Color Correction for Video : Using Desktop Tools to Perfect Your Image Pdf, Epub, Ebook
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Videos Bearbeiten Im Überblick: Sieben Aktuelle VIDEOSCHNITT Werkzeuge Für Den Videoschnitt
Miller: Texttool-Allrounder Wego: Schicke Wetter-COMMUNITY-EDITIONManjaro i3: Arch-Derivat mit bereitet CSVs optimal auf S. 54 App für die Konsole S. 44 Tiling-Window-Manager S. 48 Frei kopieren und beliebig weiter verteilen ! 03.2016 03.2016 Guter Schnitt für Bild und Ton, eindrucksvolle Effekte, perfektes Mastering VIDEOSCHNITT Videos bearbeiten Im Überblick: Sieben aktuelle VIDEOSCHNITT Werkzeuge für den Videoschnitt unter Linux im Direktvergleich S. 10 • Veracrypt • Wego • Wego • Veracrypt • Pitivi & OpenShot: Einfach wie noch nie – die neue Generation der Videoschnitt-Werkzeuge S. 20 Lightworks: So kitzeln Sie optimale Ergebnisse aus der kostenlosen Free-Version heraus S. 26 Verschlüsselte Daten sicher verstecken S. 64 Glaubhafte Abstreitbarkeit: Wie Sie mit dem Truecrypt-Nachfolger • SQLiteStudio Stellarium Synology RT1900ac Veracrypt wichtige Daten unauffindbar in Hidden Volumes verbergen Stellarium erweitern S. 32 Workshop SQLiteStudio S. 78 Eigene Objekte und Landschaften Die komfortable Datenbankoberfläche ins virtuelle Planetarium einbinden für Alltagsprogramme auf dem Desktop Top-Distris • Anydesk • Miller PyChess • auf zwei Heft-DVDs ANYDESK • MILLER • PYCHESS • STELLARIUM • VERACRYPT • WEGO • • WEGO • VERACRYPT • STELLARIUM • PYCHESS • MILLER • ANYDESK EUR 8,50 EUR 9,35 sfr 17,00 EUR 10,85 EUR 11,05 EUR 11,05 2 DVD-10 03 www.linux-user.de Deutschland Österreich Schweiz Benelux Spanien Italien 4 196067 008502 03 Editorial Old and busted? Jörg Luther Chefredakteur Sehr geehrte Leserinnen und Leser, viele kleinere, innovative Distributionen seit einem Jahrzehnt kommen Desktop- Immer öfter stellen wir uns aber die haben damit erst gar nicht angefangen und Notebook-Systeme nur noch mit Frage, ob es wirklich noch Sinn ergibt, oder sparen es sich schon lange. Open- 64-Bit-CPUs, sodass sich die Zahl der moderne Distributionen überhaupt Suse verzichtet seit Leap 42.1 darauf; das 32-Bit-Systeme in freier Wildbahn lang- noch als 32-Bit-Images beizulegen. -
Lightworks V12.6
Lightworks v12.6 User’s Guide Lightworks v12.6 Copyright and Disclaimer Copyright © 2016 by EditShare This guide, as well as any software described in it, is furnished under either a license or a confidentiality agreement, is confidential to EditShare, and may be used or copied only in accordance with the above mentioned agreements. The information in this document is furnished for your use only and is subject to change without notice. EditShare assumes no responsibility or liability for any errors or inaccuracies or completeness of this document. This document is the property of EditShare and is provided in accordance with an EditShare license agreement. Copying, modifying, or distributing this document in violation of the license agreement, Copyright Laws of England and Wales, or the Copyright Laws of any applicable foreign jurisdiction is expressly prohibited. EditShare is a registered trademark of EditShare in the US and other countries. Avid is a registered trademark of Avid Technology, Inc. DAVE is a registered trademark of Thursby Software Systems, Inc. Final Cut Pro, Leopard, Macintosh, and Macintosh OS are registered trademarks of Apple, Inc. Premiere is a registered trademark of Adobe, Inc. Windows is a registered trademark of Microsoft Corporation. All other brand and product names are trademarks or registered trademarks of their respective companies and are hereby acknowledged. Mention of trade names or commercial products does not constitute endorsement by EditShare except where explicitly stated. EditShare EMEA Clifton House Bunnian Place Basingstoke Hampshire, RG21 7JE England Tel: +44 (0) 20 7183 2255 Fax: +44 (0) 20 7183 2256 Email: [email protected] http://www.editshare.com February 3, 2016 2 TP-00258-01 Contents CHAPTER 1: INTRODUCTION . -
Filmmaking Camp Taught by Hans Rosenwinkel & Andrew Bateman
