Indigenous Science (Fiction) for the Anthropocene
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In Defense of Cyberterrorism: an Argument for Anticipating Cyber-Attacks
IN DEFENSE OF CYBERTERRORISM: AN ARGUMENT FOR ANTICIPATING CYBER-ATTACKS Susan W. Brenner Marc D. Goodman The September 11, 2001, terrorist attacks on the United States brought the notion of terrorism as a clear and present danger into the consciousness of the American people. In order to predict what might follow these shocking attacks, it is necessary to examine the ideologies and motives of their perpetrators, and the methodologies that terrorists utilize. The focus of this article is on how Al-Qa'ida and other Islamic fundamentalist groups can use cyberspace and technology to continue to wage war againstthe United States, its allies and its foreign interests. Contending that cyberspace will become an increasingly essential terrorist tool, the author examines four key issues surrounding cyberterrorism. The first is a survey of conventional methods of "physical" terrorism, and their inherent shortcomings. Next, a discussion of cyberspace reveals its potential advantages as a secure, borderless, anonymous, and structured delivery method for terrorism. Third, the author offers several cyberterrorism scenarios. Relating several examples of both actual and potential syntactic and semantic attacks, instigated individually or in combination, the author conveys their damagingpolitical and economic impact. Finally, the author addresses the inevitable inquiry into why cyberspace has not been used to its full potential by would-be terrorists. Separately considering foreign and domestic terrorists, it becomes evident that the aims of terrorists must shift from the gross infliction of panic, death and destruction to the crippling of key information systems before cyberattacks will take precedence over physical attacks. However, given that terrorist groups such as Al Qa'ida are highly intelligent, well-funded, and globally coordinated, the possibility of attacks via cyberspace should make America increasingly vigilant. -
Zombies—A Pop Culture Resource for Public Health Awareness Melissa Nasiruddin, Monique Halabi, Alexander Dao, Kyle Chen, and Brandon Brown
Zombies—A Pop Culture Resource for Public Health Awareness Melissa Nasiruddin, Monique Halabi, Alexander Dao, Kyle Chen, and Brandon Brown itting at his laboratory bench, a scientist adds muta- secreted by puffer fish that can trigger paralysis or death- Stion after mutation to a strand of rabies virus RNA, like symptoms, could be primary ingredients. Which toxins unaware that in a few short days, an outbreak of this very are used in the zombie powders specifically, however, is mutation would destroy society as we know it. It could be still a matter of contention among academics (4). Once the called “Zombie Rabies,” a moniker befitting of the next sorcerer has split the body and soul, he stores the ti-bon anj, Hollywood blockbuster—or, in this case, a representation the manifestation of awareness and memory, in a special of the debate over whether a zombie apocalypse, manu- bottle. Inside the container, that part of the soul is known as factured by genetically modifying one or more diseases the zombi astral. With the zombi astral in his possession, like rabies, could be more than just fiction. Fear of the the sorcerer retains complete control of the victim’s spiri- unknown has long been a psychological driving force for tually dead body, now known as the zombi cadavre. The curiosity, and the concept of a zombie apocalypse has be- zombi cadavre remains a slave to the will of the sorcerer come popular in modern society. This article explores the through continued poisoning or spell work (1). In fact, the utility of zombies to capitalize on the benefits of spreading only way a zombi can be freed from its slavery is if the spell public health awareness through the use of relatable popu- jar containing its ti-bon anj is broken, or if it ingests salt lar culture tools and scientific explanations for fictional or meat. -
The War of the Worlds Postcolonialism, Americanism, and Terrorism in Modern Science Fiction Film
