Gallery Trail 2018
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176 Exchange (Penzance), Rail Ale Trail, 114 43, 49 Seven Stones pub (St Index Falmouth Art Gallery, Martin’s), 168 Index 101–102 Skinner’s Brewery A Foundry Gallery (Truro), 138 Abbey Gardens (Tresco), 167 (St Ives), 48 Barton Farm Museum Accommodations, 7, 167 Gallery Tresco (New (Lostwithiel), 149 in Bodmin, 95 Gimsby), 167 Beaches, 66–71, 159, 160, on Bryher, 168 Goldfish (Penzance), 49 164, 166, 167 in Bude, 98–99 Great Atlantic Gallery Beacon Farm, 81 in Falmouth, 102, 103 (St Just), 45 Beady Pool (St Agnes), 168 in Fowey, 106, 107 Hayle Gallery, 48 Bedruthan Steps, 15, 122 helpful websites, 25 Leach Pottery, 47, 49 Betjeman, Sir John, 77, 109, in Launceston, 110–111 Little Picture Gallery 118, 147 in Looe, 115 (Mousehole), 43 Bicycling, 74–75 in Lostwithiel, 119 Market House Gallery Camel Trail, 3, 15, 74, in Newquay, 122–123 (Marazion), 48 84–85, 93, 94, 126 in Padstow, 126 Newlyn Art Gallery, Cardinham Woods in Penzance, 130–131 43, 49 (Bodmin), 94 in St Ives, 135–136 Out of the Blue (Maraz- Clay Trails, 75 self-catering, 25 ion), 48 Coast-to-Coast Trail, in Truro, 139–140 Over the Moon Gallery 86–87, 138 Active-8 (Liskeard), 90 (St Just), 45 Cornish Way, 75 Airports, 165, 173 Pendeen Pottery & Gal- Mineral Tramways Amusement parks, 36–37 lery (Pendeen), 46 Coast-to-Coast, 74 Ancient Cornwall, 50–55 Penlee House Gallery & National Cycle Route, 75 Animal parks and Museum (Penzance), rentals, 75, 85, 87, sanctuaries 11, 43, 49, 129 165, 173 Cornwall Wildlife Trust, Round House & Capstan tours, 84–87 113 Gallery (Sennen Cove, Birding, -
201914Th-28Th September Programme of Events
A TWO WEEK CELEBRATION OF MUSIC AND THE ARTS IN ST IVES CORNWALL ST IVES SEPTEMBER FESTIVAL 201914th-28th September Programme of Events Visit our website for updates and online booking: www.stivesseptemberfestival.co.uk and follow us on facebook, twitter and instagram. Tickets & Information Unless otherwise stated, tickets are available from: St Ives School of Painting l www.stivesseptemberfestival.co.uk Outside Workshops l Cornwall Riviera Box Office: 01726 879500 For outside workshops we recommend l Visit St Ives Information Centre, St Ives Library, Gabriel Street, St Ives TR26 2LU you bring sturdy walking shoes (or Opening hours: Mon to Sat 9.30am-5pm, Sun 10am-3pm 01736 796297 trainers) and either warm waterproof l Tourist Offices in Penzance, Truro, St Mawes, St Austell, Bodmin, Launceston, clothing, sunhats and sun cream as Liskeard. appropriate. We meet at Porthmeor l Tickets on the door if available. Studios but a few landscape workshops are based at the Penwith Studio, Information Points accessed via a steep cobbled ramp. l Café Art, The Drill Hall, Royal Square, St Ives. Mon, Wed, Fri, Sat 10am-4pm - Tues, Thurs 10am-5pm, Sun 11am-4pm l Outside Mountain Warehouse, Fore Street, Sat 14th and 21st 10am-5pm Pre-Concert Suppers The 2019 Festival Raffle Café Art, The Drill Hall, Win Cheese and Chocolate. Prize is donated by ‘Cheese On Coast’ and ‘I Should Chapel Street, St IvesTR26 2LR Coco’. Raffle tickets can be bought at a number of venues, including The Guildhall Vegetarian hot meals served in an and Café Art during the Festival. The winner will be announced at the end of October. -
Newlyn Main Report
Cornwall & Scilly Urban Survey Historic characterisation for regeneration NEWLYN CORNWALL ARCHAEOLOGICAL UNIT Objective One is part-funded by the European Union Cornwall and Scilly Urban Survey Historic characterisation for regeneration NEWLYN Stef Russell October 2003 HES REPORT NO. 2003R060 CORNWALL ARCHAEOLOGICAL UNIT A service of the Historic Environment Section, Planning Transportation and Estates, Cornwall County Council Kennall Building, Old County Hall, Station Road, Truro, Cornwall, TR1 3AY tel (01872) 323603 fax (01872) 323811 E-mail [email protected] Acknowledgements This report was produced as part of the Cornwall & Scilly Urban Survey project (CSUS), funded by English Heritage, the Objective One Partnership for Cornwall and the Isles of Scilly (European Regional Development Fund) and