DOCSLIB.ORG

Collection of Original Works of Art on Paper, V.D

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Collection of Original Works of Art on Paper, V.D http://oac.cdlib.org/findaid/ark:/13030/kt5w1006wm No online items Finding Aid for the Collection of Original Works of Art on Paper, v.d. Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2003 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of Original 99 1 Original Works of Art on Paper, v.d. Finding Aid for the Collection of Original Works of Art on Paper, v.d. Collection number: Original 99 UCLA Library Special Collections UCLA Library Special Collections staff Los Angeles, CA Contact Information UCLA Library Special Collections staff UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: UCLA Library Special Collections staff Encoded by: Caroline Cubé Online finding aid edited by: Josh Fiala, May 2003 © 2003 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Collection of Original Works of Art on Paper, Date (inclusive): v.d. Collection number: Original 99 Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Language: English. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Additional Physical Form Available In-house card catalogue available; inquire at UCLA Library Special Collections reference desk. A copy of the original version of this online finding aid is available at the UCLA Library Special Collections for in-house consultation and may be obtained for a fee. Please contact: Public Services Division UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Finding Aid for the Collection of Original 99 2 Original Works of Art on Paper, v.d. Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] Preferred Citation [Identification of item], Collection of Original Works of Art on Paper (Collection Original 99). UCLA Library Special Collections, Charles E. Young Research Library. The absentee. [London? ca. 1859]. Physical Description: 1 item. 16.5 × 10cm. Original pencil and watercolor drawing. Scope and Content Note Cover design for The absentee by Maria Edgeworth. London: Routledge [ca. 1859] Routledge Cheap Literature no.135. From an Edmund Evans scrapbook, disassembled by Justin Schiller. Agincourt. [London? 18--]. Physical Description: 1 item. 18 × 11cm. Original pencil and watercolor drawing. Scope and Content Note Cover design for Agincourt by George Payne Rainsford James. London: Routledge [18--] Sadleir 3600 [l]. From an Edmund Evans scrapbook, disassembled by Justin Schiller. Collection of scenery scheets for toy theatres. Copenhagen [ca. 1900?]. Creator/Collector: Alfred Jacobsens Kunstforlag Physical Description: 35 items. Color lithographs. Anatole, Views of Turkish costumes. Paris, Lemercier, [ca. 1858]. Physical Description: 2 items. 49 × 36 cm. Original lithographs by Anatole and Bocquin. St. Francis., n.p., n.d. Creator/Collector: Angelo, Valenti, 1897- Physical Description: 1 item. 23.5 × 33cm. Original pen and ink drawing. Scope and Content Note The drawing depicts St. Francis of Assisi preaching to the birds. Note Publishing history unknown. The grizzly and his captors. San Francisco, Wide West [n.d.]. Creator/Collector: Anthony & Baker, engravers Physical Description: 1 item. 27 × 21cm. Engraved letter sheet. Scope and Content Note The engraving, 13 × 18cm. including title, depicts a grizzly bear being lassooed by four vaqueros. Henry Miller. [n.p., 1965]. Creator/Collector: Atkins, Jane Physical Description: 1 item. 37 cm. Bronze bust. Note Gift of Henry Miller. Illustrations for Jane Austen's Persuasion. London: Book Society, 1944. n.p., n.d. Creator/Collector: Austen, John Physical Description: 8 items. 22.5 × 14.5 cm. Pencil drawings enhanced by watercolor. Finding Aid for the Collection of Original 99 3 Original Works of Art on Paper, v.d. Container List Autochrome transparencies. v.p., [ca. 191-]. Physical Description: 8 items. 13.5 × 18cm. Glass plates. Scope and Content Note Landscapes and still life images. Note [Shelved with slides]. Portrait of Aldous Huxley. [Los Angeles? 1962]. Creator/Collector: Bachardy, Don, 1934- Physical Description: 1 item. 90 × 29.5cm. framed. Ink drawing. Scope and Content Note Signed by the artist. Signed and dated by the subject, August 2nd, 1962. Note Gift of Jacob I. Zeitlin, 1979. [Permanent loan to Reference Department]. Portrait of Gerald Heard. [n.p., n.d.]