Contracts, Preemption, and the Structure of Copyright Policymaking
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01-618. Eldred V. Ashcroft
1 IN THE SUPREME COURT OF THE UNITED STATES 2 - - - - - - - - - - - - - - - -X 3 ERIC ELDRED, ET AL., : 4 Petitioners : 5 v. : No. 01-618 6 JOHN D. ASHCROFT, ATTORNEY : 7 GENERAL : 8 - - - - - - - - - - - - - - - -X 9 Washington, D.C. 10 Wednesday, October 9, 2002 11 The above-entitled matter came on for oral 12 argument before the Supreme Court of the United States at 13 10:03 a.m. 14 APPEARANCES: 15 LAWRENCE LESSIG, ESQ., Stanford, California; on behalf of 16 the Petitioners. 17 THEODORE B. OLSON, ESQ., Solicitor General, Department of 18 Justice, Washington, D.C.; on behalf of the 19 Respondent. 20 21 22 23 24 25 1 Alderson Reporting Company 1111 14th Street, N.W. Suite 400 1-800-FOR-DEPO Washington, DC 20005 1 C O N T E N T S 2 ORAL ARGUMENT OF PAGE 3 LAWRENCE LESSIG, ESQ. 4 On behalf of the Petitioners 3 5 ORAL ARGUMENT OF 6 THEODORE B. OLSON, ESQ. 7 On behalf of the Respondent 25 8 REBUTTAL ARGUMENT OF 9 LAWRENCE LESSIG, ESQ. 10 On behalf of the Petitioners 48 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 2 Alderson Reporting Company 1111 14th Street, N.W. Suite 400 1-800-FOR-DEPO Washington, DC 20005 1 P R O C E E D I N G S 2 (10:03 a.m.) 3 CHIEF JUSTICE REHNQUIST: We'll hear argument 4 now in Number 01-618, Eric Eldred v. John D. Ashcroft. 5 Mr. Lessig. 6 ORAL ARGUMENT OF LAWRENCE LESSIG 7 ON BEHALF OF THE PETITIONERS 8 MR. -
13-485 Comptroller of Treasury of MD. V. Wynne (05/18/2015)
(Slip Opinion) OCTOBER TERM, 2014 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus COMPTROLLER OF THE TREASURY OF MARYLAND v. WYNNE ET UX. CERTIORARI TO THE COURT OF APPEALS OF MARYLAND No. 13–485. Argued November 12, 2014—Decided May 18, 2015 Maryland’s personal income tax on state residents consists of a “state” income tax, Md. Tax-Gen. Code Ann. §10–105(a), and a “county” in- come tax, §§10–103, 10–106. Residents who pay income tax to anoth- er jurisdiction for income earned in that other jurisdiction are al- lowed a credit against the “state” tax but not the “county” tax. §10– 703. Nonresidents who earn income from sources within Maryland must pay the “state” income tax, §§10–105(d), 10–210, and nonresi- dents not subject to the county tax must pay a “special nonresident tax” in lieu of the “county” tax, §10–106.1. Respondents, Maryland residents, earned pass-through income from a Subchapter S corporation that earned income in several States. Respondents claimed an income tax credit on their 2006 Maryland income tax return for taxes paid to other States. The Mary- land State Comptroller of the Treasury, petitioner here, allowed re- spondents a credit against their “state” income tax but not against their “county” income tax and assessed a tax deficiency. -
An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P
Kentucky Law Journal Volume 104 | Issue 1 Article 5 2016 An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P. Harris Temple University Beasley School of Law Follow this and additional works at: https://uknowledge.uky.edu/klj Part of the Constitutional Law Commons, and the Intellectual Property Law Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Harris, Donald P. (2016) "An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright," Kentucky Law Journal: Vol. 104 : Iss. 1 , Article 5. Available at: https://uknowledge.uky.edu/klj/vol104/iss1/5 This Article is brought to you for free and open access by the Law Journals at UKnowledge. It has been accepted for inclusion in Kentucky Law Journal by an authorized editor of UKnowledge. For more information, please contact [email protected]. An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P. Harris' "[B]y virtually ignoring the central purpose of the Copyright/Patent Clause ... the Court has quitclaimed to Congress its principal responsibility in this area of the law. Fairly read, the Court has stated that Congress' actions under the Copyright/Patent Clause are, for all intents and purposes, 2 judicially unreviewable." INTRODUCTION On July 15, 2014, the House Judiciary Committee, Subcommittee on Courts, Intellectual Property, and the Internet, held one of a number of hearings reviewing the Copyright Act.3 This particular hearing focused, among other things, on the copyright term (the length over which copyrights are protected).4 While it is not surprising that Congress is again considering the appropriate term for copyrights- Congress has reviewed and increased the copyright term many times since the first Copyright Act of 1791 5-it is troubling because Congress has unfettered discretion in doing so. -
Cyber Piracy: Can File Sharing Be Regulated Without Impeding the Digital Revolution?
