Criminal Obsessions: Why Harm Matters More Than Crime
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SERIES PREMIERE MON May 11 | 8P
VIEWER GUIDE MAY 2020 | vol. 22 no. 5 A SERVICE OF CASCADE PUBLIC MEDIA SERIES PREMIERE MON May 11 | 8p George W. Bush: NOVA: National Memorial Day American Experience Eagle Power Concert 2020 1 KCTS 9 Honors Asian Pacific American Heritage Month Pacific Heartbeat TUESDAYS | May 5 at 2p | May 12 at 1p Pacific Heartbeat gives viewers a glimpse into the lives of contemporary Pacific Islanders – their culture, way of life and the issues they face. This month, we’re offering two new episodes: “Anote’s Ark” explores the effects of rising sea levels on the island of Kiribati; and “Power Meri” follows the journey of Papua New Guinea’s first national women’s rugby team to the 2017 World Cup. Guru Nanak: The Founder of Sikhism WED May 6 | 2p This fascinating film recounts the life story of the 15th- century teacher and revolutionary activist from Punjab, India, who founded the Sikh faith – the world’s fifth largest religion. The documentary also explores how Guru Nanak’s legacy inspires modern Sikh Americans to exercise compassion, take risks, challenge established norms, and help others. Shades of Indigo WED May 6 | 3:30p This film, which follows the story of Bellingham farmers Sam and Rob Dhaliwal, provides a glimpse into the Sikh immigrant experience in Washington state. It’s a story of passion for agriculture that runs deep in a family; a story of growth and prosperity, from a small patch of land to a sprawling 400-acre farm; and a story of a father’s grit and experience, combined with his son's academic and technological approach, as they work together to ensure the future of the farm for the next generation. -
Classic Drama
CLASSIC DRAMA TV’S TOP CRIME FIGHTERSPC GEORGE DIXON ITV bosses are asking viewers to vote for their Dixon Of Dock Green (Jack Warner) TOP OF Strictly speaking, he was dead, you know. Right from favourite small-screen sleuths. Who would you pick? THE COPS, the very first episode. PC George Dixon, the friendly ITV3, East End bobby who became a staple of Saturday Our TV Editor, Mike Ward, names his top ten night viewing throughout the 60s (“Evening, all…”), SATURDAY & had actually featured in the 1950 film The Blue Lamp LIEUTENANT COLUMBO SUNDAY – at the end of Columbo (Peter Falk) which he was shot The scruffy raincoat, the bumbling manner, the dead (by Dirk chewed cigars. Was this guy for real? Oh, you bet. Bogarde, if you The LAPD homicide cop was a master at lulling want the full murder suspects into a false sense of security and trivia). Artistic allowing them to believe they could effortlessly license, outsmart him. But it was that killer question however, (“Just one more thing…” Columbo would mumble, enabled Jack as he was about to leave the room) that would sow Warner’s the seed of the culprit’s downfall. The fun was affable cop watching Columbo (officially we never got to know DIXON RAN to make a his first name, although anoraks think it was Frank) miraculous untangle the mystery in his own incisive fashion. FOR A recovery, and the REMARKABLE BBC 21 YEARS. series which IN GEORGE’S launched in 1955 was WORLD, POLICE destined to run for BRUTALITY 21 years. -
Lilypond Music Glossary
LilyPond The music typesetter Music Glossary The LilyPond development team ☛ ✟ This glossary provides definitions and translations of musical terms used in the documentation manuals for LilyPond version 2.23.3. ✡ ✠ ☛ ✟ For more information about how this manual fits with the other documentation, or to read this manual in other formats, see Section “Manuals” in General Information. If you are missing any manuals, the complete documentation can be found at http://lilypond.org/. ✡ ✠ Copyright ⃝c 1999–2021 by the authors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections. A copy of the license is included in the section entitled “GNU Free Documentation License”. For LilyPond version 2.23.3 1 1 Musical terms A-Z Languages in this order. • UK - British English (where it differs from American English) • ES - Spanish • I - Italian • F - French • D - German • NL - Dutch • DK - Danish • S - Swedish • FI - Finnish 1.1 A • ES: la • I: la • F: la • D: A, a • NL: a • DK: a • S: a • FI: A, a See also Chapter 3 [Pitch names], page 87. 