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"All That Glitters Is Not Junkanoo": the National Junkanoo Museum And

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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 "All That Glitters Is Not Junkanoo" the National Junkanoo Museum and the Politics of Tourism and Identity Ressa MacKey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE “ALL THAT GLITTERS IS NOT JUNKANOO” THE NATIONAL JUNKANOO MUSEUM AND THE POLITICS OF TOURISM AND IDENTITY By RESSA MACKEY A Thesis submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded Fall Semester, 2009 The members of the committee approve the thesis of Ressa Mackey defended on August 18, 2009. __________________________________ Roald Nasgaard Professor Directing Thesis __________________________________ Karen Bearor Committee Member __________________________________ Michael Carrasco Committee Member Approved: _______________________________ Adam Jolles, Co-Chair, Department of Art History _______________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above-named committee members. ii To Michael and Abigail iii ACKNOWLEDGMENTS First and foremost, I would like to thank the members of my committee, Roald Nasgaard, Karen Bearor, and Michael Carrasco, whose guidance and patience tremendously benefitted my project. I am also grateful for the opportunities afforded to me by the Penelope E. Mason Grant, which enabled me to witness the Junkanoo festival and interview several of the Junkanoo artists. My understanding of the festival was truly enriched by the testimonies provided by Stan Burnside, Angelique McKay, Mornette Curtis, Jackson Burnside, and Eddy Dames. Accomplishing my thesis would not have been possible without the help of my family and friends. I would like to thank my wonderful team of babysitters, notably Connie and Colleen Rawson and Arenthia Herren, who provided me with the free time I needed to complete my thesis. I am especially thankful to Deirdre Carter, whose assistance during the final stages of this project truly I appreciate. Finally, thank you Michael for all your love and support throughout this experience. iv TABLE OF CONTENTS List of Figures………………………………………………………………………………… vi Abstract……………………………………………………………………………………..... ix Chapter One: Introduction…………………………………………………………………… 1 Chapter Two: Junkanoo: From Slavery to Tourism………………………………………….. 11 Chapter Three: The National Junkanoo Museum…………………………………………….. 27 Chapter Four: The Institutionalization of Authenticity …………………………………….... 41 Chapter Five: Conclusion…………………………………………………………………….. 52 Appendix: Figures……………………………………………………………………………. 55 Bibliography………………………………………………………………………………….. 90 Biographical Sketch………………………………………………………………………….. 94 v LIST OF FIGURES 1. New Year‟s Day Junkanoo Parade. Saxon Superstars, costume theme: “I Have A Dream” in honor of black politicians. Off-the-Shoulder Dancers. 2009. Nassau, The Bahamas. Photo taken by author ………………………………………. 1 2. Lead Piece. Date Unknown. Nassau, The Bahamas. Ferguson, I Come to Get Me!: an Inside Look at the Junkanoo Festival ……………. 2 3. Exhibited Lead Piece at the Junkanoo Expo. 2001. Nassau, The Bahamas. Thompson, “Preserving While Destroying: The Junkanoo Expo.” ………….. 2, 34, 45 4. Discarded costumes after the New Year‟s Day Junkanoo Parade in 2009. Photo by author ………………………………………………………………….. 2, 24 5. Junkanoo groups performing in Washington, D.C. 1992. Ferguson, I Come to Get Me!: an Inside Look at the Junkanoo Festival ……………. 18 6. “Island Hopping” advertisement. The Island of the Bahamas advertisement campaign, Ministry of Tourism. 2004. Thompson, An Eye for the Tropics …………………………............................. 19 7. Da Junkanoo Shak Bahamian Restaurant & Bar. “Kalik Beer” advertisement, the official beer of the Bahamas. 2009. Nassau, The Bahamas. Photo by author ……………………………………………… 19 8. Five dollar bill featuring Junkanoo masqueraders. Bahamian currency. Released in 2007……………………………………………………………………… 19 9. “John Canoe? Man with Fancy Hat.” Nassau Magazine. 1935. Ferguson, I Come to Get Me!: an Inside Look at the Junkanoo Festival ……………. 20 10. Ship headdresses, paper-fringed costumes, and white masks. Exact date unknown. Nassau, The Bahamas. Originally published in Irade A. Reid, The John Canoe Festival, 1942. Ferguson, I Come to Get Me!: an Inside Look at the Junkanoo Festival ………….... 20 11. Paper-fringed costumes. 1957. Nassau, The Bahamas. Ferguson, I Come to Get Me!: an Inside Look at the Junkanoo Festival ……………. 20 12. New Year‟s Day Junkanoo Parade. The Valley Boys, costume theme: “Celebrating 50 Years of Junkanoo” in recognition of the Valley Boys 50th anniversary. Off-the-Shoulder Dancer. 