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Igncc18 Programme
www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation. -
Dan Dare the 2000 Ad Years Vol. 01 Pdf, Epub, Ebook
DAN DARE THE 2000 AD YEARS VOL. 01 PDF, EPUB, EBOOK Pat Mills | 320 pages | 05 Nov 2015 | Rebellion | 9781781083499 | English | Oxford, United Kingdom Dan Dare The 2000 AD Years Vol. 01 PDF Book I guess I'd agree with some of the comments about the more recent revival attempts and the rather gauche cynicism that tends to pervade them. Thanks for sharing that, it's a good read. The pen is mightier than the sword if the sword is very short, and the pen is very sharp. The cast included Mick Ford Col. John Constantine is dying. There are no discussion topics on this book yet. Hardcover , pages. See all 3 brand new listings. Al rated it really liked it Feb 06, Archived from the original PDF on The stories were set mostly on planets of the Solar System presumed to have extraterrestrial life and alien inhabitants, common in science fiction before space probes of the s proved the most likely worlds were lifeless. Mark has been an executive producer on all his movies, and for four years worked as creative consultant to Fox Read full description. Standard bred - ; vol. The first Dan Dare story began with a starving Earth and failed attempts to reach Venus , where it is hoped food may be found. You may also like. Ian Kennedy Artist. Pages: [ 1 ] 2. SuperFanboyMan rated it really liked it Jul 16, In Eagle was re-launched, with Dan Dare again its flagship strip. John Wiley and Sons, Author : Michigan State University. In a series of episodic adventures, Dare encountered various threats, including an extended multi-episode adventure uniting slave races in opposition to the "Star Slayers" — the oppressive race controlling that region. -
Anaheim Convention Center & Hilton Anaheim Maps
Quick Guide Everything you need to know about WonderCon Anaheim 2019 Anaheim Convention Center & Hilton Anaheim Maps Exhibit Hall Map and Exhibitor Lists Artists’ Alley Exhibitors Fan Groups Small Press Future Tech Live! Complete Program Schedule Grids FRIDAY SATURDAY SUNDAY TM & © DC Comics Anaheim Convention Center Maps Anaheim Convention Center Maps Anaheim Convention center LEVEL 3 MAPS LOCATION ANAHEIM CONVENTION CENTER LEVEL 1 ANAHEIM CONVENTION CENTER LEVEL 3 Hall D Hall C Hall B Hall A Lobby Stroller Parking NEW FOR 2019: M W Hall E is located one WEST KATELLA AVENUE WEST KATELLA level below Hall D. 300D Lines 300B Please use escalators/ EXHIBIT HALL: 303AB elevators in Lobby C/D Halls A, B and C ARENA Children’s Hall A: Film Fest. to access Hall E Arena Lines Programming LOCATION MAPS LOCATION Pedestrian Bridge (Second Level) ELEVATORS Lobby B/C ELEVATORS ESCALATORS ELEVATORS GRAND PLAZA ESCALATORS ESCALATORS ELEVATORS ACC North Costume Props Plaza RFID Tent Check Desk Programming HALL E (LOCATED BELOW HALL D) LOBBY B/C Badge Pick-up — Bag Check Attendees, Press, Professionals Blood Drive Sign-up ANAHEIM CONVENTION CENTER North level 100 and level 200 Bag, Lanyard, Program Book Pick-up Costume Props Check Desk Badge and RFID Help Desk Deaf & Disabled Services Costume Props Check Desk and ASL Interpreters ACC North Level 100 ACC North Level 200 Morning Lines Masquerade Desk WonderCon Anaheim Information Desk M W ANAHEIM CONVENTION CENTER LEVEL 2 Anaheim Convention center – LEVEL 2 M W M W M W 206B 204C M W 213CD 209 -
Comic Art, Children's Literature, and the New Comics Studies
