Yagp 2015 Finals Pre-Competitive Directory

Total Page:16

File Type:pdf, Size:1020Kb

Yagp 2015 Finals Pre-Competitive Directory 1 2 TABLE OF CONTENTS Table of Contents 2 Time Line 3 - 5 Scheduled Events 6 Schedule of Classes 7 - 12 Grand Defile Rehearsal Schedule 12 Teachers & Scholarship Presenters 13 - 14 Junior Directory 15 - 18 Senior Directory 19 - 23 Pre-Competitive Directory 24 - 26 Important Addresses 27 Friday, April 10, 2015 Program 28 - 40 Saturday, April 11, 2015 Program 41 - 54 Sunday, April 12, 2015 Program 55 - 66 Monday, April 13, 2015 Program 67 - 79 Tuesday, April 14, 2015 Program 80 – 97 Notes 98 -100 3 YAGP 2015 NYC FINALS TIME LINE Jack H. Skirball Center for the Performing Arts 566 LaGuardia Place New York, NY, 10012 Competition Schedule Friday, April 10, 2015 11:30 AM - 12:00 PM Open Stage – Pre-Competitive Group 1 (Ages 9 - 10) (401 – 444) 12:00 PM - 1:40 PM Pre-Competitive Competition Group 1 (Ages 9 - 10) (401 - 444) 1:40 PM - 2:00 PM Open Stage – Pre-Competitive Group 2 (Age 11) (445 - 482) 2:00 PM – 3:20 PM Pre-Competitive Competition Group 2 (Age 11) (445 - 482) 3:20 PM – 3:50 PM Open Stage – Duets, Trios, & Pas de Deux (801 – 820, 901 – 904) 3:50 PM - 5:20 PM Duets, Trios, & Pas de Deux Competition (801 – 820, 901 – 904) 5:20 PM - 5:40 PM Open Stage - Pre-Competitive Group 3 (Age 11 & Men) (483 – 525) 5:40 PM – 7:00 PM Pre-Competitive Competition Group 3 (Age 11 & Men) (483 – 525) 7:00 PM - 7:20 PM Open Stage - Pre-Competitive 2nd Piece Group 1 (Ages 9 – 11 & Men) (402– 471) 7:20 PM - 8:20 PM Pre-Competitive Competition 2nd Piece Group 1 (Ages 9 -11 & Men) (402 – 471) 8:20 PM - 8:40 PM Open Stage - Pre-Competitive 2nd Piece Group 2 (Ages 9 – 11 & Men) (473– 525) 8:40 PM - 9:45 PM Pre-Competitive Soloist Competition 2nd Piece Group 2 (Ages 9 -11 & Men) (473 – 525) 4 Competition Schedule Saturday, April 11, 2015 10:30 AM - 11:00 AM Open Stage - Junior Contemporary/Open Soloists Group 1 (Ages 12 - 13) (001 - 039) 11:00 AM - 12:40 PM Junior Contemporary/Open Soloists Competition Group 1 (Ages 12 - 13) (001 – 039) 12:40 PM - 1:00 PM Open Stage –Junior Contemporary/Open Soloists Group 2 (Ages 13 - 14) (040 – 078) 1:00 PM - 2:40 PM Junior Contemporary/Open Soloists Competition Group 2 (Ages 13 - 14) (040 - 078) 2:40 PM – 3:00 PM Open Stage – Large Ensembles Group 1 (821 – 832) 3:00 PM – 4:00 PM Large Ensemble Competition Group 1 (821 – 832) 4:00 PM - 4:20 PM Open Stage – Junior Contemporary/Open Soloists Group 3 (Age 14) (079 - 116) 4:30 PM – 6:00 PM Junior Contemporary/Open Soloists Competition Group 3 (Age 14) (079 - 116) 6:00 PM – 6:30 PM Open Stage – Large Ensembles Group 2 (833 - 851) 6:30 PM – 8:00 PM Large Ensemble Competition Group 2 (833 - 851) Competition Schedule Sunday, April 12, 2015 11:00 AM - 11:30 AM Open Stage - Senior Contemporary/Open Soloists Group 1 (Age 15) (201 - 232) 11:30 AM - 1:00 PM Senior Contemporary/Open Soloists Competition Group 1 (Age 15) (201 - 232) 1:00 PM – 1:20 PM Open Stage - Senior Contemporary/Open Soloists Group 2 (Age 16) (233 - 268) 1:20 PM – 3:00 PM Senior Contemporary/Open Soloists Competition Group 2 (Age 16) (233 - 268) 3:00 PM - 3:20 PM Open Stage – Junior Men