the South West of England Regional Development Agency. Peter Beacham (Head of Designation), Graham Fairclough (Head of Characterisation), Roger M Thomas (Head of Urban Archaeology), Ian Morrison (Ancient Monuments Inspector for Devon, Cornwall and Isles of Scilly) and Jill Guthrie (Designation Team Leader, South West) liaised with the project team for English Heritage and provided valuable advice, guidance and support. Nick Cahill (The Cahill Partnership) acted as Conservation Supervisor to the project, providing vital support with the characterisation methodology and advice on the interpretation of individual settlements. Georgina McLaren (Cornwall Enterprise) performed an equally significant advisory role on all aspects of economic regeneration. Additional help has been given by Steve Edwards Penwith District Council, Veronica Chesher and Dr Jo Mattingly. The project is also grateful to Charles Winpenny for kind permission to reproduce digital images from his Cornwall CAM website (www.cornwallcam.co.uk). Other photographs are by members of the project team. -
The Book Can Be Downloaded Here. Every Corner Was a Picture 4Th
EVERY CORNER WAS A PICTURE 165 artists of Newlyn and the Newlyn Art Colony 1880–1900 a checklist compiled by George Bednar Fourth Edition 1 2 EVERY CORNER WAS A PICTURE 165 artists of Newlyn and the Newlyn Art Colony 1880–1900 Fourth Edition a checklist compiled by George Bednar ISBN 978 1 85022 192 0 1st edition published 1999 West Cornwall Art Archive 2nd edition © Truran 2004, revised 2005 3rd edition © Truran 2009, revised 2010, 2015 4th edition © Truran 2020 Published byTruran, an imprint of Tor Mark, United Downs Ind Est, St Day, Redruth TR16 5HY Cornwall www.truranbooks.co.uk Printed and bound in Cornwall by R. Booth Ltd, The Praze, Penryn, TR10 8AA Cover image: Walter Langley The Breadwinners/Newlyn Fishwives (Penlee House Gallery & Museum) Insert photographs: © Newlyn Artists Photograph Album, 1880s, Penlee House Gallery & Museum & Cornwall Studies Centre, Redruth ACKNOWLEDGEMENTS I take this opportunity to thank Heather and Ivan Corbett, as well as Yvonne Baker, Steve Baxter, Alison Bevan (Director, RWA, formerly Director, Penlee House), John Biggs, Ursula M. Box Bodilly, Cyndie Campbell (National Gallery of Canada), Michael Carver, Michael Child, Robin Bateman, Michael Ginesi, Iris M. Green, Nik Hale, Barbara B. Hall, Melissa Hardie (WCAA), James Hart, Elizabeth Harvey-Lee, Peter Haworth, Katie Herbert (Penlee House, who suggested Truran), Jonathan Holmes, Martin Hopkinson, Ric and Lucy James, Tom and Rosamund Jordan, Alice Lock, Huon Mallallieu, David and Johnathan Messum, Stephen Paisnel, Margaret Powell, M.C. Pybus, Claus Pese, Brian D. Price, Richard Pryke, John Robertson, Frank Ruhrmund, Denise Sage, Peter Shaw, Alan Shears, Brian Stewart, David and Els Strandberg, Leon Suddaby, Sue and Geoffrey Suthers, Peter Symons, Barbara Thompson, David Tovey, Archie Trevillion, Ian Walker, Peter Waverly, John and Denys Wilcox, Christopher Wood, Laura Wortley, Nina Zborowska, and Valentine and John Foster Tonkin. -
Work Placement Handbook
Work Placement Handbook 2012 CONTENTS • Background to Falmouth Art Gallery • Falmouth Art Gallery’s Work placement Policy • Work placement Benefits • Getting the most from the placement • Guidelines General Safety Health Object Handling Supervision • Staff Lists • Forms Falmouth Art Gallery Falmouth Art gallery is a service funded by Falmouth Town Council. It is an accredited museum and complies with standards laid down for the Registration of Museums in the United Kingdom and works in partnership with: Age Concern, The Art Fund, Arts Council England, Brightwater Holidays, Combined Universities of Cornwall, Cornwall and Devon Media, Cornwall College, Cornwall Council Conservation Department, Cornwall Heritage Trust, CSV RSVP, Earls Retreat, Falmouth Arts Society, Falmouth BIDS, Falcare (formerly Mencap), Falmouth Marine School, Falmouth Stroke Club, Heritage Lottery Fund, Hine Downing Solicitors, Jason Thomas Dance Company, Kerrier Pupil Referral Unit, Kids in Museums, Langholme, Little Parc Owles