360 Charles Hatfield Comic Art, Children’s Literature, and the New Comics Studies Charles Hatfield At Comic-Con International’s annual Eisner Awards ceremony in San Diego during July 2004, Pulitzer-winning author (and new-fledged comics creator) Michael Chabon gave a keynote speech about comic books and children. Speaking to the comic book community, Chabon declared victory in the struggle to elevate the comics medium and its reputation among adult readers, noting, “More adults are reading better comics than ever before” (“Greasy”). However, Chabon’s real subject, which he decried, was the medium’s abandonment of children; this action is fueled, he argued, by an arriviste’s sense of embarrassment over its origins. Chiding the industry for forgetting young readers, Chabon ended by envisioning a new sort of comics for children, “truly thrilling, honestly observed and remembered, richly imagined . [comics] about children” [Chabon’s italics] (“Greasy”). He issued a call to arms, urging the comic book industry to pass on the love of the medium and, as the adage goes, pay it forward. Despite its admonitory tone, Chabon’s speech earned a warm ovation, perhaps because his remarks distilled years’ worth of comic-book industry punditry. In fact, the gap between comic books and today’s children has long been a source of concern among professionals—certainly within the transatlantic, English-language comics business. Many creators, within and outside of the comic book-specialty market, have sought to bridge this gap: witness the sporadic touting of “all-ages,” which is the preferred euphe- mism for children’s, comics within comic book shops, or the presence in mainstream bookstores of such high-profile projects as Art Spiegelman and Françoise Mouly’s Little Lit series (launched in 2000 for HarperCollins). -
Free Comic Book Day 2017 Checklist
Free Comic Book Day May 6th, 2017 Comics Checklist DC SUPER HERO GIRLS (Shea Fontana, Yancy Labat, DC Comics) Gold Comics COLORFUL MONSTERS BETTY & VERONICA #1 (Anouk Ricard, Elise Gravel, Drawn & Quarterly) (Adam Hughes, Archie Comics) HOSTAGE BONGO COMICS FREE-FOR-ALL (Guy Delisle, Brigitte Findakly Drawn & Quarterly) (Matt Groening, Bongo Comics) ANIMAL JAM BOOM! STUDIOS SUMMER BLAST (Fernando Ruiz, Pete Pantazis, D.E.) (David Petersen, Kyla Vanderklugt, Boom! Studios) TEX PATAGONIA BRIGGS LAND/JAMES CAMERON’S AVATAR (Mauro Boselli, Pasquale Frisenda, D.E.) (Sherri Smith, Brian Wood, Doug Wheatley, Werther Dell’Edera, Dark WORLD’S GREATEST CARTOONISTS Horse Comics) (Noah Van Sciver, Fantagraphics) WONDER WOMAN SPILL NIGHT (Greg Rucka, Nicola Scott, DC Comics) (Scott Westerfeld, Alex Puvilland, :01 First Second) STAR TREK: THE NEXT GENERATION: MIRROR BROKEN GRAPHIX SPOTLIGHT: TIME SHIFTERS (Scott Tipton, David Tipton, J. K. Woodward, IDW) (Chris Grine, Graphix) I HATE IMAGE THE INCAL (Skottie Young, Image Comics) (Alejandro Jodorowsky, Moebius, U-Jin, Humanoids Inc.) SECRET EMPIRE TEENAGE MUTANT NINJA TURTLES: PRELUDE TO (Nick Spencer, Andrea Sorrentino, Marvel Comics) DIMENSION X RICK & MORTY (Tom Waltz, Cory Smith, IDW) (Zac Gorman, Tini Howard, CJ Cannon, Maximus Pauson, Oni Press) KID SAVAGE DOCTOR WHO (Joe Kelly, Ilya, Image Comics) (Alex Paknadel, Mariano Laclaustra, Titan Comics) ATTACK ON TITAN X-O MANOWAR SPECIAL (Jody Houser, Emi Lenox, Paolo Rivera, Kodansha Comics) (Matt Kindt, Jeff Lemire (A) Tomas -
Guidelines for the Conservation of Lions in Africa
Guidelines for the Conservation of Lions in Africa Version 1.0 – December 2018 A collection of concepts, best practice experiences and recommendations, compiled by the IUCN SSC Cat Specialist Group on behalf of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) and the Convention on the Conservation of Migratory Species of Wild Animals (CMS) Guidelines for the Conservation of Lions in Africa A collection of concepts, best practice experiences and recommendations, compiled by the IUCN SSC Cat Specialist Group on behalf of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) and the Convention on the Conservation of Migratory Species of Wild Animals (CMS) The designation of geographical entities in this document, and the presentation of the material, do not imply the expression of any opinion whatsoever on the part of IUCN or the organisations of the authors and editors of the document concerning the legal status of any country, territory, or area, or of its authorities, or concerning the delimi- tation of its frontiers or boundaries. 