Womens Autobiographies, Parts 1 and 2

Total Page:16

File Type:pdf, Size:1020Kb

Womens Autobiographies, Parts 1 and 2 Womens Autobiographies, Parts 1 and 2 WOMEN'S AUTOBIOGRAPHIES from Cambridge University Library Part 1: Rare printed autobiographies covering thirty-three womens lives, 1713-1859 Part 2: Rare printed autobiographies covering twenty-two womens lives, 1780-1889 Contents listing PUBLISHER'S NOTE NOTES TO READERS CONTENTS OF REELS - PART 1 DETAILED LISTING - PART 1 CONTENTS OF REELS - PART 2 DETAILED LISTING - PART 2 Womens Autobiographies, Parts 1 and 2 Publisher's Note Women’s autobiographies provide a rich and diverse source of information for social historians, literary scholars, and students studying women and gender issues. We may wonder what compelled women to write their life histories. Some autobiographies were crafted by experienced writers with the intention of publication. Others were by less experienced writers, and intended only for private reading by family and friends. For some it was to relate a particular personal experience, and for others to retell their involvement in a movement or activity. From these first-hand accounts much information can be learned. For example, recollections of a family history can reveal differing regional cultures. Childhood memories frequently recall the inequalities between brothers and sisters, particularly in relation to education; the different types of work undertaken by women, and the wages they received; the numbers of women involved in voluntary work for which no official records were held; private thoughts relating to marriage, spinsterhood and romance. These autobiographies also reveal women’s aspirations in life: socially what was expected of them, and privately what they felt they should aspire to. Women in Context: Two Hundred Years of British Women Autobiographers: A Reference Guide and Reader by Barbara Penny Kanner (G K Hall & Co, 1997) provides students with a structured overview of more than 1,000 women’s autobiographical texts from the 1720s through two hundred years. Women’s Autobiographies aims to make these resources more widely available by reproducing the original text (filming first or early editions). Part 1 covers the lives of thirty-two women who lived between 1713 and 1859 with a total of forty-three texts. One of the first autobiographies is A Narrative of the Life of Mrs Charlotte Charke, Daughter of Colley Cibber (1755) which describes the life and experiences of Charlotte Charke (1713-1760). There is much on the 18th century theatre, as she both acted and wrote farces for the stage and knew Henry Fielding and David Garrick. Her great success as Macheath in The Beggar’s Opera is described, as well as her proclivity for cross-dressing off-stage, which will make her of interest to gay studies. The Memoirs of Laetitia Pilkington, Written by Herself (3 volumes, 1749-1754) offers a polished account of the life of an Anglo-Irish writer (c.1706-1750) whose fortunes veered from friendship and patronage of Jonathan Swift, to imprisonment in London for debt. At one stage her husband encouraged her to form liaisons with other men to further his career and she later bemoaned the lack of jobs for women, so there is much interesting commentary on the position of women in the 18th century. By way of counterpoint, we also include her husband’s reaction to the Memoirs and her own Biography for Boys (1799) and Biography for Girls (1800) suggesting gender differences. Ann Candler (1740-1814), workhouse inmate and poet, details her troubled life in Poetical Attempts by Ann Candler, a Suffolk Cottager, with a Short Narrative of Her Life (1803). The loss of three children in infancy, desertion by her husband and workhouse life are all described. The Memoirs of the Late Mrs Catharine Cappe, Written by Herself (1822) take us into the life of an Evangelical social reformer who established a Female Bebefit Club for miners’ wives and daughters in Yorkshire and founded District Committees of Ladies to help poor women throughout the country. Once again, in addition to the autobiography we also feature her Observations on Charity Schools, Female Friendly Societies and other Subjects (1805). Thoughts on the Desirableness and Utility of Ladies Visiting the Female Wards of Hospitals and Lunatic Asylums (1816). Part 2 continues with a selection of autobiographies from nineteen women who lived between the years 1780 and 1889. Twenty-three texts recall the lives and experiences of women from all social classes, involving a wide range of professions and interests. They include an emigrant farmer’s wife, teacher, governess, author, poet, itinerant preacher, artist, journalist, lady-in-waiting, astronomer, scientist, slavery abolitionist, feminists, and reformer for social welfare. The social and cultural traditions of women are also revealed, for example as a clergyman’s daughter, a society woman, a military spouse, and a colonial farmer’s wife in India. An autobiography written by a woman from the poorer classes is that of Rebecca Burlend (1793-1872). As the wife of a tenant farmer, she travelled