CYBER PIRACY: CAN FILE SHARING BE REGULATED WITHOUT IMPEDING THE DIGITAL REVOLUTION? Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester Michael Robert Filby School of Law University of Leicester May 2012 Cyber Piracy: Can File Sharing be Regulated without Impeding the Digital Revolution? Abstract This thesis explores regulatory mechanisms of managing the phenomenon of file sharing in the online environment without impeding key aspects of digital innovation, utilising a modified version of Lessig’s modalities of regulation to demonstrate significant asymmetries in various regulatory approaches. After laying the foundational legal context, the boundaries of future reform are identified as being limited by extra-jurisdictional considerations, and the regulatory direction of legal strategies to which these are related are linked with reliance on design-based regulation. The analysis of the plasticity of this regulatory form reveals fundamental vulnerabilities to the synthesis of hierarchical and architectural constraint, that illustrate the challenges faced by the regulator to date by countervailing forces. Examination of market-based influences suggests that the theoretical justification for the legal regulatory approach is not consistent with academic or policy research analysis, but the extant effect could impede openness and generational waves of innovation. A two-pronged investigation of entertainment industry-based market models indicates that the impact of file sharing could be mitigated through adaptation of the traditional model, or that informational decommodification could be harnessed through a suggested alternative model that embraces the flow of free copies. The latter model demonstrates how the interrelationships between extant network effects and sub-model externalities can be stimulated to maximise capture of revenue without recourse to disruption. -
The Origins and Meaning of the Intellectual Property Clause
THE ORIGINS AND MEANING OF THE INTELLECTUAL PROPERTY CLAUSE Dotan Oliar* ABSTRACT In Eldred v. Ashcroft (2003) the Supreme Court reaffirmed the primacy of historical and textual considerations in delineating Congress’ power and limitations under the Intellectual Property Clause. Nevertheless, the Court overlooked what is perhaps the most important source of information regarding these considerations: The debates in the federal Constitutional Convention that led to the adoption of the Clause. To date, several unsettled questions stood in the way of identifying fully the legislative history behind the Clause. Thus, the Article goes through a combined historical and quantitative fact-finding process that culminates in identifying eight proposals for legislative power from which the Clause originated. Having clarified the legislative history, the Article proceeds to examine the process by which various elements of these proposals were combined to produce the Clause. This process of textual putting together reveals, among other things, that the text “promote the progress of science and useful arts” serves as a limitation on Congress’ power to grant intellectual property rights. The Article offers various implications for intellectual property doctrine and policy. It offers a model to describe the power and limitations set in the Clause. It examines the way in which Courts have enforced the limitations in the Clause. It reveals a common thread of non-deferential review running through Court decisions to date, for which it supplies normative justifications. It thus concludes that courts should examine in future and pending cases whether the Progress Clause’s limitation has been overreached. Since Eldred and other cases have not developed a concept of progress for the Clause yet, the Article explores several ways in which courts could do so. -
You(Tube), Me, and Content ID: Paving the Way for Compulsory Synchronization Licensing on User-Generated Content Platforms Nicholas Thomas Delisa
Brooklyn Law Review Volume 81 | Issue 3 Article 8 2016 You(Tube), Me, and Content ID: Paving the Way for Compulsory Synchronization Licensing on User-Generated Content Platforms Nicholas Thomas DeLisa Follow this and additional works at: https://brooklynworks.brooklaw.edu/blr Part of the Intellectual Property Law Commons, and the Internet Law Commons Recommended Citation Nicholas T. DeLisa, You(Tube), Me, and Content ID: Paving the Way for Compulsory Synchronization Licensing on User-Generated Content Platforms, 81 Brook. L. Rev. (2016). Available at: https://brooklynworks.brooklaw.edu/blr/vol81/iss3/8 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Law Review by an authorized editor of BrooklynWorks. You(Tube), Me, and Content ID PAVING THE WAY FOR COMPULSORY SYNCHRONIZATION LICENSING ON USER- GENERATED CONTENT PLATFORMS INTRODUCTION Ever wonder about how the law regulates your cousin’s wedding video posted on her YouTube account? Most consumers do not ponder questions such as “Who owns the content in my video?” or “What is a fair use?” or “Did I obtain the proper permission to use Bruno Mars’s latest single as the backing track to my video?” These are