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MINDFULMUSICMOMENTS Mindful Music Moments works in partnership with the Cincinnati Symphony Orchestra, Cincinnati Opera and the Contemporary Arts Center to bring you mindfulness and beautiful music. We hope you will take this time to quiet your mind, find your breath, and connect with your very best self. FUN FACT: Classical Clip: Recondida Armonia (Strange Harmony) Composer: Puccini At the end of this opera, Composed: 1900 Tosca is supposed to Partner: Cincinnati Opera leap from the roof of the prison. Fortunately for This opera is a love story between a painter named Mario her, most productions Cavaradossi and Floria Tosca. This aria, sung by Cavaradossi, will have a huge “Recondita armonia” happens within the first 10 minutes of mattress or trampoline the opera. In the aria, he compares Tosca’s beautiful features set up to cushion her to those of another woman’s portrait that he is painting. landing so that she will not hurt herself. How- ever, there are many DAY 1: This famous tenor aria is a romanza, or a simple vocal ballad that con- rumors of productions veys an especially tender, romantic quality. What instruments do you hear that make it sound romantic or tender? Feel your body quiet as you listen to where the bounciness of this calming music. the trampoline has sent Tosca bouncing back up DAY 2: A tenor is the highest male voice part. Where in this aria do you over the prison wall and hear the highest singing? Do you like this sound? into full view, much to DAY 3: In the first 20 seconds of this piece when only the orchestra is playing, the amusement of the listen very carefully for the flutes as they play a fluttering bird-like passage. audience. You will hear this same pattern two more times in the aria. Can hear where they are? CHARACTER STRENGTH: DAY 4: The final words Cavaradossi sings at the end of this aria are “My only thought is of you, Tosca, only you!” As he sings these words, listen for the Cavaradossi sings about vocal line to reach its highest point. how beautiful Tosca is and giving her many kind DAY 5: Cavaradossi is singing about Tosca, the woman he loves. Imagine compliments. How did someone you love very much in your own life and think of them as you listen you feel the last time to this piece. someone said something kind to you? Each day this week, see if you can practice kindness by complimenting someone. .

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01-25-2020 Boheme Eve.Indd
GIACOMO PUCCINI la bohème conductor Opera in four acts Marco Armiliato Libretto by Giuseppe Giacosa and production Franco Zeffirelli Luigi Illica, based on the novel Scènes de la Vie de Bohème by Henri Murger set designer Franco Zeffirelli Saturday, January 25, 2020 costume designer 8:00–11:05 PM Peter J. Hall lighting designer Gil Wechsler revival stage director Gregory Keller The production of La Bohème was made possible by a generous gift from Mrs. Donald D. Harrington Revival a gift of Rolex general manager Peter Gelb This season’s performances of La Bohème jeanette lerman-neubauer and Turandot are dedicated to the memory music director Yannick Nézet-Séguin of Franco Zeffirelli. 2019–20 SEASON The 1,344th Metropolitan Opera performance of GIACOMO PUCCINI’S la bohème conductor Marco Armiliato in order of vocal appearance marcello muset ta Artur Ruciński Susanna Phillips rodolfo a customhouse serge ant Roberto Alagna Joseph Turi colline a customhouse officer Christian Van Horn Edward Hanlon schaunard Elliot Madore* benoit Donald Maxwell mimì Maria Agresta Tonight’s performances of parpignol the roles of Mimì Gregory Warren and Rodolfo are underwritten by the alcindoro Jan Shrem and Donald Maxwell Maria Manetti Shrem Great Singers Fund. Saturday, January 25, 2020, 8:00–11:05PM MARTY SOHL / MET OPERA Roberto Alagna as Chorus Master Donald Palumbo Rodolfo and Maria Musical Preparation Caren Levine*, Joshua Greene, Agresta as Mimì in Jonathan C. Kelly, and Patrick Furrer Puccini’s La Bohème Assistant Stage Directors Mirabelle Ordinaire and J. Knighten Smit Met Titles Sonya Friedman Stage Band Conductor Joseph Lawson Children’s Chorus Director Anthony Piccolo Italian Coach Loretta Di Franco Prompter Joshua Greene Associate Designer David Reppa Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ladies millinery by Reggie G.
