DOCSLIB.ORG

Date Category Place Countryhorse's Name Nf Pr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Date Category Place Countryhorse's Name Nf Pr UPDATE ON NEGATIVE BLOOD AND URINE ANALYSES RESULTS IN 2016 IN THE EADCM PROGRAMME (updated 17 February 2017) DATE CATEGORY PLACE COUNTRY HORSE'S NAME NF PR October 01 CEI2*120/CEIYJ2*120/ CEI1*80/CEIYJ1*80 LLAY LLAY CHI DOMINGA CHI 01 CEI2*120/CEIYJ2*120/ CEI1*80/CEIYJ1*80 LLAY LLAY CHI CAMORRA CHI 01 CEI2*120/CEIYJ2*120/ CEI1*80/CEIYJ1*80 LLAY LLAY CHI P.B. MIRAYA CHI 01 CEI2*120/CEIYJ2*120/ CEI1*80/CEIYJ1*80 LLAY LLAY CHI SANTA SUSANA AURORA CHI 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA GENEVE DK Z FRA 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA TAIGA DES ISLES FRA 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA JACKSON FRA 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA KATAPULT SUI 04 - 09 CSI2*/CSI1*/ CSIYH1*/CSIL1*/CSIP CAGNES-SUR-MER FRA BIG BOY 36 GER 04 - 10 CSI3*-W RANCHO MURIETA USA CAPITAL COLNARDO USA 04 - 10 CSI3*-W RANCHO MURIETA USA FLEXIBLE USA 04 - 10 CSI3*-W RANCHO MURIETA USA LEGIS TOUCH THE SUN USA 05 - 09 CSI3* BIRMINGHAM GBR D'ATLANTIQUE ROYALE BEL 05 - 09 CSI3* BIRMINGHAM GBR CRISTALLO A LM FRA 05 - 09 CSI3* BIRMINGHAM GBR TANGO D'ECRY IRL 05 - 09 CSI3* BIRMINGHAM GBR SUSSEX CARETINO GBR 05 - 09 CSI3* BIRMINGHAM GBR BALZAC IRL 05 - 09 CSI3* BIRMINGHAM GBR FEIGTLING GBR 05 - 09 CSI3* BIRMINGHAM GBR ECHO OF LIGHT GBR 05 - 09 CSI2*-W SAO PAULO BRA ZOJASPER IMPERIO EGIPCIO BRA 05 - 09 CSI2*-W SAO PAULO BRA AZRAEL W BRA 05 - 09 CSI2*-W SAO PAULO BRA AZRAEL W BRA 05 - 09 CSI2*-W SAO PAULO BRA LANDRITTER II DO FEROLETO BRA 05 - 09 CSI2*-W SAO PAULO BRA QUIDAM FOR EVER BRA 05 - 09 CSI2*-W SAO PAULO BRA LARA IMPERIO EGIPCIO BRA 05 - 09 CSI2*-W SAO PAULO BRA BARBARIAN IMPERIO EGIPCIO BRA 06 - 09 CH-Balkan-E VELIKA PISANICA CRO MOZ BUL 06 - 09 CH-Balkan-E VELIKA PISANICA CRO POMPEY BUL 06 - 09 CH-Balkan-E VELIKA PISANICA CRO 130 SALLY CRO 06 - 09 CH-Balkan-E VELIKA PISANICA CRO KOHEILAN XIII 16 SALAMON P GRE 06 - 09 CSIO3*-W/CSI1* RABAT MAR MOKA DE MESCAM ITA 06 - 09 CSIO3*-W/CSI1* RABAT MAR THE TOYMAKER QAT 06 - 09 CSIO3*-W/CSI1* RABAT MAR CAROUSA 2 MAR 06 - 09 CSIO3*-W/CSI1* RABAT MAR CARLOTTA 232 ITA 06 - 09 CSIO3*-W/CSI1* RABAT MAR HERITAGE HHS FORTUNA IRL 06 - 09 CSIO3*-W/CSI1* RABAT MAR CELESTE 26 SUI 06 - 09 CSIO3*-W/CSI1* RABAT MAR LEONARD DE LA FERME CH SUI 06 - 09 CSIO3*-W/CSI1* RABAT MAR LESTER IX SUI 06 - 09 CSIO3*-W/CSI1* RABAT MAR BALOU RUBIN R SUI 06 - 09 CSIO3*-W/CSI1* RABAT MAR RINGWOOD GLEN IRL 06 - 10 CDI5*/CDI2*/CDI1*/CDIYH/CDIP MALLORCA ESP MANGO STATESMAN ESP 06 - 10 CDI5*/CDI2*/CDI1*/CDIYH/CDIP MALLORCA ESP SANTURION DE MASSA POR 06 - 10 CDI5*/CDI2*/CDI1*/CDIYH/CDIP MALLORCA ESP FLERARO UKR 06 - 10 CDI5*/CDI2*/CDI1*/CDIYH/CDIP MALLORCA ESP DSP RODRIGUEZ AUT 06 - 10 CDI5*/CDI2*/CDI1*/CDIYH/CDIP MALLORCA ESP ROCK FOR HIT CZE 06 - 10 CDI5*/CDI2*/CDI1*/CDIYH/CDIP MALLORCA ESP DIMACHO BCN BER 06 - 10 CDI5*/CDI2*/CDI1*/CDIYH/CDIP MALLORCA ESP FABIENNE DEN 06 - 10 CCIO3*/CCI3* BOEKELO NED