1.2 a due ES: a dos, I: a due, F: `adeux, D: ?, NL: ?, DK: ?, S: ?, FI: kahdelle. Abbreviated a2 or a 2. In orchestral scores, a due indicates that: 1. A single part notated on a single staff that normally carries parts for two players (e.g. first and second oboes) is to be played by both players. -
The New Dictionary of Music and Musicians
The New GROVE Dictionary of Music and Musicians EDITED BY Stanley Sadie 12 Meares - M utis London, 1980 376 Moda Harold Powers Mode (from Lat. modus: 'measure', 'standard'; 'manner', 'way'). A term in Western music theory with three main applications, all connected with the above meanings of modus: the relationship between the note values longa and brevis in late medieval notation; interval, in early medieval theory; most significantly, a concept involving scale type and melody type. The term 'mode' has always been used to designate classes of melodies, and in this century to designate certain kinds of norm or model for composition or improvisation as well. Certain pheno mena in folksong and in non-Western music are related to this last meaning, and are discussed below in §§IV and V. The word is also used in acoustical parlance to denote a particular pattern of vibrations in which a system can oscillate in a stable way; see SOUND, §5. I. The term. II. Medieval modal theory. III. Modal theo ries and polyphonic music. IV. Modal scales and folk song melodies. V. Mode as a musicological concept. I. The term I. Mensural notation. 2. Interval. 3. Scale or melody type. I. MENSURAL NOTATION. In this context the term 'mode' has two applications. First, it refers in general to the proportional durational relationship between brevis and /onga: the modus is perfectus (sometimes major) when the relationship is 3: l, imperfectus (sometimes minor) when it is 2 : I. (The attributives major and minor are more properly used with modus to distinguish the rela tion of /onga to maxima from the relation of brevis to longa, respectively.) In the earliest stages of mensural notation, the so called Franconian notation, 'modus' designated one of five to seven fixed arrangements of longs and breves in particular rhythms, called by scholars rhythmic modes. -
Johnson Production Group Press Kit
Johnson Production Group Press Kit One-Liner When a woman’s son goes missing and the prime suspect is released due to lack of evidence, she and her teenage daughter decide to play vigilante. Synopsis Nora Birch is a realtor and her husband Toby is an accountant. They have two children, Scarlett (17) and Angus (5). The family has just recently moved into an upscale neighborhood where Scarlett is having trouble making friends at her new school and her relationship with her parents is strained. Not long after moving in Angus is kidnapped, the family suspects the weird Emo kid ‘Graeme’ who lives next door. He is questioned by the police but there is not enough evidence to hold him. This prompts Nora and Scarlett to take matters into their own hands… In their effort to get Angus back the family realizes they are being reunited and becoming closer than they have been in years. This is a story about a family who will stop at nothing to recover their loved one when the authorities are unable to do so. Producers Executive Producer TIMOTHY O. JOHNSON Producer OLIVER DE CAIGNY Key Cast CHARACTER ACTOR Nora JOSIE BISSETT Scarlett SARAH GREY Seth RICHARD HARMON Chris VINCENT GALE Gus SPENCER DREVER Key Cast Biographies JOSIE BISSETT The Seattle native began her career in front of the camera at the age of 12 as a model in print advertisements and television commercials. At 16, she left home and moved to Japan to further her career and, at 17, headed to Hollywood to make her mark. -