. Creator/Collector: Bachardy, Don, 1934- Physical Description: 1 item. 57 × 24 cm. Ink and wash drawing. Scope and Content Note Inscribed to Michael [Barrie] from Don [Bachardy]. Note Gift of Michael Barrie. Portrait of Gerald heard. [Los Angeles? 1962]. Creator/Collector: Bachardy, Don, 1934- Physical Description: 1 item. 92 × 42cm. framed. Ink drawing. Scope and Content Note Signed by the artist. Signed and dated by the subject, 13 December, 1962. Note Gift of Jay Michael Barrie, 1978. Posters. Berkeley, California: Druid Press, ca. 1972-1975. Creator/Collector: Baldock, Robert Physical Description: [?] items. Approximately 60.5 cm. Artist's proofs. Scope and Content Note A group of broadsides commemorating various authors, among them Anaïs Nin, Virginia Woolf, and William Butler Yeats. Signed by the artist. Baños de Apoquindo, Chile, June 1856--Views. Physical Description: Original watercolor; size 9 × 11.25. Artist and date unknown. Finding Aid for the Collection of Original 99 4 Original Works of Art on Paper, v.d. Container List Self etching Rasputin. [n.p. (Hollywood?) ca., 1932]. Creator/Collector: Barrymore, Lionel, 1878-1954 Physical Description: 1 item. 34.5 × 27cm. Hand-colored etching, 3/50, signed in the plate. Physical Description: Framed in black and gold frame with linen liner, 53.5 × 40.5 cm. Scope and Content Note Depicts the actor in costume and make-up for his role in the film, Rasputin and the Empress, engrossed in drawing his self-portrait. Note [Hanging in HB's office]. Drawings [San Francisco & v.p.,] 1958-1963. Creator/Collector: Barton, Rick Physical Description: 7 packages, 1 box, 757 items. Original pen and ink drawings. Scope and Content Note A collection of drawings, chiefly pen and ink, many of which were published by the Peregrine Press in their limited edition print portfolios. Note Gift of Henry Evans. [Packages shelved */doc box over cabinet]. Bas-relief profile of Sir John Bowring. n.p., n.d. Physical Description: 1 item. 39.5cm. Plaster bas-relief, in circular frame. Physical Description: Framed, 55 cm. Note [Smith Room]. Battle of Chickamauga. Chicago: Kurz & Allison, c. 1890. Physical Description: 1 item. 44 × 63.5cm. Color lithograph. Scope and Content Note General Rosecrans is depicted on horseback with his Union troops facing General Bragg and the Confederate forces. ...but never surrenders. ca. 1900. Creator/Collector: Beerbohm, Sir Max, 1872-1956 Physical Description: Original drawing in pencil and wash of Sir John Palmer Brabazon; with inscription For Jack [Gilbert Bohun] Lynch from M.X. Physical Description: 33 × 20 cm. Album, [Paris, France], 1824. Creator/Collector: Bellangé, Joseph Louis Hippolyte, 1800-1866 Physical Description: 1 item. 36 cm. Bound volume of lithographs. Scope and Content Note Contains 12 lithographs signed in the stone by Bellangé, lithographed by Villain (François le Villain?). Finding Aid for the Collection of Original 99 5 Original Works of Art on Paper, v.d. Container List Illustration for Bemelmans' Hansi. n.p. (New York?), ca. 1934. Creator/Collector: Bemelmans, Ludwig, 1898-1962 Physical Description: 1 item. 6 × 13.5 cm. Original crayon and watercolor drawing. Scope and Content Note This drawing depicts a baby lying on a large pillow. In a mat, 10 × 18.5 cm. Hansi was published by The Viking Press, New York, 1934. Note Ex-libris: Bernard Meeks. Illustrations for Bulwer-Lytton's Pelham. [London?, ca. 188-?]. Creator/Collector: Bennett, H., 1880- Physical Description: 3 items. 20.5 × 25cm. Pen and ink drawings on Bristol board. Scope and Content Note Publishing history unknown. Signed and captioned by the artist. 1) vol.1, p.181, Jocko and the Landlady in Pelham's Room; 2) vol.1, p.289, Russelton and Pelham discussing Sir Willoughby Townsend's coat; 3) vol.3, p.331, Johnson, Dawon and Pelham discovered in Mrs. Bremston's bedroom. Los Angeles presiding spirit watches t.v. [Elrito, New Mexico] 1970. Creator/Collector: Bentley, Wilder, 1900- Physical Description: 1 item. 14.5 × 12 cm. Original woodcut. Mounted: 18.5 × 16 cm. Scope and Content Note 4th edition. Portrait of Alice B. Toklas. [Paris?, ca. 1930?]. Creator/Collector: Berman, Eugene, 1899- Physical Description: 1 item. 55 × 40 cm. Ink drawing. Framed, 73 × 58 cm. Scope and Content Note Partial ink sketch of Gertrude Stein on verso. Note Gift of Gilbert Harrison, 1974. [Hanging in Reading Room]. [Stored small CBC Room - AC 6/28/90]. Architectural drawings. San Francisco, 1868-ca. 1875 Creator/Collector: Bestor, Henry T. Physical Description: 3 items.