important questions of law that are answered each day on YouTube1 by a system called Content ID.2 Content ID identifies uses of audio and visual works uploaded to YouTube3 and allows rights holders to collect advertising revenue on that content through the YouTube Partner Program.4 It is easy to see why Content ID was implemented—300 hours of video are uploaded to YouTube per minute.5 Over six billion hours of video are watched each month on YouTube (almost an hour for every person on earth),6 and it is unquestionably the most popular streaming video site on the Internet.7 Because of the staggering amount of content 1 See A Guide to YouTube Removals,ELECTRONIC fRONTIER fOUND., https://www.eff.org/issues/intellectual-property/guide-to-youtube-removals [http://perma.cc/ BF4Y-PW6E] (last visited June 6, 2016). -
The Value of the Copyright Clause in Construction of Copyright Law, 2 Hastings Const
Hastings Constitutional Law Quarterly Volume 2 Article 9 Number 1 Winter 1975 1-1-1975 The alueV of the Copyright Clause in Construction of Copyright Law Thomas Boggs Richards Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation Thomas Boggs Richards, The Value of the Copyright Clause in Construction of Copyright Law, 2 Hastings Const. L.Q. 221 (1975). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol2/iss1/9 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. THE VALUE OF THE COPYRIGHT CLAUSE IN CONSTRUCTION OF COPYRIGHT LAW* By THoMAs BOGGS RICHARDS** The present law in the United States governing copyright is essen- tialy that enacted when Congress consolidated all federal copyright 2 statutes in 1909.1 Largely because of unanticipated developments, * This note was originally written as a paper for the 1974 Nathan Burkan Mem- orial Competition sponsored by the American Society of Composers, Authors, and Pub- lishers. ** Member, Third-Year Class, School of Law, University of California at Davis. 1. The 1909 Act provides: "Any person entitled thereto, upon complying with the provisions of this title, shall have the exclusive -
Making Copyright Work for Creative Upstarts
2015] 1021 MAKING COPYRIGHT WORK FOR CREATIVE UPSTARTS Sean Pager* INTRODUCTION Imagine you are a singer in a rock band. You are working hard to make a living, playing gigs, and waiting for that big break. Then one day, you are listening to the radio, and you are thrilled to hear one of your songs being played. Your excitement turns abruptly into anger, as you realize that your song is being played as part of a car commercial. You never approved this. So, you call up the car dealership to protest and demand that they pay you. But they brush you off, saying you should be grateful to get free pub- licity for your music. What to do? You cannot afford a lawyer, and even if you could, the cost of litigating this case in federal court dwarfs any license fee you might recover in damages.1 You never registered your copyrights in the song, so you are not eligible for statutory damages or attorney fees.2 And you cannot file a claim in state small claims court because copyright cases are subject to exclusive federal jurisdiction.3 Frustrated at your lack of recourse, you decide to quit music and go to law school instead.4 The point of this simple story is that the standard theory of copyright incentives comes with an Achilles heel. This theory justifies giving exclu- sive rights to authors because doing so will encourage them to create and * J.D. 1998, U.C. Berkeley Boalt Hall School of Law; A.B. 1989, Harvard University; LL.M. -
Guarding Against Abuse: the Costs of Excessively Long Copyright Terms
GUARDING AGAINST ABUSE: THE COSTS OF EXCESSIVELY LONG COPYRIGHT TERMS By Derek Khanna* I. INTRODUCTION Copyrights are intended to encourage creative works through the mechanism of a statutorily created1 limited property right, which some prominent think tanks and congressional organizations have referred to as a form of govern- ment regulation.2 Under both economic3 and legal analysis,4 they are recog- * Derek Khanna is a fellow with X-Lab and a technology policy consultant. As a policy consultant he has never worked for any organizations that lobby or with personal stakes in copyright terms, and neither has Derek ever lobbied Congress. He was previously a Yale Law School Information Society Project Fellow. He was featured in Forbes’ 2014 list of top 30 under 30 for law in policy and selected as a top 200 global leader of tomorrow for spear- heading the successful national campaign on cell phone unlocking which led to the enact- ment of copyright reform legislation to legalize phone unlocking. He has spoken at the Con- servative Political Action Conference, South by Southwest, the International Consumer Electronics Show and at several colleges across the country as a paid speaker with the Fed- eralist Society. He also serves as a columnist or contributor to National Review, The Atlan- tic and Forbes. He was previously a professional staff member for the House Republican Study Committee, where he authored the widely read House Republican Study Committee report “Three Myths about Copyright Law.” 1 See Edward C. Walterscheld, Defining the Patent and Copyright Term: Term Limits and the Intellectual Property Clause, 7 J. -
