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Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
Cover No Spine
2006 VOL 44, NO. 4 Special Issue: The Hans Christian Andersen Awards 2006 The Journal of IBBY,the International Board on Books for Young People Editors: Valerie Coghlan and Siobhán Parkinson Address for submissions and other editorial correspondence: [email protected] and [email protected] Bookbird’s editorial office is supported by the Church of Ireland College of Education, Dublin, Ireland. Editorial Review Board: Sandra Beckett (Canada), Nina Christensen (Denmark), Penni Cotton (UK), Hans-Heino Ewers (Germany), Jeffrey Garrett (USA), Elwyn Jenkins (South Africa),Ariko Kawabata (Japan), Kerry Mallan (Australia), Maria Nikolajeva (Sweden), Jean Perrot (France), Kimberley Reynolds (UK), Mary Shine Thompson (Ireland), Victor Watson (UK), Jochen Weber (Germany) Board of Bookbird, Inc.: Joan Glazer (USA), President; Ellis Vance (USA),Treasurer;Alida Cutts (USA), Secretary;Ann Lazim (UK); Elda Nogueira (Brazil) Cover image:The cover illustration is from Frau Meier, Die Amsel by Wolf Erlbruch, published by Peter Hammer Verlag,Wuppertal 1995 (see page 11) Production: Design and layout by Oldtown Design, Dublin ([email protected]) Proofread by Antoinette Walker Printed in Canada by Transcontinental Bookbird:A Journal of International Children’s Literature (ISSN 0006-7377) is a refereed journal published quarterly by IBBY,the International Board on Books for Young People, Nonnenweg 12 Postfach, CH-4003 Basel, Switzerland tel. +4161 272 29 17 fax: +4161 272 27 57 email: [email protected] <www.ibby.org>. Copyright © 2006 by Bookbird, Inc., an Indiana not-for-profit corporation. Reproduction of articles in Bookbird requires permission in writing from the editor. Items from Focus IBBY may be reprinted freely to disseminate the work of IBBY. -
Fox and the Hare Datasheet
Image not found or type unknown Image not found or type unknown TITLE INFORMATION Tel: +1 212 645 1111 Email: [email protected] Web: https://www.accartbooks.com/us Published 5th Nov 2015 Image not found or type unknown Fox and the Hare Vladimir Dal ISBN 9780984586714 Publisher Rovakada, LLC Binding Hardback Territory USA & Canada Size 8.46 in x 12.01 in Pages 48 Pages Illustrations 48 color Price $17.95 This beautiful retelling of a Russian folk tale is based on an award-winning animation Features an original cover design that appeals both to children and their parents Showcases colorful high-quality illustrations from an award-winning artist The genre of the folktale lends itself to repetitive vocabulary - a good early reading strategy "'The Fox and the Hare' is Yuri Norstein's take on an old Russian folk tale and as in all of his films, we are pulled into the characters' lives through the beautiful simplicity of the character designs, done by the artist Francesca Yarbusova. They create personalities full of soul and emotion. I've always admired Yuri for his honesty and absolute devotion to the art of animation and his talent of creating an enchanted and very unique world for each of his masterpieces. I like to take time and study his beautiful graphics, discovering new details each time I look at them." Helena Giersz, Designer/Co-creator of Nickelodeon series Dora the Explorer and Go Diego Go, Founder of Funline Animation, Inc The Fox and the Hare is a Russian folk tale retold by Vladimir Dal. -
Hedgehog in the Fog Datasheet
Image not found or type unknown Image not found or type unknown TITLE INFORMATION Tel: +1 212 645 1111 Email: [email protected] Web: https://www.accartbooks.com/us Published 20th Jul 2016 Image not found or type unknown Hedgehog in the Fog Yuri Norstein Sergey Kozlov Illustrated by Francesca Yarbusova ISBN 9780984586707 Publisher Rovakada, LLC Binding Hardback Territory USA & Canada Size 8.46 in x 12.01 in Pages 48 Pages Illustrations 48 color Price $17.95 This beautiful book is based on a world-famous animation In 2003, an international film jury in Tokyo declared Hedgehog in the Fog to be the best animated film of all time Showcases colorful high-quality illustrations from an award-winning artist Sure to delight children of all ages "I've loved the films of Yuri Norstein for years now. I first saw 'Hedgehog in the Fog' as a film student in the early 1980s and became instantly enchanted. Like many I was immediately drawn into his sensual world by the richness of the aural and visual landscapes he creates. Norstein's films are magical and atmospheric, lovingly and masterfully executed. His story-telling and illustration style is earthy and rich in symbols which are beautiful in themselves - but one senses there is a lot more hidden behind them." Nick Park, The creator of Wallace and Gromit and Chicken Run and four times Oscar-winner Hedgehog in the Fog is an international bestseller which has already been published in many languages. The book is based on Francesca Yarbusova's sketches to the award-winning animated film directed by Yuri Norstein. -