Load more

Recommended publications
  • The Futurist Moment : Avant-Garde, Avant Guerre, and the Language of Rupture
    MARJORIE PERLOFF Avant-Garde, Avant Guerre, and the Language of Rupture THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON FUTURIST Marjorie Perloff is professor of English and comparative literature at Stanford University. She is the author of many articles and books, including The Dance of the Intellect: Studies in the Poetry of the Pound Tradition and The Poetics of Indeterminacy: Rimbaud to Cage. Published with the assistance of the J. Paul Getty Trust Permission to quote from the following sources is gratefully acknowledged: Ezra Pound, Personae. Copyright 1926 by Ezra Pound. Used by permission of New Directions Publishing Corp. Ezra Pound, Collected Early Poems. Copyright 1976 by the Trustees of the Ezra Pound Literary Property Trust. All rights reserved. Used by permission of New Directions Publishing Corp. Ezra Pound, The Cantos of Ezra Pound. Copyright 1934, 1948, 1956 by Ezra Pound. Used by permission of New Directions Publishing Corp. Blaise Cendrars, Selected Writings. Copyright 1962, 1966 by Walter Albert. Used by permission of New Directions Publishing Corp. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1986 by The University of Chicago All rights reserved. Published 1986 Printed in the United States of America 95 94 93 92 91 90 89 88 87 86 54321 Library of Congress Cataloging-in-Publication Data Perloff, Marjorie. The futurist moment. Bibliography: p. Includes index. 1. Futurism. 2. Arts, Modern—20th century. I. Title. NX600.F8P46 1986 700'. 94 86-3147 ISBN 0-226-65731-0 For DAVID ANTIN CONTENTS List of Illustrations ix Abbreviations xiii Preface xvii 1.
    [Show full text]
  • Three-Deckers and Installment Novels: the Effect of Publishing Format Upon the Nineteenth- Century Novel
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1965 Three-Deckers and Installment Novels: the Effect of Publishing Format Upon the Nineteenth- Century Novel. James M. Keech Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Keech, James M. Jr, "Three-Deckers and Installment Novels: the Effect of Publishing Format Upon the Nineteenth-Century Novel." (1965). LSU Historical Dissertations and Theses. 1081. https://digitalcommons.lsu.edu/gradschool_disstheses/1081 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been - microfilmed exactly as received 66-737 K E E C H , Jr., James M., 1933- THREE-DECKERS AND INSTALLMENT NOVELS: THE EFFECT OF PUBLISHING FORMAT UPON THE NINETEENTH-CENTURY NOVEL. Louisiana State University, Ph.D., 1965 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan THREE-DECKERS AMD INSTALLMENT NOVELS: THE EFFECT OF PUBLISHING FORMAT UPON THE NINETEENTH-CENTURY NOVEL A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulflllnent of the requirements for the degree of Doctor of Philosophy in The Department of English hr James M. Keech, Jr. B.A., University of North Carolina, 1955 M.A., Louisiana State University, 1961 August, 1965 ACKNOWLEDGMENT I wish to express my deepest appreciation to the director of this study, Doctor John Hazard Wildman.
