Lie of the Jungle: the Trut
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Genuneit Tarzan Vor 100 Jahren
Jürgen Genuneit Aaaaaihaihaaaaihaihaaaaa! Vor 100 Jahren lernte Tarzan lesen und schreiben „Aaaaaihaihaaaaihaihaaaaa!“ – sicherlich haben Sie diesen Schrei gleich als den berühmten Tarzanschrei erkannt und erinnern sich zurück an die Tarzan-Comics Ihrer Jugend, an die Tarzanfilme mit Johnny Weismüller und Lex Barker oder an die Disney-Verfilmung und vielleicht an einen der 26 Tarzan- Romane des Amerikaners Edgar Rice Burroughs. Aber wie Tarzan lesen und schreiben gelernt hat, daran erinnert sich meistens kaum einer. Tarzans unglaubliche Lese- und Schreiblerngeschichte steht in dem ersten Band der Romanserie „Tarzan bei den Affen", der vor genau hundert Jahren im September/Oktober 1912 zum ersten Mal erschienen ist. Tarzan war bekanntlich als Säugling von den Affen geraubt und großgezogen worden. Von ihnen lernte er auch die Affensprache, die lediglich auf einer reduzierten mündlichen Basis bestand. Auf seinen Streifzügen durch den Dschungel entdeckt der Zehnjährige die Hütte seines Vaters und dort findet er eine Fibel. Mit Hilfe der Bilder und der Bildunterschriften, deren Buchstaben er zunächst für „eine seltene Art Käfer" hält, bringt er sich selbst das Lesen bei, was ihm bei denjenigen Abbildungen, die er aus der Dschungelwelt kennt, leichter gelingt als bei „Eisenbahn" oder „Schiff" – eine wichtige Bestätigung des in der Erwachsenenalphabetisierung angewandten Spracherfahrungsansatzes, der die Alltagserfahrung des Lernenden zum Ausgangspunkt des Lese- und Schreiblernprozesses macht. Insgesamt braucht Tarzan fünf, in der Comic- Version -
Date Category Place Countryhorse's Name Nf Pr
UPDATE ON NEGATIVE BLOOD AND URINE ANALYSES RESULTS IN 2016 IN THE EADCM PROGRAMME (updated 17 February 2017) DATE CATEGORY PLACE COUNTRY HORSE'S NAME NF PR October 01 CEI2*120/CEIYJ2*120/ CEI1*80/CEIYJ1*80 LLAY LLAY CHI DOMINGA CHI 01 CEI2*120/CEIYJ2*120/ CEI1*80/CEIYJ1*80 LLAY LLAY CHI CAMORRA CHI 01 CEI2*120/CEIYJ2*120/ CEI1*80/CEIYJ1*80 LLAY LLAY CHI P.B. MIRAYA CHI 01 CEI2*120/CEIYJ2*120/ CEI1*80/CEIYJ1*80 LLAY LLAY CHI SANTA SUSANA AURORA CHI 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA GENEVE DK Z FRA 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA TAIGA DES ISLES FRA 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA JACKSON FRA 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA KATAPULT SUI 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA BIG BOY 36 GER 04 - 10 CSI3*-W RANCHO MURIETA USA CAPITAL COLNARDO USA 04 - 10 CSI3*-W RANCHO MURIETA USA FLEXIBLE USA 04 - 10 CSI3*-W RANCHO MURIETA USA LEGIS TOUCH THE SUN USA 05 - 09 CSI3* BIRMINGHAM GBR D'ATLANTIQUE ROYALE BEL 05 - 09 CSI3* BIRMINGHAM GBR CRISTALLO A LM FRA 05 - 09 CSI3* BIRMINGHAM GBR TANGO D'ECRY IRL 05 - 09 CSI3* BIRMINGHAM GBR SUSSEX CARETINO GBR 05 - 09 CSI3* BIRMINGHAM GBR BALZAC IRL 05 - 09 CSI3* BIRMINGHAM GBR FEIGTLING GBR 05 - 09 CSI3* BIRMINGHAM GBR ECHO OF LIGHT GBR 05 - 09 CSI2*-W SAO PAULO BRA ZOJASPER IMPERIO EGIPCIO BRA 05 - 09 CSI2*-W SAO PAULO BRA AZRAEL W BRA 05 - 09 CSI2*-W SAO PAULO BRA AZRAEL W BRA 05 - 09 CSI2*-W SAO PAULO BRA LANDRITTER II DO FEROLETO BRA 05 - 09 CSI2*-W SAO PAULO BRA QUIDAM -
Comics the Univseral Language Part 2
Edgar Rice Burroughs’ Art Chronology -- Comics: The Universal Language -- Part 2 !In just the 1950s alone, more Tarzan comic books were made in Britain than all the Tarzan comics that have ever made in America. That was how popular the apeman was in the country that Burroughs gave Tarzan’s fictional heritage. !About the time that U.S. publishers finished their Big Little Book run of daily strips reprints, two different British publishers started reprinting the U.S. newspaper strips at the same time. !One revamped a syndicated mini-newspaper reprint service that ran many of the black & white U.S. dailies as color comics for the first and only time. !The other turned old color Sunday strips into black & white comic books. !Soon, images of Tarzan film actors Johnny Weissmuller, Lex Barker, and Gordon Scott began appearing on comic book racks all across England. These included many completely new color images rarely seen by American readers. 