with her husband and family to America in 1831 in search of a better life. In her book A True Picture of Emigration (1848) she recalls their life as homesteaders in mid-19th century Illinois. Burlend recounts the legal details of homesteading as well as the practicalities of making their own furniture, soap and candles, along with local methods of fence building and cattle raising. Throughout her narrative she compares the depressed state of British farming with the modest prosperity achieved by her family in America. A very different life is revealed by Susan Sibbald (1783-1866) in her autobiography The Memoirs of Susan Sibbald, 1783- 1812 (1926). Born into a naval military family Sibbald relates first-hand anecdotes about the lives and social customs of the upper military classes during late 18th and early 19th century Britain, including her acquaintance with Admiral Sidney Smith, who late helped defeat Napoleon’s navy in Egypt. The memoir includes recollections from her childhood to early married life as the daughter and wife of military men. It is of significant interest that this autobiography was written during Britain’s involvement in the French Revolutionary and Napoleonic Wars. Sibbald’s self-history ends in her twenty-ninth year, but extracts from letters included in this book contain contemporary views on the Crimean War, the Fenian Raids in Canada, and the American Civil War. Nostalgic recollections of a rural childhood are retold by Louisa Potter (c.1800-?) in her autobiography Lancashire Memories (1879). The author recalls holidays in Riverton, Lancashire ‘in the age before railroads’, and travelling by packet boat on the canal. Whimsical, satirical names are used to disguise identities of people such as ‘Mrs Ruleit’ the headmistress, and ‘Lofty Highway Esq’ the neighbouring squire. However, Potter also reveals a firm grasp of social realities in the early 19th century. She discusses such topics as the inequalities in education between boys and girls, the growing unrest among the working classes, and the divisive social class structure. Womens Autobiographies, Parts 1 and 2 The autobiography by astronomer-geographer, Mary Somerville (1780-1872), recalls her life over a period of nine decades throughout the Georgian and Victorian periods. In her book Personal Recollections, from Early Life to Old Age of Mary Somerville (1873) she recalls friendships with Sir John Herschel, Michael Faraday, and Joanna Baillie. Somerville reveals that as a woman intellectual in the 18th century she met with contemporary prejudice, and was seen as an oddity. Seeking equality for women was an important issue for Somerville throughout her long life. In recognition of her work as a scientist she received several important awards, and will be permanently remembered in the foundation of Somerville Hall, a new women’s college at Oxford University. Also included in the collection are: Wanderings of a Pilgrim in Search of the Picturesque (1850) by Fanny Parks (1794-1875), which details Indian peoples and customs over a thirty year period; My Own Story, Autobiography of a Child (1849) and An Autobiography (1889) by Mary Howitt (1799-1889) poet, social reformer and abolitionist; Personal Recollections by Charlotte Elizabeth (1841) by Charlotte Elizabeth Tonna (1790-1846) religionist/spiritualist writer, and social reformer; Recollections of a Literary Life: or, Books, Places and People (1870) by Mary Russell Mitford (1787-1855) poet and novelist. Women’s Autobiographies provides fresh insights into the diversity of women’s lives, and reveals their beliefs, opinions and aspirations. It provides a valuable body of evidence for those studying childhood, class, education and the creation of gendered spaces and identities. <back Womens Autobiographies, Parts 1 and 2 Notes to Readers The numbers in { } brackets throughout this guide refer to the publication Women in Context: Two Hundred Years of British Women Autobiographers: A Reference Guide and Reader, Barbara Penny Kanner, G K Hall & Co, New York, 1997. <back Womens Autobiographies, Parts 1 and 2 Contents of Reels REEL 1 ALEXANDER, Mary, 1760-1809 Some Account of the Life and Religious Experience of Mary Alexander, Late of Needham Market. 1811 {4} ASHBRIDGE, Elizabeth (née Sampson), 1713-1755 Quaker Gray; Some Account of the forepart of the life of Elizabeth Ashbridge, written by her own hand many years ago. 1904 {44} ASHFORD, Mary Ann, 1787-c.1840 Life of a Licensed Victualler’s Daughter, Written by Herself. 1844 {46} ASHFORD, Mary Ann An argument [1817] Wager of battle [1818] Thornton’s Trial!!! The trial of A Thornton … for the murder of M Ashford. [1817] An investigation of the case of Abraham Thornton. [1818] CANDLER, Ann (née More), 1740-1814 Poetical Attempts, by Anne Candler, a Suffolk Cottager, with a Short Narrative of Her Life. 1803 {202} CAPPE, Catharine (née Harrison), 1744-1821 Memoirs of The Life of the Late Mrs Catharine Cappe, Written by Herself. 1822 {204} REEL 2 CAPPE, Catharine Observations on Charity Schools, Female Friendly Societies, and other Subjects connected with the views of the Ladies Committee.
