CONTACT: Allie Honebrink Director of Marketing And

Total Page:16

File Type:pdf, Size:1020Kb

CONTACT: Allie Honebrink Director of Marketing And CONTACT: Allie Honebrink Director of Marketing and Communications 1555 Central Parkway, Cincinnati, OH 45214 513.562.1137 Direct 859.468.5509 Cell [email protected] FOR IMMEDIATE RELEASE CINCINNATI BALLET’S THE KAPLAN NEW WORKS SERIES IN TENTH SEASON New Works, New Venue, New Collaboration and New Dancers CINCINNATI, OH. The 2014-2015 Season brings a handful of new things to Cincinnati Ballet: the tenth annual production of season opener The Kaplan New Works Series, September 11-21; the transition to New Works performances in a new space, the Jarson-Kaplan Theater at the Aronoff Center for the Arts; a collaboration between returning choreographer Heather Britt and Vocal Arts Ensemble; a special, stand-alone piece, in keeping with New Works’ dedication to innovation, to be created, produced and performed by Elementz hip-hop studio; and adding four new dancers to the company’s roster, bringing the total to 26 dancers. New Works is poised to continue the self-made tradition of innovation and celebration, debuting four world premieres by choreographers including Cincinnati Ballet Artistic Director & CEO Victoria Morgan; Jennifer Archibald, founder and artistic director of Arch Dance Company in New York City; Cincinnati-based Heather Britt, founder of the wildly-popular DANCEFIX (formerly Rhythm & Motion) returns to choreograph for a sixth season; Amy Seiwert, returning to Cincinnati Ballet’s New Works for the second time in three seasons; and a Cincinnati premiere by William Whitener, former Kansas City Ballet artistic director and coach for the world premiere full-length ballet King Arthur’s Camelot. In addition to her new choreography for New Works itself, Archibald, a graduate of the renowned Alvin Ailey School in New York City, is creating a piece specifically for CBII (Cincinnati Ballet Second Company) to perform at Zoofari, the Cincinnati Zoo and Botanical Gardens’ annual fundraiser. Britt has commissioned frequent collaborator Gabriel Gaffney Smith to once again compose new music for her piece, to be sung in accompaniment on stage by Cincinnati’s own Vocal Arts Ensemble. Whitener has enlisted the talents of Cincinnati Opera’s director of artistic operations and accomplished pianist, Marcus Kuchle, to perform live with the dancers. New Works has prominently featured female choreographers in recent years, spotlighting the underrepresentation by women in creative roles within ballet companies nationally and internationally. Founded under the philosophy of fostering the future of ballet and dance, New Works has been historically performed at the Cincinnati Ballet Center since 2005, a year after the building’s renovation. In the passing time, New Works has seen attendance numbers sky rocket, and regularly sells out performances. The Mickey Jarson Kaplan Performance Studio seats 252 people, while the Jarson-Kaplan Theater at the Aronoff Center seats 341, offering the chance for more people to see more performances. “We’re excited for more people to see New Works. It’s a great opportunity for casual ballet admirers to have their perspective transformed by the physicality of dance—you see the sweat, the passion and the drive that goes into ballet when you see dancers up close and personal, and that’s one reason New Works is so intriguing and popular,” says Morgan. In the spirit of collaboration, Cincinnati Ballet has invited local hip-hop studio Elementz to choreograph and perform their own piece at New Works, creating a unique juxtaposition of top ballet dancers performing in the same arena as Cincinnati’s number one hip-hop company. Cincinnati Ballet last enlisted the talents of Elementz resident choreographer Derrek Burbridge during the creation of King Arthur’s Camelot, to bring “fluidity and an edge” says Morgan, to the character of the villain Mordred. Elementz, founded in 2001, operates under the principle of using hip-hop to help inner-city youth find their creative voices and provide an outlet for that creativity, while encouraging personal growth and life successes. Elementz is led by executive director Tom Kent, creative director Abdullah Powell and a dedicated staff of creative professionals. Four new dancers join Cincinnati Ballet’s roster: Yosvani Ramos, from Camagüey, Cuba, most recently danced for The Australian Ballet as a principal artist, and comes to Cincinnati Ballet as a Principal Dancer; Christina LaForgia joins as a Corps de Ballet dancer, formerly of North