S& C LOFT LEDGER No6 / 2012.0236.09 RECORD OF
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Drug Education and Its Publics in 1980S Britain
International Journal of Drug Policy 88 (2021) 103029 Contents lists available at ScienceDirect International Journal of Drug Policy journal homepage: www.elsevier.com/locate/drugpo Policy Analysis Just say know: Drug education and its publics in 1980s Britain Alex Mold Centre for History in Public Health, London School of Hygiene & Tropical Medicine, 15-17 Tavistock Place, London, WC1H 9SH, United Kingdom ARTICLE INFO ABSTRACT Keywords: Until the 1980s, anti-drug education campaigns in the UK were rare. This article examines the reasons behind a Heroin policy shift that led to the introduction of mass media drug education in the mid 1980s. It focuses on two Drug education campaigns. ‘Heroin Screws You Up’ ran in England, and ‘Choose Life Not Drugs’ ran in Scotland. The campaigns Health education were different in tone, with ‘Heroin Screws You Up’ making use of fear and ‘shock horror’ tactics, whereas History of drug use ‘Choose Life Not Drugs’ attempted to deliver a more positive health message. ‘Heroin Screws You Up’ was criticised by many experts for its stigmatising approach. ‘Choose Life Not Drugs’ was more favourably received, but both campaigns ran into difficulties with the wider public. The messages of these campaigns were appro priated and deliberately subverted by some audiences. This historical policy analysis points towards a complex and nuanced relationship between drug education campaigns and their audiences, which raises wider questions about health education and its ‘publics’. In April 1986, the cast of teen TV soap, Grange Hill, released a song wanted to be seen to take action on drugs, leading to the introduction of titled ‘Just say no’. -
Buses from Grange Hill
Buses from Grange Hill 462 FR Limes Farm Estate O Copperfield GH D A LL L Hail & Ride MANOR ROA section AN E Manor Road C St. Winifred’s Church D Grange Hill M AN W A AR MANOR ROAD FO REN Grange Hill C RD T. LONG B WAY G R Manford Way G E Manford Primary School CRE RANGE E N SCEN Brocket Way T Manford Way Hainault Health Centre Destination finder Destination Bus routes Bus stops Destination Bus routes Bus stops B L Barkingside High Street 462 ,a ,c Limes Farm Estate Copperfield 462 ,b ,d Hainault Waverley Gardens Longwood Gardens 462 ,a ,c The Lowe Beehive Lane 462 ,a ,c M Brocket Way 362 ,c Manford Way 462 ,a ,c C Hainault Health Centre Chadwell Heath o High Road 362 ,c Manford Way 462 ,a ,c Manford Primary School Chadwell Heath Lane 362 ,c Manor Road St. Winifred's Church 462 ,b ,d Elmbridge Road New North Road Cranbrook Road for Valentines Park 462 ,a ,c Harbourer Road Marks Gate Billet Road 362 ,c E Eastern Avenue 462 ,a ,c N New North Road Harbourer Road 362 ,c Elmbridge Road 462 ,a ,c New North Road Yellow Pine Way 362 ,c F Buses from Grange Hill Fairlop 462 ,a ,c BusesR from Grange Hill Romford Road 362 ,c Forest Road New North Road Fremantle Road 462 ,a ,c Hainault Forest Golf Club for Fairlop Waters Yellow Pine Way Barkingside High Street Boulder Park Rose Lane Estate 362 ,c Forest Road 462 ,a ,c 462 for Fairlop Waters Boulder Park FR Limes Farm Estate W Copperfield O D Fullwell Cross for Leisure Centre 462 ,a ,c WhaleboneGH Lane North 362 ,c A Romford RoadLL L Hail & Ride G MANOR ROA section WhaleboneAN Lane North 362 ,c Gants Hill 462 ,a ,c Fairlop Romford Road Whalebone GroveE Manor Road Hainault Forest Golf Club H Woodford Avenue C 462 ,a ,c St. -
Directed by Nancy Carlin by George Bernard Shaw
CENTER REPERTORY COMPANY OF WALNUT CREEK Michael Butler, Artistic Director Scott Denison, Managing Director presents By George Bernard Shaw Scenic Designer Costume Designer Lighting Designer Kelly James Tighe Victoria Livingston-Hall Kurt Landisman Sound Designer Stage Manager Prop Master Lyle Barrere Gregg Rehrig* Christopher Kesel Wig Designer Judy Disbrow Cast Andy Gardner Maggie Mason Kendra Lee Oberhauser Gabriel Marin* Aaron Murphy Lisa Anne Porter* Craig Marker* Michael Ray Wisely* Directed by Nancy Carlin Margaret Lesher Theatre January 27 - February 25, 2012 Lesher Center for the Arts Season Season Partner Season Media Sponsor Foundation Sponsor Sponsor *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States The Lighting Designer is a member of United Scenic