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16-Th INTERNATIONAL FESTIVAL of RED CROSS and HEALTH FILMS
16-th INTERNATIONAL FESTIVAL OF RED CROSS AND HEALTH FILMS Through humanity to peace and friendship Varna, Bulgaria September 28 - October 3, 2015 UNDER THE PATRONAGE OF THE VICE PRESIDENT OF THE REPUBLIC OF BULGARIA MRS. MARGARITA POPOVA 16-th INTERNATIONAL FESTIVAL OF RED CROSS AND HEALTH FILMS Varna, Bulgaria September 28 - October 3, 2015 ORGANIZERS International Festival of Red Cross and Health Films 3, Bratya Shkorpil Str. Varna, Bulgaria e-mail: [email protected] www.redcrosslmfest.org For more than 25 years, from 1965 to 1991, the Bulgarian Red Cross was the The International Festival of the Red Cross and Health lms started for the rst initiator and main organiser of the International Festival of the Red Cross and Health time in our city in 1965. In 2014, after nearly 25-year interruption, Medical University lms, which was held in Varna with the support of the international Red Cross - Varna and the Bulgarian Red Cross restored one of the most prestigious festivals of institutions and numerous organizations worldwide. the sea capital, which was held from 3 to 7 November under the patronage of Vice In November 2014 following the initiative of the Bulgarian Red Cross and with President Margarita Popova. the support of Varna Medical University, in our sea capital was held the revived after 25 years’ break „International Festival of the Red Cross and Health Films“ under the This year with the XVIth edition of the festival, we will once again follow our patronage of the Vice President of the Republic of Bulgaria Margarita Popova. This is main goal, and namely - to break the everyday trivial thinking, to use the power of only festival in the Balkans from category A, which is the category of the lm festivals the lm art, to show that the road to the peaceful world starts with humanism. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Przekładaniec, 2019
Przekładaniec, special issue, “Translation and Memory” 2019, pp. 175–191 doi:10.4467/16891864ePC.19.016.11391 www.ejournals.eu/Przekladaniec MAŁGORZATA TRYUK■ https://orcid.org/0000-0002-6925-2711 University of Warsaw [email protected] THE CINEMATIC FIGURE OF AN INTERPRETER AT A NAZI CONCENTRATION CAMP: MARTA WEISS IN THE LAST STAGE BY WANDA JAKUBOWSKA* Abstract Despite a massive amount of archival material on Nazi concentration camps, references to camp translators and interpreters are random, brief, and laconic. They usually consist of dry facts as related in ontological narratives of the Nazi regime victims. In the present paper, these records will be confronted with the portrayal of Marta Weiss, a fictional camp interpreter presented in the 1948 docudrama Ostatni etap (The Last Stage) by the Polish film director Wanda Jakubowska, herself a former prisoner of the concentration camp in Birkenau. To this day, The Last Stage remains a “definitive film about Auschwitz, a prototype for future Holocaust cinematic narratives”. The Last Stage is also called “the mother of all Holocaust films”, as it establishes several images easily discernible in later narratives on the Holocaust: realistic images of the camp; passionate moralistic appeal; and clear divisions between the victims and the oppressors. At the same time, The Last Stage is considered to be an important work from the perspective of feminist studies, as it presents the life and death of female prisoners, femininity, labour and motherhood in the camp, women’s solidarity, and their resistance to the oppressors. The Last Stage constitutes a unique quasi-documentary source for the analysis of the role of translators and interpreters working in extreme conditions. -
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Tryuk, M. (2016). Interpreting and translating in Nazi concentration camps during World War II. Linguistica Antverpiensia, New Series: Themes in Translation Studies, 15, 121–141. Interpreting and translating in Nazi concentration camps during World War II Małgorzata Tryuk University of Warsaw, Poland [email protected] This article investigates translation and interpreting in a conflict situation with reference to the Nazi concentration camps during World War II. In particular, it examines the need for such services and the duties and the tasks the translators and the interpreters were forced to execute. It is based on archival material, in particular the recollections and the statements of former inmates collected in the archives of concentration camps. The ontological narratives are compared with the cinematic figure of Marta Weiss, a camp interpreter, as presented in the docudrama “Ostatni Etap” (“The last Stage”) of 1948 by the Polish director Wanda Jakubowska, herself a former prisoner of the concentration camp. The article contributes to the discussion on the role that translators and interpreters play in extreme and violent situations when the ethics of interpreting and translation loses its power and the generally accepted norms and standards are no longer applicable. 