Trust, Local schools, MLA (Museums, Libraries and Archives Council), MLA/V&A Purchase Grant Fund, Museums Association, National Maritime Museum Cornwall, Newquay Zoo, Penlee House Gallery & Museum, Royal Cornwall Museum, Royal Cornwall Polytechnic Society, Sully’s Picture Framing Penryn, Susie Group (victims of domestic abuse), Swamp Circus, Tate St Ives, The Tanner Trust, Truro and Penwith College, U3A, University College Falmouth, University of Exeter, Wayfarers,The West End Group – Murdoch and Trevithick Centre, The WILD Young Parents Group Falmouth Art Gallery The Origins of the Collection The first Falmouth Art Gallery was opened in Grove Place in 1894 under the Directorship of William Ayerst Ingram and Henry Scott Tuke. It featured their own work along with that of Sophie Anderson, Richard Harry Carter, Charles Davidson, Topham Davidson, Winifred Freeman and Charles Napier Hemy. -
The Constant Times VOLUME 8, ISSUE 1
V OLUME 8, I SSUE 1 The Constant Times F EBRUARY /MARCH 2019 Constantine School’s 50th Christingle service Cags Gilbert, Head of School At Constantine School we have been extremely lucky to fit in several vis- its to our village church in the last month. We sang alongside Mawnan School for the Advent Carol Service and also celebrated the 50th year of the Christin- gle at our own school service. More Constantine School news on Page 2. Also in this issue... Page 3 Collector returns constable’s staff Page 4 If you go down to the woods today... Page 8 Christmas Lights reflections Page 9 Transition’s second helping Page 11 Garden Society photo quiz Page 16 The Passmore Edwards legacy Page 2 Volume 8, Issue 1 Constantine School news (Cont’d) Discovering the deep….. Year 4 have been learning about our Awesome Oceans and local fisher- man, Cameron, came in to show us our favourite species and they were all alive! Straight from the morning’s catch, he arrived excitedly to tell us some of what he knew as we were keen to listen to him and ask questions. We learnt so much about life-cycles, their habitats, mating, adaptations and we also got to handle some pretty big and live shell fish. It was so much fun! AN APPEAL TO ALL DOG OWNERS FROM THE EDITOR There’s no easy way of putting this, but despite previous complaints, some irresponsible dog owners are still allowing their animals to foul the grass verge beside the school. This is especially unpleasant and a potential health risk for school and pre-school children. -
Unitarian Members of Parliament in the Nineteenth Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository Unitarian Members of Parliament in the Nineteenth Century A Catalogue D. W. Bebbington Professor of History, University of Stirling The catalogue that follows contains biographical data on the Unitarians who sat in the House of Commons during the nineteenth century. The main list, which includes ninety-seven MPs, is the body of evidence on which the paper on „Unitarian Members of Parliament in the Nineteenth Century‟ is based. The paper discusses the difficulty of identifying who should be treated as a Unitarian, the criterion chosen being that the individual appears to have been a practising adherent of the denomination at the time of his service in parliament. A supplementary list of supposed Unitarian MPs, which follows the main list, includes those who have sometimes been identified as Unitarians but who by this criterion were not and some who may have been affiliated to the denomination but who were probably not. The borderline is less sharp than might be wished, and, when further research has been done, a few in each list may need to be transferred to the other. Each entry contains information in roughly the same order. After the name appear the dates of birth and death and the period as an MP. Then a paragraph contains general biographical details drawn from the sources indicated at the end of the entry. A further paragraph discusses religious affiliation and activities. Unattributed quotations with dates are from Dod’s Parliamentary Companion, as presented in Who’s Who of British Members of Parliament. -