Durkstra 4167430 | 1 The War of the Worlds Postcolonialism, Americanism, and Terrorism in Modern Science Fiction Film Sytse Durkstra English Language and Culture Supervisor | Chris Louttit Sytse Durkstra | s4167430 | Email [email protected] Durkstra 4167430 | 2 ENGLISH LANGUAGE AND CULTURE Teacher who will receive this document: Chris Louttit Title of document: The War of the Worlds: Postcolonialism, Americanism, and Terrorism in Modern Science Fiction Film Name of course: BA Thesis English Language and Culture Date of submission: 15 June 2015 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Sytse Durkstra Student number: 4167430 Durkstra 4167430 | 3 And this Thing I saw! How can I describe it? A monstrous tripod, higher than many houses, striding over the young pine trees, and smashing them aside in its career; a walking engine of glittering metal, reeling now across the heather, articulate ropes of steel dangling from it, and the clattering tumult of its passage mingling with the riot of the thunder. A flash, and it came out vividly, heeling over one way with two feet in the air, to vanish and reappear almost instantly, as it seemed with the next flash, a hundred yards nearer. - H.G. Wells, The War of the Worlds But who shall dwell in these worlds if they be inhabited? . Are we or they Lords of the World? . And how are all things made for man? - Kepler In our obsession with antagonisms of the moment, we often forget how much unites all the members of humanity. -
The Emergence and Development of the Sentient Zombie: Zombie
The Emergence and Development of the Sentient Zombie: Zombie Monstrosity in Postmodern and Posthuman Gothic Kelly Gardner Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy Division of Literature and Languages University of Stirling 31st October 2015 1 Abstract “If you’ve never woken up from a car accident to discover that your wife is dead and you’re an animated rotting corpse, then you probably won’t understand.” (S. G. Browne, Breathers: A Zombie’s Lament) The zombie narrative has seen an increasing trend towards the emergence of a zombie sentience. The intention of this thesis is to examine the cultural framework that has informed the contemporary figure of the zombie, with specific attention directed towards the role of the thinking, conscious or sentient zombie. This examination will include an exploration of the zombie’s folkloric origin, prior to the naming of the figure in 1819, as well as the Haitian appropriation and reproduction of the figure as a representation of Haitian identity. The destructive nature of the zombie, this thesis argues, sees itself intrinsically linked to the notion of apocalypse; however, through a consideration of Frank Kermode’s A Sense of an Ending, the second chapter of this thesis will propose that the zombie need not represent an apocalypse that brings devastation upon humanity, but rather one that functions to alter perceptions of ‘humanity’ itself. The third chapter of this thesis explores the use of the term “braaaaiiinnss” as the epitomised zombie voice in the figure’s development as an effective threat within zombie-themed videogames. -
Zombie Apocalypse: Engaging Students in Environmental Health
Journal of University Teaching & Learning Practice Volume 15 | Issue 2 Article 4 2018 Zombie Apocalypse: Engaging Students In Environmental Health And Increasing Scientific Literacy Through The seU Of Cultural Hooks And Authentic Challenge Based Learning Strategies Harriet Whiley Flinders University, [email protected] Donald Houston Flinders University, [email protected] Anna Smith Flinders University, [email protected] Kirstin Ross Flinders University, [email protected] Follow this and additional works at: http://ro.uow.edu.au/jutlp Recommended Citation Whiley, Harriet; Houston, Donald; Smith, Anna; and Ross, Kirstin, Zombie Apocalypse: Engaging Students In Environmental Health And Increasing Scientific Literacy Through The sU e Of Cultural Hooks And Authentic Challenge Based Learning Strategies, Journal of University Teaching & Learning Practice, 15(2), 2018. Available at:http://ro.uow.edu.au/jutlp/vol15/iss2/4 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Zombie Apocalypse: Engaging Students In Environmental Health And Increasing Scientific Literacy Through The seU Of Cultural Hooks And Authentic Challenge Based Learning Strategies Abstract Environmental Health (EH) is an essential profession for protecting human health and yet as a discipline it is under-recognised, overlooked and misunderstood. Too few students undertake EH studies, culminating in a dearth of qualified Environmental Health Officers (EHOs) in Australia. A major deterrent to students enrolling in EH courses is a lack of appreciation of the relevance to their own lives. This is symptomatic of a wider problem of scientific literacy: the relevance gap and how to bridge it. -