2009. Nassau, The Bahamas. Photo by author ……………………………………………… 20 vi 13. Junkanoo masqueraders parodying English dress. Date unknown. Nassau, The Bahamas. Ferguson, I Come to Get Me!: an Inside Look at the Junkanoo Festival ……………. 21 14. Boxing Day Junkanoo Parade. The Roots, costume theme: “The NFL.” Off-the-Shoulder Dancer featuring the Rams football team. 2007. Nassau, The Bahamas. Photo by Sam Singh, obtained through Flickr, http://www.flickr.com/photos/singharoundtheworld/2183444944/ ……………….… 21 15. New Year‟s Day Junkanoo Parade. Saxon Superstars, costume theme: “I Have a Dream” in honor of black politicians. Off-the-Shoulder Dancer featuring Barack Obama. 2009. Nassau, The Bahamas. Photo by author ………………………………………………………………………. 21 16. New Year‟s Day Junkanoo Parade. One Family, costume theme: “Let it Snow.” Choreographed Dancer. 2009. Nassau, The Bahamas. Photo by author ………… 22, 24 17. New Year‟s Day Junkanoo Parade. Scrapper group. 2009. Nassau, The Bahamas. Photo by author ………………………………………………………………………. 23 18. New Year‟s Day Junkanoo Parade. Saxon Superstars, costume theme: “I Have a Dream” in honor of black politicians, sponsored by Shell Oil. Lead Piece. 2009. Nassau, The Bahamas. Photo by author ………………………………………… 23, 24 19. New Year‟s Day Junkanoo Parade. Banner for Scrapper group Bush Warriors, theme: “Hang „Em High Jail Not Bail,” in response to The Bahamas debated use of the death penalty. 2009. Photo by author …………………………………………………………………. 23, 45 20. New Year‟s Day Junkanoo Parade. Scrapper costume displaying the theme “Tips.” 2009. Nassau, The Bahamas. Photo by author ………………………………………………………………………. 24 21. New Year‟s Day Junkanoo Parade. One Family, costume theme: “Let it Snow.” Frame Dancer costumed as a snowmobile rider. 2009. Nassau, The Bahamas. Photo by author ………………………………………………………………………. 24 22. New Year‟s Day Junkanoo Parade. The Roots, costume theme: “The Wings of Nature.” Lead Piece. 2009. Nassau, The Bahamas. Photo by author ………………………….. 24 23. New Year‟s Day Junkanoo Parade. Scrapper banner recognizing sponsorship from SOBE Energy Drink. 2009. Nassau, The Bahamas. Photo by author ………………………………………. 24 vii 24. Discarded costumes after the Boxing Day parade. 1986. Nassau, The Bahamas. Nunley and Bettelheim, Caribbean Festival Arts …………... 24 25. Aluminum rods and cardboard frames for costumes. Ferguson, I Come to Get Me!: an Inside Look at the Junkanoo Festival ……………. 25 26. Junkanoo in June Parade. A grouper‟s banner. 2005. Nassau, The Bahamas. Photo by Erin Clark, obtained through Flickr, http://www.flickr.com/photos/clarkworks-46/336013572/ ……………………… 25, 49 27. Exterior of the Junkanoo Expo. 2001. Nassau, The Bahamas. Thompson, “Preserving While Destroying: The Junkanoo Expo” ……………… 28, 38 28. Exhibited Lead Piece at the Junkanoo Expo. 2001. Nassau, The Bahamas. Thompson, “Preserving While Destroying: The Junkanoo Expo” ……………… 34, 45 29. Festival Place market and welcome center. 2008. Nassau, The Bahamas. Photo by Andrew, obtained through Flickr, http://www.flickr.com/photos/8348059@N02/2640040049/ ……………………….. 35 30. Market stall inside Festival Place. 2009. Nassau, The Bahamas. Photo by author ………………………………………………………………………. 36 31. Interior of the National Junkanoo Museum, main exhibition space, still under construction. January 2009. Nassau, The Bahamas. Photo by author ……. 37 32. Future site of the Junkanoo restaurant, within the museum space. January 2009. Nassau, The Bahamas. Photo by author ……………………………… 37 33. “Sponge Men.” Exact date unknown. Nassau, The Bahamas. Originally published in Reid, The John Canoe Festival, 1942. Ferguson, I Come to Get Me!: an Inside Look at the Junkanoo Festival ……………. 46 34. New Year‟s Day Junkanoo Parade. The Valley Boys. Lead Piece resembling a float more than a costume. 2009. Nassau, The Bahamas. Photo by author ……………………………………………… 46 35. Off-the-shoulder costume displayed at Festival Place. 2009. Nassau, The Bahamas. Photo by author ……………………………………………… 49 viii ABSTRACT The annual Junkanoo festival in the Bahamas is regarded as “the ultimate national symbol,” representative of Bahamian sovereignty and culture. A festival that originated from Bahamian slaves, Junkanoo has evolved into a popular commercial and cultural event that features extravagant, crépe-paper costumes. This paper analyzes the role of the commodified Junkanoo costume in constructing a Bahamian national and cultural identity. Specifically, it analyzes the history and policies of the National Junkanoo Museum, the first institution to display the costumes outside their performative context. Through a interdisciplinary approach that incorporates methodologies from art history, sociology, and museum studies, I argue that Junkanoo
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