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American Spiritual Program Spring 2009
American Spiritual Ensemble Sunday, February 22, 2009 • 4 p.m. Asbury United Methodist Church Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music in the African-American tradition. The concert is sponsored by Asbury United Methodist Church; the Peter and Judy Jackson Music Performance Fund; Salisbury University’s Department of Music, Office of the Dean of the Charles R. and Martha N. Fulton School of Liberal Arts and Office of Multicultural Student Services; the SU Foundation, Inc.; and is made possible, in part, by a grant from the Salisbury Wicomico Arts Council, awarded by the Maryland State Arts Council and the National Endowment for the Arts. AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM Walk Together, Children ............................................................arr. William Henry Smith We Shall Walk Through the Valley in Peace ............................................arr. Moses Hogan Plenty Good Room ......................................................................arr. William Henry Smith Oh, What A Beautiful City! ........................................................................arr. Johnie Dean Mari-Yan Pringle, Jeryl Cunningham, Sopranos I Want Jesus to Walk With Me ....................arr. Eurydice Osterman/Tedrin Blair Lindsay Ricky Little, Baritone Fi-yer, Fi-yer Lord (from the operetta Fi-yer! )......................Hall
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Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25Th Season with Dayton Opera in June 2021
Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25th Season with Dayton Opera in June 2021 CONTACT: ANGELA WHITEHEAD Communications & Media Manager Dayton Performing Arts Alliance Phone 937-224-3521 x 1138 [email protected] DAYTON, OH (February 7, 2020) – The Dayton Performing Arts Alliance (DPAA) has announced today that Thomas Bankston, Artistic Director of Dayton Opera, will retire in June 2021, at the conclusion of the newly announced 2020–2021 Celebrate Season, Dayton Opera’s 60th anniversary season. “The coming together of three especially celebratory events in the 2020-21 season – Dayton Opera’s 60th anniversary, my 25th season, and the closing of that season with a world premiere opera production, Finding Wright – seemed like a fitting time at which to bring to a close my 41 year career in the professional opera business. Dayton Opera has been a huge part of my life and will always hold a special place in my heart. Especially all the wonderful friendships and associations I have made with artists, staff and volunteers that will make my retirement a truly bittersweet one,” said Tom Bankston. The 2020–2021 season will mark Bankston’s 25th season providing artistic leadership for Dayton Opera, the longest term of artistic leadership in the company’s history. In 1996, he began his work with the company, sharing his wide-ranging knowledge of the field of opera between Dayton Opera and Cincinnati Opera, the company where in 1982 he began his work as an opera administrator. At the start of the 2001–2002 season, he left Cincinnati Opera and assumed the position of Artistic Director for Dayton Opera on a full-time basis, and then was named General & Artistic Director of Dayton Opera in 2004.
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Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel)
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STEPHEN COSTELLO in an EVENING of BEL CANTO ARIAS
MEDIA RELEASE: October 2, 2019 CONTACT: Katie Syroney, Interim Communications Director (513) 768-5526 or [email protected] Editors’ note: Images available upon request. CINCINNATI OPERA PRESENTS METROPOLITAN OPERA STAR STEPHEN COSTELLO in AN EVENING OF BEL CANTO ARIAS Considered to be “among the world’s best tenors” (Daily Express, UK), Costello performs opera favorites at Memorial Hall Oct. 29 CINCINNATI—Cincinnati Opera proudly presents world-renowned tenor Stephen Costello in a special concert event this fall. On Tuesday, October 29, Costello will perform an evening of opera favorites in the beloved bel canto (Italian for “beautiful singing”) style, including excerpts from The Elixir of Love, Rigoletto, Lucia di Lammermoor, and more. The concert reunites Costello with Cincinnati Opera after his acclaimed performances as Rodolfo in La Bohème (2010) and Alfredo in La Traviata (2012). The event also celebrates the recent release of Costello’s first solo album, A Te, O Cara, a collection of bel canto arias by Donizetti, Verdi, and Bellini on the Delos label. “A prodigiously gifted singer whose voice makes an immediate impact” (Associated Press), Stephen Costello stands “among the world’s best tenors” (Daily Express, UK). The Philadelphia-born artist came to national attention in 2007, when, aged 26, he made his Stephen Costello Metropolitan Opera debut on the company’s season-opening night. Photo: Merri Cyr Two years later, Costello won the opera industry’s prestigious Richard Tucker Award, and he has since appeared at many of the world’s most important opera houses and music festivals, including London’s Royal Opera House, Deutsche Oper Berlin, Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival.