02 Frontispiece © Patrick Meier: Male lion in Kwando Lagoon, Botswana, March 2013. Suggested citation: IUCN SSC Cat Specialist Group. 2018. Guidelines for the Conservation of Lions in Africa. Version 1.0. Muri/Bern, Switzerland, 147 pages. Guidelines for the Conservation of Lions in Africa Contents Contents Acknowledgements..........................................................................................................................................................4 -
Portland Daily Press: December 07,1868
Portland daily press. DECEMBER 1868. Terms $8.00 per annum, in Established June 23,1862. Tol. 7. PORTLAND, MONDAY MORNING, 7, advance. MISCELLANEOUS. INSURANCE. INSURANCE. family, children and professors THE PORTLAND DA1L? PRESS Is published MISCELLANEOUS. of schools every day, (Sunday excepted,) at No. 1 Printer** daily founded and supported by him, the Exchange, Exchange Street, Portland. press. carriage EASE AND COMFORT! of the late Baron, and those of the N. A. FOSTER, Proprietor. family, A8BLRY WORLD POni'LAND. and then members of the central Terms:—Eight Dollars a year in advance. by I&raelit- fcy Single copies 4 cents. ish consistory. The grand Rabbi and his were at THE STATE Mutual Life Ins. December clergy the cemetery to receive the MAINE PRESS, is published at the REMOVAL!” Life Insurance Co., Monday Morning, 7. 1868. •ano place every Thursday morning at $2.50 a year; Comp’y body. If paid in advance $2.00 a year. 160 Neiv York. '1 ue great bankers death has Into -—--- Broadway, Tbo Case of Hester Vaughn. brought OFFICE 291 BROADWAY, Rates of Advertising.—One inch of in conspicuous notice some of the Israe itish space, that an length oi column, constitutes a “square.” Tlie Blessing oi Perfect Bight! We observe with some surprise of. Features. funeral obsci vances. is one $1.50 per first week. 75 cents Special There that peo- square daily per There is so as New-Yorlc, fort is made on tbe of certain joui- or notliiug valuable Perfect Sight, being part ple week after; three insertions, less, $1.00; contmu- have found quite touching. -
Look and Learn a History of the Classic Children's Magazine By
Look and Learn A History of the Classic Children's Magazine By Steve Holland Text © Look and Learn Magazine Ltd 2006 First published 2006 in PDF form on www.lookandlearn.com by Look and Learn Magazine Ltd 54 Upper Montagu Street, London W1H 1SL 1 Acknowledgments Compiling the history of Look and Learn would have be an impossible task had it not been for the considerable help and assistance of many people, some directly involved in the magazine itself, some lifetime fans of the magazine and its creators. I am extremely grateful to them all for allowing me to draw on their memories to piece together the complex and entertaining story of the various papers covered in this book. First and foremost I must thank the former staff members of Look and Learn and Fleetway Publications (later IPC Magazines) for making themselves available for long and often rambling interviews, including Bob Bartholomew, Keith Chapman, Doug Church, Philip Gorton, Sue Lamb, Stan Macdonald, Leonard Matthews, Roy MacAdorey, Maggie Meade-King, John Melhuish, Mike Moorcock, Gil Page, Colin Parker, Jack Parker, Frank S. Pepper, Noreen Pleavin, John Sanders and Jim Storrie. My thanks also to Oliver Frey, Wilf Hardy, Wendy Meadway, Roger Payne and Clive Uptton, for detailing their artistic exploits on the magazine. Jenny Marlowe, Ronan Morgan, June Vincent and Beryl Vuolo also deserve thanks for their help filling in details that would otherwise have escaped me. David Abbott and Paul Philips, both of IPC Media, Susan Gardner of the Guild of Aviation Artists and Morva White of The Bible Society were all helpful in locating information and contacts. -