    [Show full text]
  • Ernest Hemingway Global American Modernist
    Ernest Hemingway Global American Modernist Lisa Tyler Sinclair Community College, USA Iconic American modernist Ernest Hemingway spent his entire adult life in an interna- tional (although primarily English-speaking) modernist milieu interested in breaking with the traditions of the past and creating new art forms. Throughout his lifetime he traveled extensively, especially in France, Spain, Italy, Cuba, and what was then British East Africa (now Kenya and Tanzania), and wrote about all of these places: “For we have been there in the books and out of the books – and where we go, if we are any good, there you can go as we have been” (Hemingway 1935, 109). At the time of his death, he was a global celebrity recognized around the world. His writings were widely translated during his lifetime and are still taught in secondary schools and universities all over the globe. Ernest Hemingway was born 21 July 1899, in Oak Park, Illinois, also the home of Frank Lloyd Wright, one of the most famous modernist architects in the world. Hemingway could look across the street from his childhood home and see one of Wright’s innovative designs (Hays 2014, 54). As he was growing up, Hemingway and his family often traveled to nearby Chicago to visit the Field Museum of Natural History and the Chicago Opera House. Because of the 1871 fire that destroyed structures over more than three square miles of the city, a substantial part of Chicago had become a clean slate on which late nineteenth-century and early twentieth-century architects could design what a modern city should look like.
    [Show full text]
  • Inspirations Belmond Italy, Mallorca & Madeira
    INSPIRATIONS BELMOND ITALY, MALLORCA & MADEIRA PLUNGE INTO OUR WORLD CELEBRATE A LEGEND ESCAPE ON UNIQUE ADVENTURES BELMOND INSPIRATIONS 2018 BELMOND INSPIRATIONS 2018 NEWS WELCOME Welcome to the exciting new season unfolding at our wonderful world of Belmond. Whether you join us in Italy, Mallorca or Madeira, expect to be amazed by the unique and truly exclusive adventures that await. Behind all our hotels are inspiring stories that celebrate what we call The Art of Belmond. This year we’re raising Bellinis galore to mark Belmond Hotel Cipriani’s first 60 years. But we’re also answering the call of the wild and heading to a Sicilian island to meet an artist at home in her mountain cave. Our heritage, authenticity—and spirit of playfulness—all come together in these and many other once-in-a-lifetime experiences. Do come and stay during what promises to be an exceptionally fun and festive year—and become part of our continuing story. I look forward to welcoming you. Robert Koren, Vice President Southern Europe, Belmond CONTENTS PAGE 3 | YOU’VE ARRIVED! PAGE 24 | GREAT EXPLORATIONS Make a glamorous new entrance Discover hidden worlds and remarkable stories—a at Belmond Reid’s Palace. rare rose in Venice, a secret Madeiran vineyard, incredible art trails in Mallorca and Tuscany. PAGE 4 | 60 YEARS A LEGEND Celebrate the diamond anniversary—and PAGE 40 | EPICUREAN ESCAPADES YOU’VE glittering history—of Belmond Hotel Cipriani. The joy of travel meets the bliss of food in these mouthwatering experiences, from Sicilian cooking ARRIVED! PAGE 10 | FOR YOUR EYES ONLY classes to a Madeiran mountain breakfast.
    [Show full text]
  • Volume 64, Number 04 (April 1946) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1946 Volume 64, Number 04 (April 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 04 (April 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/196 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PIETRO MASCAGNI LAURITZ MELCHIOR, sensational Wag- nerian tenor of the Metropolitan Opera Company, recently celebrated his twen- tieth anniversary with the organization. To commemorate the occasion a gala concert was arranged, in which a num- ber of his colleagues joined Mr. Melchior in singing excerpts from three of the Wagner operas. Following the concert there was a back-stage ceremony, in which all departments of the Metropol- itan, from the board of directors to the stage hands, joined in paying tribute to the distinguished tenor. AN INTERNATIONAL music festival will take place in Prague, Czechoslovakia, from May 11 to 31, in commemoration of the fiftieth birthday of the Czech Phil- harmonic Orchestra. Leonard Bernstein, composer, conductor; Samuel Barber, composer; and Eugene List, pianist, will attend, representing the U.S. cured free upon request to the National THE RESTORED Co- and Inter-American Music Week Com- lonial city of Williams- BERNARD ROGERS’ mittee, 315 Fourth Avenue, New York 10.