Contemporary/Open Soloists (Ages 12 – 14) (121 - 141) 3:20 PM - 4:20 PM Junior Men Contemporary/Open Soloists Competition (Ages 12 – 14) (121 - 141) 4:20 PM - 4:40 PM Open Stage - Senior Contemporary/Open Soloists Group 3 (Ages 16 – 19) (269 - 303) 4:40 PM – 6:20 PM Senior Contemporary Competition/Open Soloists Group 3 (Ages 16 - 19) (269 - 303) 6:20 PM - 6:40 PM Open Stage - Senior Men Contemporary/Open Soloists Group 1 (Ages 15 – 17) (311 - 346) 6:40 PM – 8:10 PM Senior Men Contemporary/Open Soloists Competition Group 1 (Ages 15 - 17) (311 - 346) 8:10 PM – 8:30 PM Open Stage - Senior Men Contemporary/Open Soloists Group 2 (Ages 17 – 19) (347 - 379) 8:30 PM – 10:00 PM Senior Men Contemporary/Open Soloists Competition Group 2 (Ages 17 - 19) (347 – 379) 5 Competition Schedule Monday, April 13, 2015 12:00 PM –12:30 PM Open Stage - Junior Classical Soloists Group 1 (Ages 12 - 13) (001 - 039) 12:30 PM – 2:00 PM Junior Classical Soloists Competition Group 1 (Ages 12 - 13) (001 - 039) 2:00 PM - 2:20 PM Open Stage - Junior Classical Soloists Group 2 (Ages 13 - 14) (040 - 078) 2:20 PM - 3:40 PM Junior Classical Soloists Competition Group 2 (Ages 13 - 14) (040 - 078) 3:40 PM – 4:00 PM Open Stage – Pas De Deux Group 1 (905 - 920) 4:00 PM – 5:30 PM Pas De Deux Competition Group 1 (905 - 920) 5:30 PM - 5:50 PM Open Stage – Pas De Deux Group 2 (921 – 934) 5:50 PM – 7:30 PM Pas De Deux Group 2 Competition (921 - 934) 7:30 PM - 7:50 PM Open Stage - Junior Classical Soloists Group 3 (Age 14) (079 - 116) 7:50 PM - 9:10 PM Junior Classical Soloists Competition Group 3 (Age 14) (079 – 116) 9:10 PM – 9:30 PM Open Stage - Large Ensembles Group 4 (852 – 863) 9:30 PM – 10:15 PM Large Ensemble Competition Group 4 (852 – 863) Competition Schedule Tuesday, April 14, 2015 12:00 PM - 12:30 PM Open Stage - Senior Classical Soloists Group 1 (Age 15) (201 - 232) 12:30 PM - 1:40 PM Senior Classical Soloists Competition Group 1 (Age 15) (201 - 232) 1:40 PM - 2:00 PM Open Stage - Senior Classical Soloists Group 2 (Age 16) (233 - 272) 2:00 PM – 3:30 PM Senior Classical Soloists Competition Group 2 (Age 16) (233- 272) 3:30 PM –3:50 PM Open Stage - Men Classical Soloists Group 1 (Ages 12 - 16) (121 – 141, 311 – 331) 3:50 PM – 5:00 PM Men Classical Soloists Competition Group 1 (Ages 12 - 16) (121 – 141, 311 - 331) 5:00 PM - 5:20 PM Open Stage - Men Classical Soloists Group 2 (Age 16 - 19) (332 - 379) 5:20 PM – 6:30 PM Men Classical Soloists Competition Group 2 (Age 16 - 19) (332 – 379) 6:30 PM - 6:50 PM Open Stage - Senior Classical Soloists Group 3 (Ages 17 -19) (273 - 303) 6:50 PM – 8:00 PM Senior Classical Soloists Competition Group 3 (Ages 17 - 19) (273 - 303) 8:00 PM – 8:30 PM Open Stage - Large Ensembles Group 5 (864- 885) 8:30 PM – 10:00 PM Large Ensemble Competition Group 5 (864 - 885) 6 YAGP 2015 NYC FINALS SCHEDULED EVENTS Thursday, April 9, 2015 5:00 - 8:00 PM – Registration (Optional) for all Participants Sheraton Hotel – Mezzanine Lobby 811 7th Avenue, (at 51st Street) New York, NY, 10019 Saturday, April 11, 2015 5:00 - 7:00 PM - "Dance in Higher Education" Audition The Juilliard School – Studio 320 155 W. 65th Street New York, NY, 10023 Wednesday, April 15, 