March 2012 at BFI Southbank
PRESS RELEASE January 2012 12/05 March 2012 at BFI Southbank The 26th LLGFF, Carl Dreyer, Peter Cook and Ken Russell remembered with The Devils Uncut x 26th BFI London Lesbian and Gay Film Festival Friday 23 March – Sunday 1 April This year’s festival will take place over ten days and will screen the best in queer cinema from around the world on all four screens of BFI Southbank (booking opens on Thursday 1 March) Major Seasons: x The Passion of Carl Dreyer The BFI continues to cast a spotlight on silent film with a celebration of the Danish master of light and shadow Carl Dreyer. His legacy will be celebrated with a complete retrospective of his films; from his seminal silent The Passion of Joan of Arc (La Passion de Jeanne d’Arc, 1928) to sound features Days of Wrath (Vredens Dag, 1943) and Gertrud (1964) x Extended Run: Ordet (The Word, Dir, Carl Dreyer, 1955) 9 – 23 March NEW PRINT A Jutland farming family’s traditional values and religious beliefs are challenged by a generation gap between father and children. For many this play-to-film adaptation is the very greatest of all Dreyer’s masterpieces and is also his penultimate film x Peter Cook: Genius at Work Peter Cook was the most radical, surreal and outrageous of the 60s new wave of British humorists, that launched with the satirical Beyond the Fringe. In celebration of what would have been his 75th birthday, BFI presents key moments from his TV and film career x Dickens on Screen, Part Three The concluding part of the bicentennial celebrations of Charles Dickens’ birth will include -
On the Topics and Style of Soviet Animated Films
BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE Article On the Topics and Style of Soviet Animated Films ÜLO PIKKOV, Estonian Academy of Arts; email: [email protected] 16 DOI: 10.1515/bsmr-2017-0002 BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE ABSTRACT This article provides a survey of Soviet animation and analyses the thematic and stylistic course of its develop- ment. Soviet animated film emerged and materialised in synch with the fluctuations of the region’s political climate and was directly shaped by it. A number of trends and currents of Soviet animation also pertain to other Eastern European countries. After all, Eastern Europe constituted an integrated cultural space that functioned as a single market for the films produced across it by filmmakers who interacted in a professional regional network of film education, events, festivals, publications etc. Initially experimental, post-revolutionary Russian ani- mation soon fell under the sway of the Socialist Realist discourse, along with the rest of Soviet art, and quickly crystallised as a didactic genre for children. Disney’s para- digm became its major source of inspiration both in terms of visual style and thematic scope, despite the fact that Soviet Union was regarded as the ideological opposite of the Western way of life and mindset. The Soviet animation industry was spread across different studios and republics that adopted slightly varied production practices and tolerated different degrees of artistic freedom. Studios in the smaller republics, such as Estonia, Latvia and Lithuania in particular, stood out for making films that were more ideologically complicated than those produced in Moscow. -
The 17Th International Animation Festival Hiroshima 2018 PRESS
The 17th International Animation Festival Hiroshima 2018 PRESS RELEASE 1 International Jury Members ・・・・・・・・・・1 2 HIROSHIMA 2018 Official Programs ・・・・・・・8 Date: July 17, 2018 16:15〜 Place: The Municipal Government Press Club HIROSHIMA 2018 Festival Office Contact: Ayako Machida JMS Aster Plaza 4-17 Kako-machi, Naka-ku Hiroshima 730-0812 JAPAN phone: +81-82-245-0245 fax: +81-82-504-5658 1 International Jury Members Following 5 members of the International Jury will evaluate the 75 works selected for the Competition. 1 International Jury Members Name Nationalit Occupation Profile y Director, Animator, Educator, Ishu Patel Canada P2 National Film Board of Canada Member of Academy of Motion Picture Arts and Sciences Priit Pärn Estonia Animation Filmmaker, Professor at P3 Estonian Academy of Arts Animation Filmmaker, Professor at Oxana Cherkasova Russia P4 the Ural State University of Architecture and Art Isabelle Favez Switzerland Independent Animation Filmmake P5 Masao Maruyama Animation Animation Producer P6 Producer ※ Refer to page 2-6, for the profile of the international jury members. 