Filmmaking Camp Taught by Hans Rosenwinkel & Andrew Bateman The following camp will be held between the hours of 9:00 AM – 4:00 PM Monday-Friday with an hour lunch and around 2 hours of free work time. The participants will engage with our camp instructors and other participants via ZOOM and Canvas accounts. Course Description Students will create their own films and experience every step of film production from story premise inception, scriptwriting and pre-duction planning all the way through filming, editing and screening. This online taught class will provide a customized and individual experience for each student and provide an environment to learn about lighting, sound, location scouting, production design, cinematography, editing, graphics, and color correction. Students may also have the opportunity to work remotely in teams guided by experienced faculty and filmmakers. All filmmaking equipment is software and app based to simulate a high-end camera shot on a smart phone or tablet type device, as well as a variety of editing programs that can be accessed to work together in this unique virtual setting. Technology Details & Requirements: In order to participate in the Filmmaking Camp students will need a computer, camera/phone and internet access for the two weeks. Other than that, the instructors have set the camp up to be extremely flexible with software needs. Below are examples of different types of software that students may be able to use if they are interested. You do NOT need to download or install any software prior to the camp starting. The instructors will explain in more detail at camp. -
Davinci Resolve & Adobe Premiere
COLOR CORRECTION GUIDE – DAVINCI RESOLVE & ADOBE PREMIERE (v2) If you haven't already - Create Account in DaVinci Resolve (User Name & Password) In Locked Project, duplicate your Premiere Sequence. Rename it: “xxF3_FF01.proj” Create a NEW PROJECT. Call it “xxF3_Finishing.prproj”. This is a blank project. Project should look like this in Finder: Import your “FF01” Sequence. This will give you a clean, more efficient project file. File Import > Select PR Project > Pick “Import Selected Sequences” > Choose “FF01” In “Finishing” Project, duplicate “FF01”. Name the sequence: "XXF3_ToResolve" Duplicate >>>> Rename it Export H264 QUicktime of “FF01” (locked cut) for your Final QC Reference Video. (to use as Reference after clips are colored – it will be one of your final steps) QT H264 1920x1080, 24P Put in Folder: XXF3_Title/Editorial/DaVinci Resolve/XXF3_FromResolve In “ToResolve” Sequence: Delete Front Sequence, Audio, all uncolored material - leave ONLY clips for coloring. You may need to Unlink your Audio / Video - Select all, right-click “Unlink” Consolidate all footage by dropping down layered clips. If it isn’t visibly in the cut, it shouldn’t go to Resolve. Transitions, reframes, and special overlays will translate. Before: After: Export an H264 QUicktime of this consolidated Sequence for “Offline Video” Path: Editorial/DaVinci Resolve/XXF3_ToResolve/REF_H264_Offline “XXF3_OfflineRef.mov” (QT H264 1920x1080, 24P) Export Final CUt Pro XML - File > Export > Final Cut Pro XML Save to: XXF3_Title/Editorial/DaVinci Resolve/XXF3_ToResolve/“XXF3_FF01.xml” Open DaVinci Resolve - Log In if you haven't already In DaVinci Resolve: Create a New Project - File > Import XML (AAF, EDL, XML) Your XML will be Importing into it – you’ll choose the settings then. -
Cyberlink Powerdirector User's Guide Copyright and Disclaimer All Rights Reserved
CyberLink PowerDirector User's Guide Copyright and Disclaimer All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of CyberLink Corporation. To the extent allowed by law, PowerDirector IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION ANY WARRANTY FOR INFORMATION, SERVICES, OR PRODUCTS PROVIDED THROUGH OR IN CONNECTION WITH PowerDirector AND ANY IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, EXPECTATION OF PRIVACY, OR NON-INFRINGEMENT. BY USING THIS SOFTWARE, YOU AGREE THAT CYBERLINK WILL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, OR CONSEQUENTIAL LOSS ARISING FROM THE USE OF THIS SOFTWARE OR MATERIALS CONTAINED EITHER IN THIS PACKAGE. The terms and conditions here under shall be governed and construed in accordance with the laws of Taiwan. PowerDirector is a registered trademark along with other company and product names mentioned in this publication, used for identification purposes and remain the exclusive property of their respective owners. Manufactured under license from Dolby Laboratories. Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. Confidential unpublished works. Copyright 1995-2005 Dolby Laboratories. All rights reserved. For DTS patents, see http://patents.dts.com. Manufactured under license from DTS Licensing Limited. DTS, the Symbol, & DTS and the Symbol together are registered trademarks, and DTS 5.1 Producer is a trademark of DTS, Inc. © DTS, Inc. All Rights Reserved. International Headquarters Mailing Address CyberLink Corporation 15F., No. -
