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Bibliography Bibliography Art Exhibits, Film, Music, Performances, and Television Sources Ai no Koriida (In the realm of the senses). Film directed by Kshima Nagisa, 1976. “Burando (Brand).”Serialized television drama produced and directed by Wada Kk. Japan, 2000. Frank Chickens. “We Are Ninja (Not Geisha).” LP Record Album. Produced by Kaz Records, 1984. Heaven 17.“Geisha Boys and Temple Girls.”Album title: Pavement Side. Produced by Virgin Records, 1981. Ippai no kakesoba (A bowl of buckwheat noodles). Film directed by Nishikawa Katsumi, 1992. Jitsuroku Abe Sada (The true story of Abe Sada). Film directed by Tanaka Noboru, 1975. Lynn, Vera. Lynn, Vera Singer, 2004 [cited 26 April]. Available from Ͻhttp://www.lyricsxp. com/lyrics/w/we_ll_meet_again_vera_lynn.htmlϾ Nagasaki University Database of Old Photographs of the Bakumatsu-Meiji Period. Online at Ͻhttp://oldphoto.lb.nagasaki-u.ac.jp/unive/Ͼ “New Cosmos of Photography” (Shashin shin-seiki) sponsored by Canon, 1995 Gallery Exhibition Report. Online at Ͻhttp://www.canon.com/scsa/newcosmos/gallery/1995/Ͼ Parker, Ross and Hughie Charles. We’ll Meet Again, 2004 [cited 26 April]. Available from Ͻhttp://ingeb.org/songs/wellmeet.htmlϾ Revolutionary Girl Utena (Shkjo kakumei Utena). Animation. Japanese TV series April 2–December 24, 1997; movie, 1999. Sunayama, Norico. “English invitation for entering her installation, ‘Suffocating World.’ ” Art Tower Mito, 1999. Women in Japan: Memories of the Past, Dreams for the Future. Documentary film produced and directed by Joanne Hershfield and Jan Bardsley, 2002. Manga, Magazine, Newspaper, and Websites (no author given) “Abe Sada-Sakaguchi Ango taidan (Dialogue: Abe Sada-Sakaguchi Ango).” Zadan 1, no. 1 (1947): 30–35. Biographies, Female Heroes of Asia: Japan, Murasaki Shikibu. Online at Ͻhttp://www. womeninworldhistory.com/heroine9.htmlϾ “10 dai yamamba gyaru osoru beki bi-ishiki dai chksa!! (Big survey of aesthetic taste: Teenage witch girls should be worried!).” Spa!, September 1, 1999, 136–139. “Dansei 100 nin no shkgenshl kawaii onna v. kawaikunai onna. (One hundred collected male testimonies on women who are cute, women who are not cute).” Say, No. 229, July 2002, 115–118. “E-Girl no akogare mono (Things egg girls desire).” Egg, Vol. 85, November 2003, 87. 198 BIBLIOGRAPHY “E-Girl no puri chk Show (E-Girl’s print club album show).” Egg, Vol. 85, November 2003, 74–77. “E-Jump photo mail,” Egg, Vol. 92, June 2004, 86–87. “Ego shame (Ego cell-phone photos).” Ego System, Vol. 49, July 2004, 75–77. “Fotojenikku teku oshiechaimasu (Teaching you photogenic techniques).” Cawaii, May 2003, 147–149. “Ganguro musume no sugao ga mitai (We want to see the real faces of our black face daughters!).” Shlkan hkseki, April 14, 2000, 54. Gendai nikan. Online at Ͻhttp://www.bookreview.ne.jp/list.aspϾ “Girl Gangs Brawl with Molotov Cocktails.” Mainichi Shimbun, 26 June, 2001. Online at Ͻhttp://mdn.mainichi.co.jp/news/archive/200106/26/20010626p2a00m0fp006002c.htmlϾ “Gura gura glamour girl.” Montage 007, Summer 2000, 1–15. “Gyaru ϩ animaru ϭ gyanimaru zkshoku (Gyaruϩanimal ϭ Gyanimal breeding).” Focus, January 1998, 10–11. “Heisei jungle tanken––Kashima kykju, ‘nichijkseikatsu no hikyk’ o motomete kyk mo iku 3 (Professor Kashima explores the Heisei jungle in search of ‘uncharted regions of everyday life’ 3).” Gendai, February 2002, 326. “Hermès Opens Glitzy Shop in Ginza.” Japan Today, June 28, 2001, online at Ͻjapantoday.comϾ “Ima koso yamamba gyaru mukei bunka sai ni shite (Witch girls must be classified as national cultural property before it is too late).” Shlkan Playboy, May 2, 1999, 198–201. “Japan’s Luxury Product Sales Increase.” IGN Global Marketing Newsletter, September 1999. 