    [Show full text]
  • 147 Poised Between the Real and the Fantastic: E Nesbit's the Phoenix
    International Journal of Multidisciplinary Research and Development International Journal of Multidisciplinary Research and Development Online ISSN: 2349-4182, Print ISSN: 2349-5979, Impact Factor: RJIF 5.72 www.allsubjectjournal.com Volume 4; Issue 6; June 2017; Page No. 147-151 Poised Between the Real and the Fantastic: E Nesbit’s The Phoenix and the Carpet Debolina Dey Assistant Professor, Department of English, Ramjas College, Delhi University, Delhi, India Abstract This paper looks at Edith Nesbit’s the Phoenix and the Carpet in the tradition of children’s literature and looks at how the storybook straddles the world of the real and the fantastic simultaneously without creating an isolated binary between both these spaces. This paper looks at Nesbit’s work in the context of early twentieth century children’s writing and how she became an important predecessor to subsequent writers of children’s literature like Enid Blyton. The adventure story for children that emerges as a template in the subsequent decades—travelling between intimate domestic spaces and exotic fantastic locales is indebted to Nesbit’s writings which provides a new imaginary for children’s literature. Keywords: children’s literature, Edith Nesbit, Victorian England, fantasy literature, imperialism Introduction Caroll and Charles Kingsley [3]. The first half of the nineteenth Debolina Dey has submitted her PhD thesis on Victorian century saw Evangelical movements trying to educate through England titled “Contagion in the Cultural Imagination of the Sunday schools; this was followed by a series of education Victorian England” and has been teaching as an Assistant acts that helped to extend literacy and create a wider reading professor of English at Ramjas College, Delhi University.
    [Show full text]
  • "Arguing the Point" in Marryat's Midshipman Novels
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2021-03-31 "Arguing the Point" in Marryat's Midshipman Novels Jessica Johnson Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Arts and Humanities Commons BYU ScholarsArchive Citation Johnson, Jessica, ""Arguing the Point" in Marryat's Midshipman Novels" (2021). Theses and Dissertations. 8927. https://scholarsarchive.byu.edu/etd/8927 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected]. “Arguing the Point” in Marryat’s Midshipman Novels Jessica Johnson A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Aaron Eastley, Chair Paul Westover Leslee Thorne-Murphy Department of English Brigham Young University Copyright © 2021 Jessica Johnson All Rights Reserved ABSTRACT “Arguing the Point” in Marryat’s Midshipman Novels Jessica Johnson Department of English, BYU Master of Arts Rebels haven’t always been sexy. In fact, throughout history “fighting the power” has often revealed the ugliest side of human nature. Of course, sometimes rebellion is necessary, even if it isn’t pretty, but it should never be considered lightly. So, under what circumstances is rebellion against authority—particularly a governing authority—morally sound? Is mutiny ever justified? Such questions are difficult, perhaps impossible, to answer, but literature can be a powerful tool for dissecting them. Captain Frederick Marryat (1798-1848), often called the father of naval fiction, used his novels to air these and other morally ambiguous questions for an early Victorian readership.