2 About choosing the chairperson of International Jury: The chairperson will be elected by the jury members at the International Jury meeting which will be held on the first day of the Festival, August 23th. 1 Ishu Patel Director, Animator, Educator, National Film Board of Canada Member of Academy of Motion Picture Arts and Sciences (Canada) During his twenty-five years at the National Film Board of Canada, Ishu Patel produced and directed a remarkable collection of animated short films. His many international awards include the BAFTA Award, two Oscar nominations, the Silver Bear Award at the Berlin Film Festival, Grand Prix at Annecy and Grand Prix at the World Film Festival in Montreal. -
IN PERSON & PREVIEWS Talent Q&As and Rare Appearances, Plus A
IN PERSON & PREVIEWS Talent Q&As and rare appearances, plus a chance for you to catch the latest film and TV before anyone else TV Preview: The Bisexual + Q&A with creator and star Desiree Akhavan, co-writer Cecilia Frugiuele, actors Maxine Peake and Brian Gleeson Hootenanny 2018. Dir Desiree Akhavan. With Desiree Akhavan, Maxine Peake, Brian Gleeson, Eva Birthistle. Eps 1 & 2 60min Ahead of this autumn’s BFI blockbuster season celebrating Comedy Genius we’re delighted to present The Bisexual. Fresh from winning the Grand Jury prize at Sundance, Desiree Akhavan (The Miseducation of Cameron Post, Appropriate Behaviour) co-writes, directs and stars in this new six-part comedy drama for Channel 4 and Hulu. BAFTA-nominated Maxine Peake and Brian Gleeson also star in this painfully funny series that explores the differences between dating men and women from the perspective of Leila – who finds herself, for the first time, doing both... TUE 4 SEP 18:15 NFT1 Preview: The Rider USA 2017. Dir Chloé Zhao. With Brady Jandreau, Tim Jandreau, Lilly Jandreau. 104min. Digital. Cert tbc. Courtesy of Altitude Entertainment Barely recovered from a near-fatal accident, young bronco rider Brady (Brady Jandreau) is torn between pursuing his career in rodeo despite the doctor’s advice or quitting while he still can. Using non-professional actors (and real-life riders) to play semi-fictionalised versions of themselves, Zhao’s sophomore film is an affectionate slice of Americana that premiered at last year’s BFI London Film Festival. Tickets £15, concs £12 (Members pay £2 less) TUE 11 SEP 20:30 NFT1 Preview: Skate Kitchen USA 2018. -
COMD 3642 – Topics in Animation & Motion Graphics
COMD COMD Topics in Animation & Motion Graphics New York City College of Technology The City University of New York Department of Communication Design COMD 3642 – Topics in Animation & Motion Graphics Course Description This course will provide an overview and study of the history of animation and motion graphics. Each class will focus on the work of various animators within a specific time period or genre, from the early magic lantern shows of the late nineteenth century to current and emerging digital animation technologies. The course objective is to explore the lives and environments, artistic and narrative influences of these animators. This will be accomplished through a series of discussions, lectures, assignments, and viewing DVDs and videos. 3 cl hrs, 3 cr Prerequisites 3500 level courses Course Objectives INSTRUCTIONAL OBJECTIVES ASSESSMENT For the successful completion of this Evaluation methods and criteria course, students should be able to: Understand a fundamental principle of the Students will demonstrate knowledge by human eye: the persistence of vision. creating a simple flip-book. Demonstrate knowledge of the evolution Students will demonstrate knowledge by and development of early forms of re-creating Optical Toys in a series of animation and motion graphics. assignments. Understand animation's influence on Students will demonstrate knowledge of popular culture and identify the important this by researching and writing a critical animators in history. paper exploring these societal influences. 10.25.14_LC 1 COMD COMD Topics in Animation & Motion Graphics INSTRUCTIONAL OBJECTIVES ASSESSMENT Define the major innovations developed by Students will demonstrate knowledge of Disney Studios. these innovations through discussion and research. -
Mumbai International Film Festival 2018 Cover