1 Golan V. Holder
Golan v. Holder: A Farewell to Constitutional Challenges to Copyright Laws Jonathan Band [email protected] On January 13, 2012, the Supreme Court by a 6-2 vote affirmed the Tenth Circuit decision in Golan v. Holder. (Justice Kagan recused herself, presumably because of her involvement in the case while she was Solicitor General.) The case concerned the constitutionality of the Uruguay Round Agreements Act (URAA), which restored copyright in foreign works that had entered into the public domain because the copyright owners had failed to comply with formalities such as notice; or because the U.S. did not have copyright treaties in place with the country at the time the work was created (e.g., the Soviet Union). The petitioners were orchestra conductors, musicians, and publishers who enjoyed free access to works removed by URAA from the public domain. The Court in its decision made clear that constitutional challenges to a copyright statute would not succeed so long as the provision does not have an unlimited term, and does not tread on the idea/expression dichotomy or the fair use doctrine. Justice Breyer wrote a strong dissent that contains many interesting observations concerning the economic theory of copyright; how the URAA reflects a European rather than American approach to copyright; orphan works; and the causes of infringement. The American Library Association (ALA), the Association of Research Libraries (ARL), and the Association of College and Research Libraries (ACRL) joined an amicus brief written by Electronic Frontier Foundation in support of reversal. This brief, referred to as the ALA brief, received significant attention in both the majority and dissenting opinions. -
Legislative Department
ARTICLE I LEGISLATIVE DEPARTMENT CONTENTS Page Section 1. Legislative Powers ................................................................................................... 63 Separation of Powers and Checks and Balances ............................................................. 63 The Theory Elaborated and Implemented ................................................................ 63 Judicial Enforcement .................................................................................................. 65 Bicameralism ...................................................................................................................... 70 Enumerated, Implied, Resulting, and Inherent Powers .................................................. 71 Delegation of Legislative Power ........................................................................................ 73 Origin of the Doctrine of Nondelegability ................................................................. 73 Delegation Which Is Permissible ............................................................................... 75 Filling Up the Details .......................................................................................... 76 Contingent Legislation ........................................................................................ 76 The Effective Demise of the Nondelegation Doctrine ............................................... 78 The Regulatory State ........................................................................................... 78 -
THE TRADEMARK/Copyright DIVIDE
College of William & Mary Law School William & Mary Law School Scholarship Repository Faculty Publications Faculty and Deans 2007 The rT ademark/Copyright Divide Laura A. Heymann William & Mary Law School, [email protected] Repository Citation Heymann, Laura A., "The rT ademark/Copyright Divide" (2007). Faculty Publications. 195. https://scholarship.law.wm.edu/facpubs/195 Copyright c 2007 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/facpubs THE TRADEMARK/CoPYRIGHT DIVIDE Laura A. Heymann* I. INTRODUCTION N the mid-1980s, the well-known postmodern artist Jeff Koons dis played a sculpture called "String of Puppies" in a New York gallery.! I The sculpture was based wholly on a photograph, taken by a man named Art Rogers, of a couple with their arms full of puppies; Koons's sculpture, intended as a commentary on how mass-produced art has caused societal deterioration, caricatured the subjects of the photograph by placing flowers in their hair and clown noses on the puppies they were holding.2 Rogers, perhaps not surprisingly, brought suit against both Koons and his gallery and won a grant of summary judgment, which the United States Court of Appeals for the Second Circuit affirmed.3 Per haps even less surprisingly, Rogers's successful claim was one for copy right infringement: Rogers alleged that Koons had created an unauthorized derivative work, and the Second Circuit rejected Koons's attempt to take advantage of copyright law's fair use provisions.4 But the ease with which Rogers brought, and the Second Circuit analyzed, Rog ers's copyright infringement claim masks the fact that the interest Rogers was seeking to protect was probably not a copyright interest at all.