2015 7:00 PM - Final Round (Juniors & Seniors) - David H. Koch Theater 20 Lincoln Center New York, NY 10023 10:00 - 11:00 PM - Participant's Party on the Promenade of the David H. Koch Theater 20 Lincoln Center New York, NY 10023 Thursday, April 16, 2015 2:30 PM - Awards Ceremony (Participant Line-up is at 1:00 PM) David H. Koch Theater 20 Lincoln Center New York, NY 10023 4:30 PM – 6:00 PM – Teachers & Scholarship Presenters Reception on the Promenade of the David H. Koch Theater David H. Koch Theater 20 Lincoln Center New York, NY 10023 6:30 PM - Closing Night Gala, "Stars of Today Meet the Stars of Tomorrow" David H. Koch Theater 20 Lincoln Center New York, NY 10023 Friday, April 17, 2015 7:00 PM - David Hallberg Gala, “Legacy” David H. Koch Theater 20 Lincoln Center New York, NY 10023 7 YAGP 2015 NYC FINALS SCHEDULE OF CLASSES FRIDAY, APRIL 10, 2015 MANHATTAN MOVEMENT & ARTS THE AILEY SCHOOL SKIRBALL CENTER CENTER STUDIO 1 BLACK BOX STUDIO 6B STAGE STUDIO 10:00 -11:00 AM Pre-Competitive Warm-up (#401 - #460) 10:30 AM – 12:00 PM Ensemble Warm-up (#801-#820, #901-#904) 11:00 AM - 12:00 PM Pre-Competitive Warm-Up (#461 - #482) 12:00 – 1:15 PM 12:00 – 1:30 PM Men Soloist Junior Women Soloist Classical Technique Classical Technique (#121 - #143) (#001 - #058) (#311 - #320) 1:30 – 3:00 PM 1:30 – 3:00 PM 1:15 – 2:30 PM Pre-Competitive Junior Women Soloist Men Soloist Classical Technique Classical Technique Classical Technique (#483 - #525) (#059 - #115) (#321 - #353) 3:00 – 4:30 PM 3:00 – 4:30 PM 2:30 – 4:00 PM Senior Women Soloist Senior Women Soloist Men Soloist Classical Technique Classical Technique Classical Technique (#201 - #242) (#243 - #304) (#354 - #387) 8 SATURDAY, APRIL 11, 2015 MANHATTAN MOVEMENT & ARTS THE AILEY SCHOOL SKIRBALL CENTER CENTER BLACK BOX STUDIO 2A STUDIO 2B STAGE STUDIO 9:00 – 10:00 AM 9:00 – 10:30 AM 9:00 – 10:30 AM Junior Soloist Pre-Competitive Ensembles Group 2 Warm-up SCHOLARSHIP Warm-up (#001 - #039) Class (#821 - #831) (#401 - #525) 10:00 – 11:00 AM Junior Soloist Warm-up 10:30 AM – 12:00 PM (#040 - #078) Junior/Senior Women Soloist Classical Technique (#078 - #120) (#201 - #220) 12:00 – 1:30 PM Ensembles Group 3 & 4 & PC Intensives Classical Technique (Ages 9 - 11) 1:30 – 3:00 PM Ensemble Groups 3 & 4 & JR Intensives Classical Technique (Age 12 – 13) 3:00 – 4:30 PM Ensemble Groups 3 & 4 & JR/SR Intensives Classical Technique (Ages 14 - 16) 4:30 – 5:30 PM Ensemble Groups 3 & 4 & SR Intensives 5:30 –7:00 PM 5:30 –7:00 PM Classical Technique Senior Women Soloist Senior Women Soloist (Ages 17 & Up) Classical Technique Classical Technique (#221 - #265) (#266 - #310) 7:00 –8:30 PM 7:00 –8:30 PM JR/SR Men’s Soloist Men’s Soloist Classical Technique Classical Technique (#121 - #143) (#341 - #387) (#311 - #340) 9 SUNDAY, APRIL 12, 2015 SKIRBALL MANHATTAN MOVEMENT & ARTS CENTER THE AILEY SCHOOL CENTER STUDIO 1 STUDIO 2 BLACK BOX STUDIO 1A STUDIO 1B STAGE 10:00 – 11:30 AM 10:00 – 11:30 AM 9:30 – 11:00 AM 10:00 – 11:30 AM Pre-Competitive Pre-Competitive Senior Women Soloist Sr.
Recommended publications
  • Radio 3 Listings for 10 – 16 January 2015 Page