Stress-Testing Alien Invasion
STRESS-TESTING ALIEN INVASION ARE FINANCIAL MARKETS MISPRICING THE BIGGEST SYSTEMIC RISK EVER? “Five kinds of extreme environmental risks exist (…) An invasion by non-peace seeking aliens that seek to remove the planet’s resources or enslave/exterminate human life.” TOWERS WATSON, GLOBAL INVESTMENT CONSULTING FIRM, 2014 “Extra-terrestrial environmentalists could be so appalled by our planet polluting ways that they view us as a threat to the intergalactic ecosystem and decide to destroy us” NASA & PENNSYLVANIA UNIVERSITY 2011 “And yet I ask you, is not an alien force already among us?” RONALD REAGAN IN A SPEECH TO THE UNITED NATIONS, 1987 “Where are they?” NICK BOSTROM, PROFESSOR OXFORD UNIVERSITY, 2016 “Earth could be at risk from massive ships which could try to colonise our planet and plunder our resources” STEPHEN HAWKING, 2014 This report is the first report of the FERMI’nvesting Initiative (Fii), the research program launched by the 2°Investing Initiative designed to track financial risks related to the invasion of aliens, in partnership with Extra Terrestrial Advisors (ET Advisors), the leading consultancy on aliens risks. Authors: Jakob Thomä, Stan Dupre. The FERMI’nvesting research is provided free of charge and Fii does not seek any direct or indirect financial compensation for its research. Fii is not an investment adviser, and makes no representation regarding the advisability of investing in any particular company or investment fund or other vehicle. A decision to invest in any such investment fund or other entity should not be made in reliance on any of the statements set forth in this publication. -
Zombie Apocalypse: an Epidemic Model
Zombie Apocalypse: An Epidemic Model REDay 2013 Cait Witkowski Brian Blais Overview • Our interest • Zombie basics • Epidemic (SIR) model • Munz et al., 2009 • Modifications What is a zombie? • “Undead” • Eat human flesh • Infect healthy • Difficult to kill (destroy brain) Photo credit: thewalkingdeadstrream.net What is a zombie? Main dynamics: 1. How you become a zombie Sick, Bitten, Die 2. How you get rid of zombies Cure, Death Epidemic Model • Outbreak • Spread • Control • Vaccination Epidemic Model Susceptible Infected Recovered S I R Total Pop Photo credit: http://whatthehealthmag.wordpress.com S I S I (change in quantity S)= -(constant) S I (change in quantity S)= -(constant) S’= -θ S I (change in quantity S)= -(constant) S’= -θ I’= +θ Epidemic Model ζI I R I’ = - ζI R’= +ζI Epidemic Model βSI S I S’ = -βSI I’ = +βSI Epidemic Model βSI ζI S I R S’ = -βSI I’ = +βSI—ζI R’= +ζI Epidemic Model Example of SIR dynamics for influenza Sebastian Bonhoeffer, SIR models of epidemics Epidemic Model Modifications •Death rates •Latent periods (SEIS) •Ability to recover (SEIR) •Ability to become susceptible again (SIRS) “When Zombies Attack!: Mathematical Modelling of an Outbreak Zombie Infection” Munz, Hudea, Imad, Smith (2009) Goals: •Model a zombie attack, using biological assumptions based on popular zombie movies •Determine equilibria and their stability •Illustrate the outcome with numerical solutions •Introduce epidemic modeling with fun example “When Zombies Attack!: Mathematical Modelling of an Outbreak Zombie Infection” Munz, Hudea, Imad, -
Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H