TOUCHINGWOOD IND 06 - 10 CCIO3*/CCI3* BOEKELO NED EUFORIAN NOR 06 - 10 CCIO3*/CCI3* BOEKELO NED NYALA D'ARVILLE BEL 06 - 10 CCIO3*/CCI3* BOEKELO NED DRUMHOWAN BLACK MAGIC GBR 06 - 10 CCIO3*/CCI3* BOEKELO NED CHIPPIEH SWE 06 - 10 CCIO3*/CCI3* BOEKELO NED PHOENIX D'AMIGNY ITA 06 - 10 CCIO3*/CCI3* BOEKELO NED FRH BUTT'S AVONDALE GER 06 - 10 CCIO3*/CCI3* BOEKELO NED ZINDANE NED 06 - 10 CSIOP/CSIY-A/CSIJ-A/ CSICh-A/CSIU25-A/CSIU25YJ-A CHEVENEZ SUI RENA DE CORMOLAIN SUI 06 - 10 CSIOP/CSIY-A/CSIJ-A/ CSICh-A/CSIU25-A/CSIU25YJ-A CHEVENEZ SUI CUPIDO T SUI 06 - 10 CSIOP/CSIY-A/CSIJ-A/ CSICh-A/CSIU25-A/CSIU25YJ-A CHEVENEZ SUI DYNAMITE SPARTACUS IRL 06 - 10 CSIOP/CSIY-A/CSIJ-A/ CSICh-A/CSIU25-A/CSIU25YJ-A CHEVENEZ SUI LYRA SP SUI 06 - 10 CSIOP/CSIY-A/CSIJ-A/ CSICh-A/CSIU25-A/CSIU25YJ-A CHEVENEZ SUI LILLIFEE AUT 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST REBECA FIN 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST BRUCE DE BERKS EST 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST AGA FLAMENCO VON FEICHT EST 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST CHIARA RUS 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST TOSCANA EST 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST SPACE KING EST 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST CORINTE RUS 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST LOTUS G LTU 07 - 09 CSI2*-W/CSIYH1*/CSIU25-A TALLINN EST HELIA VAN DE HEIHOEK POL 07 - 09 CAI2*-H1/CAI1*-H2/CAI1*-H1/ CAI2*-P2/CAI2*-P1/ CAI1*-P4/CAI1*-P1/CAICh1*-P1 TAMWORTH AUS CO PILOT AUS 07 - 09 CAI2*-H1/CAI1*-H2/CAI1*-H1/ CAI2*-P2/CAI2*-P1/ CAI1*-P4/CAI1*-P1/CAICh1*-P1 TAMWORTH AUS ROSTHWAITE VIGILANTE II AUS 07 - 09 CAI2*-H1/CAI1*-H2/CAI1*-H1/ CAI2*-P2/CAI2*-P1/ CAI1*-P4/CAI1*-P1/CAICh1*-P1 TAMWORTH AUS BRYCE STONES ON AIR AUS 07 - 09 CAI2*-H1/CAI1*-H2/CAI1*-H1/ CAI2*-P2/CAI2*-P1/ CAI1*-P4/CAI1*-P1/CAICh1*-P1 TAMWORTH AUS BARINGA TIME AUS 07 - 09 CAI2*-H1/CAI1*-H2/CAI1*-H1/ CAI2*-P2/CAI2*-P1/ CAI1*-P4/CAI1*-P1/CAICh1*-P1 TAMWORTH AUS CHERRINGTON HARLEQUIN AUS 07 - 09 CAI2*-H1/CAI1*-H2/CAI1*-H1/ CAI2*-P2/CAI2*-P1/ CAI1*-P4/CAI1*-P1/CAICh1*-P1 TAMWORTH AUS SAZZ AUS 07 - 09 CAI2*-H1/CAI1*-H2/CAI1*-H1/ CAI2*-P2/CAI2*-P1/ CAI1*-P4/CAI1*-P1/CAICh1*-P1 TAMWORTH AUS CHERRY FARM GOLDEN MAID AUS 07 - 09 CAI2*-H1/CAI1*-H2/CAI1*-H1/ CAI2*-P2/CAI2*-P1/ CAI1*-P4/CAI1*-P1/CAICh1*-P1 TAMWORTH AUS GLENORMISTON TURLOUGH AUS 08 - 09 CIC3*/CIC2*/CIC1* TAUPO NZL WAITANGI PINTEREST NZL 08 - 09 CIC3*/CIC2*/CIC1* TAUPO NZL CLASSIC INDIGO NZL 08 - 09 CIC3*/CIC2*/CIC1* TAUPO NZL MR MANCINI NZL 11 - 16 CSI2*/CSI1*/ CSIYH1*/CSIAm-B/CSIP CAGNES-SUR-MER FRA AMITIE DES DOUCES FRA 11 - 16 CSI2*/CSI1*/ CSIYH1*/CSIAm-B/CSIP CAGNES-SUR-MER FRA EJETHA AUS 11 - 16 CSI2*/CSI1*/ CSIYH1*/CSIAm-B/CSIP CAGNES-SUR-MER FRA CLOONEY DELLA MONICA ESP 11 - 16 CSI2*/CSI1*/ CSIYH1*/CSIAm-B/CSIP CAGNES-SUR-MER FRA GALANTE IV SUI 11 - 16 CSI2*/CSI1*/ CSIYH1*/CSIAm-B/CSIP CAGNES-SUR-MER FRA ARTHUR D'ALBIN CH SUI 11 - 16 CSI2*/CSI1*/ CSIYH1*/CSIAm-B/CSIP CAGNES-SUR-MER FRA CASINO ROYALE 8 GER 