July 2017 Kbtc Viewer Guide Issue 7-17
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SERIES PREMIERE MON May 11 | 8P
VIEWER GUIDE MAY 2020 | vol. 22 no. 5 A SERVICE OF CASCADE PUBLIC MEDIA SERIES PREMIERE MON May 11 | 8p George W. Bush: NOVA: National Memorial Day American Experience Eagle Power Concert 2020 1 KCTS 9 Honors Asian Pacific American Heritage Month Pacific Heartbeat TUESDAYS | May 5 at 2p | May 12 at 1p Pacific Heartbeat gives viewers a glimpse into the lives of contemporary Pacific Islanders – their culture, way of life and the issues they face. This month, we’re offering two new episodes: “Anote’s Ark” explores the effects of rising sea levels on the island of Kiribati; and “Power Meri” follows the journey of Papua New Guinea’s first national women’s rugby team to the 2017 World Cup. Guru Nanak: The Founder of Sikhism WED May 6 | 2p This fascinating film recounts the life story of the 15th- century teacher and revolutionary activist from Punjab, India, who founded the Sikh faith – the world’s fifth largest religion. The documentary also explores how Guru Nanak’s legacy inspires modern Sikh Americans to exercise compassion, take risks, challenge established norms, and help others. Shades of Indigo WED May 6 | 3:30p This film, which follows the story of Bellingham farmers Sam and Rob Dhaliwal, provides a glimpse into the Sikh immigrant experience in Washington state. It’s a story of passion for agriculture that runs deep in a family; a story of growth and prosperity, from a small patch of land to a sprawling 400-acre farm; and a story of a father’s grit and experience, combined with his son's academic and technological approach, as they work together to ensure the future of the farm for the next generation. -
Classic Drama
CLASSIC DRAMA TV’S TOP CRIME FIGHTERSPC GEORGE DIXON ITV bosses are asking viewers to vote for their Dixon Of Dock Green (Jack Warner) TOP OF Strictly speaking, he was dead, you know. Right from favourite small-screen sleuths. Who would you pick? THE COPS, the very first episode. PC George Dixon, the friendly ITV3, East End bobby who became a staple of Saturday Our TV Editor, Mike Ward, names his top ten night viewing throughout the 60s (“Evening, all…”), SATURDAY & had actually featured in the 1950 film The Blue Lamp LIEUTENANT COLUMBO SUNDAY – at the end of Columbo (Peter Falk) which he was shot The scruffy raincoat, the bumbling manner, the dead (by Dirk chewed cigars. Was this guy for real? Oh, you bet. Bogarde, if you The LAPD homicide cop was a master at lulling want the full murder suspects into a false sense of security and trivia). Artistic allowing them to believe they could effortlessly license, outsmart him. But it was that killer question however, (“Just one more thing…” Columbo would mumble, enabled Jack as he was about to leave the room) that would sow Warner’s the seed of the culprit’s downfall. The fun was affable cop watching Columbo (officially we never got to know DIXON RAN to make a his first name, although anoraks think it was Frank) miraculous untangle the mystery in his own incisive fashion. FOR A recovery, and the REMARKABLE BBC 21 YEARS. series which IN GEORGE’S launched in 1955 was WORLD, POLICE destined to run for BRUTALITY 21 years. -
Johnson Production Group Press Kit
Johnson Production Group Press Kit One-Liner When a woman’s son goes missing and the prime suspect is released due to lack of evidence, she and her teenage daughter decide to play vigilante. Synopsis Nora Birch is a realtor and her husband Toby is an accountant. They have two children, Scarlett (17) and Angus (5). The family has just recently moved into an upscale neighborhood where Scarlett is having trouble making friends at her new school and her relationship with her parents is strained. Not long after moving in Angus is kidnapped, the family suspects the weird Emo kid ‘Graeme’ who lives next door. He is questioned by the police but there is not enough evidence to hold him. This prompts Nora and Scarlett to take matters into their own hands… In their effort to get Angus back the family realizes they are being reunited and becoming closer than they have been in years. This is a story about a family who will stop at nothing to recover their loved one when the authorities are unable to do so. Producers Executive Producer TIMOTHY O. JOHNSON Producer OLIVER DE CAIGNY Key Cast CHARACTER ACTOR Nora JOSIE BISSETT Scarlett SARAH GREY Seth RICHARD HARMON Chris VINCENT GALE Gus SPENCER DREVER Key Cast Biographies JOSIE BISSETT The Seattle native began her career in front of the camera at the age of 12 as a model in print advertisements and television commercials. At 16, she left home and moved to Japan to further her career and, at 17, headed to Hollywood to make her mark. -