Theeditor-Epk.Pdf
Directed by Adam Brooks and Matthew Kennedy Written by Adam Brooks, Matthew Kennedy and Conor Sweeney Produced by Social Media sales Adam Brooks and Matthew Kennedy Twitter Producer’s Reps @theeditormovie Starring @astron6 Nate Bolotin Paz de la Huerta [email protected] Adam Brooks Facebook 310 909 9318 Facebook.com/editormovie Laurence R. Harvey Facebook.com/astron6 Mette-Marie Katz Samantha Hill [email protected] Udo Kier INTERWeb 323 983 1201 Jerry Wasserman www.theeditormovie.com Matthew Kennedy International Sales www.astron-6.com Conor Sweeney Dan Bern Paul Howell Tristan Risk CONTACT [email protected] Brett Donahue Kennedy/Brooks Inc. +44 (0)207 434 4176 738-3085 Pembina Hwy. Brent Neale Winnipeg MB R3T4R6 Sheila E. Campbell Kevin Anderson Matthew Kennedy Jasmine Mae [email protected] Tech Details Adam Brooks 99 min | Color | DCP | 2.39:1 | 5.1 | Canada | 2014 [email protected] LOGLINE A once-prolific film editor finds himself the prime suspect in a series of murders haunting a seedy 1970s film studio in this absurdist throwback to the Italian Giallo. SYNOPSIS Rey Ciso was once the greatest editor the world had ever seen. Since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up in this absurdist giallo-thriller as Rey struggles to prove his innocence and learn the sinister truth lurking behind the scenes. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Gregorian Chant
CATHOLIC EDUCATION SERIES MUSIC FOURTH YEAR GREGORIAN CHANT THE CATHOLIC EDUCATION SERIES MUSIC FOURTH YEAR CHILDREN'S MANUAL GREGORIAN CHANT according to the principles of DOM ANDRE MOCQUEREAU OF SOLESMES BY JUSTINE WARD THE CATHOLIC EDUCATION PRESS WASHINGTON, D. C. PRINTED IN U. S. A. NlHIL OBSTAT January 7th, 1923, Baltimore, Md. LEO P. MANZETTI, Mus. D. Censor Deputatus IMPRIMATUR MICHAEL J. CURLEY Archbishop of Baltimore ALL RIGHTS OF REPRODUCTION, TRANSLATION AND ADAPTATION RESERVED FOR ALL COUNTRIES INCLUD- ING RUSSIA A MON CHER ET VÉNÉRÉ MAITRE DOM ANDRE MOCQUEREAU QUI A RENDU LES AILES A LA COLOMBE DE SAINT GRÉGOIRE INTRODUCTION BY DOM MOCQUEREAU Bien chère Madame J. Ward, Very dear Mrs. Ward, Vous me demandez de presenter au You have asked me to introduce to public américain votre premier livre sur the American public your first book on le Chant Grégorien,« Gregorian Chant» Gregorian Chant, the fourth volume of — le quatrième de votre série rnusicale— your series of Music Text-books pre- destine aux enfants fréquentant les pared for the use of the children in the Ecoîes Catholiques. J'accepte avec Catholic schools of the United States. d'autant plus de joie, que c'est pour moi I accept with all the more pleasure l'occasion de témoigner ouvertement et because it gives me an opportunity of la haute estime que je professe pour expressing publicly the high esteem \\\ votre enseignement et, en même temps, which I hold your method as well as la reconnaissance profonde que je vous the gratitude I feel toward you. I will dois. Je m'expìique. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
National Conference on Science and the Law Proceedings
U.S. Department of Justice Office of Justice Programs National Institute of Justice National Conference on Science and the Law Proceedings Research Forum Sponsored by In Collaboration With National Institute of Justice Federal Judicial Center American Academy of Forensic Sciences National Academy of Sciences American Bar Association National Center for State Courts NATIONAL CONFERENCE ON SCIENCE AND THE LAW Proceedings San Diego, California April 15–16, 1999 Sponsored by: National Institute of Justice American Academy of Forensic Sciences American Bar Association National Center for State Courts In Collaboration With: Federal Judicial Center National Academy of Sciences July 2000 NCJ 179630 Julie E. Samuels Acting Director National Institute of Justice David Boyd, Ph.D. Deputy Director National Institute of Justice Richard M. Rau, Ph.D. Project Monitor Opinions or points of view expressed in this document are those