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED CHICO Z SWE 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED DIDDO VAN SINT MAARTEN BEL 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED ALANDRA NED 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED AL BAHIE BEL 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED EXXEPTION USA 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED JACKOBOND P VD ZWARTBLESHOEVE NED 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED ATHENA 144 NOR 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED FORTUNA GER 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED CHAMPETTER NED 13 - 16 CSI2*/CSI1*/CSIYH1* ASTEN NED CASCADA 33 DEN 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR BILLY BLUE BELL NOR 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR CHAPLIN SUI 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR WODKA NOR 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR CHACCORINA GER 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR ESPOIR BEL 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR CON CHILLI GBR 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR MARY LOU 194 SWE 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR GOLDEN HAWK IRL 13 - 16 CSI5*-W/CSI2*/CSIAm-B/CDIY OSLO NOR FAIR LIGHT VAN T HEIKE ITA 13 - 16 CSI2*/CSI1* CHEVENEZ SUI VODKAPOMME JYCEVE SUI 13 - 16 CSI2*/CSI1* CHEVENEZ SUI PLAYER DU QUESNOY SUI 13 - 16 CSI2*/CSI1* CHEVENEZ SUI VANCOUVER DE LANLORE SUI 13 - 16 CSI2*/CSI1* CHEVENEZ SUI COUPE DE ALB GER 13 - 16 CSI2*/CSI1* CHEVENEZ SUI TESS DE JALESNES SUI 13 - 16 CSI2*/CSI1* CHEVENEZ SUI CHARISMA 206 GER 13 - 16 CSI2*/CSI1* CHEVENEZ SUI COOLIDGE 2 SUI 13 - 16 CSI2*/CSI1* CHEVENEZ SUI PERLE DE VAINS SUI 13 - 16 CSI2*/CSI1* CHEVENEZ SUI CANCARA SUI 13 - 16 CSI2*/CSI1* CHEVENEZ SUI CALLGIRL SUI 13 - 16 CSI2*-W HAWKESBURY AUS ALPHA CENTAURI AUS 13 - 16 CSI2*-W HAWKESBURY AUS SHAKESPEAR NZPH NZL 13 - 16 CSI2*-W HAWKESBURY AUS EMCEE GWYNEDD AUS 13 - 16 CSI2*-W HAWKESBURY AUS ZARISSA AUS 13 - 16 CSI2*-W HAWKESBURY AUS EMMAVILLE JITTERBUG AUS 13 - 16 CSI2*-W HAWKESBURY AUS CP APRILLA AUS 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR CHARMEUR Z MAR 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR ZYPERN 4 GER 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR FALOU GBR 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR CHEETAH 6 MAR 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR AD ARGOS KSA 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR FIORETTA VAN T EIGENLO FRA 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR DONA EVITA KSA 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR VARO M KSA 13 - 16 CSI3*-W/CSI1* EL JADIDA MAR THAIS DE PEGASE FRA 13 - 16 CSI4* COAPEXPAN MEX CONSTAR MEX 13 - 16 CSI4* COAPEXPAN MEX CHIANTI CLASSICO COL 13 - 16 CSI4* COAPEXPAN MEX CHAPILOT BRA 13 - 16 CSI4* COAPEXPAN MEX GURU MEX 13 - 16 CSI4* COAPEXPAN MEX DONANDA COL 14 - 15 CEI3*90+(2)/CEI2*70+(2)/ CEI2*120/CEI1*90 FONTAINEBLEAU FRA AMINA DE PALMAS BEL 14 - 15 CEI3*90+(2)/CEI2*70+(2)/ CEI2*120/CEI1*90 FONTAINEBLEAU FRA BARAQ DU GERFAUT FRA 14 - 15 CEI3*90+(2)/CEI2*70+(2)/ CEI2*120/CEI1*90 FONTAINEBLEAU FRA ADJA DE MESCAM FRA 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL CAPRI VAN'T GESTELHOF NED 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL CORONA 94 CHN 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL HORSEPLAY YOGI BEAR GER 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL COSMIC ORDER GBR 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL CALVIN DEN 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL WALDO ITA 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL PROMYK POL 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL DEVA DUHOS HUN 14 - 16 CCI3*/CCI2*/CCI1*/ CIC3*/CIC2* STRZEGOM POL GOMBA CZE 14 - 16 CEI3*160/CEI2*120/ CEIYJ2*120/CEI1*80 BABENHAUSEN GER MARBRE 2 GER 14 - 16 CEI3*160/CEI2*120/ CEIYJ2*120/CEI1*80 BABENHAUSEN GER EL SAHRA JUBA IL LAIL GER 14 - 16 CEI3*160/CEI2*120/ CEIYJ2*120/CEI1*80 BABENHAUSEN GER SONSCHEIN BEL 14 - 16 CEI3*160/CEI2*120/ CEIYJ2*120/CEI1*80
Load more

Recommended publications
  • Genuneit Tarzan Vor 100 Jahren
    Jürgen Genuneit Aaaaaihaihaaaaihaihaaaaa! Vor 100 Jahren lernte Tarzan lesen und schreiben „Aaaaaihaihaaaaihaihaaaaa!“ – sicherlich haben Sie diesen Schrei gleich als den berühmten Tarzanschrei erkannt und erinnern sich zurück an die Tarzan-Comics Ihrer Jugend, an die Tarzanfilme mit Johnny Weismüller und Lex Barker oder an die Disney-Verfilmung und vielleicht an einen der 26 Tarzan- Romane des Amerikaners Edgar Rice Burroughs. Aber wie Tarzan lesen und schreiben gelernt hat, daran erinnert sich meistens kaum einer. Tarzans unglaubliche Lese- und Schreiblerngeschichte steht in dem ersten Band der Romanserie „Tarzan bei den Affen", der vor genau hundert Jahren im September/Oktober 1912 zum ersten Mal erschienen ist. Tarzan war bekanntlich als Säugling von den Affen geraubt und großgezogen worden. Von ihnen lernte er auch die Affensprache, die lediglich auf einer reduzierten mündlichen Basis bestand. Auf seinen Streifzügen durch den Dschungel entdeckt der Zehnjährige die Hütte seines Vaters und dort findet er eine Fibel. Mit Hilfe der Bilder und der Bildunterschriften, deren Buchstaben er zunächst für „eine seltene Art Käfer" hält, bringt er sich selbst das Lesen bei, was ihm bei denjenigen Abbildungen, die er aus der Dschungelwelt kennt, leichter gelingt als bei „Eisenbahn" oder „Schiff" – eine wichtige Bestätigung des in der Erwachsenenalphabetisierung angewandten Spracherfahrungsansatzes, der die Alltagserfahrung des Lernenden zum Ausgangspunkt des Lese- und Schreiblernprozesses macht. Insgesamt braucht Tarzan fünf, in der Comic- Version
    [Show full text]
  • Lie of the Jungle: the Trut