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Online at Ͻhttp://pqasb.pqarchiver.com/nytimes/advanced search. htmlϾ “Norico Sunayama, OK Girls, Interview.” Montage 007, Summer 2000, 5. “Norico Sunayama explains.” Montage 007, Summer 2000, 10. “Ondanka no eikykka? Soshite ichiji no boom ka? Shinka ka? Nippon wakamono no Latin-ka genzk o saguru! (Is it the influence of global warming, evolution, or a passing trend? Probing the ‘Latinization’ of Japanese youth!).” Spa!, February 9, 2000, 47–53. “Otto ni naisho no shakkin de jiko hasan wa kannk? (Is it possible to go bankrupt because of loans taken without telling your husband?).”Onna no toraburu, October 1, 2003, 165–184. “Pages Torn from the Memoirs of a Geisha. Mineko Distances Herself from Sayuri.” The Japan Times, March 12, 1999. “Purikura guranpuri (Print club grand prix).” Ego System, Vol. 49, July 2004, 84. “Purikura kishu chk tettei hikaku (Super complete comparison of different print club equipment).” Popteen, June 2004, 196–201. “Saikin purikura pkzu mihon (Sample album of recent print club poses).” Cawaii, November 2003, 141–145. BIBLIOGRAPHY 199 Sei Shknagon Biography. Online at Ͻhttp://www.infoplease.com/ce6/people/A0844331. htmlϾ “Shkjotachi no shingo, ango, rylkogo (New girls’ words, codes, and slang).” Dacapo, October 15, 1997. “Tadaima AV ni mo zkshokuchl ganguro, yamamba tte ii? (Are we going to have even more of these witch and black face porno videos!?).” Focus, March 8, 2000, 24–25. “Toragyaru osorubeki enjo kksai: Joshikksei saisentan rupo (Terrifying Drunken Tiger Girls compensated dating: A report from the high school girl frontline).” AERA, 9:16 (April 15, 1996), 62. “Uchira no gakkk no abunai sensei (The unreliable teachers at our school).” Egg, Vol. 92, June 2004, 54. “Yabapuri taishk happyk (Presenting first place repulsive print clubs).” Cawaii, January 2003, 147–149. Books and Articles Abu-Lughod, Lila. “The Romance of Resistance.” American Ethnologist 17, no. 1 (1990): 41–55. Adachi, Jiro. “How Q Found Her Groove.” The New York Times, January 30, 2005. Aguiar, Sarah Appleton. The Bitch Is Back: Wicked Women in Literature. Carbondale and Edwardsville: Southern Illinois University Press, 2001. Aida Makoto. Mutant Hanako. Tokyo: ABC Shuppan, 1999. Aketa Tetsuo. Nihon hanamachi shi (History of Japan’s hanamachi). Tokyo: Ylzankaku Shuppan, 1990. Altman, Dennis. Global Sex. Chicago: University of Chicago Press, 2001. Angst, Linda. “The Sacrifice of a Schoolgirl: The 1995 Rape Case, Discourses of Power and Women’s Lives in Okinawa.” Critical Asian Studies 33, no. 2 (2001): 243–264. Aoki, Michiko Y. “Empress Jingl: The Shamaness Ruler.” In Heroic with Grace: Legendary Women of Japan, edited by Chieko Mulhern, 3–39. New York: M. E. Sharpe, Inc., 1991. Ariyoshi Sawako. Hishoku (Colorless). Tokyo: Kkdansha, 1967. Atkins, E. Taylor. Blue Nippon: Authenticating Jazz in Japan. Durham, NC: Duke University Press, 2001. Awazu Kiyoshi et al., eds. Abe Sada: Shkwa jl-ichi nen no onna (Abe Sada: Women of the year in Shkwa 11). Tokyo: Tabatake Shoten, 1976. Bardsley, Jan. The Bluestockings of Japan: New Women Essays and Fiction from Seitk, 1911–1916. Ann Arbor, MI: Center for Japanese Studies, 2006. Beichman, Janine. Embracing the Firebird: Yosano Akiko and the Rebirth of the Female Voice in Modern Japanese Poetry. Honolulu: University of Hawai’i Press, 2002. Bernstein, Gail Lee, ed. Recreating Japanese Women, 1600–1945. Berkeley: University of California Press, 1991. Berry, Chris, Fran Martin, and Audrey Yue, eds. Mobile Cultures: New Media in Queer Asia. Durham, NC: Duke University Press, 2003. Blacker, Carmen. The Catalpa Bow: A Study of Shamanistic Practices in Japan. London: Allen & Unwin, 1975. Borgen, Robert and Marian Ury.“Readable Japanese Mythology: Selections from Nihon Shoki and Kojiki.” Journal of the Association of Teachers of Japanese 24, no. 1 (1991): 61–97. Briles, Judith. “Banish Geisha Nursing (and Other Female-Dominated Professions).” In The Briles Report on Women in Healthcare: Changing Conflict to Collaboration in a Toxic Workplace, 201. San Francisco: Jossey-Bass, 1994. 200 BIBLIOGRAPHY Burns, Lori and Melisse Lafrance. Disruptive Divas: Feminism, Identity and Popular Music. New York: Routledge, 2002. Butler, Judith. 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