Journey Planet 24 - June 2015 James Bacon ~ Michael Carroll ~ Chris Garcia Great Newseditors Chums! The
I I • • • 1 JOURNEY PLANET 24 - JUNE 2015 JAMES BACON ~ MICHAEL CARROLL ~ CHRIS GARCIA GREAT NEWSEDITORS CHUMS! THE Dan Dare and related characters are (C) the Dan Dare Corporation. All other illustrations and photographs are (C) their original creators. Table of Contents Page 3 - Some Years in the Future - An Editorial by Michael Carroll Dan Dare in Print Page 6 - The Rise and Fall of Frank Hampson: A Personal View by Edward James Page 9 - The Crisis of Multiple Dares by David MacDonald Page 11 - A Whole New Universe to Master! - Michael Carroll looks back at the 2000AD incarnation of Dan Dare Page 15 - Virgin Comics’ Dan Dare by Gary Eskine Page 17 - Bryan Talbot Interviewed by James Bacon Page 19 - Making the Old New Again by Dave Hendrick Page 21 - 65 Years of Dan Dare by Barrie Tomlinson Page 23 - John Higgins on Dan Dare Page 26 - Richard Bruton on Dan Dare Page 28 - Truth or Dare by Peppard Saltine Page 31 - The Bidding War for the 1963 Dan Dare Annual by Steve Winders Page 33 - Dan Dare: My Part in His Revival by Pat Mills Page 36 -Great News Chums! The Eagle Family Tree by Jeremy Briggs Dan Dare is Everywhere! Page 39 - Dan Dare badge from Bill Burns Page 40 - My Brother the Mekon and Other Thrilling Space Stories by Helena Nash Page 45 - Dan Dare on the Wireless by Steve Winders Page 50 - Lego Dan Dare by James Shields Page 51 - The Spacefleet Project by Dr. Raymond D. Wright Page 54 - Through a Glass Darely: Ministry of Space by Helena Nash Page 59 - Dan Dare: The Video Game by James Shields Page 61 - Dan Dare vs. -
Comics and Graphic Novels Cambridge History of The
Comics and Graphic Novels Cambridge History of the Book in Britain, Volume 7: the Twentieth Century and Beyond Mark Nixon Comics – the telling of stories by means of a sequence of pictures and, usually, words – were born in Britain in the late nineteenth century, with Ally Sloper’s Half-Holiday (Gilbert Dalziel, 1884) and subsequent imitators. These publications were a few pages long, unbound, and cheap – and intended for working-class adult readers. During the twentieth century, bound books of picture stories developed in Europe and North America, and by the end of the century had become a significant factor in British publishing and popular culture. However, British comics scholarship has been slow to develop, at least relative to continental European and North American comics scholarship, although specialist magazines such as The Comics Journal, Comics International and Book & Magazine Collector have featured articles on British comics, their publishers and creators. Towards the end of the twentieth century, the work of Martin Barker and Roger Sabin began to shed new light on certain aspects of the history of British comics, a baton now being taken up by a few scholars of British popular culture1, alongside a growing popular literature on British comics2. 1 For a recent overview, see Chapman, James British comics: a cultural history (London, 2011). 2 Perhaps the best example of this is Gravett, Paul and Stanbury, Peter Great British comics (London, 2006). By the beginning of the twentieth century, Harmsworth dominated the comics market they had entered in 1890 with Comic Cuts and Illustrated Chips. Their comics provided the template for the industry, of eight-page, tabloid-sized publications with a mixture of one-panel cartoons, picture strips and text stories, selling at 1/2d. -
