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Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
Prose Edda Part 2: Pp. 35- 70 XVIII. Then Said Gangleri
Prose Edda Part 2: pp. 35- 70 XVIII. Then said Gangleri: "Whence comes the wind? It is strong, so that it stirs great seas, and it swells fire; but, strong as it is, none may see it, for it is wonderfully shapen." Then said Hárr: "That I am well able to tell thee. At the northward end of heaven sits the giant called Hræsvelgr: he has the plumes of an eagle, and when he stretches his wings for flight, then the wind rises from under his wings, as is here said: Hræsvelgr hight he | who sits at heaven's ending, Giant in eagle's coat; From his wings, they say, | the wind cometh All men-folk over." XIX. Then said Gangleri: "Why is there so much difference, that summer should be hot, but winter cold?" Hárr answered: "A wise man would not ask thus, seeing that all are able to tell this; but if thou alone art become-so slight of understanding as not to have heard it, then I will yet permit that thou shouldst rather ask foolishly once, than that thou shouldst be kept longer in ignorance of a thing which it is proper to know. He is called Svásudr[Delightful.] who is father of Summer; and he is of pleasant nature, so that from his name whatsoever is pleasant is {p. 33} But the father of Winter is variously called Vindljóni[Wind-bringer] or Vindsvalr;[ Wind-chill] he is the son of Vásadr;[3] and these were kinsmen grim and chilly-breasted, and Winter has their temper." XX. -
The Unseen Reality Understanding Allegory and Symbolic Language of Myths and Ancient Poems - on Heathenry‘S Abyss
Sjálfur leið þú sjálfan þig - thou thyself lead thyself. Óðsmál - The Unseen Reality Understanding Allegory and Symbolic Language of Myths and Ancient Poems - On Heathenry‘s Abyss May 13th 2013 - ISBN 978 9935 409 84 3 available on Amazon - by Guðrún Kristín Magnúsdóttir, Göia goði and mmedia.is/odsmal/odsmal An illustrated dictionary for the badly illiterate on Norse and Germanic myths and poems. Science of Consciousness -Now, what would that be? Science of Consciousness? -Revived by Maharishi Mahesh Yogi, known as Maharishi Vedic Science, is purified Vedic Science from Vedic Golden Age -- and also modern science (as far as it has yet come today). Maharishi also inspires research on ancient knowledge of our reverent forefathers, as he knows pure spiritualiy to be found in the great ancient traditions. That is why I am doing this. I met Maharishiji first in 1962. He was teaching the whole world TM. He was heightening the world consciousness, welcoming sat-yuga to us. Maharishi, being an enlightened man, and a physicist, and the greatest sage of our age, explains all in a way that every man can understand. Every man where-ever he may be on his evolutionary path, can understand, because this is about ourselves - that Unseen Reality. Our myths and poems have layers of understanding, contain allegory, symbolic language, and some funny metaphors. Understanding depends upon the purity of the thinking man. Everyone can learn the easy delightful short-cut technique to enlightenment. Our highly evolved human nervous system, Sleipnir, is all we need. (Sleipnir human nervous system my theory) SLEIPNIR -WHY SPEND TIME ON SCIENCE OF CONSCIOUSNESS? -Someone has to tell us why we should start understanding, and what there is to be understood. -
Svinnur Vín Valföðurs Gungnir Glaðheimar