    Radio 3 Listings for 10 – 16 January 2015 Page 1 of 10 SATURDAY 10 JANUARY 2015 5:01 AM SAT 14:00 Saturday Classics (b04xrnhb) Brahms, Johannes (1833-1897) Simon Heffer: Best of British Playlist SAT 01:00 Through the Night (b04wmy50) Academic Festival Overture, Op.80 Casals Quartet BBC National Orchestra of Wales, Grant Llewellyn Episode 2 (Conductor) The Casals Quartet play Mozart, Ligeti and Brahms. Presented Inspired by Radio 3 Breakfast's "Best of British" playlist which by Jonathan Swain. 5:12 AM ran throughout 2014, journalist Simon Heffer continues the Vivaldi, Antonio (1678-1741) choice of his favourite music by British composers, including 1:01 AM Concerto in D minor for strings and basso continuo (RV.128) works by Frank Bridge, Gerald Finzi, Herbert Howells, Eric Mozart, Wolfgang Amadeus (1756-1791) Arte dei Suonatori, Eduardo Lopez (conductor) Coates and George Lloyd. String Quartet in C major (K.465) "Dissonance" Casals Quartet: Vera Martínez-Mehner and Abel Tomàs 5:18 AM (violins), Jonathan Brown (viola), Arnau Tomàs (cello) Strauss, Richard (1864-1949) SAT 16:00 Sound of Cinema (b04xrnhd) Der Abend (Op.34 No.1) for 16 part choir Film Musicals - The Last 50 Years 1:29 AM Danish National Radio Choir, Stefan Parkman (conductor) Ligeti, Gyorgy (1923-2009) The Sound of Music with Julie Andrews is 50 years old - in the Quartet no. 1 (Metamorphoses nocturnes) for strings 5:27 AM week of the release of Sondheim's screen version of Into The Casals Quartet Chopin, Fryderyk [1810-1849] Woods, Matthew Sweet looks back on the last half century of Krakowiak - rondo for piano and orchestra (Op.14) in F major the screen musical.
    [Show full text]
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • Leanne Benjamin Built for Ballet
    October 2021 M October 2021 Melbourne Books LEANNE BENJAMIN An Autobiography BUILT FOR BALLET LEANNE BENJAMIN WITH SARAH CROMPTON This autobiography by Leanne Benjamin with Sarah Crompton reveals the extraordinary life and career of one of the world’s most important ballet dancers of the past 50 years. Leanne was born and raised in the central Queensland town of Rockhampton in a tightly knit hard-working Catholic family. At the age of 3 she attended her first ballet class and at 16 she was accepted into the Royal Ballet School in London and at 18 danced her first leading role on the Royal Opera House stage in the school’s performance of Giselle that catapulted her to a stellar career. The book takes you behind the scenes to find a real understanding of the pleasure and the pain, the demands and the intense commitment it requires to become a ballet dancer. It’s a book for ballet-lovers which will explain from Benjamin’s personal point of view, how ballet has changed and is changing. It’s a book of history: she was first taught by the people who created ballet in its modern form and now she works with the dancers of today, handing on all she has known and learnt. But it’s also a book for people who are just interested in the psychology of achievement, how you go from being a child in small town Rockhampton in the centre of Australia to being a power on the world’s biggest stages — and how an individual copes with the ups and downs of that kind of career.