Artists Union The Director is a member of the Stage Directors and Choreographers Society Center REP is a member of Theatre Bay Area and Theatre Communications Group (TCG), The National Organization for the American Theatre CAST (in order of appearance) Craig Marker* (Captain Kendra Lee Oberhauser Bluntschli) has appeared at (Louka) is delighted to Catherine Petkoff ........................... Lisa Anne Porter* Center REP in The Mousetrap return to the Center REP Raina Petkoff .........................................Maggie Mason and The Marriage of Figaro. stage where she was last Louka .....................................Kendra Lee Oberhauser His Bay Area theater credits seen in Dracula (Mina Captain Bluntschli .................................Craig Marker* include The Glass Menagerie, Murray), Noises Off (Poppy) Russian Officer ............................ Andy Ryan Gardner Seagull, 9 Circles, Equivocation and The Women (various). Nicola ....................................................... Aaron Murphy and Bus Stop at Marin Theatre Company; The Circle Recent credits include: Reduction in Force and Major Petkoff ............................. -
Project 3 Unit 3 Mock Test3
Put the verbs in the brackets into the correct tense. Use the past simple or past continuous tense. My friends saw me when I was waiting for my girlfriend. (see, wait) ________________________________________ 1. The teacher ____________ into the classroom when we _____________ football. (come, play) ________________________________________ 2. I ___________ my girlfriend while I ________________________________________ ___________ at university. (meet, study) 3. Mark ______________ home when it ___________ to rain. (walk, start) /6 . A detective is asking questions. Write the questions. What were you doing at 6 o´clock? ________________________________________ I was walking my dog at 6 o´clock. ________________________________________ 1. _____________________________________? ________________________________________ We were sitting on a bench. /6 2. ______________________________________? . Complete the sentences with the words from the box. I saw a beautiful girl. 3._____________________________________? wind water snow volcano A short skirt and a yellow Tshirt. lightning earthquake 4. ____________________________________? 1. It rained a lot but there was no ___________. She went into the restaurant. 2. The ____________________ destroyed a lot of 5. ____________________________________? houses. She was short and slim. 3. The _______________ exploded and there /5 came out a lot of stones and lava from the . These are pictures from yesterday. Write what mountain. happened. 4. Tornado is a kind of a strong ________________ which goes very quickly. 5. A flood is a lot of _________________. 6. During an avalanche a lot of _____________ goes down a mountain and destroys everything. /6 When the boy was playing football, he fell and he broke his leg. Correct the sentences. Change only 1 word in 1. When did Grange Hill start? ___________________________________ each sentence. -
The Irish Crokers Nick Reddan
© Nick Reddan Last updated 2 May 2021 The Irish CROKERs Nick Reddan 1 © Nick Reddan Last updated 2 May 2021 Table of Contents Table of Contents ....................................................................................................................... 2 Background ................................................................................................................................ 4 Origin and very early records ................................................................................................ 4 Acknowledgments.................................................................................................................. 5 Note ........................................................................................................................................ 5 Origin ......................................................................................................................................... 6 The Settlers ................................................................................................................................ 9 The first wave ........................................................................................................................ 9 The main group .................................................................................................................... 10 Lisnabrin and Nadrid ............................................................................................................... 15 Dublin I ................................................................................................................................... -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