Download Our Exhibition Catalogue
FOREWORD Published to accompany the exhibition at We are delighted to welcome you to the second exhibition at Two Temple Place, London 26th January 2013 – 14th April 2013 Two Temple Place, Amongst Heroes: the artist in working Cornwall. Published in 2013 by Two Temple Place 2 Temple Place, London, wc2r 3bd The Bulldog Trust launched its Exhibition Programme at our Copyright © Two Temple Place headquarters on the Embankment in 2011. In welcoming the public to Two Temple Place we have three objectives: to raise Raising the Worker: awareness of museums and galleries around the UK by displaying Cornwall’s Artists and the Representation of Industry Copyright © Roo Gunzi part of their collections; to promote curatorial excellence by offering up-and-coming curators the opportunity to design a What are the Cornish boys to do? How Changing Industry Affected Cornwall’s Population high profile solo show with guidance from our experienced Copyright © Dr Bernard Deacon curatorial advisor; and to give the public the opportunity to Trustee of the Royal Institution of Cornwall and Honorary Research Fellow, University of Exeter visit and enjoy Two Temple Place itself. A catalogue record for this publication is available from the British Library Two Temple Place was originally built as an office for William Waldorf Astor in the late 19th century and the Bulldog Trust isbn 978-0-9570628-1-8 have been fortunate to own the house since 1999. For our curators, Designed and produced by NA Creative devising a show for the ornate and intricately decorated space is a huge challenge that calls for imagination and ingenuity. -
Free Copy Thanks to Our Volunteers and Advertisers. Circulation 2500
Issue 126 April/May 2016 Happy Birthday to the Passmore Edwards Institute. On the 29th of April 1896, to the accompaniment of a band and with a full civic reception including banners across the street, John Passmore Edwards officially opened the Passmore Edwards Institute. This fine building was designed by Mr. Silvanus Τreνail and built by Messrs. John Symons and Son, of Blackwater. 2016 is the Institute’s 120th birthday. John Passmore Edwards had grown up in impoverished circumstances in nearby Blackwater and had had little opportunity for reading and learning. According to his autobiography, he often longed for books and a comfortable room in which to read them. Continued page 3 Free copy thanks to our Issue 126 volunteers and advertisers. Circulation 2500 1 Hayle Pump Newsletter Passmore Edwards Institute, 13-15 Hayle Terrace TR27 4BU The Pump is produced by volunteers as a community newsletter. NB All articles accepted are not necessarily the view of the editorial team. Editorial team contact Subscriptions [email protected] For 6 issues by post , please send a cheque or postal order for £3.60 Advertising Jeff Turk made out to Hayle Pump Newsletter [email protected] to: Phone 01736 752319 Hayle Pump Subscriptions Web site John Bennett 35 Penpol Terrace, [email protected] Hayle TR27 4BQ Please give your name and number Team members as well as the delivery name and Samuel Marsden address. Mary Cambridge Sarah Turk Send any articles or copy to [email protected] Send your adverts to [email protected] or use or drop off at drop off points Angove Sports (Copperhouse) Advertising Rates The Farm Shop (Foundry) Passmore Edwards Institute 1/8 63 x 47.5 £10 (opposite War Memorial) 1/4 63 x 95 £15 NEXT DEADLINE is 1/2 Not available 13th May 2 continued from Page 1 He had been taught by a disabled miner and was aware of the limited opportunities for advancement that ordinary people had. -
Wynter Ecatalogue.Pdf