CONTENTS Foreword 3 Messages 5 Juries 11 Competition International 17 Competition National 43 Prism International 87 Prism National 109 Best of Fest 133 Retrospective 143 Homage 169 Special Package 181 Student Films 299 Masterclass, Interactive Session, Panel Descussion, Workshop 315 Special Screenings 322 Selection Committee 332 Organising Committee 334 Index of Films 337 FILMS th DIVISION Presents 15 MUMBAI INTERNATIONAL FILM FESTIVAL DOCUMENTARY I SHORT I ANIMATION With the support of GOVERNMENT OF MAHARASHTRA 28th JANUARY TO 3rd FEBRUARY 2018 At: Films Division Theatres Russian Centre for Science & Culture 24, Dr. G Deshmukh Marg, Mumbai & 31-A, Dr. G Deshmukh Marg, Mumbai Festival Director MANISH DESAI Chief Coordinator Programming Team SWATI PANDEY V. PACKIRISAMY PREMRAJ RAJAGOPALAN Festival Coordinator M. CHELLAPANDIAN ANIL KUMAR N. PRAMOD PATIL Publication Unit Head Design coordinator, Cover page R. K. CHANDEL ASHISH DAS, ANKIT MEHROTRA & TEAM Festival Cell Layout Artist PRAKASH S. BODAS & HIS TEAM DNYANESH Patil (Uchitha) Editor SANJAY Wadhwa Films Division Designed, Processed and Printed at 24, Dr. G. Deshmukh Marg Uchitha Graphic Printers Pvt. Ltd. Mumbai 400026 65, Ideal Industrial Estate Tel: 022-23513176 Mathuradas Mills Compound E: [email protected] Senapati Bapat Marg, Lower Parel W: www.miff.in Mumbai - 400013, India W: www.filmsdivision.org Tel: 9122 4033 6400 Copyright: Director, MIFF 2018 FOREWORD he much-awaited 15th Mumbai International Film Festival relevant and important do not go unnoticed. It is here that MIFF (MIFF 2018) is finally here with more energy and passion stands out and hence has established itself as one of the top Tto deliver the best to all our participants. -
1996-'1997 1995-'1996
OFFICE NATIONAL DU FILM DU CANADA NATIONAL FILM BOARD OF CANANDA Ottawa, septembre 1997 L‘Honorable Sheila Copps Ministre du Patrimoine canadien Ottawa, Ontario Madame la ministre, J’ai l’honneur de VOUS présenter, conformément aux dispositions de l’article 20(1) de la Loi nationale sur le film de 1950, le Rapport annuel du cinquante-huitième exercice financier de l’Office national du film du Canada, se terminant le 31 mars 1997. Le document fait également état des événements marquants survenus au cours de cette année d’activités. Je vous prie d’agréer, Madaine la ministre, l’assurance de ma considération disiinguée. n Sandra Macdonald Commissaire du gouvernement à la cinématographie et présidente Profil de I‘ONF - Comité de direction -a -Membres du conseil d’administration ._f Message de la présidente -9 Faits saillants -r’ Quelques chiffres -i/ mProductions Versions et adaptations 3 O Sommaire des activités - Production .%‘3 .%3 Sommaire des activités - Distribution canadienne ___3 4 Sommaire des activités - Distribution internationale 33 Sommaire des activités - Services techniques 3 fi Palmarès 37 États financiers ___43 Bureaux de L’ONF et partenaires cfl L‘Office national du film du Canada est un lieu exceptionnel de création de matériel audiovisuel. Son mandat est toujours de produire et distribuer des films et autres documents audiovisuels destinés aux auditoires canadiens et aux marchés étrangers, dans le but de mieux faire connaître et comprendre les réalités sociales et culturelles du Canada. Ses films sont produits dans les deux langues officielles et ce, par l’entremise de ses Programmes français et anglais, de ses propres cineastes ainsi que de cinéastes indkpendants de toutes les régions du pays. -
Music, Sound & Animation
April 1997 Vol. 2 No. 1 Music,Music, SoundSound && AnimationAnimation Andrea Martignoni on Pierre Hébert’s La Plante humaine William Moritz on The Dream of Color Music Carl Stalling’s Humor Voice Acting 101 Table of Contents 3 Editor’s Notebook A Word on Music and Animation; Harry Love. 5 Letters to the Editor The Thief and the Cobbler. Children’s Workshops; Errata. 8 The Ink and Paint of Music Amin Bhatia recounts a day in his life as an “electronic composer” for animated TV shows, explaining his tools and techniques. 11 The Burgeoning of a Project: Pierre Hébert’s La Plante humaine [English & Italian] Andrea Martignoni delves into Pierre Hébert’s radical method for marrying animation with music. 20 The Dream of Color Music, and Machines That Made it Possible William Moritz gives a quick and dazzling historical overview attempts to create visual music using “color organs.” 25 Who’s Afraid of ASCAP? Popular Songs in the Silly Symphonies From 1929 to 1939, Disney’s Silly Symphonies united animation with a rich array of music, including such songs as “Who’s Afraid of the Big Bad Wolf.” J.B. Kaufman reports. 28 Carl Stalling and Humor in Cartoons Daniel Goldmark shows how Carl Stalling, who may have been the most skilled and clever composer of car- toon music Hollywood ever had, used music to create gags and help tell a story at the same time. 31 Voice Acting 101 So, you want to be a voice actor? Well, Joe Bevilacqua tells you all you ever wanted to know, drawing on his experience and that of some of Hollywood’s top voice talent.