1 Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler By Rosalind Diaz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Katherine Snyder, Chair Professor Mark Goble Professor Mel Chen Fall 2018 1 Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler © 2018 Rosalind Diaz 1 Abstract Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler by Rosalind Diaz Doctor of Philosophy in English University of California, Berkeley Professor Katherine Snyder, Chair This dissertation turns to alien invasion narratives to elucidate the social, ethical and political consequences associated with the modern body as an entity with clearly defined borders. The imperatives of liberalism and neoliberalism constitute the modern body as a white, male, heteronormative body, navigating appropriate relationships to production and consumption. How does the human body emerge as a bounded entity in science and science fiction from the nineteenth century onward? Alien invasion narratives offer a fruitful way to trace this concept and its development over time. These narratives model proper ways of attending to one’s body as well as proper ways of defending oneself—and, by extension, the planet—from alien invasion. The present inquiry focuses on three different alien invasion narratives, beginning with H. G. Wells’s influential The War of the Worlds (1897), before moving to consider a pair of twentieth- century American texts: Philip Kaufman’s film Invasion of the Body Snatchers (1978) and Octavia Butler’s novel Fledgling (2005). -
An Aesthetic Study of the World View of Steampunk Movies
Journal of Frontiers of Society, Science and Technology DOI: 10.23977/jfsst.2021.010210 Clausius Scientific Press, Canada Volume 1, Number 2, 2021 Technology and Reason: an Aesthetic Study of the World View of Steampunk Movies Qian Liu Television School, Communication University of China, 100024, China Keywords: Steampunk movie, World view, Aesthetics Abstract: Steampunk movies originally came from literary works, and gradually evolved into a unique style movie through adaptation and fusion. Steampunk movies are full of longing for science and technology and the embodiment of human rational spirit. Analysis of the worldview in its aesthetic characteristics, including postmodernist time-space view, infinite admiration of technology, rebellious speculative spirit, utopia and dystopia, and finally summarized The aesthetic significance of steampunk movies is to reflect the typical characteristics of contemporary literary thoughts. 1. Introduction Since the 1990s, a unique and fantastic art style has emerged. It emerged in the American science fiction world in the 1960s and 1970s. It was not until the end of the 1980s and the beginning of the 1990s. A science fiction novelist gradually “alienated” into an artistic style, which is steampunk. “Steam” and “Punk”, two cultural elements that are about a century apart, are integrated in the postmodernist aesthetic spirit that has emerged since the 1960s. Steampunk was born in literary works and quickly transferred to movies. It is a cross-media transfer of artistic style. Its main position for entering movies is in science fiction movies, but it does not specifically refer to science fiction movies. Other types of movies have steampunk elements. It can also be called a steampunk style movie, which is a kind of extended and fuzzy, cross-genre style movie. -
Applying Traditional Jurisdictional Frameworks to a Modern Threat
PROSECUTING CYBERTERRORISTS: APPLYING TRADITIONAL JURISDICTIONAL FRAMEWORKS TO A MODERN THREAT Paul N. Stockton* & Michele Golabek-Goldman** The United States faces a growing risk of cyberterrorism against its finan- cial system, electric power grid, and other critical infrastructure sectors. Senior U.S. policymakers note that building U.S. capacity to prosecute cyberterrorists could play a key role in deterring and disrupting such attacks. To facilitate pros- ecution, the federal government is bolstering its technical expertise to attribute attacks to those who perpetrate them, even when, as is increasingly the case, the perpetrators exploit computers in dozens of nations to strike U.S. infrastructure. Relatively little attention has been paid, however, to another prerequisite for prosecuting cyberterrorists: that of building a legal framework that can bring those who attack from abroad to justice. The best approach to prosecuting cyberterrorists striking from abroad is to add extraterritorial application to current domestic criminal laws bearing on cyberattack. Yet, scholars have barely begun to explore how the United States can best justify such extraterritorial extension under international law and assert a legitimate claim of prescriptive jurisdiction when a terrorist hijacks thousands of computers across the globe. Still less attention has been paid to the question of how to resolve the conflicting claims of national jurisdiction that such attacks would likely engender. This Article argues that the protective principle—which predicates prescrip- tive jurisdiction on whether a nation suffered a fundamental security threat— should govern cyberterrorist prosecutions. To support this argument, the Article examines the full range of principles on which States could claim prescriptive ju- risdiction and assesses their strengths and weaknesses for extending extraterrito- rial application of U.S. -