Goþrún dimmblá skráir mál litlu kjaftforu völvu Óðsmál in fornu ISBN 978-9935-409-40-9 14. ISBN 978-9935-409-13-3 svinnur vín valföðurs Gungnir Glaðheimar Göia goði, Óðsmál, http://www.mmedia.is/odsmal [email protected]; [email protected] Norræn menning ***************************************** +354 694 1264; +354 552 8080 svinnur (vitund) vín Valföðurs (lífs flæði) val þýðir fara, nálgast, flýta, og einnig að snúa aftur heim 1 Gungnir (bylgjur) Glaðheimar (gleikkun manns vitundar) -Heill, Óðinn, sem æ við vín eitt unir. -Heil, völva. Heill sé þér. Veit ek hví þú ávarpar mig. Yppir Óðinn svipum fyr Sigtíva sonum. Sækist þú eftir aufúsuþekkingu frá mér. (aufusa gleði fagnaðarefni) Muntu vilja bergja á kálki hjá mér í hverjum er hunangsmjöðurinn. Tilgangur lífsins er hamingja, Glaðheimar, gleikkun hamingju (17.) og sælu Sólar (17.). Þar nema menn frævast og fróðir vera og vaxa og vel hafast. Orðs sér af orði orðs leita, verk sér af verki verks leita. Sjá munu devata, tíva, í orðum vedanna, og flæðið úr gapinu milli orðanna. Allt verður til úr gapinu milli orðanna. Mismunadi devata, tívar, breyta orðum vedanna í gapinu milli þeirra. Í gapinu milli atkvæðanna. Þetta hið óskapaða svið er ævarandi heimur, gapið mikla sem ætíð er og ætíð verður. Ginnungagap er dýpið. Hefur yfirborðsöldur, en öldur eru í raun hafið. Ginnungagap er einnig þekkt sem Mímir (13.; frb.ísmriti) . Tengslum milli dýpisins og yfirborðsaldanna er viðhaldið af devata, tívum, höftum og böndum. Það eru þau in glæstu tívasjöt. Ginnungagap er kyrrð dýpisins, segir Mímir alminnugr. Ginnungagap hefur yfirborðsöldur sem við sjáum sem alheiminn. 2 Öldur á hafi eru í raun hafið. -
The Nordic Gods
The Nordic Gods The Nordic gods were worshipped by the Vikings in the era 900AD - 1100AD. Belief in the gods existed before this time, but it was not organized and the myth would differ from region to region. The gods were called the Asa Gods, or the anglified Aesir. There were also nature gods called the Vana Gods or Vanir. The religion was called asatro, in English Asatru, which means Asa Faith. In time a rich mythology with many gods and tales would emerge, although it can be seen in some cases that various gods were strangely similar to each other in either names or functions; this is a result of the effort to merge disparate beliefs into one mythology. For example, Oden and his wife Frigg appear much the same as Freya and her husband Od, and the sea gods Ägir and Njord have very much the same function. Other times the same deity has several names; Måne and Natt is one example. The strength of the mythology in daily life would vary. It is clear that Nordic mythology was the lense through which the world was explained, but it was never a fervent belief; like other polytheistic faiths it was relaxed and the result of spontaneous growth, not an organized effort. In times and places of great wealth the mythology would take richer forms, such as the great temple in Upsala, which was a center of worship for travellers from many regions. In this temple there were priests who would lead the worship, and there would sometimes be priests in larger villages, usually old men from wealthy families who could no longer work the fields. -
Þjóðvitnir, Syn Og Þursamegir III Ámáttkrar Mjök
