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Air Force. B50 Circumnavigates Globe Nonstop in History-Making Event
- Today's Guess terday's Score Mr. Weatherman, blushing, says: in," says :Ma r. Weather- showers today, cleaKag late after- should eat his hat." Raised soon. Cooler. High 53Low in I morning 10n the San Carlos 40's. Sierra winds crusting snow Peat bog.. Wind SW. Noon tem- artan perature 55. Pick a mudder Is for week-end sliding, San Jose State College the first. Volume XXXVI I San Jose, California, Thursday, March 3, 1949 Number 93 TWO MORE JUSTICES FOR STUDENT COURT Desperado Meets Victim Air Force. B50 Circumnavigates Globe Auerbach and Taylor Nonstop in History-Making Event Are Named to Court Holmberg and Hennessy Elected Warns of Cut in ECA Funds To Executive Positions In Junior World Girdlers Use 94 Class; Passey Goes to Council Hours to Secure Record By GEORGE STRATTON James Taylor and Audrey Auer- FORT WORTH, Tex. (UP)"Lu’cky Lady II," a United States Air- bach are the two newest members the first non-stop around- force 8-50 bomber, yesterday completed Enrollment of the Student Court, as a result the-world flight in history. Ninety-four hours and one minute after she took off from Cars- Standing of yesterday's run-off elections. well Air Force base here last Saturday, the great four-engine bomber They beat out, Dean Price and came home again out of a haze Angie Panelli for the position of hanging in .the west. 6762 Total Junior Justice. It was estimated that she had Enrollment for winter quarter Kerr Calls Tom Eddy, chief justice of the flown 23,452 miles, almost the dis- of 1949 now totals 6762, accord- Court, expressed disappointment tance of the earth's circumference ing to College Registrar William at the low turn-out for the ballot- at, the equator, without any major Play Sets H. -
Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011)
Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Date Created Borough Map Atlas Block Lot 10/10/2019 1 2 1 10/10/2019 1 2 2 10/10/2019 1 2 3 10/10/2019 1 2 23 10/10/2019 1 3 1 10/10/2019 1 3 2 10/10/2019 1 3 3 10/10/2019 1 6 1 10/10/2019 1 10 14 10/10/2019 1 12 28 10/10/2019 1 16 1 Page 1 of 10975 10/10/2021 Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Address Street Number Street Name Parcel Name 4 SOUTH STREET 4 SOUTH STREET SI FERRY TERMINAL 10 SOUTH STREET 10 SOUTH STREET BATTERY MARITIME BLDG MARGINAL STREET MARGINAL MTA SUBSTATION STREET 1 PIER 6 1 PIER 6 PIER 6 10 BATTERY PARK 10 BATTERY PARK BATTERY PARK PETER MINUIT PLAZA PETER MINUIT PETER MINUIT PLAZA/BATTERY PK PLAZA PETER MINUIT PLAZA PETER MINUIT PETER MINUIT PLAZA/BATTERY PK PLAZA 24 SOUTH STREET 24 SOUTH STREET VIETNAM VETERANS PLAZA 33 WHITEHALL STREET 33 WHITEHALL STREET WHITEHALL STREET WHITEHALL BOWLING GREEN PARK STREET 22 BATTERY PLACE 22 BATTERY PLACE PIER A / MARINE UNIT #1 Page 2 of 10975 10/10/2021 Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Agency Current Uses Total Area DOT;DSBS FERRY TERMINAL;NO 209215 USE;WATERFRONT PROPERTY DSBS IN USE-TENANTED;LONG-TERM 191502 AGREEMENT;WATERFRONT PROPERTY DSBS NO USE-NON RES STRC;TRANSIT 38800 SUBSTATION DSBS IN USE-TENANTED;FINAL COMMITMNT- 510025 DISP;LONG-TERM AGREEMENT;NO USE;FINAL COMMITMNT-DISP PARKS PARK 945425 PARKS PARK 39900 PARKS PARK 33600 PARKS PARK 35166 SANIT OFFICE 13214 PARKS PARK 22500 DSBS -
WS Folk Riot Booklet