POST-APOCALYPTIC DESIRES, SCIENCE DISTRUST, and the DE(CON)STRUCTION of a ZOMBIE STORY By
BRING AN AXE AND YOUR WILDEST DREAMS: POST-APOCALYPTIC DESIRES, SCIENCE DISTRUST, AND THE DE(CON)STRUCTION OF A ZOMBIE STORY by SAMANTHA JO LONG B.A., Illinois State University, 2011 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of English 2014 This thesis entitled: Bring an Axe and Your Wildest Dreams: Post-Apocalyptic Desires, Science Distrust, and the De(con)struction of a Zombie Story written by Samantha Jo Long has been approved for the Department of English Richelle Munkhoff Stephen Graham Jones Date _ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Long, Samantha Jo (M.A., English) Bring an Axe and Your Wildest Dreams: Post-Apocalyptic Desires, Science Distrust, and the De(con)struction of a Zombie Story Thesis directed by Assistant Professor Richelle Munkhoff Observing the current popularity of the zombie narrative in American culture, this thesis explores the questions “why zombie?” and “why now?” through a combination of research and the creation of an original zombie story. Moving beyond existing criticism which argues that the zombie transforms to fit each generation’s specific fears, I argue that zombie movies, novels, and video games from George A. Romero-onwards continually speak to a distrust of science and scientific progress while additionally romanticizing the post-apocalyptic landscape. Consequently, the zombie’s unprecedented mainstream popularity over the last fifteen years could be read as symptomatic of this distrust intensifying, paralleling an increasing politicization of science and a rise in apocalyptic thinking within the public sphere. -
Zombies, Global Biopolitics, and the Reproduction of Structural Violence
humanities Article Vulnerable Life: Zombies, Global Biopolitics, and the Reproduction of Structural Violence Steven Pokornowski Division of Communications and Languages, Rio Hondo College, 3600 Workman Mill Rd., Whittier, CA 90601, USA; [email protected]; Tel.: +1-568-908-3429 Academic Editor: Myra Mendible Received: 1 June 2016; Accepted: 17 August 2016; Published: 25 August 2016 Abstract: This essay offers an intervention in biopolitical theory—using the term “vulnerable life” to recalibrate discussions of how life is valued and violence is justified in the contemporary bioinsecurity regime. It reads the discursive structures that dehumanize and pathologize figures in U.S. zombie narratives against the discursive structures present in contemporary legal narratives and media reports on the killing of black Americans. Through this unsettling paralleling of structures, the essay suggests how the current ubiquity of zombies and the profusion of racial tension in the U.S. are related. In the process, the essay emphasizes the highly racialized nature of the zombie itself—which has never been the empty signifier it is often read as—and drives home just how dangerous the proliferation of postracial and posthuman discourses can be if they serve to elide historical limitations about the highly political determinations of just who is quite human. Keywords: biopolitics; race; zombies; postracial; posthuman; #BlackLivesMatter; violence 1. Introduction: The Mattering of Lives, Life that Matters, and the Justification of Violence The zombie’s recent cultural ubiquity parallels, and is in some measure symptomatic of, an increasingly visible racial tension in the U.S. That is not to say that such deaths as those of Trayvon Martin, Michael Brown, and Sandra Bland, to name just a few of those recently in need of memorialization, are a new phenomenon; nor is it to say that the structural disenfranchisement and systemic inequity that created the tense policing situations and rampant economic and political inequality in Ferguson, or Baltimore, or Chicago are new, either [1,2]1.