of the authors and do not necessarily reflect the official position of the U.S. Department of Justice. The National Institute of Justice is a component of the Office of Justice Programs, which also includes the Bureau of Justice Assistance, Bureau of Justice Statistics, Office of Juvenile Justice and Delinquency Prevention, and Office for Victims of Crime. Preface Preface The intersections of science and law occur from crime scene to crime lab to criminal prosecution and defense. Although detectives, forensic scientists, and attorneys may have different vocabularies and perspectives, from a cognitive perspective, they share a way of thinking that is essential to scientific knowledge. A good detective, a well-trained forensic analyst, and a seasoned attorney all exhibit “what-if” thinking. This kind of thinking in hypotheticals keeps a detective open-minded: it prevents a detective from ignoring or not collecting data that may result in exculpatory evidence. -
The Story of China
Q2 3 Program Guide KENW-TV/FM Eastern New Mexico University June 2017 THETHETHETHE STORYSTORYSTORYSTORY OFOFOFOF CHINACHINACHINACHINA 1 When to watch from A to Z listings for 3-1 are on pages 18 & 19 Channel 3-2 – June 2017 New Fly Fisher – Wednesdays, 11:00 a.m. New Mexico True TV – Sundays, 6:30 p.m. (except 4th, 11th) American Woodshop – Saturdays, 6:30 a.m.; Thursdays, 11:00 a.m. Nightly Business Report – Weekdays, 5:30 p.m. America’s Heartland – Saturdays, 6:30 p.m. (except 10th) Nova – Wednesdays, 8:00 p.m.; Saturdays, 10:00 p.m.; America’s Test Kitchen – Saturdays, 7:30 a.m.; Mondays, 11:30 a.m. Sundays, 12:00 midnight Antiques Roadshow – Mondays, 7:00 p.m. (except 5th)/8:00 p.m. “Troubled Waters” – 3rd, 4th (except 5th, 26th)/11:00 p.m.; Sundays, 7:00 a.m. “Creatures of Light” – 10th, 11th Are You Being Served? Again! – “Why Sharks Attack” – 14th, 17th, 18th Saturdays, 8:00 p.m. (except 3rd, 10th) “Making North America: Origins” – 21st (9:00 p.m.), 24th, 25th Ask This Old House – Saturdays, 4:00 p.m. (except 10th) “Making North America: Life” – 28th (9:00 p.m.), July 1st, 2nd Austin City Limits – P. Allen Smith’s Garden Home – Saturdays, 10:00 a.m. (except 3rd) Saturdays, 9:00 p.m. (except 3rd, 10th)/12:00 midnight Paint This with Jerry Yarnell – Saturdays, 11:00 a.m. Barbecue University – Thursdays, 11:30 a.m. (ends 1st) PBS NewsHour – Weekdays, 6:00 p.m./12:00 midnight BBC World News – Weekdays, 6:30 a.m./4:30 p.m.; Fridays, 5:00 p.m. -
I ' Pyrrhic Stress
" QUANTITATIVE IMPLICATIONS OF THE I ' PYRRHIC STRESS ESPECIALLY IN PLAUTUS AND_TERENCE I “’ BY . LINWOOD LEHMAN A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF VIRGINIA 1924 ._» '7ufu: U ‘x’; U. Va. Damn! Dissertan J a "I ‘33 43601.4 Contents page PART I 7-22 Introducrion - - - ~ - - - - - The Tripudic Theory - - - - - ~ - 11 Introductory Remarks - - - - - - - ll The Tripudic Accentuctl System - - - - 12 .— Further Remarks on the Tripudic Accentual System - 13 The Beginning of the Penultimate Law - - - 14 m.— The Tripudium - - - - - - - - IS The Pynhic Stress - - - - - - - 20 “.v. Necessary Alternation and Coincidence of Accent and lcrus 20 PART II 23-68 . Explanation of Division of Examples 25 Textual Restoration, etc. - - - - - - 28 Manifestations of the Pyrthic Stress - - - - 3O Amphicruo - ~ - - - - - - - 32 Aulula'ria - - - - - - - - - 33 Bacchides - - ' - - ~ - - - - 35 Captiuir - . - - - - - - - 37 Menaechmi - - - - - - - - - 39 Miles Gloriosus - - - - - - - 4-1 Mostellan'a - - - - - - - - Pseudolus - - - - - - - - Rudens - - - - - - - - - Trinummus - - - - - - - - 50 Adelphoe - - - - - - - - - 53 Andria - - - - - ~ - - Eunuchus - - - - - - - - 56 Heauton ‘I'imorumenos - - - - - 57 Hecyra - - ~ - - - - 59 Phrmio - - - — - - - - 61 Piautina Addenda - - - - ~ - 63 Miscellanea - - - - - . - ~67 PART III 69-75 The Iambic Law -- - . - - - 69 Synizesis - - - - - - - _ -70 Lengthening - - - - - . _ . 71 Shortening - - - - - - - 72 . - - _ Nempe, Ille, Quippe, etc. - . 74 Final 5 - - - - .. - - 75 A Mute plus L or R - - -