Recommended publications
  • Romantic Textualities, 22
    R OMANTICT EXTUALITIES LITERATURE AND PRINT CULTURE, 1780–1840 • ISSN 1748-0116 ◆ ISSUE 22 ◆ SPRING 2017 ◆ SPECIAL ISSUE : FOUR NATIONS FICTION BY WOMEN, 1789–1830 ◆ www.romtext.org.uk ◆ CARDIFF UNIVERSITY PRESS ◆ Romantic Textualities: Literature and Print Culture, 1780–1840, 22 (Spring 2017) Available online at <www.romtext.org.uk/>; archive of record at <https://publications.cardiffuniversitypress.org/index.php/RomText>. Journal DOI: 10.18573/issn.1748-0116 ◆ Issue DOI: 10.18573/n.2017.10148 Romantic Textualities is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. Unless otherwise noted, the material contained in this journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (cc by-nc-nd) Interna- tional License. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more information. Origi- nal copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Romantic Textualities is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. Find out more about the press at cardiffuniversitypress.org. Editors: Anthony Mandal, Cardiff University Maximiliaan
    [Show full text]
  • Irish Gothic Fiction
    THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland.
    [Show full text]
  • Copyright by Katharine Elizabeth Beutner 2011
    Copyright by Katharine Elizabeth Beutner 2011 The Dissertation Committee for Katharine Elizabeth Beutner certifies that this is the approved version of the following dissertation: Writing for Pleasure or Necessity: Conflict among Literary Women, 1700-1750 Committee: ____________________________________ Lance Bertelsen, Supervisor ____________________________________ Janine Barchas ____________________________________ Elizabeth Cullingford ____________________________________ Margaret Ezell ____________________________________ Catherine Ingrassia Writing for Pleasure or Necessity: Conflict among Literary Women, 1700-1750 by Katharine Elizabeth Beutner, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Acknowledgments My thanks to the members of my dissertation committee—Janine Barchas, Elizabeth Cullingford, Margaret Ezell, and Catherine Ingrassia—for their wise and patient guidance as I completed this project. Thanks are also due to Elizabeth Hedrick, Michael Adams, Elizabeth Harris, Tom Cable, Samuel Baker, and Wayne Lesser for all the ways they’ve shaped my graduate career. Kathryn King, Patricia Hamilton, Jennie Batchelor, and Susan Carlile encouraged my studies of eighteenth-century women writers; Al Coppola graciously sent me a copy of his article on Eliza Haywood’s Works pre-publication. Thanks to Matthew Reilly for comments on an early version of the Manley material and to Jessica Kilgore for advice and good cheer. My final year of writing was supported by the Carolyn Lindley Cooley, Ph.D. Named PEO Scholar Award and by a Dissertation Fellowship from the American Association of University Women. I want to express my gratitude to both organizations.
    [Show full text]
  • The Bayeux Tapestry
    The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed
    [Show full text]
  • The Oxford Companion to English Literature, 6Th Edition
    e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip­ form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted.
    [Show full text]
  • 'Swift's Birthdays: the Tradition of Birthday Poems in Swift's Honour'
    'Swift's Birthdays: the tradition of birthday poems in Swift's honour' Haslett, M. (2019). 'Swift's Birthdays: the tradition of birthday poems in Swift's honour'. Swift Studies, 34, 7-28. Published in: Swift Studies Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2019 Swift Studies. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:02. Oct. 2021 1 Swift Studies, 34 (2019). SWIFT’S BIRTHDAYS: THE TRADITION OF BIRTHDAY POEMS IN SWIFT’S HONOUR Moyra Haslett, Queen’s University Belfast “‘Let the day perish wherein I was born, and the night in which it was said, ‘There is a man child conceived.”’ Numerous biographies of Swift record his habit of reading this verse from the Book of Job on his birthday, and there is good textual evidence that he did so.