Carolina Dance Theater; Melissa Gelfin starts as a New Dancer, most recently dancing with Orlando Ballet; and Jake Casey comes to Cincinnati Ballet as an Apprentice, most recently dancing with Ballet Idaho. “We’re excited to welcome these dancers to our company,” says Artistic Associate Johanna Bernstein-Wilt. “They possess the right qualities that define Cincinnati Ballet’s evolving excellence and presentation of dancers that will help move our art form into the next century.” Entering new positions are Romel Frometa, who has been promoted from Soloist to Senior Soloist; Chris Lingner, who has been promoted from New Dancer to Corps de Ballet dancer; Ana Gallardo, who has been promoted from Apprentice to New Dancer; and Samantha Nagy- Chow, Daniel Powers and Khris Santos, who have all been promoted from CBII dancers to Apprentices for the 2014-2015 Season. MEET THE ARTISTS Cincinnati Ballet is pleased to offer Meet the Artists, a pre-performance discussion series where you will have the opportunity to meet select dancers, choreographers and members of the creative team who bring New Works to life. For admission, please present your ticket to the current production. Meet the Artists will be held at 7:00 pm on Thursday, September 11 and Friday, September 19 at the Aronoff Center for the Arts. PERFORMANCE DATES AND INFORMATION WHO: Cincinnati Ballet Choreography: Jennifer Archibald, Heather Britt, Victoria Morgan, Amy Seiwert, William Whitener WHAT: The Kaplan New Works Series Four World Premieres, One Cincinnati Premiere WHEN: Thursday, September 11 – 8:00 pm, dinner package with Arnold’s Bar and Grill also available Friday, September 12 – 8:00 pm Saturday, September 13 – 2:00 pm Saturday, September 13 – 8:00 pm Wednesday, September 17 – 8:00 pm, dinner package with Arnold’s Bar and Grill also available Thursday, September 18 – 8:00 pm Friday, September 19 – 8:00 pm Saturday, September 20 – 2:00 pm Saturday, September 20 – 8:00 pm Sunday, September 21 – 2:00 pm WHERE: The Jarson-Kaplan Theater Aronoff Center for the Arts 650 Walnut Street, Cincinnati, Ohio 45202 HOW: Call 513.621.5282, visit cballet.org, or visit the Cincinnati Ballet Box Office at 1555 Central Parkway Tickets start at $55 ### Cincinnati Ballet 2014-2015 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, Rhonda & Larry A. Sheakley Family Foundation, Rosemary & Mark Schlachter, The Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, National Endowment for the Arts, Frisch’s About Cincinnati Ballet Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy. CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org http://www.facebook.com/CincinnatiBallet http://twitter.com/cincyballet .
Recommended publications
  • 01-25-2020 Boheme Eve.Indd
    GIACOMO PUCCINI la bohème conductor Opera in four acts Marco Armiliato Libretto by Giuseppe Giacosa and production Franco Zeffirelli Luigi Illica, based on the novel Scènes de la Vie de Bohème by Henri Murger set designer Franco Zeffirelli Saturday, January 25, 2020 costume designer 8:00–11:05 PM Peter J. Hall lighting designer Gil Wechsler revival stage director Gregory Keller The production of La Bohème was made possible by a generous gift from Mrs. Donald D. Harrington Revival a gift of Rolex general manager Peter Gelb This season’s performances of La Bohème jeanette lerman-neubauer and Turandot are dedicated to the memory music director Yannick Nézet-Séguin of Franco Zeffirelli. 2019–20 SEASON The 1,344th Metropolitan Opera performance of GIACOMO PUCCINI’S la bohème conductor Marco Armiliato in order of vocal appearance marcello muset ta Artur Ruciński Susanna Phillips rodolfo a customhouse serge ant Roberto Alagna Joseph Turi colline a customhouse officer Christian Van Horn Edward Hanlon schaunard Elliot Madore* benoit Donald Maxwell mimì Maria Agresta Tonight’s performances of parpignol the roles of Mimì Gregory Warren and Rodolfo are underwritten by the alcindoro Jan Shrem and Donald Maxwell Maria Manetti Shrem Great Singers Fund. Saturday, January 25, 2020, 8:00–11:05PM MARTY SOHL / MET OPERA Roberto Alagna as Chorus Master Donald Palumbo Rodolfo and Maria Musical Preparation Caren Levine*, Joshua Greene, Agresta as Mimì in Jonathan C. Kelly, and Patrick Furrer Puccini’s La Bohème Assistant Stage Directors Mirabelle Ordinaire and J. Knighten Smit Met Titles Sonya Friedman Stage Band Conductor Joseph Lawson Children’s Chorus Director Anthony Piccolo Italian Coach Loretta Di Franco Prompter Joshua Greene Associate Designer David Reppa Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ladies millinery by Reggie G.