Review Essay Ken Burns and Lynn Novick's the Vietnam
Review Essay Ken Burns and Lynn Novick’s The Vietnam War MARK PHILIP BRADLEY True confessions: I did not go into the eighteen hours of Ken Burns and Lynn Novick’s The Vietnam War with a totally open mind.1 Burns’s 1990 documentary series The Civil War, which made his career, had evoked a storm of controversy, with such leading his- torians as Leon Litwack and Eric Foner offering scathing critiques of how the film depicted African Americans as passive victims and entirely ignored the ways in which the postwar era of Reconstruction became an exercise in white supremacy. As Foner wrote, “Faced with a choice between historical illumination or nostalgia, Burns consis- tently opts for nostalgia.”2 Subsequent documentaries on jazz and World War II always struck me, and in fact many critics, as deliberately skirting potentially subversive counter-narratives in a kind of burnishing of the past.3 And to be quite honest, all of them seemed too long. In the case of Burns and Novick’s earlier series The War (2007) and its fifteen-hour embrace of the greatest generation narrative, Burns’s insular docu- mentary painted World War II as an entirely American affair, with non-white and non- American voices largely to the side. The much-heralded “Ken Burns effect” had never worked its magic on me. When I began to hear the tagline for The Vietnam War in the drumbeat of publicity before it was first aired on PBS last September (you will have to conjure up the melan- choly Peter Coyote voiceover as you read)—“It was begun in good faith by decent peo- ple out of fateful misunderstandings, American overconfidence, and Cold War mis- calculations”—I anticipated a painful eighteen hours. -
The Legacy of American Photojournalism in Ken Burns's
Interfaces Image Texte Language 41 | 2019 Images / Memories The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series Camille Rouquet Electronic version URL: http://journals.openedition.org/interfaces/647 DOI: 10.4000/interfaces.647 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 June 2019 Number of pages: 65-83 ISSN: 1164-6225 Electronic reference Camille Rouquet, “The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series”, Interfaces [Online], 41 | 2019, Online since 21 June 2019, connection on 07 January 2021. URL: http://journals.openedition.org/interfaces/647 ; DOI: https://doi.org/10.4000/interfaces.647 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. THE LEGACY OF AMERICAN PHOTOJOURNALISM IN KEN BURNS’S VIETNAM WAR DOCUMENTARY SERIES Camille Rouquet LARCA/Paris Sciences et Lettres In his review of The Vietnam War, the 18-hour-long documentary series directed by Ken Burns and Lynn Novick released in September 2017, New York Times television critic James Poniewozik wrote: “The Vietnam War” is not Mr. Burns’s most innovative film. Since the war was waged in the TV era, the filmmakers rely less exclusively on the trademark “Ken Burns effect” pans over still images. Since Vietnam was the “living-room war,” played out on the nightly news, this documentary doesn’t show us the fighting with new eyes, the way “The War” did with its unearthed archival World War II footage. -
Theeditor-Epk.Pdf
Directed by Adam Brooks and Matthew Kennedy Written by Adam Brooks, Matthew Kennedy and Conor Sweeney Produced by Social Media sales Adam Brooks and Matthew Kennedy Twitter Producer’s Reps @theeditormovie Starring @astron6 Nate Bolotin Paz de la Huerta [email protected] Adam Brooks Facebook 310 909 9318 Facebook.com/editormovie Laurence R. Harvey Facebook.com/astron6 Mette-Marie Katz Samantha Hill [email protected] Udo Kier INTERWeb 323 983 1201 Jerry Wasserman www.theeditormovie.com Matthew Kennedy International Sales www.astron-6.com Conor Sweeney Dan Bern Paul Howell Tristan Risk CONTACT [email protected] Brett Donahue Kennedy/Brooks Inc. +44 (0)207 434 4176 738-3085 Pembina Hwy. Brent Neale Winnipeg MB R3T4R6 Sheila E. Campbell Kevin Anderson Matthew Kennedy Jasmine Mae [email protected] Tech Details Adam Brooks 99 min | Color | DCP | 2.39:1 | 5.1 | Canada | 2014 [email protected] LOGLINE A once-prolific film editor finds himself the prime suspect in a series of murders haunting a seedy 1970s film studio in this absurdist throwback to the Italian Giallo. SYNOPSIS Rey Ciso was once the greatest editor the world had ever seen. Since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up in this absurdist giallo-thriller as Rey struggles to prove his innocence and learn the sinister truth lurking behind the scenes. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Criminal Obsessions: Why Harm Matters More Than Crime