Goþrún dimmblá skráir mál litlu kjaftforu völvu Óðsmál in fornu ISBN 978-9935-409-40-9 4. ISBN 978-9935-409-03-4 Þjóðvitnir Ullur Heimdallur að láta glepjast vítahringurinn bál þekkingar Göia goði, Óðsmál, http://www.mmedia.is/odsmal [email protected]; [email protected] Norræn menning ***************************************** +354 694 1264; +354 552 8080 -Hæ! 1 Ég er kominn! Ég vil hafa titilinn svona: Þ j ó ð v i t n i r Ullur Heimdallur Svona skilja menn okkur bezt. Hér eru skilningarvitin 5 að elta beituna mína. 2 Þið sjáið mig ekki. Ég er bara svona: skilningarvit. Þau virka aðeins í hinni sköpuðu veröld (26.), glingrinu fína. Best að afgreiða Heimdall og Ull snöggvast með þessum dýrahring, mamma Jörð í miðjunni, geo-centric, séð frá jörðu. Heimdallur er þarna hægra megin á teikningunni þar sem heitir Himinbjörg, 3 milli Baldurs (Breiðabliks) og Freyju (Fólkvangs), Ullur í Ýdölum vinstra megin, milli Freys (Álfheima) og Þórs (Þrúðvangs), skv. Grímnismálum Einars. Svolítið illa teiknað hjá mér. Afsakið. Hér er betri mynd af helmingi dýrahrings. Heimdallur í Himinbjörgum hjá Freyju Fólkvangi vinstra megin, Ullur hægra megin milli Þórs Þrúðvangs og Freys Álfheima. Hér er hinn helmingurinn, ekki til umfjöllunar hér og nú, en um hann kemur síðar í hinum ýmsu skræðum: Himalaya (þar sem snjórinn er) Himinbjörg Heimdallar, næsta merki við Breiðablik Baldurs. Ýdalir Ulls við hlið Álfheima Freys. Þeir eru best geymdir þarna uppi, en ég er alveg niðri á jörðinni -- og skemmti ykkur hér. Þetta er langtum skemmtilegasta skræðan í rununni, skræða 4. !! Ég er svo skemmtilegur. Sannið til. Ég hef frekar stórar myndir hér, ekki þessi frímerki sem eru í hinum 39 skræðunum, 4 hef almennilegar myndir, enda verður skræða 4 þá allra skræðna feitust og fyrirferðarmest. -
Norse Mythology: a Guide to the Gods, Heroes, Rituals, and Beliefs
Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs John Lindow OXFORD UNIVERSITY PRESS Norse Mythology This page intentionally left blank Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs John Lindow 3 3 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2001 by John Lindow First published by ABC-Clio 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 First issued as an Oxford University Press paperback, 2002 198 Madison Avenue, New York,New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press Library of Congress Cataloging-in-Publication Data Lindow, John. [Handbook of Norse mythology] Norse mythology: a guide to the Gods, heroes, rituals, and beliefs / by John Lindow. p. cm. Includes bibliographical references and index. ISBN 0-19-515382-0 (pbk.: alk. paper) 1. Mythology, Norse. I.Title. BL860.L56 2001 293'.13—dc21 2001058370 10987654321 Printed in the United States of America on acid-free paper CONTENTS A Note on Orthography, xv 1 Introduction, 1 The Historical Background, 2 -
• Aegir – Norse God of the Sea. Married to Ran and Lives Under The
Aegir – Norse God of the sea. Married to Ran and lives under the waves near the island of Hlesey. Aesir – A group of warrior gods led by Odin who inhabit Asgard. Balder – Son of Odin and Frigg. Known as a gentle and wise god. Killed accidentally by his brother Hod. Will return after Ragnarok. Bolverk – The alias Odin adopted when disguised as a giant to win the mead of poetry. Bor – Son of Buri and father of Odin, Vili and Ve. Bragi – The Norse God of poetry and eloquence. Son of Odin and husband of Idun. Buri – Ancestor of the Norse gods. Created by the cow Audmula licking him from ice. Day – Son of Night and Delling. Said to ride around the earth on his horse Skinfaxi. Earth – Daughter of Night and Annar. Einherjar – Band of dead warriors in Valhalla who await Ragnarok. Eir – Goddess of healing Fjorgyn – Lover of Odin and mother of Thor. Also referred to as Earth. Forseti – God of Justice. Son of Balder and Nanna. Freyja – Main goddess of the Vanir (fertility gods). Daughter of Njord and sister of Freyr. Freyr – Important god of the Vanir. Son of Njord and brother of Freyja. Frigga – Main goddess. Wife of Odin and mother of Balder. Fulla – Goddess servant of Frigga. Gangnrad – Pseudonym of Odin when he visits Vafthrudnir. Gefion – Fertility goddess. Associated with the plow. Tricked the king of Sweden out of a tract of his land. Grimnir – Pseudonym of Odin when he visits his foster son Geirrod, King of the Goths. Gullveig – A Vanir goddess (probably Freyja) who is burned three times by the Aesir. -