STAR ALEX KINGSTON COMING to MOTOR CITY COMIC CON Special Appearance Friday, May 15Th Through Sunday, May 17Th, 2020
FOR IMMEDIATE RELEASE “ER” AND “DOCTOR WHO” STAR ALEX KINGSTON COMING TO MOTOR CITY COMIC CON Special appearance Friday, May 15th through Sunday, May 17th, 2020 NOVI, MI. (January 21, 2020) – Motor City Comic Con, Michigan’s largest and longest running comic book and pop culture convention since 1989 is thrilled to announce Alex Kingston will be attending this year’s con. Kingston will attend on May 15th, 16th and 17th, and will host a panel Q&A, be available for autographs ($50.00) and photo ops ($60.00). To purchase tickets and for more information about autographs and photo ops, please go to – https://www.motorcitycomiccon.com/tickets/ Known for roles in some of the most popular television series in both the US and the UK, Alex Kingston began her career with a recurring role on the BBC teen drama Grange Hill. After appearing in such films as The Cook, the Thief, His Wife & Her Lover and A Pin for the Butterfly, Kingston began appearing on the long-running medical drama ER in September of 1997. She first appeared in the premiere episode of the fourth season, the award-winning live episode "Ambush" where she portrayed British surgeon, Elizabeth Corday. Her character proved to be incredibly popular, appearing on the series for just over seven seasons until leaving in October 2004. Kingston did return to the role in spring 2009 during ER’s 15th and final season for two episodes. Kingston continued to entertain US audiences in November 2005, when she guest-starred in the long-running mystery drama Without a Trace. -
Eddie Marsan
EDDIE MARSAN Film: Feedback Jarvis Dolan Pedro C Alonso Ombra Films Backseat Paul Wolfowitz Adam Mckay Annapurna Pictures Deadpool 2 Headmaster David Leitch Donners' Company White Boy Rick Art Derrick Yann Demange L B I Productions Jungle Book Vihaan Andy Serkis Imaginarium Productions 7 Days In Entebbe Simon Peres Jose Padilha Participant Media Mark Felt: The Man Who Brought Peter Landesman Endurance Media Down The White House Emperor Martin Luther Lee Tamahori Corrino Atomic Blonde Spyglass David Leitch 87 Eleven The Exception Heinrich Himmler David Leveaux Egoli Tossell K L K The Limehouse Golem Uncle Juan Carlos Medina Number 9 Films Their Finest Sammy Smith Lone Scherfig B B C Films A Kind Of Murder Marty Kimmel Andy Goddard Killer Films Concussion Dr. Dekosky Peter Landesman The Cantillon Company A Brilliant Young Mind Richard Morgan Matthews B B C God's Pocket Smilin' Jack Moran John Slattery Park Pictures Still Life John May Uberto Passolini Redwave Films Filth Bladesy John S Baird Steel Mill Pictures Best Of Men Ludwig Guttman Tim Whitby Whitby Davison Productions Ltd The World's End Peter Page Edgar Wright Universal Pictures Snow White And The Huntsman Duir Rupert Sanders Universal Pictures Jack The Giant Slayer Craw Bryan Singer New Line Cinema I, Anna D. I. Kevin Franks Barnaby Southcombe Embargo Films Sherlock Holmes: A Game Of Shadows Inspector Lestrade Guy Ritchie Warner Bros War Horse Sgt. Fry Steven Spielberg Dream Works Tyrannosaur James Paddy Considine Warp X A Running Jump Perry Mike Leigh Thin Man Films Ltd Junkhearts Frank Tinge Krishnan Disruptive Element Films London Boulevard D I. -
1 an AGE of KINGS (BBC TV, 1960) Things Have Moved on in Fifty Years