Kwasi Ofori Berko Capstone Thesis
Digital Technology Art for a Car Advertising Agency Kwasi Ofori Berko BSc. Information Systems Science (2014) Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Art in Digital Arts in the Welch Center for Graduate and Professional Studies of Goucher College November 21th, 2019 ____________________________ Advisor signature 2 I authorize Goucher College to lend this thesis, or reproductions of it, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Copyright © 2019 by Kwasi Ofori Berko All rights reserved 3 Acknowledgements I would like to thank my capstone committee – Professor Paul Lempke, Professor Andrew Bernstein, and Professor Javier Molina - for guiding me with their knowledge, experience, and encouragement throughout this process. I am sincerely grateful to Mr Kwasi Gyimah Asante and Dr Kofi Owusu-Boaitey, my Uncles, advisers and mentors, for their support in all aspects of my academic career. I would like to thank all of the faculty and staff of the Graduate Programs in Digital Arts department as well as the Associate Director for International Students Center for Race, Equity and Identity, Karen Sykes. Thank you as well to all of my classmates who have walked this journey with me. 4 Abstract Kantanka is the first ever automobile manufacturing company in Ghana which assembles and produces made in Ghana vehicles. The company which has been around for many years now, has caught media attention that resulted in investors providing funding in the company. Simultaneously, many Ghanians and neighboring countries have patronized the Kantanka automobile products. -
Lightworks V14 Quick Start Guide
Lightworks 14.0 Quick Start Guide Copyright and Disclaimer Copyright © 2016 by EditShare This document, as well as any software described in it, is furnished under either a license or a confidentiality agreement, is confidential to EditShare, and may be used or copied only in accordance with the above mentioned agreements. The information in this document is furnished for your use only and is subject to change without notice. EditShare assumes no responsibility or liability for any errors or inaccuracies that may appear in this document. This document is the property of EditShare and is provided in accordance with an EditShare license agreement. Copying, modifying, or distributing this document in violation of the license agreement, Copyright Laws of England and Wales, or the Copyright Laws of any applicable foreign jurisdiction is expressly prohibited. EditShare is a registered trademark of EditShare in the US and other countries. Universal Media File is a trademark of EditShare in the US and other countries. Avid is a registered trademark of Avid Technology, Inc. DAVE is a registered trademark of Thursby Software Systems, Inc. Final Cut Pro, Leopard, Macintosh, and Macintosh OS are registered trademarks of Apple, Inc. Premiere is a registered trademark of Adobe, Inc. Windows is a registered trademark of Microsoft Corporation. All other brand and product names are trademarks or registered trademarks of their respective companies and are hereby acknowledged. To the best of our knowledge, the information in this document is accurate; however, EditShare assumes no responsibility or liability for the accuracy or completeness of this information. Mention of trade names or commercial products does not constitute endorsement by EditShare except where explicitly stated. -
RED Workflows with Final Cut Pro X White Paper June 2012 White Paper 2 RED Workflows with Final Cut Pro X
