DIALOGUE 100 YEARS of Communicating for a Brighter Future
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Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture. -
The GAVIN REPORT SINCE 1958
ISSUE 1562 JUNE 21, 1985 the GAVIN REPORT SINCE 1958 ONE HALiLIDIE PLAZA, SUITE 725, SAN FRANCISCO, CALIFORNIA 94102 415.392.7750 RONN EV His brand new single 1'1 EF FT ESUN j ( In the Still of the Night)" .................................. ................................................................... FRO HIS CURRENT ALBUM "GREATEST HITS, VOLUE 2" \-000.0-\ RC,' Records and Cassettes the GAVIN REPORT Editor: Dave Sholin TOP 40 MOST ADDED El MI El 3. 1. 1. PHIL COLLINS - Sussudio (Atlantic) 5. 4. 2. PRINCE - Raspberry Beret (Warner Bros.) //va1Lwf 10. 5. 3. DURAN DURAN - A View To A Kill (Capitol) AND THE NEWS 1. 3. 4. Bryan Adams - Heaven (A&M) 2. 2. 5. Madonna - Angel (Sire/Warner Brothers) 9. 6. 6. A HUEY LEWIS & THE NEWS Survivor - The Search Is Over (Scotti Bros.) The Power Of Love 15. 9. 7. PAUL YOUNG - Every Time You Go Away (Columbia) 12. 10. (Chrysalis) 8. EURYTHMICS - Would I Lie To You (RCA) 20. 182 Adds 15. 9. MADONNA - Into The Groove (Sire/Warner Bros.) 13. 11. 10. CYNDI LAUPER - The Goonies "R" Good Enough (Portrait) BRYAN ADAMS 17. 14. 11. 'TIL TUESDAY - Voices Carry (Epic) Summer Of '69 7. 7. 12. Mary Jane Girls - In My House (Gordy) (A&M) 26. 18. 13. BRUCE SPRINGSTEEN - Glory Days (Columbia) 101 Adds 21. 17. 14. WHITNEY HOUSTON - You Give Good Love (Arista) 19. 16. 15. John Cafferty - Tough All Over (Scotti Bros.) ARETHA FRANKLIN 29. 23. 16. \STING - If You Love Somebody Set Them Free (A&M) Freeway Of Love 25. 22. 17. NIGHT RANGER - Sentimental Street (Camel/MCA) (Arista) 24. -
Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
Martha's Vineyard Concert Series
THA’S VINEY AR ARD M SUMMER 2017 CONCERT SERIES 2ND ANNUAL SEASON ALL SHOWS ON SALE NOW! MVCONCERTSERIES.COM MARTHA’S VINEYARD CONCERT SERIES your year - round connection to Martha’s Vineyard SUmmER LINE-UP! JUNE 28 • AIMEE MANN over 6,500 photo, canvas WITH SPECIAL GUEST JONATHAN COULTON images & metal prints published agendas JULY 6 • LOUDON WAINWRIGHT III daily photos calendars JULY 13 • PINK MARTINI sent to your inbox notecards WITH LEAD SINGER CHINA FORBES JULY 18 • GRAHAM NASH JULY 23 • PRESERVATION HALL JAZZ BAND JULY 29 • JACKOPIERCE WITH SPECIAL GUEST IAN MURRAY FROM VINEYARD VINES AUGUST 15 • THE CAPITOL STEPS ALL NEW SHOW! ORANGE IS THE NEW BARACK AUGUST 19 • ARETHA FRANKLIN AUGUST 21 • DIRTY DOZEN BRAss BAND AUGUST 23 • BLACK VIOLIN GET YOUR TICKETS TODAY! www.vineyardcolors.com MVCONCERTSERIES.COM AIMEE MANN WITH SPECIAL GUEST JONATHON COULTON WEDNESDAY, JUNE 28 | MARTHA’S VINEYARD PAC Aimee Mann is an American rock singer-songwriter, bassist and guitarist. In 1983, she co-founded ‘Til Tuesday, a new-wave band that found success with its first album, Voices Carry. The title track became an MTV favorite, winning the MTV Video Music Award for Best New Artist, propelling Mann and the band into the spotlight. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than ‘Til Tuesday’s albums, and received uniformly positive reviews upon its release in the summer of 1993. Mann’s song “Save Me” from the soundtrack to the Paul Thomas Anderson film Magnolia was nominated for an Academy® Award and a Grammy®. -
Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of The British Broadcasting Corporation (“the BBC”) in sanctions against respect of its service BBC 1. For Breaches of the Ofcom Broadcasting Code (“the Code”) of: Rule 2.11: “Competitions should be conducted fairly, prizes should be described accurately and rules should be clear and appropriately made known.” Relating to the following conduct: Faking the winner of a viewer competition, in the live transmission of Comic Relief 2007 On 17 March 2007 between 00:10 and 01:30. Decision To impose a financial penalty (payable to HM Paymaster General) of £45,000. 1 Summary 1.1 For the reasons set out in full in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee decided to impose statutory sanctions on the BBC in light of the serious nature of its failure to ensure compliance with the Ofcom Broadcasting Code (“the Code”). 1.2 This adjudication under the Code relates to the broadcast of Comic Relief 2007 (“Comic Relief”) on BBC1 on 17 March 2007 between 00:10 and 01:301. 1.3 Comic Relief is a charity, regulated by the Charity Commission. In alternate years it holds “Red Nose Day”, which includes a live ‘telethon’ programme shown on BBC1, also known as Comic Relief. Comic Relief was the eleventh programme in a series that began on BBC1 in 1988. The programme started at 19:00 on Friday 16 March 2007 and ended at 03:30 on Saturday 17 March. As with previous Comic Relief programmes it was produced by the BBC with a largely freelance workforce and in partnership with Comic Relief, its longstanding charity partner. -
The Trumpet As a Voice of Americana in the Americanist Music of Gershwin, Copland, and Bernstein
THE TRUMPET AS A VOICE OF AMERICANA IN THE AMERICANIST MUSIC OF GERSHWIN, COPLAND, AND BERNSTEIN DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Amanda Kriska Bekeny, M.M. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Timothy Leasure, Adviser Professor Charles Waddell _________________________ Dr. Margarita Ophee-Mazo Adviser School of Music ABSTRACT The turn of the century in American music was marked by a surge of composers writing music depicting an “American” character, via illustration of American scenes and reflections on Americans’ activities. In an effort to set American music apart from the mature and established European styles, American composers of the twentieth century wrote distinctive music reflecting the unique culture of their country. In particular, the trumpet is a prominent voice in this music. The purpose of this study is to identify the significance of the trumpet in the music of three renowned twentieth-century American composers. This document examines the “compositional” and “conceptual” Americanisms present in the music of George Gershwin, Aaron Copland, and Leonard Bernstein, focusing on the use of the trumpet as a voice depicting the compositional Americanisms of each composer. The versatility of its timbre allows the trumpet to stand out in a variety of contexts: it is heroic during lyrical, expressive passages; brilliant during festive, celebratory sections; and rhythmic during percussive statements. In addition, it is a lead jazz voice in much of this music. As a dominant voice in a variety of instances, the trumpet expresses the American character of each composer’s music. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
The Roots Report: an Interview with Aimee Mann
The Roots Report: An Interview with Aimee Mann John Fuzek: Hi, Aimee, how are you? Where are you calling from? Aimee Mann: Good, I am in Los Angeles. JF: Are you currently on tour or home? AM: I am at home for a couple of weeks, we’re going back out on the 19th JF: How long will you be out on the road? AM: This time I think it’s just a few weeks. JF: So, you live in LA? AM: Yes JF: Does being in LA help you get involved with film work as well as music? AM: You know I think there is a thing that living in LA, it helps just being around, there are certain things where you just run into people or seeing someone at a party and they have a project, it’s more likely that they think of you than somebody that they haven’t seen for a long time, I