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Com- Ment S'en Sor- Tir Fémi- #1 Nismes Noirs com- ment s'en sor- tir fémi- #1 nismes noirs Comment S’en Sortir ? (CSS) est une revue universitaire à vocation internationale basée en France. Elle est animée par un comité de rédaction, un comité de lecture et soutenue par un comité scientifique. La revue a pour ambition de développer une pers- pective féministe, queer et postcoloniale sur et dans les champs – disciplinaires ou indisciplinés – de la recherche. CSS s’inscrit plus fondamentalement dans une tradition de pen- sée héritière des théories critiques, avec la volonté de poser à nouveaux frais la question persistante de Sarah Kofman : « Comment s’en sortir ? » (Paris, Galilée, 1983). Sarah Kofman avait fait le constat que les cheminements de la pensée étaient minés par le travail de sape de l’aporie (théorie/empirie, sujet/ objet, nature/culture, biologique/social, donné/construit, moderne/postmoderne, occident/néant, matérialité/performa- tivité, masculin/féminin, œuvre/vie, etc. ) ; apories recouvertes ou, au contraire, entretenues, exacerbées, par les privilèges épistémiques. CSS se situe au cœur de cette crise et entend témoigner de la nature prométhéenne et éminemment poli- tique de la pensée, quitte à contredire et à affronter l’autorité des méthodes et des statuts, la positivité des faits ou des don- nées, la métaphysique et les discours de vérité. Du travail du négatif, du doute, de la déconstruction ou de la critique éris- tique, procèdent l’engendrement créatif, l’ingéniosité tactique du concept, les laboratoires de/du soi, les pratiques heureuses du Nous, les éthiques de vie, les vies politiques, les économies minoritaires, les puissances d’agir comme les utopies. CSS constitue ainsi un espace-temps possible de rencontres de textes, de phénomènes, d’expressions, d’expérimentations, de frictions, où des documents, inédits, non traduits ou ense- velis, contribuent à (re)tracer des chemins à partir de points de vue situés. Ces chemins ne sont pas tant des issues que des généalogies (CSS est à la fois boîte à outil, arsenal et tatami), où puiser les forces, les engagements et les ressources nécessaires Elsa Dorlin, « Présentation », Comment S'en Sortir ? [En ligne], 4 n°1 | 2015, p. 6-7, En ligne depuis le 20 mai 2015. URL : https://commentsensortir. files.wordpress.com/2015/06/css-1_2015_du-cote-obscur-feminismes-noirs_inte- gral-num.pdf à la traversée des conflits intimes, des luttes politiques 5 et des antagonismes sociaux présents et à venir. Dans cette perspective, CSS incarne une praxis dans laquelle se joue le devenir sujet de celles et ceux communément rappelé·es à l’ordre, assujetti·es en objets mutiques de discours et de connaissance. La revue CSS a une double vie. La revue est disponible en libre accès sur son site inter- net – http://commentsensortir.org/ – et propose deux fois par an des numéros thématiques faisant l’objet d'appels à contributions. Les contributions originales composant les numéros sont publiées en français et préalablement soumises à une double évaluation à l’aveugle. La revue existe aussi en version papier, publiée aux Édi- tions iXe. Ainsi, chaque sortie numérique se prolonge en œuvre de papier qui n’est pas un doublon mais plutôt un écho, un reflet original. Dans une forme plus libre, plus ouverte, CSS se matérialise en un objet à toucher, à feuilleter et à emporter avec soi. A l’adresse « Comment s’en sortir ? », la CSS papier suit une voie, une trace, se fraye un chemin de traverse, un layon. CSS est un strata- gème qui répond à l’aporie. Chaque numéro de CSS comprend cinq rubriques : un « manifeste » publié exclusivement en version papier, une rubrique « rencontre » qui contient un grand entre- tien publié en ligne et en papier, une rubrique « fric- tion » composée d’articles scientifiques (dont un article de référence traduit en français) publiés en ligne, une rubrique intitulée « traverse » qui comprend l’article publié exclusivement en version papier, une rubrique « arsenal » qui présente des comptes rendus d’ouvrages ou d'événements politiques et culturels, publiés en ligne. Les textes de la CSS papier seront disponibles en ligne deux ans après leur publication. Fondatrice DUFOUR (Paris 8/Cresppa-Lab- Elsa DORLIN top), Nadia FADIL (KU Leuven/ IMMRC), Franck FREITAS (Paris Directrice de publication 8/Cresppa-GTM), Marie GARRAU Myriam PARIS (Paris X/Sophiapol), Heta RUND- GREN (Paris 8/CEFEG), Karim Comité de rédaction HAMMOU (CNRS/Cresspa-CSU), Francesca ARENA, Hourya BENTOU- Cécile LAVERGNE (Paris X/Sophia- HAMI, Oristelle BONIS, Keivan DJA- pol), Jamila MASCAT (La Sapienza VADZADEH, Elsa DORLIN, Karine Università di Roma), Luca PAL- ESPINEIRA, Fanny GALLOT, Michele TRINIERI (Paris 8/Cresppa-labtop/ GREER, Noémi MICHEL, Myriam CIPh), Vincenza PERILLI (comité PARIS, Marie QUÉVREUX, Kira