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • 2016 YAGP Scholarships for Press
    Youth America Grand Prix 2016 New York Finals Scholarship Awards and Professional Job Contracts Professional Job Contracts: American Ballet Theatre Studio Company Contract Layla Maxine Burgess – Annette Roselli Dance Academy, AUSTRALIA Andrii Iscuhk – Ellison Ballet Professional Training Program, USA Ballet West Company Contract Victoria Vassos – Independent, SWITZERLAND Ballet West II Stephanie Buesser – Petrov Ballet School, USA Dutch National Ballet Junior Company Nika Afonina – Kiev State Ballet School, UKRAINE Rafael Valdez Ramirez – Kansas School of Classical Ballet, USA Houston Ballet Company Contract Thays Golz – Raca Centro de Artes, BRAZIL The Washington Ballet Trainee Landry Ridener - The Florida Ballet at Jacksonville, USA Professional School Scholarships: Australian Ballet School Full Year Xu Jingkun – Shanghai Dance School, CHINA Annabelle Watt – Claudio Dean Coaching, AUSTRALIA Short Term Ryo Hinoue – S. BALLET. ART, JAPAN Zoe Hosinger – Edge School, CANADA Saya Ikeda – Soda Ballet School, JAPAN Chiyo Kameda – Yoshihara Ballet Academy, JAPAN Airi Kobayashi – de-parc Ballet School, JAPAN Lilly Maskery – Phillippa Campbell School of Ballet, NEW ZEALAND Yo Nakajima – Symphony Ballet Studio, JAPAN Nina Nashiki – Nashiki Ballet Studio, JAPAN Meg Newton – Regional Academy of Performing Arts, AUSTRALIA Nanoka Shimada – Kaneta Kouno Ballet Academy, JAPAN Ion Ohta – Takako Mori Ballet School, JAPAN Maria Takahasi – RGB Rei Grand Ballet, JAPAN Mao Yakushiji – Furue Ballet School, JAPAN Ballett-Akademie Hochschule für Musik & Theater
    [Show full text]
  • Nutcracker Media Release R1
    FOR IMMEDIATE RELEASE November 14, 2014 Contact: Erika Overturff (Founder and Artistic Director), (402) 541-6946 Print-quality photos are available for download here. BALLET NEBRASKA'S NUTCRACKER BLENDS NEW FEATURES, OLD FAVORITES The premiere of a new French scene and the debut of a new Sugar Plum Fairy and are among the features of this year's edition of Ballet Nebraska's The Nutcracker. “I’m always looking for ways to maintain the ballet’s story and charm, while adding fresh touches,” said artistic director Erika Overturff, who choreographs and stages the holiday classic, as well as dancing the role of the Snow Queen. “Personalizing the ballet for your own company and audience is something that every company has done since the beginning – it’s part of the tradition of The Nutcracker.” The French scene – often called “Mirletons” or “Dance of the Reed Flutes” – gets a makeover this year, with new concept, choreography and costumes, Overturff said. “I was listening to the music and thinking about things we associate with France,” she said, “and I thought: What could be more French than cooking? I don’t want to spoil the surprise, but I can tell you that the new scene involves a ballerina, a chef with a lot of assistants, and a cake.” A signature role in The Nutcracker, Overturff said, is that of the Sugar Plum Fairy – the benign ruler of the Kingdom of Sweets, who welcomes the young heroine, Clara, and commands a series of spectacular dances in her honor. Making her debut as the Sugar Plum Fairy this year is Vivi DiMarco, a dancer in her third season with Ballet Nebraska.