1. Introduction Studies on the roles of translators and interpreters in conflict situations have been undertaken by numerous scholars since 1980. They have produced valuable insights into the subject which include various types of study of an empirical, analytical -
Wff Freeman Insert
JOIN US OCT 11-15 llyy 2006 FFiieerrccee nnddeenntt Named one of the top ten ddeeppee film festivals by Moviemaker, IInn Film Threat and Film Festival Today “The Woodstock Film Festival is quite a draw,and its solid line-up attracts a broad spectrum of the New York film community to the enclave that one participant called “the world’s most famous small town.” (Indiewire) “...Woodstock is becoming one of the most distinctive festivals on the circuit.” (Stephen Garrett,Time Out New York) “The films here are wonderful,it’s a great place.” (Lili Taylor) “Woodstock is a film spa where you come away refreshed and inspired!” (Ron Mann, director, Tales of the Rat Fink) ©R WOODSTOCKFILMFESTIVAL.COM oth 2006 Key Sponsors: Presenting Sponsor: Superstar Sponsor: ABOUT WOODSTOCK FILM FESTIVAL The Woodstock Film Festival As a not-for-profit, 501(c)(3) organization, our mission is to present an annual program and celebrates new and established year-round schedule of film, music and art-related activities that promote artists, culture and inspires learning and diversity. The Hudson Valley Film Commission promotes sustainable voices in independent film with economic development by attracting and supporting film, video and media production. screenings, seminars, workshops Every fall, film and music lovers from around the world gather here for an exhilarating variety of films, concerts, celebrity-led seminars, workshops, an awards ceremony and and concerts throughout the mid- superlative parties. Visitors find themselves in a relaxed, receptive atmosphere surrounded by Hudson Valley. some of the most beautiful landscapes in the world. More than 125 films are screening, including feature films, documentaries and shorts, many of which are premieres from the U.S. -
Presentation for the US Holocaust Memorial Museum
The Mother of all Holocaust Films? Wanda Jakubowska’s Auschwitz trilogy by Hanno Loewy “We must first speak about the genre of this wonderful Polish film.”1 With these words in 1948 Béla Balázs, one of the first and most influential film-theorists of all times, began his discussion of Wanda Jakubowska’s Ostatni Etap (The Last Stop / The Last Stage), the first feature film, that made the attempt to represent the horrors of Auschwitz, the experiences, made in midst of the universe of mass extermination. Filmed during summer 1947 on the site of the camp itself and its still existing structures, directed and written by two former prisoners of the women’s camp in Birkenau, performed not only by actors but also by extras, who had suffered in the camp themselves, Jakubowska’s film acquired soon the status of a document in itself. [illustration #1] Béla Balázs did not only praise The Last Stop for its dramatic merits. He discussed the failure, the inadequacies of traditional genres to embody what happened in the camps. Himself a romantic Communist, but also a self-conscious Jew, he spent half of his life in exile, in Vienna, Berlin and Moscow. And in the end of 1948 he was about to leave Hungary for a second time, now deliberately, to become dramaturgic advisor of the DEFA in East Berlin. But that never happened. Just having settled his contract, he died in Budapest, in May 1949. In 1948 Béla Balázs is far away from any conceptualizing of the Shoah as a paradigm, but he senses something uneasy about the idea of having represented these events as a classical tragedy, or a comedy, or a novel. -
Film Festival Brochure