    [Show full text]
  • American Spiritual Program Spring 2009
    American Spiritual Ensemble Sunday, February 22, 2009 • 4 p.m. Asbury United Methodist Church Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music in the African-American tradition. The concert is sponsored by Asbury United Methodist Church; the Peter and Judy Jackson Music Performance Fund; Salisbury University’s Department of Music, Office of the Dean of the Charles R. and Martha N. Fulton School of Liberal Arts and Office of Multicultural Student Services; the SU Foundation, Inc.; and is made possible, in part, by a grant from the Salisbury Wicomico Arts Council, awarded by the Maryland State Arts Council and the National Endowment for the Arts. AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM Walk Together, Children ............................................................arr. William Henry Smith We Shall Walk Through the Valley in Peace ............................................arr. Moses Hogan Plenty Good Room ......................................................................arr. William Henry Smith Oh, What A Beautiful City! ........................................................................arr. Johnie Dean Mari-Yan Pringle, Jeryl Cunningham, Sopranos I Want Jesus to Walk With Me ....................arr. Eurydice Osterman/Tedrin Blair Lindsay Ricky Little, Baritone Fi-yer, Fi-yer Lord (from the operetta Fi-yer! )......................Hall
    [Show full text]
  • Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25Th Season with Dayton Opera in June 2021
    Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25th Season with Dayton Opera in June 2021 CONTACT: ANGELA WHITEHEAD Communications & Media Manager Dayton Performing Arts Alliance Phone 937-224-3521 x 1138 [email protected] DAYTON, OH (February 7, 2020) – The Dayton Performing Arts Alliance (DPAA) has announced today that Thomas Bankston, Artistic Director of Dayton Opera, will retire in June 2021, at the conclusion of the newly announced 2020–2021 Celebrate Season, Dayton Opera’s 60th anniversary season. “The coming together of three especially celebratory events in the 2020-21 season – Dayton Opera’s 60th anniversary, my 25th season, and the closing of that season with a world premiere opera production, Finding Wright – seemed like a fitting time at which to bring to a close my 41 year career in the professional opera business. Dayton Opera has been a huge part of my life and will always hold a special place in my heart. Especially all the wonderful friendships and associations I have made with artists, staff and volunteers that will make my retirement a truly bittersweet one,” said Tom Bankston. The 2020–2021 season will mark Bankston’s 25th season providing artistic leadership for Dayton Opera, the longest term of artistic leadership in the company’s history. In 1996, he began his work with the company, sharing his wide-ranging knowledge of the field of opera between Dayton Opera and Cincinnati Opera, the company where in 1982 he began his work as an opera administrator. At the start of the 2001–2002 season, he left Cincinnati Opera and assumed the position of Artistic Director for Dayton Opera on a full-time basis, and then was named General & Artistic Director of Dayton Opera in 2004.
    [Show full text]
  • AUDITION for FOUR COMPANIES in One Great Workshop
    Serious High School, College & Conservatory Dancers AUDITION for FOUR COMPANIES in One Great Workshop June 29, 2020 - August 2, 2020 Only 32 Dancers Accepted Classes with these Directors... Hope Muir Robert Curran Charlotte Ballet Louisville Ballet James Sofranko Adam Sklute Grand Rapids Ballet West Ballet PLUS other fantastic faculty! SUMMER 2020 INTENSIVE PERFORMANCE WORKSHOP June 29, 2020 – August 2, 2020 Study with Artistic Directors: Hope Muir, Charlotte Ballet Robert Curran, Louisville Ballet Adam Sklute, Ballet West James Sofranko Grand Rapids Ballet Monday - Saturdays 10am – 6pm (6 days per week) Tuition: $1,995 Cincinnati Ballet’s Victoria Morgan during a “Meet the Director” Lunch/Lecture • Use class as an Audition for these four companies. • Meet and ask questions of these Directors during the “Meet the Director” lecture series. • Classes in ballet technique, pointe technique, variations, together with jazz and modern will be included. Additional classes in Pilates and hip-hop will also be included. • Dance enrichment sessions of the workshops will include: question-and-answer ses- sions with professional dancers, technical theater production, video critique of his- toric ballet performances, plus discussions on resume, make-up and audition skills. • In the [Performance Intensive Workshop], you will learn what it is to be a member of a Corps de Ballet dancing with some of the finest professional dancers in the world. • All Performance Workshop Participants will be cast in a full-length production, La Bayadère. Performance: La Bayadère July 31, August 1 & 2, 2020 with Pennsylvania Ballet’s Sterling Baca and Nayara Lopes and San Francisco Ballet’s Sasha de la Sola! About Boca Ballet Theatre: Founded in 1990, Boca Ballet Theatre’s mission is to enrich the cultural landscape of our community and to educate our youth in classical ballet and concert dance through focused training, interaction with professional dancers and participation in full length ballets and contemporary choreog- raphy.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]