The Prose Edda Translated by Jean I
The Prose Edda Translated by Jean I. Young Cambridge, England: Bowes & Bowes, 1954. Gylfaginning - "The Deluding of Gylfi" Selections from Skaldskaparmál Gylfaginning "The Deluding of Gylfi" From the Younger or Prose Edda Translated by Jean I. Young King Gylfi ruled the lands that are now called Sweden. It is told of him that he gave a plough land in his kingdom, the size four oxen could plough in a day and a night, to a beggar-woman as a reward for the way she had entertained him. This woman, however, was of the family of the Æsir; her name was Gefjon. From the north of Giantland she took four oxen and yoked them to a plough, but those were her sons by a giant. The plough went in so hard and deep that it loosened the land and the oxen dragged it westwards into the sea, stopping in a certain sound. There Gefjon set the land for good and gave it a name, calling it Zealand. But the place where the land had been torn up was afterwards a lake. It is now known in Sweden as 'The Lake' (Malar). And there areas many bays in 'The Lake' as there are headlands in Zealand. As the poet Bragi the Old says: Gefjon dragged with laughter from Gylfi liberal prince what made Denmark larger, so that beasts of draught the oxen reeked with sweat; four heads they had, eight eyes to boot who went before broad island-pasture ripped away as loot. King Gylfi was a wise man and skilled in magic. -
Guðmundr Á Glasisvöllum
Háskóli Íslands Félagsvísindasvið Félags- og mannvísindadeild Guðmundr á Glasisvöllum A Study of Potential Foreign Influences Ritgerð til MA-prófs í norrænni trú Felix Lummer Kt.: 2003904829 Leiðbeinandi: Terry Gunnell Maí 2017 In memoriam avi mei Richard Haufler (1927 – 1996) Á Glæsisvöllum Hjá Goðmundi á Glæsivöllum Horn skella á nösum gleði er í höll, og hnútur fljúga um borð, glymja hlátra sköll hógværi fylgja orð, og trúðar og leikarar leika þar um völl en þegar brotna hausar og blóðið litar en lítt er af setningi slegið. storð brosir þá Goðmundur kóngur. Áfengt er mungátið og mjöðurinn er forn, Náköld er Hemra mögnuð drykkjarhorn, en óminnishegri og illra hóta norn því Niflheimi frá undir niðri er stiklunum þruma. nöpur sprettur á. En kaldara und rifjum er Á Grími enum góða konungsmönnum hjá, af gulli höfuð skín, kalinn á hjarta þaðan slapp ég. gamalt ber hann vín en horns yfir öldu eiturormur gín og enginn þolir drykkinn nema jötnar. Goðmundur kóngur Grímur Thomsen er kurteis og hýr, 1820-1896 yfir köldu býr. Fránar eru sjónir en fölur er hans hlýr og feiknstafir svigna í brosi. Á Glæsivöllum aldrei með ýtum er fátt, allt er kátt og dátt. En bróðernið er flátt mjög og gamanið er grátt, í góðsemi vegur þar hver annan. Foreword I would like to dedicate the following lines to express my deepest gratitude to all the people who have helped and supported me by various means during the composition of the current Master’s thesis. I would like to address several individuals (both scholars, friends and family members) in particular. -
Some Controversial Aspects of the Myth of Baldr