RED Workflows with Final Cut Pro X White Paper June 2012 White Paper 2 RED Workflows with Final Cut Pro X With the continuing popularity of the RED® family of cameras (www.red.com), Final Cut Pro X editors have been looking for proven workflows with REDCODE® RAW files. This white paper outlines how professional production companies are achieving excellent results when recording with RED cameras, editing in Final Cut Pro X, and finishing in applications such as DaVinci Resolve. This document outlines a complete RED-based post-production workflow, following the steps below: 1. Transcode REDCODE RAW files to Apple ProRes using REDCINE-X® PRO. 2. Batch sync audio and video files. 3. Import synced files into Final Cut Pro X. During import, Final Cut Pro X can automatically create lightweight Apple ProRes 422 (Proxy) files for editing. Or, if you have a lot of footage and multiple editors, you can use Compressor to create the Apple ProRes 422 (Proxy) files. 4. Edit and lock picture with Final Cut Pro X. 5. Export an XML file of the project from Final Cut Pro X. 6. Color grade the project in DaVinci Resolve using either high-quality Apple ProRes or R3D RAW files. You can relink the project XML file to the original R3D files in either REDCINE-X PRO or DaVinci Resolve. 7. Export an XML file from DaVinci Resolve and import it back into Final Cut Pro X. 8. Export a final master from Final Cut Pro X. This method combines the best of both worlds—the speed of editing with Apple ProRes on a wide variety of notebook and desktop systems, and the color grading advantages of RAW when finishing. -
Video Capture 3-In-1 Video Capture
Model: NV100C Video Capture 3-in-1 video capture Quick Start Guide 1 Table of Contents Overview ........................................................................................... 3 Package Contents ................................................................................................. 3 System Requirements ........................................................................................... 3 Use on Mac OS .................................................................................. 4 Hardware Installation ........................................................................................... 4 Driver Installation ................................................................................................. 4 Capture Video on QuickTime Player ..................................................................... 4 Use on Windows PC/Laptop ............................................................... 7 Hardware Installation ........................................................................................... 7 Driver Installation ................................................................................................. 7 Capture Video on CyberLink PowerDirector ......................................................... 7 Capture Video on VivaStation............................................................................. 10 Use on Android Device .................................................................... 12 Capture Video on VivaCAP ................................................................................ -
Davinci Resolve 11 Menus and Keyboard Shortcuts
GUIDE - DAVINCI RESOLVE 11 MENUS & KEYBOARD SHORTCUTS DaVinci Resolve 11 Menus and Keyboard Shortcuts • Shortcut descriptions are for Mac OS X. • Windows and Linux use “Control” instead of “Command” and Alt instead of “Option”. • Shortcuts are page specific. Menu Shortcut DaVinci Resolve About DaVinci Resolve Preferences.. Command Comma Services > Hide DaVinci Resolve Command H Hide Others Option Command H Show All Quit DaVinci Resolve Command Q File New Project… New Bin Shift Command N New Timeline Command N Save Project Command S Save Project As… Shift Command S Import Project… Command I Import AAF, EDL, XML… Shift Command I Import Batch List from EDL… Capture Export Project… Command E Export AAF, XML… Shift Command O Project Manager… Project Settings… easyDCP > Import License and Certificates… Request License and Certificates… Import KDM/Digest Expert Server Certificate Full Resolution Decode Half Resolution Decode Quarter Resolution Decode Consolidate DCP Timeline… About easyDCP… Collaboration > Publish All Changes Option Shift T Publish Changes for Selected Clips Shift Command T 1 GUIDE - DAVINCI RESOLVE 11 MENUS & KEYBOARD SHORTCUTS Menu Shortcut File Cont. Update All Clips Option Shift U Update Selected Clips Shift Command U Revert All Clips Revert Selected Clips Reload Project Auto Update Edit Undo Command Z Redo Shift Command Z Cut Command X Copy Command C Paste Command V Paste Attributes Option V Select All Command A Deselect All Shift Command A Delete Selected Delete Delete With Ripple Shift Delete Pointer A Trim T Blade B Razor Command B Insert/Overwrite Action > Insert F9 Overwrite F10 Replace F11 Place On Top F12 Fit To Fill Shift F11 Append At End Shift F12 Select Clips Forward On This Track Y Select Clips Forward On All Tracks Option Y Select Nearest Clip/Gap Shift V Linked Selection Shift Command L Clip Link Option Command L Clip Enable D Split clip Command BackSlash 2 GUIDE - DAVINCI RESOLVE 11 MENUS & KEYBOARD SHORTCUTS Menu Shortcut Edit Cont. -