  • Kansas City Ballet Association
    Kansas City Ballet Association Independent Auditor’s Report and Financial Statements June 30, 2018 and 2017 Kansas City Ballet Association June 30, 2018 and 2017 Contents Independent Auditor’s Report ............................................................................................... 1 Financial Statements Statements of Financial Position ........................................................................................................ 3 Statement of Activities – Year Ended June 30, 2018 ......................................................................... 4 Statement of Activities – Year Ended June 30, 2017 ......................................................................... 5 Statement of Functional Expenses – Year Ended June 30, 2018 ....................................................... 6 Statement of Functional Expenses – Year Ended June 30, 2017 ....................................................... 7 Statements of Cash Flows .................................................................................................................. 8 Notes to Financial Statements ............................................................................................................ 9 Independent Auditor’s Report Board of Directors Kansas City Ballet Association Kansas City, Missouri We have audited the accompanying financial statements of the Kansas City Ballet Association, which comprise the statements of financial position as of June 30, 2018 and 2017, and the related statements of activities, functional
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Finding Aid for Bolender Collection
    KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by
    [Show full text]
  • Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 P.M
    FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.213.4355 [email protected] For Tickets: 816.931.8993 or kcballet.org Kansas City Ballet Announces Stories of Resiliency: Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 p.m. WHO: * Moderator Allan S. Gray II, Former KCB board member and former board member of the Missouri Arts Council. He is also founding board member of the Kansas City Friends of Alvin Ailey. * April Berry, Former apprentice, and ballerina with ballet companies in New York, New Jersey and Washington, D.C., current Director of Community Engagement and Education at Kansas City Ballet and Kansas City Ballet School faculty member. * Karen Brown, Former ballerina with Dance Theatre of Harlem, current Assistant Professor of Dance at UMKC Conservatory, University of Missouri at Kansas City. * Whitney Huell, Former ballerina with Ballet West, current ballerina with Kansas City Ballet and Kansas City Ballet School faculty member. * Josh Bodden, former dancer with Miami City Ballet, Dance Theatre of Harlem, Cincinnati Ballet, current danseur with Kansas City Ballet and Kansas City Ballet School faculty member. WHAT: Four professional black dancers living and working in Kansas City share their journeys on navigating dance careers in the American Ballet World. Moderated by Allan S. Gray II, a respected Kansas City business professional and community leader, each panelist will impart their unique dance experiences, perspectives on diversity, inclusion and equity in ballet and respond to questions from the community sent in advance of the panel, as well as during the panel. Visit www.kcballet.org for more information.
    [Show full text]
  • Weekly Newsletter
    Weekly Newsletter February 16, 2016 Volume 6, Issue 3 Parent Observation Week: February 22 - 28 Next week, February 22—28, we invite parents/ Inside this issue: guardians into the studio to observe your student’s class(es) throughout the week. Parent Observation 1 Week This is a wonderful opportunity to step inside the studios Summer Intensive 1 to see firsthand what your dancer has been working on Auditions at CB and celebrate their progress so far this season. We Calendar Highlights & 2 greatly appreciate your efforts to attend in support of You may come and go as needed, but Class Updates please do not enter a studio until the your dancer! Lobby Event 2 current exercise has finished and music has stopped. Congratulations Kids 2 We kindly ask you limit the number of observers to 2 Cast! people per dancer to allow for comfortable seating for Photography is allowed during Summer Programs 3 all who attend. Please see the helpful points to the observation, however please NO FLASH! 2016 right for class observation etiquette. FUZI Shoe Fitting 4 Posting pictures to social media: If Opportunity *Note: Children’s Division classes that take place in posting observation week photos to social media sites, please post photos of Wild Sweet Love 4 Studio D have been notified separately of observation plans. only your dancer. Please refer to your email for details. Summer Intensive Auditions at Cincinnati Ballet January and February are the months when many Summer Intensive Auditions are held. There are a number of programs holding their auditions at Cincinnati Ballet.
    [Show full text]
  • Grand Finals Concert
    NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel)
    [Show full text]