1 playing “cover” songs as diverse and influential Meanwhile, due to our leftist leanings and omni- 10,000 Watts of Folk as the Statler Brothers’ “Flowers on the Wall,” presence in the Village, activist Abbie Hoffman 1. I AIN’T KISSING YOU (0:54) by Trixie A. Balm met with we three Squares and co-wrote a theme VANGUARD STUDIOS, NYC (aka Lauren Agnelli) Alas, that deal fell through. though the song for his new live radio show, “Radio Free September 1985 sessions remain, with Tom, Lauren, Bruce and Billy U.S.A.”: heard here for the first time since the playing “cover” songs as diverse and influential debut show back in 1986 at the Village Gate. By 1985, we Washington Squares, having worked, as the Statler Brothers’ “Flowers on the Wall,” Vanguard, an important folk label during the ‘50s sang and played our way through the ‘80’s Richard Hell’s “Love Comes in Spurts,” Lou Reed’s At last, in 1987, Gold Castle/Polydor records who and ‘60s was sold in 1985. Vanguard sold off their Greenwich Village folk scene fray, were ready to “Sweet Jane,” and Johnny Thunders’ “Chinese Rocks.” DID sign us to a deal found the perfect sound classical collection and reissued their folk and then record. The record company interest was there though producer Mitch Easter (of the group Let’s started looking for new acts. With a bunch of well and soon serious recording contracts would dangle Having somewhat mastered those formative nuggets, Active— he also recorded REM’s initial sessions) known original Vanguard producers in the control room: before our fresh (very fresh!) young smirks. -
Andy-Warhol-Ai-Weiwei-Exhibition
Paid Free Grollo Equiset Garden Persimmon NGV 7 8 Great Hall Members Lounge 6 5 9 Ticketing Federation Court 17 10 4 3 Exhibition 16 Entrance 2 11 18 12 15 ATM Clemenger Auditorium 14 1 13 NGV design store 19 Waterwall St Kilda Road Andy Warhol | Ai Weiwei 2 5 8 Andy Warhol | Ai Weiwei explores the influence Forever Bicycles, 2015 Silver Couds and Cow Wallpaper Flowers of two of the most consequential artists of The assembly and replication of almost Andy Warhol’s Silver Clouds were first Flowers in Western art history have the twentieth and twenty-first centuries on 1500 bicycles in Ai’s Forever Bicycles exhibited at Leo Castelli Gallery, New York, symbolised love, death, sexuality, nobility, modern art and contemporary life, focusing series, ongoing since 2003, promotes an in 1966, along with Cow Wallpaper in an sleep and transience. In Chinese culture on the parallels and intersections between intensely spectacular effect. ‘Forever’ is a adjacent gallery. Propelled by air currents, flowers also carry rich and auspicious their practices. Surveying the scope of both popular brand of mass-produced bicycles the floating pillow forms displace the symbolic meanings; from wealth and artists’ careers, the exhibition presents manufactured in China since the 1940s, a work of art from the walls of the gallery social status to beauty, reflection and more than 300 works, including major new type desired by Ai as a child, and also linked into space itself, creating an immersive enlightenment. The flower is a recurrent commissions, immersive installations and a to China’s early socialist society. -
In Living Color: Andy Warhol & Contemporary Printmaking
NEWS RELEASE 2200 Dodge Street, Omaha, Nebraska 68102 Phone: 402-342-3300 Fax: 402-342-2376 www.joslyn.org For Immediate Release Contact: Amy Rummel, Director of Marketing and Public Relations October 3, 2014 (402) 661-3822 or [email protected] Andy Warhol & Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation Exhibition of Pop Art Premieres at Joslyn Art Museum (Omaha, NE) – Reflecting a range of aesthetic concerns and conceptual underpinnings, In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation highlights artists who invest in the power of their palettes. Dispatching a seemingly endless array of colors, Andy Warhol depicted the world with the volume turned up. His example reverberates throughout contemporary printmaking. This exhibition, organized and traveled by Joslyn Art Museum, includes over 110 -more- IMAGE ABOVE: Andy Warhol (American, 1928-1987), Marilyn Monroe (Marilyn) (II.25), AP edition C/Z, 1967, screen print, 36 x 36 inches, Collection of the Jordan Schnitzer Family Foundation, 2001.51d; © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York; Marilyn Monroe™; Rights of Publicity and Persona Rights: The Estate of Marilyn Monroe, LLC add 1-1-1-1 In Living Color: Andy Warhol & Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation works by Warhol and 16 other artists working since 1945, including John Baldessari, Ross Bleckner, Louise Bourgeois, Helen Frankenthaler, Keith Haring, and Richard Diebenkorn. In Living Color premieres nationally at Joslyn Art Museum on October 11 and continues through January 11. -