MizelArtsand maCulture Ccencter at thejcc 4 1 th 0 2 Denver Jewish Film Festival 6 18 1 sponsored by Wagner Wealth Management – 5 Y R A U R B E F Best Film Festival Wagner Wealth Management would like to thank MACC and the JCC for the invaluable work they do for the community “We wake up every day with the goal of helping our clients navigate the chaos of their financial lives.” – Gary Wagner, Wagner Wealth Management Wagner Wealth Management, LLC | 210 University Boulevard, Suite 400, Denver, CO 80206 | Tel: 303-394-9600 | www.wagnerwealth.com 2014 DENVER JEWISH FILM FESTIVAL SCHEDULE OF EVENTS FEBRUARY 5—16, 2014 WEDNESDAY, FEB. 5 WEDNESDAY, FEB. 12 5:30 p.m. Reception Honoring Udi Baron and Family 1:30 p.m. Hanna’s Journey 7 p.m. Program and screening of The Jewish Cardinal 5:30 p.m. Wherever You Go followed by Aya 7:30 p.m. The Third Half THURSDAY, FEB. 6 5:30 p.m. Closed Season THURSDAY, FEB. 13 8 p.m. Hunting Elephants 5:30 p.m. Reporting on the Times followed by Before the Revolution S SATURDAY, FEB. 8 7:30 p.m. Aftermath C 6:30 p.m. Defiant Requiem 9 p.m. Bethlehem SATURDAY, FEB. 15 H 6:30 p.m. The Other Son E SUNDAY, FEB. 9 9 p.m. Altina D 10:30 a.m. Cupcakes Dessert Reception Following the Film 12:45 p.m. The ZigZag Kid U 3 p.m. My German Friend SUNDAY, FEB. 16 5:30 p.m. -
A Gender-Based Analysis of the Israeli Film Industry Lior Elefant
February 2021 THE CELLULOID CEILING A Gender-Based Analysis of The Israeli Film Industry Lior Elefant, Etty Konor-Attias, Yael Hasson & Noga Dagan-Buzaglo www.adva.org The Directors' Guild's Chairwoman: [email protected] Limor Pinhasov Head of Original Work Promotions (CEO) at Board of Directors the Directors' Guild: Roei Elba Prof. Yossi Dahan, Chair Ms. Gilberte Finkel, Treasurer Prof. Ismael Abu-Saad Prof. Nitza Berkovitch Prof. Oren Yiftachel Prof. Yossi Yona Prof. Shoshana Madmoni-Gerber Resident Representative: Dr. Paul Pasch Prof. Rivka Savaiya Project Manager: Judith Stelmach Prof. Dani Filc The views expressed in this publication are Prof. Rachel Kallus not necessarily those of the Friedrich-Ebert- Prof. Uri Ram Stiftung. The commercial use of media published by Advocate Ola Shtiwee FES without written permission by FES is Prof. Hubert Law-Yone, emeritus strictly forbidden. Adva Center Would like to thank The New Audit Committee Israel Fund for its ongoing support Ms. Ruti Gur Ms. Hedva Isachar Staff Members Dr. Yuval Livnat, Executive Director Barbara Swirski, Community Relations All rights reserved to Adva Center and Dr. Shlomo Swirski, Academic Director Friedrich Ebert Stiftung Etty Konor-Attias, Research Coordinator Dr. Yael Hasson, Head of Gender Research Lior Elefant is a Ph.D. candidate at the Atty. Noga Dagan Buzaglo, Researcher Sociology and Anthropology department, Dr. Valeria Seigelshifer, Coordinator of Ben Gurion University of the Negev. Gender Equality Projects Her research, supervised by Prof. Nitza Berkovich deals -
Sunday Monday Tuesday Wednesday Thursday Friday Saturday KOL HAKAVOD STARS!
israeli film festival final_Layout 1 8/27/14 3:01 PM Page 1 .............................................................................................................. Sunday Monday Tuesday Wednesday Thursday Friday Saturday KOL HAKAVOD STARS! .............................................................................................................. All the honors—to our big family of community supporters who, like you, keep the Festival growing! APPEARING IN PERSON The latest comedy, drama and Oct 29 Oct 30 Oct 31 Nov 1 Avi Nesher, Duki Dror, Nancy Spielberg animation from a country internationally AMC Northbrook Court Music Box AMC Northbrook Court and Guy Nattiv Opening Night! Avi Nesher in person! Halloween 7:30 pm recognized for creativity. A Place in Heaven SEEN ON-SCREEN Cocktail reception 7:00 pm (No film Hosted by NSS Beth El Robin Wright, Patrick Stewart, Jon Hamm, at 6:00 pm, followed by Turn Left at the screamings) Amaze yourself at the annual Avi Nesher in person and End of the World 9:45 pm Yuval Scharf, Dana Ivgy, Alon Aboutboul, the Chicago premiere of Hunting Elephants 9:30 Sasson Gabai, Yehoram Gaon ... The Wonders The Secrets Evening hosted by Anshe Emet Synagogue TICKETS! .............................................................................................................. Your Opening Night reservations for October 29—The Wonders with director Nov 2 Nov 3 Nov 4 Nov 5 Nov 6 Nov 7 Nov 8 Avi Nesher in person—can be made at AMC Northbrook Court AMC Northbrook Court AMC Northbrook Court AMC Northbrook Court -
Atomic Falafel a Film by Dror Shaul