Wynter E Catalogue 09/10/2015 06:19 Page 1 BRYAN WYNTER Wynter E Catalogue 09/10/2015 06:19 Page 2 Bryan Wynter Deep Current High Country Jonathan Clark Fine Art Wynter E Catalogue 09/10/2015 06:19 Page 4 A stream finds its way painting and process In early 1956 Bryan Wynter took a short let on a studio in The Boltons, South Kensington – in that era a place of cheap rents and very mixed use (when the phone rang, it was as often as not for the call girls who had been the previous tenants). He had found the past year or so in Cornwall a thin time for painting, feeling ‘increasingly stuck’1 in his quest for a new idiom and irked by his teach-ing commitments at Corsham. In the London studio, almost immediately, something changed. Over the next couple of months, Wynter rapidly developed a distinctive new approach. By July he had completed eleven paintings,2 most of them much larger and more intensely worked than anything he’d done before. These works definitively re-established Wynter’s reputation. They placed him at the forefront of what Alan Bowness identified as ‘the new British painting’ of the 1950s; a group of artists who could weigh in on the international stage alongside the French tachistes and American abstract expressionists.3 Wynter’s big new abstract canvases mark a clear and strikingly assured departure from his earlier work, in which landscape subjects retain their recognisable contours. From this point onwards, the interest is all in the mark-making – the autonomous life of paint and where it can lead you. -
Forthcoming Events Former Pupil News
FORMER PUPIL NEWS James Honeybone (CO09 ) Olympic hopes for 2020 FORTHCOMING James Honeybone is the British number one sabre fencer. EVENTS Having taken up the sport at 10 September 2016 Truro Prep in 2000, James TSFPA Annual Reunion went on to represent GB at Dinner youth level, reaching the World Championship final. This event is open to At U20 level he reached ALL Former Pupils a number of Junior World Cup and their partners finals. 120 tickets already sold James was selected to represent Team GB at the Final Booking & Payments London 2012 Olympic Games, no later than Friday 2 September and subsequently reached the top 16 at the European senior championships, the top 16 of Booking Form a World Grand Prix, and this year broke into the top 50 in BACS: Truro School Former Pupils the world Association Sort Code: 20-87-94 Acc/Number:33707679 In fencing terms, James is starting to move into his peak years. The afternoon prior to the dinner will Sadly, he missed out on qualification for the Rio Olympics by a single also include the usual sports fixtures. place, finishing 5th at the European qualifying tournament, with only Please come and support the teams: the top 4 going through to the games themselves. James' goal is to School v Leavers: win world cup medals over the next cycle, and qualify for the Tokyo 2020 Olympics. Hockey, Netball & Rugby You may want to include a visit to the Until recently James was funded by UK Sport funds held by British Cathedral while you are in the area. -
Blackwater 10 Final
Blackwater Blackwater can be approached from various directions but most easily from the A30 at Chiverton Cross roundabout. Take the exit signed to Blackwater. Pass the filling stations and go down the long hill that leads to the village. Look for the Post Office on your right which is the starting point of the walk. walk number THE INSTITUTE Walk due west along the main road, away from Chiverton Cross. 10 you will see, on the other side of the road, an old building that edges the road, presenting its side to you .A This is the Blackwater Institute as it is commonly known, originally the Blackwater Lecture and Reading Room. After a couple of hundred metres Point of interest Z mentioned in text Refreshments/Shop Area suitable for wheelchair users - see note. AT CHIVERTON Pub CROSS SERVICES WC Public Toilets WC H COURSE OF OLD RAILWAY LINES I G A START HERE BLACKWATER C F B ST.AGNES HERITAGE TRAIL E D c.1910 The Institute dates from 1890 and was donated to the inhabitants of Blackwater by John Passmore Edwards (1823-1911), a London newspaper proprietor and philanthropist who was born in Blackwater, in a cottage in A Back Lane which today runs beside the Institute. Between 1889 and 1904 John Passmore Edwards financed the construction of 72 public buildings, many in his native Cornwall, including the Miners’ and Mechanics’ Institute in St Agnes Village (see Walk 1) and the Village Hall in Mithian (see Walk 6). But it was the Blackwater building that began the chain of donations.