de rédaction : Zapruder, Marginalia), RIBEIRO, Eva RODRIGUEZ, Guillaume Maria PUIG DE LA BELLACASA ROUCOUX, Rémi ROUGE, Florient (University of Leicester/CPPE), VOROS, Ian ZDANOWICZ Patricia PURTSCHERT (ETH Zurich), Karima RAMDANI (Paris Webmestre 8/Cresppa-GTM), Leticia SAB- Marie QUÉVREUX SAY (The Open University/POLIS), Maria-Eleonora SANNA (CNRS/ Trésorier GSRL), Maboula SOUMAHORO Keivan DJAVADZADEH (Université de Tours/GRAAT), Nathalie TRUSSART (Université Comité de lecture Libre de Bruxelles/GECo - Université Norman AJARI (Toulouse 2/ERRAPHIS), de Namur/CRIDS), David ZERBIB Anaïs BOHUON (Paris11/CIAMS–SPOTS), (Paris 1/HEAD Genève) Nedjma BOUAKRA (journaliste), Malek BOUYAHIA (Paris 8/Cresppa-GTM), Comité scientifique Sarah BRACKE (KU Leuven/Centrum voor Sara AHMED (Professor in Race and Sociologisch Onderzoek), Silvia CHILETTI Cultural Studies, Department of (Centre Alexandre Koyré), Isabelle CLAIR Media and Communications, Golds- (CNRS/Cresppa-GTM), Maxime CER- miths, University of London) VULLE (Paris 8/CEMTI), Mélinda Judith BUTLER (Maxine Elliot COOPER (University of Sidney/SSPS), Professor, Departments of Rhetoric Tal DOR (Paris 8/EXPERICE), Suzanne and Comparative Literature and Co-director of the Program of Criti- cal Theory, University of California, Ours Berkeley) Vinciane DESPRET (Chef de tra- gies du Genre » dans le Programme vaux de philosophie, Université de d’études indépendantes du Musée Liège/MéThéor) d’art contemporain de Barcelone) Didier ÉRIBON (Professeur de phi- Tuija PULKKINEN (Academy pro- losophie et de sociologie, Université fessor of The Politics of Philosophy d’Amiens/CURAPP-ESS) and Gender, Academy of Finland ; Carla FRECCERO (Professor and Professor of Gender studies, Depart- Chair of Literature and History of ment of Philosophy, History, Culture Consciousness, Professor of Feminist and Art Studies, University of Hel- Studies, University of California, sinki) Santa Cruz) Judith REVEL (Professeure de philo- Nacira GUENIF-SOUILAMAS sophie, Université Paris X/Sophiapol) (Professeure en sciences de l’éducation, Pinar SELEK (Sociologue, en rési- Université Paris 8/EXPERICE) dence au Collegium de Lyon) Jack HALBERSTAM (Professor of Susan STRYKER (Associate Profes- American Studies and Ethnicity, sor of Gender and Women’s Studies, Gender Studies, and Comparative Director of the Institute for LGBT Literature, University of Southern Studies, University of Arizona) California) Chandra TALPADE MOHANTY Martine LEIBOVICI (Maître de (Professor of Women’s and Gender conférences HDR en philosophie poli- Studies, Sociology, and the Cultural tique, Université Paris 7/CSPRP) Foundations of Education and Dean’s Achille MBEMBE (Professor of Philo- Professor of the Humanities ; The sophy and Political Science, Univer- College of Arts and Science, Syracuse sity of the Witwatersrand) University) Trinh T. MINH-HA (Professor of Eleni VARIKAS (Professeure émérite Gender & Women’s Studies and Rhe- en sciences politiques et études de toric ; Vice Chair for Research, Gen- genre, GTM-CRESPPA, Université der and Women’s Studies, University Paris 8) of California, Berkeley) Chantal MOUFFE (Professor of Poli- tical Theory, School of Social Science and Language, and Department of Politics and International Relations, University of Westminster, London) Paul B. PRECIADO (Philosophe ; directeur du projet d’investigation et de production artistique « Technolo- CSS#1 2015 fémi- nismes noirs 8 Sommaire la revue sur 9 http://commentsensortir. Du org/numeros/numeros-parus/ numero-1 côté obscur Introduction « Le jeu de qui ? » Les politiques sexuelles Du côté obscur: féminismes noirs aux Antilles françaises — Keivan Djavadzadeh & Myriam — Vanessa Agard Jones Paris Féministes de tous les pays, qui lave vos Rencontre chaussettes ? — Sara Farris Mettre en théorie et en pratique le principe de déplacement Arsenal — Françoise Vergès Générations Audre Lorde ; Autour du documentaire Audre Lorde. The Frictions Berlin years 1984 to 1992, Dag- Vers une conscience radicale : la libération mar Schultz, Allemagne, 2012 féministe mizrahie pour une pensée — Noemi Michel & Eva Rodriguez émancipée — Tal Dor The Birth Of Chinese Feminism. Essential Visages noirs, sorcières et racisme Texts in Transnational Theory, Lydia contre les filles — Sharon Kinsella H. Liu, Rebecca E. Karl, Dorothy Ko, New York Columbia University La Doudou contre-attaque : Press, 2013 — Julie Abbou Féminisme noir, sexualisation et doudouisme en question dans l’entre- Théories féministes et queers décolo- deux-guerres — Jacqueline Couti niales : interventions Chicanas et Latinas états-uniennes, Les cahiers Femmes modernes Et de traditions du CEDREF, éditions iXe, 2011 musulmanes. Traduction de la — Gianfranco Rebucini modernité coloniale dans les rhéto- riques des féministes anticolonialistes
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