    [Show full text]
  • Goh Ballet Bayview Your Dance Journey Starts with Us
    Goh Ballet Bayview Your Dance Journey Starts With Us GohBallet.com/Bayview Ballet Ballet Recognized to be a combination of intricate choreography, scenic design, atmospheric lighting, accentuated costuming, graceful movements and a personification of music,Ballet is a dance like no other. It can be used to express our deepest emotions or to tell the most profound stories and has been globally influential, defining the foundational techniques used in many other dance genres and cultures. In Canada, Goh Ballet was established over forty years ago by Choo Chiat and Lin Yee Goh, and has since grown into one of the most illustrious private dance schools in the world. Now under the directorship of Chan Hon Goh, former Principal Dancer of The National Ballet of Canada, Goh Ballet Academy is flourishing in the renaissance of a global arts community in Canada. We are looking to the future with agility, strength and poise. Dancers of Goh Ballet will be empowered to take the international stage with assurance. Polished holistic training programs are grounded by Goh Ballet’s core values: innovation for advancement, respect for the art-form, and care for balance and teamwork. Passionately mentored by a dedicated faculty, each dancer’s artistic versatility is allowed to shine at every level. An art form that touches human emotions beyond that of anything else, dance speaks to the soul. Goh Ballet cherishes and exudes beauty, grace and elegance by encouraging and introducing people to lead creatively inspired lives. The Arts are meant to be shared and Goh Ballet gives the highest level of care based upon principles of building and evolving perfection, inspiring possibilities and propelling motivation.
    [Show full text]
  • New E-Items Added 1 5 to 1 11 2016 1 Title Author Publisher Published
    New E-items Added 1 5 to 1 11 2016 Title Author Publisher Published Location Call Number Class Subject First Baptist Church, Charlotte, N.C., 1832- McLean, Carrie L. Washburn Press, 1917 Ebooks - LU BX 6480 C BX BX - Christian 1916 [electronic resource] / compiled by users only 34 F 53 Denominations. Carrie L. McLean. 1917 EB History of Steele Creek Church [electronic Douglas, John, Isha Books, 2013 Ebooks - LU BX 9211 C BX BX - Christian resource] : Mecklenburg County, N.C. / users only 265 S 74 Denominations. compiled and written by Rev. John Douglas ; 1901 EB revised and extended to the close of the 19th century by the Historical Committee. Historical sketch of New Hope Church, in Craig, D. I. (David Isha Books, 2013 Ebooks - LU BX 9211 N BX BX - Christian Orange County, N.C. [electronic resource] / by Irwin), 1849-1925, users only 47 C 7 1891 Denominations. Rev. D.I. Craig. EB Spanish archives of New Mexico [electronic Twitchell, Ralph Torch Press, 1914 Ebooks - LU CD 3394 T CD CD - resource] : compiled and chronologically Emerson, 1859-1925, users only 9 1914 EB Diplomatics, arranged with historical, genealogical, Archives, Seals. geographical, and other annotations, by authority of the state of New Mexico / by Ralph Emerson Twitchell. Franklin County, Illinois, war history, 1832- Baird, S. Sylvester. Pub. by H.W. 1920 Ebooks - LU D 505 B 35 D D - General 1919 [electronic resource] : containing a brief Trovillion for users only 1920 EB World History. review of the world war--complete history of the Franklin Franklin County's activities--photographs and County War service records of Franklin County's soldiers, History Society, sailors and marines--ind Tulsa County in the world war [electronic Lampe, William T., 1919 Ebooks - LU D 57085 O D D - General resource] / comp.