    [Show full text]
  • The Arthurian Legend in British Women's Writing, 1775–1845
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies.
    [Show full text]
  • John Boydell's Shakespeare Gallery and the Promotion of a National Aesthetic
    JOHN BOYDELL'S SHAKESPEARE GALLERY AND THE PROMOTION OF A NATIONAL AESTHETIC ROSEMARIE DIAS TWO VOLUMES VOLUME I PHD THE UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2003 2 TABLE OF CONTENTS Page Volume I Abstract 3 List of Illustrations 4 Introduction 11 I Creating a Space for English Art 30 II Reynolds, Boydell and Northcote: Negotiating the Ideology 85 of the English Aesthetic. III "The Shakespeare of the Canvas": Fuseli and the 154 Construction of English Artistic Genius IV "Another Hogarth is Known": Robert Smirke's Seven Ages 203 of Man and the Construction of the English School V Pall Mall and Beyond: The Reception and Consumption of 244 Boydell's Shakespeare after 1793 290 Conclusion Bibliography 293 Volume II Illustrations 3 ABSTRACT This thesis offers a new analysis of John Boydell's Shakespeare Gallery, an exhibition venture operating in London between 1789 and 1805. It explores a number of trajectories embarked upon by Boydell and his artists in their collective attempt to promote an English aesthetic. It broadly argues that the Shakespeare Gallery offered an antidote to a variety of perceived problems which had emerged at the Royal Academy over the previous twenty years, defining itself against Academic theory and practice. Identifying and examining the cluster of spatial, ideological and aesthetic concerns which characterised the Shakespeare Gallery, my research suggests that the Gallery promoted a vision for a national art form which corresponded to contemporary senses of English cultural and political identity, and takes issue with current art-historical perceptions about the 'failure' of Boydell's scheme. The introduction maps out some of the existing scholarship in this area and exposes the gaps which art historians have previously left in our understanding of the Shakespeare Gallery.
    [Show full text]
  • "Theater and Empire: a History of Assumptions in the English-Speaking Atlantic World, 1700-1860"
    "THEATER AND EMPIRE: A HISTORY OF ASSUMPTIONS IN THE ENGLISH-SPEAKING ATLANTIC WORLD, 1700-1860" BY ©2008 Douglas S. Harvey Submitted to the graduate degree program in History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ____________________________________ Chairperson Committee Members* ___________________________________* ___________________________________* ___________________________________* ___________________________________* Date Defended: April 7, 2008 The Dissertation Committee for Douglas S. Harvey certifies that this is the approved version of the following dissertation: "THEATER AND EMPIRE: A HISTORY OF ASSUMPTIONS IN THE ENGLISH-SPEAKING ATLANTIC WORLD, 1700-1860" Committee ____________________________________ Chairperson ___________________________________* ___________________________________* ___________________________________* ___________________________________* Date Approved: April 7, 2008 ii Abstract It was no coincidence that commercial theater, a market society, the British middle class, and the “first” British Empire arose more or less simultaneously. In the seventeenth century, the new market economic paradigm became increasingly dominant, replacing the old feudal economy. Theater functioned to “explain” this arrangement to the general populace and gradually it became part of what I call a “culture of empire” – a culture built up around the search for resources and markets that characterized imperial expansion. It also rationalized the depredations the Empire brought to those whose resources and labor were coveted by expansionists. This process intensified with the independence of the thirteen North American colonies, and theater began representing Native Americans and African American populations in ways that rationalized the dominant society’s behavior toward them. By utilizing an interdisciplinary approach, this research attempts to advance a more nuanced and realistic narrative of empire in the early modern and early republic periods.
