The Top Twenty-Five Works
TWENTY-FIVE WORKS FOR THE DRAMATIC SOPRANO VOICE AND ORCHESTRA; A STUDY GUIDE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Kathleen Beth Sasnett, M.M. ***** The Ohio State University 2006 Document Committee: Approved by: Professor Robin Rice, Advisor Professor Loretta Robinson __________________________ Professor Charles Patrick Woliver Advisor School of Music Graduate Program ABSTRACT This document is meant to serve as a study guide of twenty-five works for the dramatic soprano voice with orchestra. Criteria used for inclusion include range, tessitura, orchestral scoring, dramatic intensity, and cultural diversity. There are examples of works dating from 1787 through 2004, and include song cycles, monoperas, monodramas, scena and arias, symphonic rhapsodies, cantatas, symphonic cycles, and lyric tragedies. Adhering to the basic requirement of the piece being suitable for the dramatic soprano voice, the chosen works are eclectic in language, style, ethnic origin, and musical period. A cursory definition of the dramatic soprano voice is included. Information is provided for each listing, including a brief biographical sketch of the composer and the work’s history and lyrics. ii Dedicated to my three dear children: Joseph Roger, Nicole Elizabeth, and Benjamin Harris Sasnett, And my wonderful third son, Jonathan Hudson, And my three darling grandchildren, Celeste Elizabeth, Benjamin Joseph, and Charity Lynn, And their devoted grandfather, father, and my heart of twenty-eight years, Roger Harris Sasnett iii ACKNOWLEDGMENTS I would like to acknowledge with profound thanks, Dr. Robin Rice at The Ohio State University, for his vast encouragement, instruction, guidance, advice, and friendship during the past two years.
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