Andy Warhol: When Junkies Ruled the World
Nebula 2.2 , June 2005 Andy Warhol: When Junkies Ruled the World. By Michael Angelo Tata So when the doorbell rang the night before, it was Liza in a hat pulled down so nobody would recognize her, and she said to Halston, “Give me every drug you’ve got.” So he gave her a bottle of coke, a few sticks of marijuana, a Valium, four Quaaludes, and they were all wrapped in a tiny box, and then a little figure in a white hat came up on the stoop and kissed Halston, and it was Marty Scorsese, he’d been hiding around the corner, and then he and Liza went off to have their affair on all the drugs ( Diaries , Tuesday, January 3, 1978). Privileged Intake Of all the creatures who populate and punctuate Warhol’s worlds—drag queens, hustlers, movie stars, First Wives—the drug user and abuser retains a particular access to glamour. Existing along a continuum ranging from the occasional substance dilettante to the hard-core, raging junkie, the consumer of drugs preoccupies Warhol throughout the 60s, 70s and 80s. Their actions and habits fascinate him, his screens become the sacred place where their rituals are projected and packaged. While individual substance abusers fade from the limelight, as in the disappearance of Ondine shortly after the commercial success of The Chelsea Girls , the loss of status suffered by Brigid Polk in the 70s and 80s, or the fatal overdose of exemplary drug fiend Edie Sedgwick, the actual glamour of drugs remains, never giving up its allure. 1 Drugs survive the druggie, who exists merely as a vector for the 1 While Brigid Berlin continues to exert a crucial influence on Warhol’s work in the 70s and 80s—for example, The Philosophy of Andy Warhol , as detailed by Bob Colacello in the chapter “Paris (and Philosophy )”—her street cred. -
Thomas Bayrle
a ns la N ture. D da ans ue la iq m nt a e ss id e t , s n e o ’ n n p n l e u i s R . » « " " I . n e k t i h l e a r m e a v s e s, e li ar ke s in g n thin ature, no two The Laughing Cow® continues to prepare for PRESS its 100th anniversary in 2021 with a second collector’s edition box signed by artist KIT Thomas Bayrle. The Collector’s Edition Boxes: Sharing Contemporary Art The Laughing Cow® (La Vache qui rit®) each box as a work of contemporary art is more than a smile and good humor: by an internationally renowned artist. it’s an incredible story of innovation and creativity. That’s why, between now and By bringing contemporary art to the 2021, the company has planned an im- broadest audience possible in a way pressive series of collaborations with ma- that’s both original and offbeat, the Col- jor contemporary artists, each of whom lector’s Edition Box epitomizes the phi- will design a not-to-be-missed Collec- losophy of Lab’Bel, the artistic laborato- tor’s Edition Box. These collaborations ry of the Bel Group. continue the special rapport that has always existed between The Laughing Cow® and the artists who have used this modern icon as a source of inspiration for nearly a century. Each Collector’s Edition Box is an ori- ginal work of art in its own right, made available to thousands of consumers and The Laughing Cow® won collectors at the standard retail price. -
Your Pretty Face Is Going to Hell the Dangerous Glitter of David Bowie, Iggy Pop,And Lou Reed
PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page iii YOUR PRETTY FACE IS GOING TO HELL THE DANGEROUS GLITTER OF DAVID BOWIE, IGGY POP,AND LOU REED Dave Thompson An Imprint of Hal Leonard Corporation New York PF00fr(i-viii;vibl) 9/16/09 3:34 PM Page iv Frontispiece: David Bowie, Iggy Pop, and Lou Reed (with MainMan boss Tony Defries laughing in the background) at the Dorchester Hotel, 1972. Copyright © 2009 by Dave Thompson All rights reserved. No part of this book may be reproduced in any form, with- out written permission, except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Published in 2009 by Backbeat Books An Imprint of Hal Leonard Corporation 7777 West Bluemound Road Milwaukee, WI 53213 Trade Book Division Editorial Offices 19 West 21st Street, New York, NY 10010 Printed in the United States of America Book design by David Ursone Typography by UB Communications Library of Congress Cataloging-in-Publication Data Thompson, Dave, 1960 Jan. 3- Your pretty face is going to hell : the dangerous glitter of David Bowie, Iggy Pop, and Lou Reed / Dave Thompson. — 1st paperback ed. p. cm. Includes bibliographical references and discography. ISBN 978-0-87930-985-5 (alk. paper) 1. Bowie, David. 2. Pop, Iggy, 1947-3. Reed, Lou. 4. Rock musicians— England—Biography. 5. Punk rock musicians—United States—Biography. I. Title. ML400.T47 2009 782.42166092'2—dc22 2009036966 www.backbeatbooks.com PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vi PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vii CONTENTS Prologue . -
Room 10 Consuming Pop
Room 10 Consuming Pop 101 The relationship between art and consumer society is a thread that runs throughout pop art, and this final room deals directly with the lure and act of consumption. The risk that art itself might become a consumable product is mooted in some works here, but others proclaim the power of art to subvert and oppose the operations of global capitalism. Thomas Bayrle’s The Laughing Cow wallpaper makes the cheese company icon omnipresent and inescapable, while Boris Bućan’s series of brand logos transformed into ‘art’ reflect Yugoslavia’s transition to consumerist culture. Advertising always shows consumption as pleasurable. Many works here expose the coercion that backs it up, from the bars on the screen in Sanja Iveković’s video Sweet Violence , to the aggressively proffered American products in Keiichi Tanaami’s Commercial War animation. 102 Wall labels Clockwise from right of wall text Thomas Bayrle 1937 Born and works Germany The Laughing Cow (Blue) Wallpaper La Vache qui rit (blau) Tapete 1967/2015 Wallpaper, silkscreen on paper Courtesy the artist, Air de Paris and Groupe Bel, Paris X50880 32 103 Komar and Melamid Vitaly Komar 1943 Alexander Melamid 1945 Born Russia (former USSR), work USA Post Art No 1 (Warhol) Post Art No 2 (Lichtenstein) Post Art No 3 (Indiana) 1973 Oil paint on canvas Russian artists Komar and Melamid reappropriated canonical American works, copying them from reproductions in Lucy Lippard’s seminal book Pop Art (1966). Komar has explained: ‘The Post Art series is an apocalyptic vision of the future. The viewer can see famous works by Andy Warhol, Roy Lichtenstein, Robert Indiana and other pop artists as they might be after a nuclear war or a political or natural disaster. -
City-Owned Properties Based on Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011)
City-Owned Properties Based on Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Borou Block Lot Address Parcel Name gh 1 2 1 4 SOUTH STREET SI FERRY TERMINAL 1 2 2 10 SOUTH STREET BATTERY MARITIME BLDG 1 2 3 MARGINAL STREET MTA SUBSTATION 1 2 23 1 PIER 6 PIER 6 1 3 1 10 BATTERY PARK BATTERY PARK 1 3 2 PETER MINUIT PLAZA PETER MINUIT PLAZA/BATTERY PK 1 3 3 PETER MINUIT PLAZA PETER MINUIT PLAZA/BATTERY PK 1 6 1 24 SOUTH STREET VIETNAM VETERANS PLAZA 1 10 14 33 WHITEHALL STREET 1 12 28 WHITEHALL STREET BOWLING GREEN PARK 1 16 1 22 BATTERY PLACE PIER A / MARINE UNIT #1 1 16 3 401 SOUTH END AVENUE BATTERY PARK CITY STREETS 1 16 12 MARGINAL STREET BATTERY PARK CITY Page 1 of 1390 09/28/2021 City-Owned Properties Based on Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Agency Current Uses Number Structures DOT;DSBS FERRY TERMINAL;NO 2 USE;WATERFRONT PROPERTY