    [Show full text]
  • THE UNIVERSITY of HULL Four Literary Protegees of the Lake
    THE UNIVERSITY OF HULL Four Literary Protegees of the Lake Poets: Caroline Bowles, Maria Gowen Brooks, Sara Coleridge and Maria Jane Jewsbury being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Dennis Jun-Yu Low, SA (Oxon) March 2003 Therefore, although it be a history Homely and rude, I will relate the same For the delight of a few natural hearts: And, with yet fonder feeling, for the sake Of youthful Poets, who among these hills Will be my second self when I am gone. Wordsworth Contents Contents ......................................................................................................................................... 1 Acknowledgements ........................................................................................................................ 2 List of Abbreviations ....................................................................................................................... 4 Preface ........................................................................................................................................... 5 Chapter 1: The Lake Poets and 'The Era of Accomplished Women' ............................................ 13 Chapter 2: Caroline Bowles .......................................................................................................... 51 Chapter 3: Maria Gowen Brooks ................................................................................................ 100 Chapter 4: Sara Coleridge .........................................................................................................
    [Show full text]
  • Milton, Anna Letitia Barbauld, and Anne Grant in the Eighteen Hundreds Justin Stevenson
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 2015 Sin, History, and Liberty: Milton, Anna Letitia Barbauld, and Anne Grant in the Eighteen Hundreds Justin Stevenson Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Stevenson, J. (2015). Sin, History, and Liberty: Milton, Anna Letitia Barbauld, and Anne Grant in the Eighteen Hundreds (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1238 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. SIN, HISTORY, AND LIBERTY: MILTON, ANNA LETITIA BARBAULD, AND ANNE GRANT IN THE EIGHTEEN HUNDREDS A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Justin J. Stevenson August 2015 Copyright by Justin J. Stevenson 2015 ii SIN, HISTORY, AND LIBERTY: MILTON, ANNA LETITIA BARBAULD, AND ANNE GRANT IN THE EIGHTEEN HUNDREDS By Justin J. Stevenson Approved July 14, 2015 ________________________________________ Susan K. Howard, Ph.D. Associate Professor of English (Committee Chair) ________________________________________ Laura Engel, Ph.D. Associate Professor of English (Committee Member) ________________________________________ Danielle A. St. Hilaire, Ph.D. Assistant Professor of English (Committee Member) ________________________________________ Greg Barnhisel, Ph.D. Associate Professor of English Chair, English Department ________________________________________ James P. Swindal, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts iii ABSTRACT SIN, HISTORY, AND LIBERTY: MILTON, ANNA LETITIA BARBAULD, AND ANNE GRANT IN THE EIGHTEEN HUNDREDS By Justin J.
    [Show full text]
  • A Provisional Checklist of the Library of Thomas Bewick
    A PROVISIONAL CHECKLIST OF THE LIBRARY OF THOMAS BEWICK Drawn up for The Bewick Society by David Gardner-Medwin. Last corrected 1 March 2010 (see Addenda on page 78). Contents Preamble Page 2 Introduction Page 2 Sources Page 2 Arrangement of the checklist Page 4 Codes and markings Page 5 Abbreviations Page 5 A note on Bewick’s access to books other than his own Page 5 The Checklist Part 1. Books formerly in the possession of Thomas Bewick Page 6 CLASS I: History, Civil & Literary, Biography Page 6 CLASS II: Voyages & Travels, Descriptions of Foreign Countries, Geography, County History, British Topography &c Page 11 CLASS III: Poetry Page 15 CLASS IV: Natural History Page 25 CLASS V: Divinity, Sermons &c Lectures Page 33 CLASS VI: Arts, Sciences, Mathematics, Heraldry &c. A. Arts and Architecture Page 37 B. Medicine Page 41 C. Science and Mathematics Page 43 E. Heraldry Etc. Page 45 F. Politics Page 47 G. Miscellaneous Page 48 CLASS VII: Magazines, Periodical Publications, Catalogues, Maps A. Periodical publications Page 49 B. Catalogues Page 51 C. Pocket Maps Page 52 CLASS VIII: Novels, Fables, Plays, &c School Books Page 52 Part 2. Bewick’s copies of Quadrupeds and British Birds Page 63 Part 3. Books (for children) belonging to Bewick’s family during his lifetime Page 69 Addenda and Alterations Page 78 References Page 79 Acknowledgements Page 81 PREAMBLE This list has been made because the books owned by Thomas Bewick and his children seem to me to be interestingly numerous and varied. It is certainly incomplete. It has also been only partly checked against the usual bibliographical sources, so that some of the books are not properly identified, let alone adequately researched.
    [Show full text]