    Lie of the Jungle: The Truth About Cheeta the Chimpanzee http://www.washingtonpost.com/wp-dyn/content/article/2008/11/25/A... Lie of the Jungle He had the chance to write the biography of Cheeta, known as the world's oldest and most famous chimp. But his research led him into serious monkey business. By R.D. Rosen Sunday, December 7, 2008; W14 In the fall of 2007, I had been working for several months on a proposal for the authorized biography of Cheeta, Johnny Weissmuller's sidekick in MGM's Tarzan movies of the 1930s and '40s. Against all odds, Cheeta was still alive at the age of 75, 20 years older than a captive chimp's normal life span. When the agent for Cheeta and his owner, Dan Westfall, had first approached me about writing the biography, I was astonished that a fixture of not just my own childhood, but my parents', as well, one of the most celebrated animals in movie history, was retired in Palm Springs, Calif., selling his paintings for $135 donations to thousands of far-flung admirers. His birthday parties were now covered by national, and even international, media. At Cheeta's 75th birthday party, his owner, who runs a non-profit primate sanctuary, had played a video of Jane Goodall attempting to sing "Happy Birthday" to him in the pant-hooting language of the wild chimps she had first observed in Tanzania in the early 1960s. Could there be higher tribute to a chimp than that? I was too absorbed in the many fascinating aspects of my research -- the history of men and their captive chimps, the early days of Hollywood animal training, the evolution of the Tarzan franchise, newspaper clips about Cheeta, not to mention a meeting with the fading star himself -- to indulge any incipient doubts about Cheeta's true identity.
    [Show full text]
  • Comics the Univseral Language Part 2
    Edgar Rice Burroughs’ Art Chronology -- Comics: The Universal Language -- Part 2 !In just the 1950s alone, more Tarzan comic books were made in Britain than all the Tarzan comics that have ever made in America. That was how popular the apeman was in the country that Burroughs gave Tarzan’s fictional heritage. !About the time that U.S. publishers finished their Big Little Book run of daily strips reprints, two different British publishers started reprinting the U.S. newspaper strips at the same time. !One revamped a syndicated mini-newspaper reprint service that ran many of the black & white U.S. dailies as color comics for the first and only time. !The other turned old color Sunday strips into black & white comic books. !Soon, images of Tarzan film actors Johnny Weissmuller, Lex Barker, and Gordon Scott began appearing on comic book racks all across England. These included many completely new color images rarely seen by American readers. 214 Westworld Publications Tarzan the Grand Adventure Comic a similar 8 page bi-weekly series that had been running internationally since 1946 under !On September 15, 1951, Westworld the simple title of Tarzan, and opened with the Publications Limited of London debuted their Maxon dailies from 1943 (the French edition of first issue of the 12 page Tarzan issue #4 from October 10, 1946, the Grand Adventure Comic. is shown center page). The These bi-weeklies were mini- Tarzan feature was in color, but newspapers, initially sized at only on the front and back 11 & 1/4” x 15 & 13/16”, and page.