214 Westworld Publications Tarzan the Grand Adventure Comic a similar 8 page bi-weekly series that had been running internationally since 1946 under !On September 15, 1951, Westworld the simple title of Tarzan, and opened with the Publications Limited of London debuted their Maxon dailies from 1943 (the French edition of first issue of the 12 page Tarzan issue #4 from October 10, 1946, the Grand Adventure Comic. is shown center page). The These bi-weeklies were mini- Tarzan feature was in color, but newspapers, initially sized at only on the front and back 11 & 1/4” x 15 & 13/16”, and page. -
Syllabus German Karl May Films This Course Is Designed for Advanced
Syllabus German Karl May Films This course is designed for advanced students of German and fluent speakers. The language of all films and conversation is in German. Classic Karl May films produced in the 1960’s will be shown. Subtitles in German (Deutsch für Hörgeschädigte) assist those who do not understand the entire spoken dialog in order to both improve their listening comprehension and follow the action of the film. The films available for the course are: Der Schatz im Silbersee 1962 106 min Winnetou 1 1963 97 min Winneout 2 1964 91 min Unter Geiern 1964 99 min Winnetou 3 1965 89 min Der Ölprinz 1965 87 min Winnetou und das Halbblut Apanatschi 1966 87 min Winnetou and sein Freund Old Firehand 1966 91 min Old Surehand 1965 89 min Because of the length of the films several class periods will be devoted to each and class members will decide which films to watch. Time will be alloted for discussion and sharing of memories. Every boy and many girls growing up during the twentieth century in Germany and elsewhere in Europe assiduously devoured the Karl May adventure novels. Karl Friedrich May (pronounced „My“ was born February 25, 1842 and died March 30, 1912. He is one of the best selling German writers of all time, noted mainly for books set in the American Old West and similar books set in the Orient and Middle East. With the advent of the 1960’s films children and adults of all ages enjoyed Karl May in the film versions and the series soon became classics in Germany much as the Humphrey Bogart films did in the US. -
Alternate PDF Version
CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS Actor Johnny Sheffield Dies at 79 Johnny Sheffield, best known for playing the part of “Boy” to Johnny Weissmuller’s Tarzan in three MGM and five RKO movies, suffered a fatal heart attack on 15 October at his home in Chula Vista, CA . Born in 1931, he died at age 79, the same age as Weissmuller when he passed away. Johnny’s father, British actor Reginald Sheffield, spotted an adver- tisement in The Hollywood Reporter that asked, “Do you have a Tarzan Jr. in your backyard?” Johnny, who had already acted on stage, includ- ing Broadway, was chosen, at age 7, out of more than 300 candidates for the part of the adopted son of Tarzan and Jane in 1939’s “Tarzan Finds a Son!” He would reprise the part in seven more films, ending with 1947’s “Tarzan and the Huntress,” Weissmuller’s second-to-last movie as the ape-man. While Weissmuller would go on to play “Jungle Johnny Sheffield at his table in the dealer’s Jim” in 13 features for Columbia (1948-1954), Johnny Sheffield took room during the 2000 Dum-Dum in on the starring role of “Bomba, the Jungle Boy” in 12 Monogram Grandville, MI. Pictures films from 1949 to 1955. His father then created, produced, and directed a TV pilot, “Bantu the Zebra Boy,” starring Johnny, but they could not find a sponsor. Soon after, Johnny left the film business. His father passed away in 1957, which may have had something to do with Johnny finding a new direction to his life. -
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37. -
Cold War Rivalry and the Perception of the American West