think there’s a weird causal effect that helps JF: Is that how you wound up playing a maid in Portlandia? AM: Yeah, well, I’ve known Fred Armisen for a long time, he lived out here, i knew him from the Largo Comedy scene, there’s a comedy club out here called Cafe Largo and um, before he was on Saturday Night Live, so, yeah, we’ve been friends for a long time, I did meet him out here. JF: Do you have any projects like that coming up or do they just pop up randomly? AM: There’s a new Comedy Central TV show, I don’t think it will be out until next year, called Anton Deville (somewhat inaudible ?) and I have a part, I am in one of those, it’s fun to get calls for that stuff JF: Are you still married to Michael Penn? AM: Yes JF: How come I never really hear about his music anymore? AM: He’s not into performing, it’s not his thing, he does a lot of scoring, he scored The Girls TV show and Masters Of Sex, he likes to be more behind the scenes. -
Modes of Expression in the Songs of Aimee Mann Amy M
Macalester College DigitalCommons@Macalester College Music Honors Projects Music Department 5-20-2008 Modes of Expression in the Songs of Aimee Mann Amy M. Coddington Macalester College, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/musi_honors Recommended Citation Coddington, Amy M., "Modes of Expression in the Songs of Aimee Mann" (2008). Music Honors Projects. 4. https://digitalcommons.macalester.edu/musi_honors/4 This Honors Project - Open Access is brought to you for free and open access by the Music Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Music Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Modes of Expression in the Songs of Aimee Mann Amy M. Coddington Senior Honors Thesis Advisor: Mark Mazullo Readers: Chris Gable and Peter Mercer-Taylor Macalester College, Music Department Spring 2008 2 Table of Contents Abstract 3 Introduction 4 Song analyses I. How Am I Different (Bachelor No. 2, 2000) 8 II. That’s How I Knew This Story Would Break My Heart (The Forgotten Arm, 2005) 13 III. Choice in the Matter (I’m With Stupid, 1995) 16 IV. Invisible Ink (Lost in Space, 2002) 20 V. The Fall of the World’s Own Optimist (Bachelor No.2, 2000) 25 Conclusion 31 Acknowledgements 33 Appendix I: Chordal analyses and lyrics of songs 34 Appendix II: Works Consulted 44 3 Abstract Singer-songwriter Aimee Mann has been creating music, both as a solo artist and as a former member of the band 'Til Tuesday, for the past twenty years. -
Betty Discography the Original Recordings
BETTY DISCOGRAPHY THE ORIGINAL RECORDINGS • RISE (BR Music). Producer: BETTY 2013 Released in conjunction with Eve Ensler’s “One Billion Rising” campaign, the global event to end violence against women and girls, the song “Rise” has been featured at humanitarian and Human Rights events worldwide. As Arts Envoys for the US State Department, BETTY began to run workshops using this song as a theme, which led to the creation of The BETTY Effect • BRIGHT & DARK (BR Music). Producer: David Maurice, 2010 BETTY’s most successful cd to date, with over 100,000+ YouTube plays of the single “Did You Tell Her” and tv licensing of every song. • SNOWBIZ (Stereo Society). Producer: Mike Thorne, 2006 The oft-requested and long-awaited Holiday Album: 13 Stirring Songs and Stories for the Seasonally Depressed. Guest Artists Gloria Steinem, Allison Miller (Natalie Merchant) and Genya Ravan (Goldie & The Gingerbreads) join BETTY and their superb side musicians. Songs like “Xmas Ain’t Coming”, “Miracles Can Happen” & “Lullabye” make this album a holiday radio classic. • BETTY RULES (BR Music). Producers: BETTY and Mike Thorne, 2005 The Original Cast Recording of the smash Off-Broadway hit, written by BETTY and directed by Michael Greif (“Rent”, “Next To Normal”). Songs, including “It Girl”, “Kissing You” and “Jungle Jane”, explore the band’s history • CARNIVAL (Stereo Society). Producer: Mike Thorne, 2000 This 30-minute concept CD whirls the listener through a day on the Midway. The mix of colorful music, passionate lyrics and introspective spoken word creates a highly addictive trip. Songs “Wishing Well”, “Jungle Jane” and “Millennium Man”. -