    [Show full text]
  • Syllabus German Karl May Films This Course Is Designed for Advanced
    Syllabus German Karl May Films This course is designed for advanced students of German and fluent speakers. The language of all films and conversation is in German. Classic Karl May films produced in the 1960’s will be shown. Subtitles in German (Deutsch für Hörgeschädigte) assist those who do not understand the entire spoken dialog in order to both improve their listening comprehension and follow the action of the film. The films available for the course are: Der Schatz im Silbersee 1962 106 min Winnetou 1 1963 97 min Winneout 2 1964 91 min Unter Geiern 1964 99 min Winnetou 3 1965 89 min Der Ölprinz 1965 87 min Winnetou und das Halbblut Apanatschi 1966 87 min Winnetou and sein Freund Old Firehand 1966 91 min Old Surehand 1965 89 min Because of the length of the films several class periods will be devoted to each and class members will decide which films to watch. Time will be alloted for discussion and sharing of memories. Every boy and many girls growing up during the twentieth century in Germany and elsewhere in Europe assiduously devoured the Karl May adventure novels. Karl Friedrich May (pronounced „My“ was born February 25, 1842 and died March 30, 1912. He is one of the best selling German writers of all time, noted mainly for books set in the American Old West and similar books set in the Orient and Middle East. With the advent of the 1960’s films children and adults of all ages enjoyed Karl May in the film versions and the series soon became classics in Germany much as the Humphrey Bogart films did in the US.
    [Show full text]
  • Alternate PDF Version
    CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS Actor Johnny Sheffield Dies at 79 Johnny Sheffield, best known for playing the part of “Boy” to Johnny Weissmuller’s Tarzan in three MGM and five RKO movies, suffered a fatal heart attack on 15 October at his home in Chula Vista, CA . Born in 1931, he died at age 79, the same age as Weissmuller when he passed away. Johnny’s father, British actor Reginald Sheffield, spotted an adver- tisement in The Hollywood Reporter that asked, “Do you have a Tarzan Jr. in your backyard?” Johnny, who had already acted on stage, includ- ing Broadway, was chosen, at age 7, out of more than 300 candidates for the part of the adopted son of Tarzan and Jane in 1939’s “Tarzan Finds a Son!” He would reprise the part in seven more films, ending with 1947’s “Tarzan and the Huntress,” Weissmuller’s second-to-last movie as the ape-man. While Weissmuller would go on to play “Jungle Johnny Sheffield at his table in the dealer’s Jim” in 13 features for Columbia (1948-1954), Johnny Sheffield took room during the 2000 Dum-Dum in on the starring role of “Bomba, the Jungle Boy” in 12 Monogram Grandville, MI. Pictures films from 1949 to 1955. His father then created, produced, and directed a TV pilot, “Bantu the Zebra Boy,” starring Johnny, but they could not find a sponsor. Soon after, Johnny left the film business. His father passed away in 1957, which may have had something to do with Johnny finding a new direction to his life.
    [Show full text]
  • Noel Drewe Collection Film 178D5
    Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37.