DSBS IN USE-TENANTED;LONG-TERM 1 AGREEMENT;WATERFRONT PROPERTY DSBS NO USE-NON RES STRC;TRANSIT 1 SUBSTATION DSBS IN USE-TENANTED;FINAL COMMITMNT- 1 DISP;LONG-TERM AGREEMENT;NO USE;FINAL COMMITMNT-DISP PARKS PARK 6 PARKS PARK 3 PARKS PARK 3 PARKS PARK 0 SANIT OFFICE 1 PARKS PARK 0 DSBS FERRY TERMINAL;IN USE- 1 TENANTED;FINAL COMMITMNT- DISP;LONG-TERM AGREEMENT;NO USE;WATERFRONT PROPERTY DOT PARK;ROAD/HIGHWAY 10 PARKS IN USE-TENANTED;SHORT-TERM 0 Page 2 of 1390 09/28/2021 City-Owned Properties Based on Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Land Use Category Postcode Police Prct -
The 35 Best Folk Music Venues in the U.S
The 35 Best Folk Music Venues in the U.S. Tweet Like 2.9K Share Save (https://www.reddit.com/submit) Click a state to view its venue(s) Although folk music may have hit its zenith in the 1960s, the genre still thrives today, along with a dedicated base of fans. It lives in music venues on each coast as well as hundreds of places in between. ARIZONA Folk music is still with us because it connects the listener, and the artist, to our cultural heritage. The tunes and lyrics CALIFORNIA describe who we are and where we came from. COLORADO Below is a list of the top 35 folk venues in the United States. We've listed the venues alphabetically by state. CONNECTICUT These 35 venues are not necessarily dedicated to folk music, but they are places where folk music indeed thrives. They ILLINOIS are also elite live music venues with superb acoustics, sightlines, and atmospheres, all qualities needed to make our list. MARYLAND The deciding factor, however, was enthusiasm. The following 35 venues exhibit a fervor for folk music that is almost MASSACHUSETTS palatable. MICHIGAN The people behind these venues love what they do and they love folk music. And, as you'll soon read, many of these NEW YORK venues are run by volunteers. NORTH CAROLINA OREGON PENNSYLVANIA RHODE ISLAND Arizona TEXAS VIRGINIA The Lost Leaf Bar & Gallery 914 North 5th Street Phoenix, AZ The Lost Leaf Bar & Gallery is an amazing venue for any type of show, especially folk music. For one, all their shows are free. -
Warhol and Contemporary America: 'Death and Disaster' Series
teachers’ notes 1 warhol and conteMporary aMerica: ‘Death anD Disaster’ series andy warhol Gallery of Modern art 8 December 2007 – 30 march 2008 www.Qag.Qld.gov.au/Warhol_education The ‘andy wARHOL’ exhibiTION HAS BEEN ORGANISED BY THE QUEENSLAND ART GALLERY AND THE ANDY WARHOL MUSEUM, ONE OF THE FOUR CARNEGIE MUSEUMS OF PITTSBURGH. FUNDING FOR INSURANCE HAS BEEN PROVIDED THROUGH THE QUEENSLAND GOVERNMENT EXHIBITION INDEMNITY SCHEME, ADMINISTERED BY ARTS QUEENSLAND. PrePared by access, education and regional services, Queensland art gallery / gallery of Modern art © Queensland art gallery 2007 / all andy Warhol art Works © the andy Warhol foundation for the visual arts inc. Stanley Place South Bank | www.qag.qld.gov.au | (07) 3840 7303 teachers’ notes 2 andy warhol and conteMporary aMerica: ‘Death anD Disaster’ warhol series ‘i Guess it was the biG plane this tour considers the way Warhol used repetition and the photographic crash picture, the front silkscreen technique in response to society and popular culture. Why did Warhol focus on images of death and disaster? how did his technique of paGe of a newspaper: 129 repetition relate to the volume and desensitisation of stories and depictions of die. i was also paintinG the fatalities in american culture at the time? how does this relate to today? Marilyns. i realized that Topics: everythinG i was doinG • issues of death and violence Must have been death. it • spectacle and celebrity was christMas or labor • media manipulation, propaganda and censorship • religion and mortality. day — a holiday — and every tiMe you turned on Subject areas: the radio they said • Film, television and new Media • English soMethinG like “four • Studies of society and the environment Million are GoinG to die”.