    [Show full text]
  • Olla Podrida, by Frederick Marryat (AKA Captain Marryat) This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
    1 CHAPTER ONE. CHAPTER TWO. CHAPTER THREE. CHAPTER FOUR. CHAPTER FIVE. CHAPTER SIX. CHAPTER SEVEN. CHAPTER EIGHT. CHAPTER NINE. CHAPTER TEN. CHAPTER ELEVEN. CHAPTER TWELVE. CHAPTER THIRTEEN. CHAPTER FOURTEEN. CHAPTER FIFTEEN. CHAPTER SIXTEEN. CHAPTER SEVENTEEN. CHAPTER EIGHTEEN. CHAPTER NINETEEN. CHAPTER TWENTY. Podrida, by Frederick Marryat (AKA Captain Marryat) 2 CHAPTER TWENTY CHAPTER TWENTY CHAPTER TWENTY CHAPTER TWENTY CHAPTER TWENTY CHAPTER TWENTY CHAPTER TWENTY CHAPTER TWENTY CHAPTER TWENTY CHAPTER THIRTY. CHAPTER THIRTY CHAPTER THIRTY CHAPTER THIRTY CHAPTER THIRTY CHAPTER THIRTY CHAPTER THIRTY CHAPTER THIRTY CHAPTER THIRTY CHAPTER THIRTY CHAPTER FORTY. CHAPTER FORTY CHAPTER FORTY CHAPTER FORTY CHAPTER FORTY CHAPTER FORTY CHAPTER FORTY CHAPTER FORTY CHAPTER FORTY CHAPTER FORTY CHAPTER FIFTY. CHAPTER FIFTY Podrida, by Frederick Marryat (AKA Captain Marryat) Podrida, by Frederick Marryat (AKA Captain Marryat) 3 Project Gutenberg's Olla Podrida, by Frederick Marryat (AKA Captain Marryat) This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Olla Podrida Author: Frederick Marryat (AKA Captain Marryat) Release Date: October 21, 2007 [EBook #23139] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK OLLA PODRIDA *** Produced by Nick Hodson of London, England Olla Podrida by Captain Marryat. CHAPTER
    [Show full text]
  • Reading List for Year 6
    BESSA Reading List for Year 6 Here is a list of excellent books that we recommend for 10 to 11 year olds. It is by no means comprehensive but may include a few titles you have considered reading before. There is also a range of levels - if they are too difficult just try again another time; if too easy, then enjoy the ride! Abomination, Robert Swindells Beorn the Proud, Madeleine Polland Carrie’s War, Nina Bawden Colditz, Pat Reid Enemy Brothers, Constance Savery Fire Colour One, Jenny Valentine Five Children on the Western Front, Kate Saunders Goodnight Mister Tom, Michelle Magorian Granny, Anthony Horowitz His Dark Materials trilogy, Philip Pullman Holes, Louis Sachar John Masefield, Jim Davis Kidnapped, Robert Louis Stevenson King Solomon’s Mines, Rider Haggard Lies We Tell Ourselves, Robin Talley Minders, Diana Hendry One, Sarah Crossan Percy Jordan and the Lightning Thief, Rick Riordan Redwall series, Brian Jacques Saints and Heroes, Andrew Lang The Book Thief, Markus Zusak The Children of the New Forest, Frederick Marryat The Dark Is Rising, Susan Cooper The Diary of a Young Girl, Anne Frank The Graveyard Book, Neil Gaiman The Great Escape, Paul Brickhill The Harry Potter series, JK Rowling The Indian in the Cupboard, Lynne Reid Banks The Lie Tree, Frances Hardinge The Longest Day, Cornelius Ryan The Machine Gunners, Robert Westall The Prisoner of Zenda, Anthony Hope Hawkins The Rest of Us Just Live Here, Patrick Ness The Three Musketeers and The Count of Monte Cristo, Alexandre Dumas There Will Be Lies, Nick Lake Watership Down,
    [Show full text]
  • Hearst Corporation Los Angeles Examiner Photographs, Negatives and Clippings--Portrait Files (A-F) 7000.1A
    http://oac.cdlib.org/findaid/ark:/13030/c84j0chj No online items Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (A-F) 7000.1a Finding aid prepared by Rebecca Hirsch. Data entry done by Nick Hazelton, Rachel Jordan, Siria Meza, Megan Sallabedra, and Vivian Yan The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2012 April 7000.1a 1 Title: Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (A-F) Collection number: 7000.1a Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 833.75 linear ft.1997 boxes Date (bulk): Bulk, 1930-1959 Date (inclusive): 1903-1961 Abstract: This finding aid is for letters A-F of portrait files of the Los Angeles Examiner photograph morgue. The finding aid for letters G-M is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1b . The finding aid for letters N-Z is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1c . creator: Hearst Corporation. Arrangement The photographic morgue of the Hearst newspaper the Los Angeles Examiner consists of the photographic print and negative files maintained by the newspaper from its inception in 1903 until its closing in 1962. It contains approximately 1.4 million prints and negatives. The collection is divided into multiple parts: 7000.1--Portrait files; 7000.2--Subject files; 7000.3--Oversize prints; 7000.4--Negatives.