    [Show full text]
  • Cold War Rivalry and the Perception of the American West
    PALGRAVE MACMILLAN TRANSNATIONAL HISTORY SERIES COLD WAR RIVALRY AND THE PERCEPTION OF THE AMERICAN WEST PAWEL GORAL Palgrave Macmillan Transnational History Series Series Editors: Akira Iriye, Professor of History at Harvard University, and Rana Mitter, Professor of the History and Politics of Modern China at the University of Oxford This distinguished series seeks to: develop scholarship on the transnational con- nections of societies and peoples in the nineteenth and twentieth centuries; provide a forum in which work on transnational history from different periods, subjects, and regions of the world can be brought together in fruitful connection; and explore the theoretical and methodological links between transnational and other related approaches such as comparative history and world history. Editorial Board: Thomas Bender, University Professor of the Humanities, Pro- fessor of History, and Director of the International Center for Advanced Studies, New York University; Jane Carruthers, Professor of History, University of South Africa; Mariano Plotkin, Professor, Universidad Nacional de Tres de Febrero, Buenos Aires, and member of the National Council of Scientific and Technolog- ical Research, Argentina; Pierre-Yves Saunier, Researcher at the Centre National de la Recherche Scientifique, France, and Visiting Professor at the University of Montreal; Ian Tyrrell, Professor of History, University of New South Wales Titles include: Gregor Benton and Edmund Terence Gomez THE CHINESE IN BRITAIN, 1800–PRESENT Economy, Transnationalism and
    [Show full text]
  • Sorelle Fontana and Hollywood on the Tiber: the Birth of the Modern Italian Fashion Industry 1949-1959
    Sorelle Fontana and Hollywood on the Tiber: The Birth of the Modern Italian Fashion Industry 1949-1959 Courtney Lyons Undergraduate Senior Thesis Department of History Barnard College, Columbia University Professor Joel Kaye April 7, 2021 Lyons 1 Table of Contents Acknowledgments……………………………………………………………………………..…..2 Introduction……………………………………………………………………………..…………3 Chapter One: The Beginnings of Italian Fashion……………………………………………...….9 Chapter Two: The Growth of Cinecittà Studios and Hollywood on the Tiber……………….….20 Chapter Three: Sorelle Fontana and Hollywood……………….………..…………………..…..31 Chapter Four: The Rise of the Modern Italian Fashion Industry………………………………..46 Conclusion ……………………………………………………………………………………....63 Images……………………………………………………………………………………………65 Bibliography……………………………………………………………………………………..68 Lyons 2 Acknowledgments First, I would like to thank Professor Joel Kaye, who I have been lucky enough to call my thesis advisor this past year. Through your detailed feedback and many informative sessions, you have pushed me to become a better writer and historian, and I will be forever grateful for that. Thank you for always embracing my love of scandalous pop culture history and making our research seminar the best part of my week. Thank you to Professor Lisa Tiersten, my academic advisor, for taking me on as a last-minute advisee and admitting me into your seminar, even though it was full. It was under your guidance that I have been able to foster my love of fashion history. I would also like to thank Professor Barbara Faedda, whose “Culture of Italian Fashion” course inspired me to write my thesis on the topic. Finally, to both the Barnard and Columbia History Departments, thank you. Every history course that I have taken during my time here has been a pleasure.
    [Show full text]
  • Winnetous Erben“
    GRAYWOLF BLUES BAND 1 Photos: Ruth GoborPhotos: Ruth and Alexander Hast for Media AHA Group Musik mit „Winnetous Erben“ eder, der in Deutschland aufgewachsen des Indianers Wash-Ti. In den USA ist er good“ und mit einem zweiten Titel „Boogie J ist, hat wohl als Kind an den Abenteuern unter anderem als die Stimme des India- Man“ auf dem neuen Album „Dancing in the von Winnetou und Old Shatterhand teil- ners John Redcorn aus der Zeichentrick- Rain“ der Graywolf Blues Band vertreten. genommen. Sei es als Leser, Kinogänger serie “King of the Hill” bekannt, die auch in Preisgekrönt mit einem „Nammy“, dem oder Fernsehzuschauer, der mit den Schau- Deutschland läuft. Native American Music Award, für