I Am Writing to You to Express My Deep Concern About the Recent
I am writing to you to express my deep concern about the recent news from the BBC that they have applied to OFCOM to ask if they can reduce news output on the CBBC channel – by axing the main afternoon edition of the much loved Newsround. I am appalled that the BBC would even think this is a good decision. As far as i understand, they say that less children are watching Newsround and more are getting their news online, from the Newsround website and other sources. I cannot understand this reasoning. This is same reasoning they applied to the removal of BBC3 as linear service – and we all know that the end result of that was the BBC reached even less young people. To say more children are watching things online is a cop out. Why are children spending more time watching online? The answer is because they are poorly catered for by linear services. Don’t children spend enough time online as it is? Do we really want to encourage them to spend more time online? Newsround has been a fixture in the CBBC schedule for over 40 years. Surely, this is what the BBC should be spending their money on – a daily news programme for children aged 7- 15. CBBC broadcasts for 14 hours a day- is it really too much to ask that they provide 7 minutes of news in the afternoon / evening? The CBBC channel narrowed its focus to 7-12 year olds in 2013. Some of the continuity presenters can hardly string a legible sentence together and others would be more suited to Cbeebies. -
2 BBC Children in Need: the Best Bits 3 We Beat the All Blacks 4 Gower 5 Coming Home: Gethin Jones 6 Scrum V Live: Edinburgh V Ospreys 7 Pobol Y Cwm
Week/Wythnos 47 November/Tachwedd 17-23, 2012 Pages/Tudalennau: 2 BBC Children in Need: the Best Bits 3 We Beat The All Blacks 4 Gower 5 Coming Home: Gethin Jones 6 Scrum V Live: Edinburgh v Ospreys 7 Pobol y Cwm Places of interest: Anglesey 2 Barry 5 Cardiff 2 Gower 4 Llanelli 3 Pontyberem 5 Swansea 4, 6 Tonypandy 2 Follow us on Twitter to keep up with all the latest news from BBC Cymru Wales @BBCWalesPress Dilynwch ni ar Twitter am y newyddion diweddaraf gan BBC Cymru Wales @BBCWalesPress Pictures are available at www.bbcpictures.com / Lluniau ar gael yn www.bbcpictures.com NOTE TO EDITORS: All details correct at time of going to press, but programmes are liable to change. Please check with BBC Cymru Wales Communications before publishing. NODYN I OLYGYDDION: Mae’r manylion hyn yn gywir wrth fynd i’r wasg, ond mae rhaglenni yn gallu newid. Cyn cyhoeddi gwybodaeth, cysylltwch â’r Adran Gyfathrebu. BBC CHILDREN IN NEED: THE BEST BITS Saturday, November 17, BBC One Wales, 5.30pm bbc.co.uk/pudsey Welsh television personality Gethin Jones will look back at the best bits of this year’s BBC Children in Need appeal in Wales, with a highlights programme on BBC One Wales. Highlights include a performance from Tonypandy’s own West End star Sophie Evans, who will sing with the BBC National Orchestra of Wales. Sophie will perform songs including Over the Rainbow from The Wizard of Oz and Good Morning Baltimore from the musical Hairspray. The Orchestra and Sophie Evans will be joined by Côr Ieuenctid Môn (Anglesey Youth Choir), and a choir of school children from Cardiff and Tonypandy - who will link up with choirs from around the UK for a special performance.