter from the Artistic Director. .5 Letter from the University President. 6 Thursday, May 7 – Saturday, May 9, 2020 THE FISCHOFF NATIONAL CHAMBER MUSIC ASSOCIATION Staff ................................................8 National Advisory Council ..............................10 2020 Competition Fast Facts ...........................11 History of The Fischoff .................................12 History of The Competition .............................13 Double Gold Tours .................................14–15 Peer Ambassadors for Chamber Music (PACMan) ..........17 Soirées ..............................................17 Fischoff Chamber Music Academy .......................18 Fischoff Welcomes New Executive Director. 19 THE 47TH ANNUAL FISCHOFF COMPETITION Screening Committees .................................21 Junior Division Jurors ..............................22–23 Senior Division Jurors .............................24–25 Medal and Prize Sponsors ..........................26–27 A NOTE OF THANKS Emilia Romagna Festival ..............................28 The Fischoff National Chamber Music Association Competition Schedule of Events .................... 30–31 Board of Directors and Staff gratefully acknowledge
    [Show full text]
  • Judges' Biographies
    Judged Festival 2021 Judges’ Biographies Margaret Cheng Tuttle Margaret Cheng Tuttle, pianist, a native of Lincoln, Nebraska, has been active as a soloist and chamber musician in Greater Boston and the Midwest, and has given concerts in Taiwan and Reykjavik, Iceland. She has performed concertos by Mozart, Ravel, Beethoven, and Chopin with orchestras including the Omaha and New England Conservatory Symphony Orchestras. Her performances have aired on radio and television in Boston (WGBH), Israel, and the Midwest. In addition to appearing at Jordan Hall, Berklee College of Music and most of the major colleges and universities in Greater Boston, she has given numerous concerts in Chicago, Wisconsin, Nebraska and Colorado. A recipient of the Janet Gates Peckham International Award for Excellence in the Arts, she has performed with Boston's Alea III, the Orchestra of Indian Hill, Serenata Chamber Musicians, and at summer festivals including Kneisel Hall in Blue Hill, Maine; the Aspen (Colorado) Music Festival; and Rocky Ridge Music Center in Estes Park, Colorado. While earning her Master of Music degree at New England Conservatory, she was a winner in both the Piano Honors and the Commencement Competitions. She has studied with Seymour Lipkin of the Juilliard School, Ronald Copes of the Juilliard Quartet, Eugene Drucker of the Emerson Quartet, and cellist YoYo Ma. Margaret enjoys collaborating with composers, including Samuel Adler, Stephen Halloran, and Lior Navok. She and her students have premiered several works, and she has made a CD of piano music by Harry Chalmiers. She has been on the piano faculty of the Rivers Music School, Brookline Music School, Indian Hill Arts, and MIT.
    [Show full text]
  • First Van Cliburn Competition •
    I ' ' COMPETITORS I Susumu Aoyagi (Japan} p.62 ' Andrew Armstrong (USA) p.63 Yuri Bogdanov (Russia} p.64 • Victor Chestopal (Russia} p.65 • • Naida Cole (Canada) p.66 • Michail Dantchenko (Ukraine) p.67 • • • Alexandre Dossin (Brazil) p.68 • Filippo Gamba (Italy) p.69 • I Joel Hastings (Canada) p. 70 • Stanislav loudenitch (Russia) p. 71 • • .' Jan Gottlieb Jiracek (Germany) p. 72 • • ~ Yakov Kasman (Russia) p. 73 Yong-Kyu Lee (Korea) p. 74 • • Aleksandar Madzar (Yugoslavia) p. 75 • •' I '• I • Anton Mordasov (Russia) p. 76 ' •' • Eugene Mursky (Uzbekistan) p. 77 I Jon Nakamatsu (USA) p. 78 L I Olga Pushechnikova (Russia) p. 79 Aviram Reichert (Israel) p.80 • Fernando Rossano (Italy) p.81 • I Per Rundberg (Sweden) p.82 Yuan Sheng (China) p.83 • • Margarita Shevchenko (Russia) p.84 Christopher Sl1ih (USA) p.85 .• Niklas Sivelov (Sweden) p.86 • Katia Skanavi (Russia) p.87 Alex Slobodyanik (Russia) p.88 • Ju-Ying Song (USA) p.89 Dmitri Teterin (Russia) - p.90 ' Albert Tiu (Philippines) p.91 p.92 •• Dimitri Vassilakis (Greece) George Vatchnadze (Georgia) p.93 Lev Vinocour (Rt1ssia) p.94 Dmitri Vorobieff (Rt1ssia) p.95 Yi Wu (Argentina) p.96 • • 61 COMPETITORS~ SUSUMU AOYAGI AnDRESS: do von der Becke Winterfeldtstrasse 25 10781 Berlin, Germany COMPETITIONS AND AWARDS: 1996 lbla International Piano C.ompetition~ Sixth Prize 1996 CIEM Geneva International Piano Competition, Finalist 1994 Tchaikovsky International Competition, Diploma 1993 Casablanca International Piano Competition, First Prize 1992 Marguerite Long-Jacques Thibaud International
    [Show full text]