The Shadow and the Arc Light: Finding the Female Workforce in Bombay Cinema
E-CineIndia July-September 2020 ISBN: 2582-2500 Article Madhuja Mukherjee The Shadow and the Arc Light: Finding the Female Workforce in Bombay Cinema Abstract: This paper is connected to broader research concerning gender, labour and the Indian film industry, and develops from my on-going audio-visual project titled ”The shadow and the arc light”. While it is linked with my previous book project, ‘Voices of the Talking Stars’ (2017) involving women/ work and cinema dynamics, the attempt here is to reclaim feminist narratives from the historical debris and amnesia, in the context of contemporary and emergent feminist historiography. Furthermore, while certain degree of research has been conducted on women as ‘directors’, my purpose here is not to posit women as ‘auteurs’; contrarily, I aspire draw attention to the problems of historical readings which, generally speaking, have been greatly influenced by studies of periods, styles, movements and (great) masters, even though, more recently newer research have examined industrial conditions, cinematic transactions across regions, media histories, and so on. Consequently, my aim is to shift the focus to subjects of labour, and bring to light the characteristics of film work, and enquire where is the female figure on the elusive credit lists? Therefore, I call attention to a historical lacuna, which provokes us to rethink film historiography, and highlight the nature of filmic work and underscore the (un-credited) work done by women, in multiple capacities, during the last century. The ‘women’s question’ thus, urges us to rethink methods of writing histories for cinema. The purpose of this paper consequently is two fold -- first, to understand the nature filmic work, and secondly, to locate the shadow of the women worker in the archives of cinema.
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