Second edition Criminal obsessions: Why harm matters more than crime Danny Dorling Dave Gordon Paddy Hillyard Christina Pantazis Simon Pemberton Steve Tombs Harm and Society About the Authors Edited by Will McMahon Danny Dorling is Professor of Human Geography at the University of Sheffield. Our thanks go to Catriona Foote and Tammy McGloughlin for their assistance in producing Dave Gordon is Professor of Social Justice at this book. the University of Bristol. Centre for Crime and Justice Studies Paddy Hillyard is Professor of Sociology at King’s College London Queen’s University, Belfast. Strand London WC2R 2LS Christina Pantazis is senior lecturer at the Tel: 020 7848 1688 University of Bristol. Fax: 020 7848 1689 Simon Pemberton is lecturer in social policy [email protected] at the University of Bristol www.crimeandjustice.org.uk Steve Tombs is Professor of Sociology at A project of the Centre for Crime Liverpool John Moores University. and Justice Studies (ISTD), School of Law, King’s College London. The views expressed in this document are Registered Charity No 251588 those of the authors and not necessarily A Company Limited by Guarantee those of the Centre for Crime and Justice Registered in England No 496821 Studies. © Paddy Hillyard, Christina Pantazis, Dave Gordon and Steve Tombs Acknowledgements September 2005 The Centre for Crime and Justice Studies © Simon Pemberton September 2008 would like to thank the authors for their permission to reproduce and edit the four essays in this book which originally appeared ISBN 978-1-906003-14-2 in Hillyard, P., Pantazis, C., Tombs, S. and Gordon, D.(eds)(2004) Beyond Criminology. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Operation Overlord James Clinton Emmert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Operation overlord James Clinton Emmert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Emmert, James Clinton, "Operation overlord" (2002). LSU Master's Theses. 619. https://digitalcommons.lsu.edu/gradschool_theses/619 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. OPERATION OVERLORD A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by James Clinton Emmert B.A., Louisiana State University, 1996 May 2002 ACKNOWLEDGEMENTS This thesis could not have been completed without the support of numerous persons. First, I would never have been able to finish if I had not had the help and support of my wife, Esther, who not only encouraged me and proofed my work, but also took care of our newborn twins alone while I wrote. In addition, I would like to thank Dr. Stanley Hilton, who spent time helping me refine my thoughts about the invasion and whose editing skills helped give life to this paper. Finally, I would like to thank the faculty of Louisiana State University for their guidance and the knowledge that they shared with me. -
Hometown Teams: How Sports Shape America Children's Reading List
Hometown Teams: How Sports Shape America Children’s Reading List Children's Fiction Bagnold, Edith. National Velvet. Originally published in 1935. Buccaneer. 1981. 306 pages. National Velvet is the story of a 14‐year‐old girl named Velvet Brown, who rides her horse to victory in the Grand National Steeplechase. The classic novel focuses on the ability of ordinary persons, particularly women, to accomplish great things. Velvet and her horse become instant celebrities, with Velvet and her family nearly drowning in notoriety. Velvet strongly objects to the publicity, saying the horse is a creature of glory who shouldn't be cheapened in tabloid trash and newsreels. She insists that she did not win the race, the horse did. The book inspires the film by the same name (starring Elizabeth Taylor), a TV series and TV movie version and a lesser known sequel, International Velvet. Christopher, Matt. The Great Quarterback Switch (Matt Christopher Sports Classics). Little Brown Books. 1991. 97 pages. Can Michael and Tom read each other's minds? Michael and Tom Curtis are identical twins who share a love of football. Unfortunately, because of a tragic accident, Michael must watch from the sidelines as his brother calls the plays on the football field. During one game Michael concentrates very hard on a play he thinks could help the team, and Tom calls the exact play a split second later! Is it coincidence, or can the boys communicate through ESP? The boys try a daring experiment in which they push their telepathic powers to the limit ... and suddenly, impossibly, Michael is running the ball for a spectacular touchdown! Matt Christopher has a number of sports‐related books to his credit.