1 AN AGE OF KINGS (BBC TV, 1960) BBC VIDEO 5 disc set; ISBN 1-4198-7901-4, Region 1 only Tom Fleming, Robert Hardy Things have moved on in fifty years. In 1960 (I was sixteen), we didn’t have a television, and I had to prevail upon my school-friends to let me cycle round to their houses every alternate Thursday to watch this series. 1 Now, I can sit in my armchair and watch it straight through on my computer on DVD, with sound coming through the headphones. I count An Age of Kings as the single most important cultural event in my entire life, more important even than being in Trevor Nunn’s first-ever Shakespeare production ( Hamlet ) the previous year. It taught me what Shakespeare was about, and I’ve never forgotten it. Over ten years ago, seeing that it was on at the NFT, I went down to see some odd bits. Approaching Michael Hayes, the director, I said, “What you did here provided me with the single most important cultural event of my life”. He looked at me suspiciously: “You seem a bit young to say that”, he said, and turned away. I went up to Peter Dews, the producer: “What you did here provided me with the single most important cultural event of my life” – “Good!” he grunted, and turned away. So much for the creative team. Were they really as boring as that in 1960? (In fact Dews died shortly after our brief chat.) Paul Daneman said in an accompanying NFT lecture that the cast spent every morning talking, and didn’t start rehearsals till after lunch. -
CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in -
FOX SEARCHLIGHT PICTURES Presents a DJ FILMS / GASWORKS
FOX SEARCHLIGHT PICTURES Presents A DJ FILMS / GASWORKS MEDIA Production DOMHNALL GLEESON MARGOT ROBBIE KELLY MACDONALD ALEX LAWTHER STEPHEN CAMPBELL MOORE VICKI PEPPERDINE RICHARD McCABE GERALDINE SOMERVILLE PHOEBE WALLER-BRIDGE Introducing WILL TILSTON DIRECTED BY .......................................................... SIMON CURTIS WRITTEN BY ........................................................... FRANK COTTRELL-BOYCE .................................................................................... SIMON VAUGHAN PRODUCED BY ........................................................ DAMIAN JONES p.g.a. .................................................................................... STEVE CHRISTIAN p.g.a. DIRECTOR OF PHOTOGRAPHY ........................... BEN SMITHARD BSC PRODUCTION DESIGNER ..................................... DAVID ROGER FILM EDITOR ........................................................... VICTORIA BOYDELL EXECUTIVE PRODUCERS ..................................... SIMON CURTIS .................................................................................... SIMON VAUGHAN CO-PRODUCER ........................................................ MARK HUBBARD COSTUME DESIGNER ............................................ ODILE DICKS-MIREAUX HAIR, MAKE-UP & PROSTHETICS DESIGNER .. SIAN GRIGG MUSIC BY ................................................................. CARTER BURWELL MUSIC SUPERVISOR .............................................. SARAH BRIDGE CASTING BY .......................................................... -
Skins and the Impossibility of Youth Television
Skins and the impossibility of youth television David Buckingham This essay is part of a larger project, Growing Up Modern: Childhood, Youth and Popular Culture Since 1945. More information about the project, and illustrated versions of all the essays, can be found at: https://davidbuckingham.net/growing-up-modern/. In 2007, the UK media regulator Ofcom published an extensive report entitled The Future of Children’s Television Programming. The report was partly a response to growing concerns about the threats to specialized children’s programming posed by the advent of a more commercialized and globalised media environment. However, it argued that the impact of these developments was crucially dependent upon the age group. Programming for pre-schoolers and younger children was found to be faring fairly well, although there were concerns about the range and diversity of programming, and the fate of UK domestic production in particular. Nevertheless, the impact was more significant for older children, and particularly for teenagers. The report was not optimistic about the future provision of specialist programming for these age groups, particularly in the case of factual programmes and UK- produced original drama. The problems here were partly a consequence of the changing economy of the television industry, and partly of the changing behaviour of young people themselves. As the report suggested, there has always been less specialized television provided for younger teenagers, who tend to watch what it called ‘aspirational’ programming aimed at adults. Particularly in a globalised media market, there may be little money to be made in targeting this age group specifically.