ATOMIC FALAFEL A FILM BY DROR SHAUL PRESS KIT LOGLINE Two girls from nuclear towns in Israel and Iran spill their countries most valuable secrets on Facebook while trying to prevent a nuclear crisis. SYNOPSIS It’s hard enough to be a teenager, working in the family Falafel food truck with her mother, who’s in the ninth year of grieving the loss of her husband. But Nofar Azrian, 15, sells falafel to soldiers perpetually ready for war, and her hometown is the site of Israel’s secret nuclear weapons program. When a German international atomic inspector (Oliver Hahn, "Oli") visits, the Israeli military sees a threat to national security, but Nofar sees a chance for her mother to fall in love again. Israel’s top brass brings its full weight to bear on the relationship, humiliating Nofar to get her to back down – but they’ve never taken on a fifteen year-old girl before. With her fast- 1 talking hacker boyfriend, Meron, she turns the tables on the Israeli military, by stealing the country’s most valuable military secrets. As if that weren’t bad enough, Nofar’s best Facebook friend lives in Natanz, Iran, target number one for Israel. How Nofar tries to save her friend, how her mom falls in love, and how the Middle East falls apart - is the thrilling climax of Atomic Falafel. DIRECTOR’S NOTES I was born in Kibbutz Kissufim in southern Israel, to a Yemenite mother and an American father. When I was five years old, I remember standing with my mother near the Kibbutz fence, looking at the sunset over the Dir El Balach sea shore, just two kilometers away. -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006 Permalink https://escholarship.org/uc/item/6xr6r3nd Author Watschke, Erik Allen Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Visual Studies by Erik Watschke Dissertation Committee: Associate Professor Catherine L. Benamou, Chair Associate Professor Kristen Hatch Associate Professor Bliss Cua Lim 2014 © 2014 Erik Watschke DEDICATION To my dad who introduced me to the movies ii TABLE OF CONTENTS Page LIST OF TABLES iv ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION vii INTRODUCTION 1 CHAPTER ONE: “He Made the Whole World Laugh and Cry”: 23 The Mythologization of the Film Artist in Chaplin CHAPTER TWO: “Love Never Dies”: The Status of the Image and 65 Cinephilic Reaction in Bram Stoker's Dracula CHAPTER THREE: “There Are No Boundaries”: The Status of Sound 109 and the Transnational in The English Patient CHAPTER FOUR: “From the Creator of Being John Malkovich, Comes the 171 Story of the Creator of Being John Malkovich”: Adaptation. CHAPTER FIVE: “Are You Watching Closely?”: The Status of Story in 223 The Prestige CONCLUSION 277 BIBLIOGRAPHY 310 FILMOGRAPHY 324 APPENDIX: Industrial Chronology of the New New Hollywood 337 iii LIST OF TABLES Page Table 5.1 Narrative Structure of The Prestige 235 iv ACKNOWLEDGMENTS I wish to thank my committee chair, Professor Catherine Benamou, who encouraged me to pursue a film historical project in the first place, and whose guidance and tireless support helped transform and strengthen my study at every stage. -
ROUGH in BRUTAL PRINT Frail Shadow of a Woman in the Flesh
ROUGH IN BRUTAL PRINT Frail shadow of a woman in the flesh, These very eyes of mine saw yesterday, Would I re-tell this story of your woes, Would I have heart to do you detriment By pinning all this shame and sorrow plain To that poor chignon,—staying with me still, Though form and face have well-nigh faded now,— But that men read it, rough in brutal print, As two years since some functionary's voice Rattled all this—and more by very much— Into the ear of vulgar Court and Crowd? Red Cotton Night-Cap Country, 2:679-89 (Browning apostro phizing Mme Debacker [Clara de Millefleurs], as he recalls an occasion on which he encountered her in the course of a stroll through Tailleville) Rough in Brutal Print The Legal Sources of Browning's Red Cotton Night-Cap Country Mark Siegchrist OHIO STATE UNIVERSITY PRESS : COLUMBUS Copyright © 1981 by the Ohio State University Press All Rights Reserved. Library of Congress Cataloguing in Publication Data Siegchrist, Mark, 1944— Rough in brutal print. Includes bibliographical references and index. 1. Browning, Robert, 1812-1889. Red cotton night-cap country—Sources. 2. Law in literature. 3. Caen (France)—Biography. 4. Mellerio family. 5. Mellerio, Antonio, 1827-1870. 6. Debacker, Anna Sophie Trayer, 1830-1887. I. Title PR4222.R353S55 821'.8 81-3993 ISBN 0-8142-0327-2 AACR2 For my mother CONTENTS Acknowledgments ix Chapter 1 Introduction 5 Chapter 2 The 1872 Pleadings 25 Chapter 3 The 1872 Trial 37 Maitre Allou—the Mellerio Heirs 38 Maitre Pilet des Jardins—Mme Debacker 50 Maitre Carel—la Delivrande 67 Maitre