den Titel spielern Pierre Brice und Lex Barker auf die Jonathan erinnert sich noch gut an die „Dancing in the Rain“ haben die Musiker Reise durch die fernen Prärien der Vereinig- Dreharbeiten zu ‚Winnetous Rückkehr‘: „Die um Gray Wolf nun Tourpläne. Ende des ten Staaten ging. Und wer gar den Film „Der deutsche Produktionsfirma hatte in Spanien Jahres soll eine kurze Clubtour durch Florida Schuh des Manitu“ verstehen will, für den in einem Tal eine komplette Stadt als Dreh- gemacht werden und für das kommende Jahr sind diese Karl-May-Filme natürlich eben- ort aufgebaut. Und beim ersten großen Re- steht Deutschland auf der Wunschliste. Für falls Pflicht. gen trieb die komplette Stadt den reißenden die Tournee hat Gray Wolf eine besondere Zwei Deutsche, die es vor vielen Jahren Fluss hinunter, der durch die Regenfälle ent- Überraschung parat: Neben Jonathan Joss in die USA trieb, erleben die Freundschaft standen war.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • Les Films De Zombies Du Meilleur Au Pire Un Guide Pour Néophyte
    1 Couverture : Mario transforme Marion 2- Sommaire 3- Insolite – Matante Valérie 4- Tarzan – Mario Giguère 13- Ce qu’ils ont dit… 14- Le Jour du Docteur - Souvenirs 19- Nanardises – Soucoupes Volantes au-dessus d’Istanbul 21- Films de Zombies – Un guide pour Néophytes (un article de Matante Valérie en collaboration avec Mononc’Mario, à paraître en 2014 dans la revue Solaris. Venez pas dire qu’on vous offre pas des exclusivités!) 27- Insolite Poutine – Matante Valérie 28- Insolite – Matante Valérie 29- La fin du quart 44 – Nouvelle d’Alain Jetté 32- An introduction to Kirk Fu 33- Winnie l’Ourson vs Star Wars 34- Winnie vs Hellraiser 35- Nouvelle Insolite – Alain Jetté 36- Cartes de vœux de Matante Valérie 42- Archives SFQ - Kramer 44- Rions avec Internet 50- Affiche Boréal 2014 Prochaine date de tombée 20 Mars 2014 Fanzine électronique des membres de Québec SF. Le contenu et les droits respectifs sont redevables aux auteurs. Numéro 11 – Janvier 2014 2 3 TARZAN AND THE GOLDEN LION - J.P. McGowan avec James Pierce, Edna Murphy, Boris Karloff, 1927, États Unis, 57m, noir et blanc, muet Deuxième film adaptant le succès littéraire au cinéma, ce TARZAN AND THE GOLDEN LION met en vedette la soeur de Lord Greystoke (sœur inexistante dans les romans, ce serait sa nièce selon d'autres sources), amoureuse de l'intendant de la propriété de Tarzan. Karloff interprète un membre des Waziri, tribu de guerriers féroces dont l'homme singe est le chef, qui a été expulsé et veut prendre sa revanche avec l'aide d'Esteban Miranda.
    [Show full text]
  • Cold War Rivalry and the Perception of the American West
    COLD WAR RIVALRY AND THE PERCEPTION OF THE AMERICAN WEST: WHY BOTH WESTERNERS AND EASTERNERS BECAME COWBOYS AND INDIANS by PAWEL GORAL Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON May 2012 Copyright © by Pawel Goral 2012 All Rights Reserved ii ACKNOWLEDGMENTS I would like to thank my committee members: Drs. Thomas Adam (Chair), Joyce Goldberg, Sam W. Haynes, Meredith McClain, and Steven G. Reinhardt. I would also like to thank other professors who also influenced my work along the way: Eric Bolsterli, Kim Breuer, Stephanie Cole, Imre Demhardt, Marvin Dulaney, Robert Fairbanks, John Garrigus, George Green, Donald Kyle, Stephen Maizlish, Christopher C. Morris, Stanley H. Palmer, Dennis Reinhartz, Stephen Stillwell, Jr. Our departmental staff have been priceless in helping me navigate through the program. I thank Robin Deeslie, Ami Keller, Wanda Stafford, and James Cotton. I thank the staff at the Central Library, especially those in charge of interlibrary loan processing. I thank for the invaluable help I received at the archives at Textarchiv des Deutschen Filminstituts / Deutschen Filmmuseums, Frankfurt, Archiv der Berlin- Brandenburgischen Akademie der Wissenschaften (ABBAW), and Bundesarchiv, Berlin. My now three year old daughter, Anna, provided helpful entertainment as I progressed through the writing process. My parents, although thousands of miles away, have stood by me all this time. But the person who made it all possible was my wife, Andrea. I hereby postulate that the spouses of doctoral students should be awarded an iii honorary degree for all the sacrifice it requires to endure.
    [Show full text]