Anatoly Liberman Some Controversial Aspects of the Myth of Baldr Es wird hier der versuch gemacht werden, die ursprüng- liche gestalt des Baldrmythus durch eine vergleichung seiner verschiedenen fassungen zu reconstruieren. — Ferdinand Detter (1894, 495) 1. Introduction ost students of Scandinavian mythology have ambitions similar to those of Detter, but after two centuries of research they are so far from the desired solution that walking round the mountain of pre- M vious scholarship appears to hold out greater promise than adding another stone to it. John Lindow, the author of the most recent book on Baldr, says the following: “My own interest, at least in the present work, has nothing to do with Germanic culture or Germanic religion . but rather with the myth in the forms in which we have it and the meaning it might have borne for those who knew it in those forms” ( 1997, 28). It is not obvious that the most important part of the colossal Baldr wedge is its visible thin edge. Unlike Lindow, I am interested in both the genesis of the myth and its function. All, rather than some, aspects of the Baldr myth are controversial, but I will address only those central to it, whence the title of my paper. Our view of the devel- opment of this myth has been seriously obscured by recourse to comparative reli- gion and the ever-growing indifference to internal reconstruction. The broader the background of a myth, the more similarities present themselves, and the path is lost in the wilderness. Frazer’s, F. R. Schröder’s, and Dumézil’s works are especially characteristic in this respect; Kauffmann and Neckel belong to the same group of scholars. -
Marie Žúborová - Němcová: Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Niagarské vodopády - pozri USA, Kanada https://sk.wikipedia.org/wiki/Niagarsk%C3%A9_vodop%C3%A1dy S. Leclerc: Eliáš v ohnivom voze nad Niagarským vodopádom (lept, 1660-1710) Niaux/njo - jaskyňa v Pyrenejach u Tasconu-en Foiix z obdobia magdalenienu; nálezisko jaskynných malieb frankokantaberského štýlu (pozri paleolitické jaskynné maľby), rytiny a maľby zvierat (bizóny, kone, jelene, ryby), prevedené čiernou obrysovou čiarou so šrafovaním naznačujúcim plastickosť; pozri mladopaleolitické umenie https://en.wikipedia.org/wiki/Cave_of_Niaux Heslo Niagarské vodopády – NIKO Strana 1 z 29 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Mladý bizón (jaskyňa Niaux, 13850 -12980 pr.Kr.) Mime - vo Wagnerovom Prsteni Niebelungov brat kráľa škriatkov Albericha, pre ktorého vyrobil zo zlata Rýna čarovný prsteň; ním Alberich plánoval zotročiť Niebelungov i celý svet; Nibelheim - z Nibelung (plemeno škriatkov) a heim (domov); vo Wagnerovej hudobnej dráme „Prsteň Niebelungov“ domov škriatkov Niebelungov (v germánskej a škandinávskej mytológii Nibelheim sa nachádzal v Niflheimu); ich kráľ Abelrich používa čarovný prsteň, ktorý vyrobil Alberichov brat Mime zo Zlata Rýna (Rhinegold), ukradnutého Rýnskym pannám (Rhinemaidens); Abelrich používal prsteň na zotročenie svojich poddaných a plánoval ovládnuť svet; pomocník hlavného boha Wotana, poloboh ohňa Loge, priviedol Wotana do Nibelheimu, aby donútili Albericha prsteň a jeho zlatý poklad vydať; museli ním mohli ním vyplatiť obrov Fafnera a Fasolta, aby si nežiadali ako odmenu bohyňu Freyu, ktorú im sľúbil Wotan, keď mu postavia hrad Valhalu; pozri Prsteň Niebelungov (opera) https://en.wikipedia.org/wiki/Nibelheim http://walkurepedia.wikia.com/wiki/Nibelheim Nibelung - tiež nem. Nibelungen; v starej nórčine Niflung (mn. č. Niflungar); v germánskej a škandinávskej mytológii staroveké plemeno škriatkov, vládcov a strážcov starodávnych pokladov v krajinách pozdĺž rieky Rýn; podľa legendy burgundská kráľovská rodina, ktorá sa usadila na zač.