    [Show full text]
  • “Stories of Things Remote: (Re)Placing the Self in 19Th-Century Adventure Fiction”
    “Stories of Things Remote: (Re)Placing the Self in 19th-century Adventure Fiction” Timothy Scott Hayes A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature Chapel Hill 2007 Approved by: Professor John McGowan Professor Laurie Langbauer Professor Timothy Marr Professor Jeanne Moskal Professor James Thompson ABSTRACT Timothy Scott Hayes: “Stories of Things Remote: (Re)Placing the Self in 19th-century Adventure Fiction” (Under the direction of John McGowan) In this dissertation, I argue that, rather than offering mere escapist distractions from their own troubled societies or simply reinforcing imperial ideologies, adventure novels by Melville, Stevenson, and Conrad directly explore the challenges of maintaining a stable self in the newly globalized spaces of the nineteenth century. Exploring the myriad possibilities of life in colonial spaces, these novels portray the struggles of European and American characters to adjust to the complex spaces of the colonial world. Departing from their relatively homogeneous societies in search of “adventure,” these characters must create new justifying narratives to explain their tenuous lives in the challenging environments that they encounter. Utilizing narrative theory as well as contemporary definitions of space, I analyze the harrowing realities that these novels often present about the costs of failed imperial ideologies and practices on individual selves. Embarking on their adventures with a strong belief in their own moral superiority, these novels‟ protagonists soon realize, often in shattering ways, that the new world they have entered openly resists the grand narratives they have come to believe.
    [Show full text]
  • New Orleans Review LOYOLA UNWERSITY VOLUME 11NUMBER3141$11.00 Cover: "Robert the Iceman" by Lee Crum L ;'O
    New Orleans Review LOYOLA UNWERSITY VOLUME 11NUMBER3141$11.00 Cover: "Robert the Iceman" by Lee Crum l ;'O ,·~· New Orleans Review Fall/Winter 1984 Editors John Biguenet, Art and Literature Bruce Henricksen, Theory and Criticism John Mosier, Film, General Editor Managing Editor Sarah Elizabeth Spain Design Vilma Pesciallo Contributing Editor Raymond McGowan Founding Editor Miller Williams Advisory Editors Richard Berg Doris Betts Joseph Fichter, S.J. Dawson Gaillard Alexis Gonzales, F.S.C. John Irwin Wesley Morris Walker Percy Herman Rapaport Robert Scholes Marcus Smith Miller Williams The New Orleans Review is published by Loyola University, New Orleans, Louisiana 70118, United States. Copyright © 1984 by Loyola University. Critical essays relating to film or literature of up to ten thousand words should be prepared to conform with MLA guidelines and sent to the appropriate editor, together with a stamped, self-addressed envelope. The address is New Orleans Review, Box 195, Loyola University, New Orleans, Louisiana 70118. Fiction, poetry, photography or related artwork should be sent to the Art and Literature Editor. A stamped, self-addressed envelope should be enclosed. Reasonable care is taken in the handling of material, but no responsibility is assumed for the loss of unsolicited material. Accepted manuscripts are the property of the NOR. The New Orleans Review is published in February, May, August and November. Annual Subscription Rate: Institutions $25.00, Individuals $20.00, Foreign Subscribers $30.00. Contents listed in the PMLA Bibliography and the Index of American Periodical Verse. US ISSN 0028-6400. CONTENTS POETRY AND FICTION The Other Agency John Bovey 104 Driving Home in Winter Barbara Moore 94 It's Going to Snow.
    [Show full text]