PALGRAVE MACMILLAN TRANSNATIONAL HISTORY SERIES COLD WAR RIVALRY AND THE PERCEPTION OF THE AMERICAN WEST PAWEL GORAL Palgrave Macmillan Transnational History Series Series Editors: Akira Iriye, Professor of History at Harvard University, and Rana Mitter, Professor of the History and Politics of Modern China at the University of Oxford This distinguished series seeks to: develop scholarship on the transnational con- nections of societies and peoples in the nineteenth and twentieth centuries; provide a forum in which work on transnational history from different periods, subjects, and regions of the world can be brought together in fruitful connection; and explore the theoretical and methodological links between transnational and other related approaches such as comparative history and world history. Editorial Board: Thomas Bender, University Professor of the Humanities, Pro- fessor of History, and Director of the International Center for Advanced Studies, New York University; Jane Carruthers, Professor of History, University of South Africa; Mariano Plotkin, Professor, Universidad Nacional de Tres de Febrero, Buenos Aires, and member of the National Council of Scientific and Technolog- ical Research, Argentina; Pierre-Yves Saunier, Researcher at the Centre National de la Recherche Scientifique, France, and Visiting Professor at the University of Montreal; Ian Tyrrell, Professor of History, University of New South Wales Titles include: Gregor Benton and Edmund Terence Gomez THE CHINESE IN BRITAIN, 1800–PRESENT Economy, Transnationalism and -
Sorelle Fontana and Hollywood on the Tiber: the Birth of the Modern Italian Fashion Industry 1949-1959
Sorelle Fontana and Hollywood on the Tiber: The Birth of the Modern Italian Fashion Industry 1949-1959 Courtney Lyons Undergraduate Senior Thesis Department of History Barnard College, Columbia University Professor Joel Kaye April 7, 2021 Lyons 1 Table of Contents Acknowledgments……………………………………………………………………………..…..2 Introduction……………………………………………………………………………..…………3 Chapter One: The Beginnings of Italian Fashion……………………………………………...….9 Chapter Two: The Growth of Cinecittà Studios and Hollywood on the Tiber……………….….20 Chapter Three: Sorelle Fontana and Hollywood……………….………..…………………..…..31 Chapter Four: The Rise of the Modern Italian Fashion Industry………………………………..46 Conclusion ……………………………………………………………………………………....63 Images……………………………………………………………………………………………65 Bibliography……………………………………………………………………………………..68 Lyons 2 Acknowledgments First, I would like to thank Professor Joel Kaye, who I have been lucky enough to call my thesis advisor this past year. Through your detailed feedback and many informative sessions, you have pushed me to become a better writer and historian, and I will be forever grateful for that. Thank you for always embracing my love of scandalous pop culture history and making our research seminar the best part of my week. Thank you to Professor Lisa Tiersten, my academic advisor, for taking me on as a last-minute advisee and admitting me into your seminar, even though it was full. It was under your guidance that I have been able to foster my love of fashion history. I would also like to thank Professor Barbara Faedda, whose “Culture of Italian Fashion” course inspired me to write my thesis on the topic. Finally, to both the Barnard and Columbia History Departments, thank you. Every history course that I have taken during my time here has been a pleasure. -
Winnetous Erben“
GRAYWOLF BLUES BAND 1 Photos: Ruth GoborPhotos: Ruth and Alexander Hast for Media AHA Group Musik mit „Winnetous Erben“ eder, der in Deutschland aufgewachsen des Indianers Wash-Ti. In den USA ist er good“ und mit einem zweiten Titel „Boogie J ist, hat wohl als Kind an den Abenteuern unter anderem als die Stimme des India- Man“ auf dem neuen Album „Dancing in the von Winnetou und Old Shatterhand teil- ners John Redcorn aus der Zeichentrick- Rain“ der Graywolf Blues Band vertreten. genommen. Sei es als Leser, Kinogänger serie “King of the Hill” bekannt, die auch in Preisgekrönt mit einem „Nammy“, dem oder Fernsehzuschauer, der mit den Schau- Deutschland läuft. Native American Music Award, für den Titel spielern Pierre Brice und Lex Barker auf die Jonathan erinnert sich noch gut an die „Dancing in the Rain“ haben die Musiker