Favours of the Dark Gods a Character with a Favour Cannot Join a Unit That Contains Any Models with a Different Favour Than the Character
2nd Edition, beta version 2.0 - 24th December 2018 FAITHFUL ACOLYTES Grovel before the ruthless and dedicated followers of the Dark Gods who pledged their souls to this tome. We'd also like to thank all the community members and other staff who contributed with their suggestions, feedback and support. WRITERS PRODUCTION TEAM Lead Author & Exalted Herald, Feldraks Head of Rules Team Army Community Support Head of Playtesting Head of Background Chosen, Chosen Knights, Nathan Young Erik Aronson Ney, Arhain, Archeron, SirMC2015 Edward Murdoch Warrior Knights, Gustenpjevs, jirga, Forsaken One, Paths of Ascension, Rules Team tunasandwichify, Playtesting Team Barbarian Chief Barbarians & Flayers & sir_joker, Frederick Humcke, CogitoBandito, Fthunder, IoRi78, Red Blossoms of Itar Marauding Giant Drakkar Squirrelloid, Nicreap, John Wallis Alessandro Vivaldi msu117, Odoamar, Doomlord,Marko Lukić Fallen & arthain,Army slivek, Design Marko Team Lukić Head of Lectoring Aenarion43, ScumlordDodo, Wasteland Dragon Battleshrine & Background Team Erik Aronson, Björn Ericson, Dan DJWoodelf, Arhain, Llyr ap John Chimera Peter Orfanos, Rok Martinc, Jere Jukka zulu, Jomppexx, Callum Mellis QuantumCollider Lectoring Team Baldin, skipschnit, Chariots & Fallen Conceptual Design Support Orion, Vulgarsty, Lagoon, Palomita15, Charlie Lloyd skipschnit, ThereIsNoSpoon Swordthain, Raughri, umbranar, toddymac2012, Kisanis, Joel127, Just_Flo, Autumnus Herzogar, Shortbeard, ARTISTS Iamronchak, Liminal Head of Art Pg 31 Pg 61 Michele Bertilorenzi Johan Aronson Enrico Bertilorenzi -
State of the Mountain Lion a Call to End the Trophy Hunting of America’S Lion STATE of the MOUNTAIN LION 1 Front Cover: a Wild Mountain Lion in Montana
State of the Mountain Lion A call to end the trophy hunting of America’s lion STATE OF THE MOUNTAIN LION 1 Front cover: A wild mountain lion in Montana. ImageBroker/ Alamy Stock Photo Abstract State of the Mountain Lion: A Call to End Trophy Hunting of America’s Lion details the current plight of mountain lions (Puma concolor)—who are also commonly known as cougars, catamounts and panthers—across the United States. This report provides a valuable resource to support the long term protection and conservation of mountain lions with never-before amalgamated materials, including: Geographic information system (GIS) maps that identify potential suitable habitat and optimal population sizes for mountain lions, by state A detailed legal review of mountain lion regulations in every U.S. state The report highlights major threats to the species, including rampant trophy hunting which kills thousands of mountain lions each year in the U.S., and reports on the tens of thousands legally killed over the past three decades. The HSUS’sState of the Mountain Lion delves into mountain lion biology, current state-management efforts and the majority public’s highly positive perceptions of this iconic species. The report dispels commonly held myths and provides valuable coexistence strategies for residents, recreationists and ranchers. Mountain lions, once the most common large mammal in North and South America, are restricted to breeding populations in only 16 states. The report details how they are managed in those jurisdictions, which includes the West, parts of the Midwest and Florida. State of the Mountain Lion provides important policy recommendations for decision Hollywood mountain makers to better protect mountain lions and conserve the species for lion.