    [Show full text]
  • TDF Stages Home About TDF Stages Contact TDF
    Search Our Site... Bringing the Power of the Performing Arts to Everyone TDF LOGIN WINTER SALE: Become a member to save on ckets to theatre, dance and music! Find out if you qualify to join TDF. Home > Arcle > 15 Dance Performances to See This February Adjust Text Size: TDF Stages Home About TDF Stages Contact TDF Stages Newsleer Signup Masters of the Stage TDF Theatre Diconary 15 Dance Performances to See This February By SUSAN REITER FRI JAN 31, 2020 • DANCE • 0 COMMENTS SHARE THIS Catch two takes on Swan Lake, the Martha Graham Dance Company and a wide range of internaonal dance troupes this month --- February is overflowing with worthy dance performances from all over the world. The Joyce goes global with companies from Brazil, Argenna and France; the Harkness Dance Fesval is showcasing a different internaonal troupe each week; and the St. Petersburg Ballet Theatre makes its U.S. debut with Swan Lake at BAM. There are plenty of domesc dance-makers too, including New York City Ballet and the Martha Graham Dance Company. Of the 15 performances we're highlighng, at press me we have TDF member discounts to three, and we expect to have others in the coming weeks. It's best to check our offers daily as cket availability changes frequently. --- New York City Ballet: Winter Season 2020 David H. Koch Theater at Lincoln Center, 20 Lincoln Center Plaza, enter at 63rd Street Runs through March 1. The company interrupts its mixed-repertory programs for 12 performances of Peter Marns' Swan Lake (February 14-23).
    [Show full text]
  • 2017 - 2018 SEASON World Ballet Stars • Giselle • the Nutcracker • Peter Pan Lightwire Theater: a Very Electric Christmas
    2017 - 2018 SEASON World Ballet Stars • Giselle • The Nutcracker • Peter Pan Lightwire Theater: A Very Electric Christmas 2017-2018 SEASON PASSION. DISCIPLINE. GRACE. Attributes that both ballet dancers and our expert group of medical professionals possess. At Fort Walton Beach Medical Center, each member of our team plays an important part in serving our patients with the highest quality care. We are proud to support the ballet in its mission to share the beauty and artistry of dance with our community. Exceptional People. Exceptional Care. 23666 Ballet 5.5 x 8.5.indd 1 8/26/2016 3:47:56 PM MESSAGE FROM THE DIRECTOR Dear Friends: Welcome to the 48th season of the Northwest Florida Ballet! With the return of the Northwest Florida Ballet Symphony Orchestra and FIVE productions at venues all along the Emerald Coast, we have proven our commitment to elevating the performing arts in the communities we serve. As friends of NFB and valued patrons of the arts, we have listened to your feedback and identified new performance locations and expanded use of others to continue bringing you the world-class productions our organization is known for. Todd Eric Allen, NFB Artistic Director & CEO The season begins with World Ballet Stars, a main stage production at the Mattie Kelly Arts Center in September. Through our expanded partnership with Grand Boulevard, we will present Giselle to the community as a free outdoor performance in Grand Park in October. We return to the Mattie Kelly Arts Center in November for our 38th annual production of The Nutcracker. In December we bring back the electrifying Lightwire Theater with A Very Electric Christmas for two performances at the Destin United Methodist Church Life Center.
    [Show full text]
  • WRAP Thesis Ruben 1998.Pdf
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/59558 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. 1 GRACE UNDER PRESSURE: RE-READING GISELLE. Mel Ruben Thesis submitted for the degree of Doctor of Philosophy in English Literature University of Warwick Department of English and Comparative Literary Studies September, 1998 2 For Peter, Alice, Audrey and Theda Ruben 3 Table of Contents Acknowledgements 6 Summary 7 Terminology 8 Preface 1. Introduction 9 2. My Personal Aims for this Thesis 11 3. My Own Mythology 16 4. Ballet Writing and Ballet Going in the 1990s 20 5. The Shape of Love 35 Notes to the Preface 38 ChaQter One: The Ballet Called Giselle 1. Jntroductton 42 2. Giselle: a Romantic Ballet 42 3. The Plot of Giselle 51 4~The First Giselle 60 5. Twentieth Century Giselles 64 6. The Birmingham Royal Ballet's 1992 Giselle 74 7. Locating Ballet in Dance Studies 86 8. Using Ballet as a Text 91 9. Methodology 98 Notes to Chapter One 107 ChaQter Two Plot: Blade Runner and Giselle 1. Introduction 111 2. The Two Blade Runners 113 3. The Plot of Blade Runner 117 4. Matching the Myths 129 5. Endings and Closures 159 6.
    [Show full text]