Reise durch die fernen Prärien der Vereinig- Dreharbeiten zu ‚Winnetous Rückkehr‘: „Die um Gray Wolf nun Tourpläne. Ende des ten Staaten ging. Und wer gar den Film „Der deutsche Produktionsfirma hatte in Spanien Jahres soll eine kurze Clubtour durch Florida Schuh des Manitu“ verstehen will, für den in einem Tal eine komplette Stadt als Dreh- gemacht werden und für das kommende Jahr sind diese Karl-May-Filme natürlich eben- ort aufgebaut. Und beim ersten großen Re- steht Deutschland auf der Wunschliste. Für falls Pflicht. gen trieb die komplette Stadt den reißenden die Tournee hat Gray Wolf eine besondere Zwei Deutsche, die es vor vielen Jahren Fluss hinunter, der durch die Regenfälle ent- Überraschung parat: Neben Jonathan Joss in die USA trieb, erleben die Freundschaft standen war. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Les Films De Zombies Du Meilleur Au Pire Un Guide Pour Néophyte
1 Couverture : Mario transforme Marion 2- Sommaire 3- Insolite – Matante Valérie 4- Tarzan – Mario Giguère 13- Ce qu’ils ont dit… 14- Le Jour du Docteur - Souvenirs 19- Nanardises – Soucoupes Volantes au-dessus d’Istanbul 21- Films de Zombies – Un guide pour Néophytes (un article de Matante Valérie en collaboration avec Mononc’Mario, à paraître en 2014 dans la revue Solaris. Venez pas dire qu’on vous offre pas des exclusivités!) 27- Insolite Poutine – Matante Valérie 28- Insolite – Matante Valérie 29- La fin du quart 44 – Nouvelle d’Alain Jetté 32- An introduction to Kirk Fu 33- Winnie l’Ourson vs Star Wars 34- Winnie vs Hellraiser 35- Nouvelle Insolite – Alain Jetté 36- Cartes de vœux de Matante Valérie 42- Archives SFQ - Kramer 44- Rions avec Internet 50- Affiche Boréal 2014 Prochaine date de tombée 20 Mars 2014 Fanzine électronique des membres de Québec SF. Le contenu et les droits respectifs sont redevables aux auteurs. Numéro 11 – Janvier 2014 2 3 TARZAN AND THE GOLDEN LION - J.P. McGowan avec James Pierce, Edna Murphy, Boris Karloff, 1927, États Unis, 57m, noir et blanc, muet Deuxième film adaptant le succès littéraire au cinéma, ce TARZAN AND THE GOLDEN LION met en vedette la soeur de Lord Greystoke (sœur inexistante dans les romans, ce serait sa nièce selon d'autres sources), amoureuse de l'intendant de la propriété de Tarzan. Karloff interprète un membre des Waziri, tribu de guerriers féroces dont l'homme singe est le chef, qui a été expulsé et veut prendre sa revanche avec l'aide d'Esteban Miranda. -
Cold War Rivalry and the Perception of the American West
COLD WAR RIVALRY AND THE PERCEPTION OF THE AMERICAN WEST: WHY BOTH WESTERNERS AND EASTERNERS BECAME COWBOYS AND INDIANS by PAWEL GORAL Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON May 2012 Copyright © by Pawel Goral 2012 All Rights Reserved ii ACKNOWLEDGMENTS I would like to thank my committee members: Drs. Thomas Adam (Chair), Joyce Goldberg, Sam W. Haynes, Meredith McClain, and Steven G. Reinhardt. I would also like to thank other professors who also influenced my work along the way: Eric Bolsterli, Kim Breuer, Stephanie Cole, Imre Demhardt, Marvin Dulaney, Robert Fairbanks, John Garrigus, George Green, Donald Kyle, Stephen Maizlish, Christopher C. Morris, Stanley H. Palmer, Dennis Reinhartz, Stephen Stillwell, Jr. Our departmental staff have been priceless in helping me navigate through the program. I thank Robin Deeslie, Ami Keller, Wanda Stafford, and James Cotton. I thank the staff at the Central Library, especially those in charge of interlibrary loan processing. I thank for the invaluable help I received at the archives at Textarchiv des Deutschen Filminstituts / Deutschen Filmmuseums, Frankfurt, Archiv der Berlin- Brandenburgischen Akademie der Wissenschaften (ABBAW), and Bundesarchiv, Berlin. My now three year old daughter, Anna, provided helpful entertainment as I progressed through the writing process. My parents, although thousands of miles away, have stood by me all this time. But the person who made it all possible was my wife, Andrea. I hereby postulate that the spouses of doctoral students should be awarded an iii honorary degree for all the sacrifice it requires to endure.