Software Libre Y Producción Audiovisual
Software libre y producción audiovisual Taller de post-televisión Tallerista: Ehécatl Cabrera Rancho Electrónico, agosto 2016 Edición de video con FLOSS Herramientas para editar ● La herramienta más bonita (decorada) no siempre es la más efectiva. ● El software privativo nos ha acostumbrado a soluciones mágicas y a funcionalidades “novedosas” pero no siempre necesarias. ● Editar video sólo requiere cortar, mover y superponer pistas. ● Lo más importante no es el editor, sino: – La captura del material (lenguaje audiovisual): ● Operación de cámara: fotografía, continuidad, movimientos de cámara, etc. ● Registro sonoro: audio nítido, atmósferas, música. – Tener nociones de montaje: ● Yuxtaposición y montaje expresivo vs montaje naturalista. ● Ritmo – Conocer principios de animación: ● Modificar propiedades de un clip (video, imagen, sonido) en una línea de tiempo Openshot ● Software libre multiplataforma. ● No necesita instalación (ejecutable). ● Posee las herramientas necesarias para editar video: cortar, arrastrar, sobreponer pistas. ● Admite múltiples formatos. ● Interfaz amigable, similar a cualquier editor de video. ● Útil para ediciones rápidas que no requieren animaciones complejas o corrección de color especializada. ● Página del proyecto: http://www.openshot.org/ Shotcut ● Software libre multiplataforma. ● No necesita instalación (ejecutable). ● Posee las herramientas necesarias para editar video: cortar, arrastrar, sobreponer pistas. Tiene menos efectos que openshot. ● Admite múltiples formatos. ● Interfaz amigable, similar a cualquier editor de video ● Útil para ediciones rápidas que no requieren animaciones complejas o corrección de color especializada. ● Página del proyecto: https://www.shotcut.org/ Kdenlive ● Software libre para GNU/Linux, FreeBSD y Mac (muy compleja instalación) ● Posee herramientas muy completas para editar video. Permite captura de cámaras y trabajo con proxies. ● Admite múltiples formatos. ● Interfaz amigable, similar a cualquier editor de video. -
Software Guide (PDF)
Animation - Maya and 3ds Max: autodesk.com. freesoftware/ Operating system: All Educational institutions can access a range of software for 3D modelling, animation and rendering. Free trial available. Games - Synfig: synfig.org/ Operating system: All Twine: twinery.org/ - Vector-based 2D animation suite. Operating system: All Easy-to-create interactive, story-based game - Three.Js: threejs.org/ engine. Add slides and embed media. Coding Operating system: Web-based knowledge is not required. Create animated 3D computer graphics on a web browser using HTML. - GameMaker: yoyogames.com/gamemaker Operating system: Windows and macOS - Blender: blender.org/ Simple-to-use 2D game development engine. Operating system: All Coding knowledge is not required. Free trial Easy-to-use software to create 3D models, available. environments and animated films. Can be used for VFX and games. - Unreal Engine: unrealengine.com/en-US/ what-is-unreal-engine-4 - Stop Motion Studio: cateater.com/ Operating system: Web-based Operating system: Windows, macOS, Andriod Advanced game engine to create 2D, and iOS 3D, mobile and VR games. Knowledge of Stop-motion animation app with in-app programming is not required. purchases. - Playcanvas: playcanvas.com Operating system: Web-based Simple-to-use 3D game engine using HTML5. Create apps faster using Google Docs-style realtime collaboration. Learn how to use your work to build a - Unity: unity3d.com/ portfolio and get a job: Operating system: Windows and macOS screenskills.com/building-your-portfolio Easy-to-use game engine for importing 3D models, creating textures and building Software guide environments. Find a job profile that uses your skills: Free software to help you develop screenskills.com/job-profiles Chatmapper: chatmapper.com/ your skills and create a portfolio - Operating system: Windows for the film, TV, animation, Software for writing non-linear dialogue, ideal VFX (visual effects) and games industries for games.