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Opera Management
THE CINCINNATI OPERA 1883-1994 Arranged and Described by Vincent Mazzella, Marian stangel "and Ursula Umberq March 1995 THE CINCINNATI OPERA, 1883-1994 CONTAINTER LISTING Box No. Description Date Page SERIES I: PROGRAMS AND BROADSIDES Box 1: Programs and Broadsides 1920-1936 1 Box 2: Programs and Broadsides 1937-1946 2 Box 3: Programs and Broadsides 1947-1957 3 Box 4: Programs and Broadsides 1958-1965 4 Box 5: Programs and Broadsides 1966-1971 4 Box 6: Programs and Broadsides 1972-1979 5 Box 7: Programs and Broadsides 1980-1983 5 Box 8 : Opera Programs 1985-1992 5 Box 9: Assorted Music 1883, 1886-1987, 1890, 1902-1911 6 1934-42, 1978-1979 Festival Programs--Metropolitan Opera Programs, Nippert Concerts Federal Theatre (WPA) Programs. Miscellaneous Programs SERIES II: LIBRETTOS Box 10: Aida to The King's Henchmen 7 Box 11: Lakme to Der Rosenkavalier 7 Box 12: Salome to II Trovatore and 8 Miscellaneous Covers SERIES III: PHOTOGRAPHS Performers Photographs and Program Biographies Box 13: Adler,Arlene to Bardi, G. 8 Box 14: Barlow, Klara to Calleo, Ricardo 9 Box 15: Campora, Guiseppe to Cornell, Gwynn 10 Box 16: Cossa, Dominic to DeAlmeida, Antonio 11 Box 17: DeBlasis, James to Dworchak, Harry & Designers 12 Box 18: Eddleman, Jack to Frigerio, Claudio 13 Box 19: Galiano, Joseph to Harris, Lloyd 14 Box 20: Harrower, Peter to Janku, Hana 16 Box 21: Jenista, John to ~ng, Edith 17 i Box 22: LaSelva, Vincent to Malas, Spiro 18 Box 23: Malfitano, Catherine to Mills, Erie 19 Box 24: Milnes, Sherrill to Muckenfuss, Robert 20 Box 25: Nabokov, Dmitri to Pastine, Gianfranco 21 Box 26: Patachi, Val to Proctor, Elizabeth 22 Box 27: Quartarro, Florence to Rounseville, Robert 23 Box 28: Roy, Margaret to Shade, Nancy 24 Box 29: Shelle, Eileen to Soloman,.
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THE TRAGEDY of CARMEN by PETER BROOK DONALD and DONNA BAUMGARTNER Presnting Title Sponsor
March 13, 15, 21 & 22, 2020 Wilson Theater at Vogel Hall Marcus Performing Arts Center ROBERT SOBCZAK Presnting Title Sponsor THE TRAGEDY OF CARMEN BY PETER BROOK DONALD AND DONNA BAUMGARTNER Presnting Title Sponsor VERDI’S MACBETH May 29 at 7:30pm | May 31 at 2:30pm Marcus Performing Arts Center Call 414-291-5700 x 224 or www.florentineopera.org THE SEASON OF THE 2020 2 0 2 1 ENSEMBLE THE TRAGEDY OF CARMEN BY PETER BROOK Photo: Cory Weaver Cory Photo: THE TRAGEDY OF CARMEN BY PETER BROOK PROGRAM INFORMATION 07 From the General Director & CEO 09 From the Board President 10 Donor Spotlights 11 In Memorium 14 Credits 15 Cast 17 Synopsis 18 Program Notes 20 Director’s Notes 22 Conductor, Christopher Rountree 23 Stage Director, Eugenia Arsenis 24 The Anello Society 28 Artist Biographies 34 Musicians 38 Board of Directors 39 Lifetime Donors 40 Commemorative Gifts 41 Annual Donors 48 Florentine Opera Staff Cover Photo: Brianne Sura Photo Credit: Becca Kames Photo: Cory Weaver Cory Photo: FLORENTINE OPERA COMPANY 5 GENERAL INFORMATION Please make sure all cellular phones, pagers GROUP RATES: and watch alarms are turned off prior to the Groups of 10 or more are eligible for special performance. No photography or videography discounts off regular single ticket prices for is allowed by audience members during the selected performances. For more information, performance. call (414) 291-5700, ext. 224. LATE SEATING: ACCESSIBILITY: Guests arriving late will be seated at a suitable Wheelchair seating is available on the main pause in the performance. Please be advised floor in Vogel Hall and Uihlein Hall.
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Performer Biographies
TOSCA Performer Biographies Making both her San Francisco Opera and role debuts as Tosca, soprano Carmen Giannattasio first received international notice after a first-place win at the 2002 Operalia competition in Paris, followed in 2007 by a tour-de-force performance as Violetta in Scottish Opera’s production of La Traviata. As equally comfortable in bel canto as she is in Verdi and Puccini, she has distinguished herself in the title role of Norma at Munich’s Bavarian State Opera, Violetta at the Metropolitan Opera, Mimì in La Bohème at the Deutsche Oper Berlin, Alice Ford in Falstaff at Teatro alla Scala and Vienna State Opera, Leonora in Il Trovatore at Vienna State Opera, and Nedda in Pagliacci at Dresden’s Semperoper and the Royal Opera House, Covent Garden, among other roles. Upcoming engagements include Hélène in Les Vêpres Siciliennes at the Bavarian State Opera, Margherita in Mefistofele at the Bavarian State Opera and Chorégies d'Orange, and Amalia in I Masnadieri at the Opéra de Monte-Carlo. Tenor Brian Jagde (Mario Cavaradossi) made his San Francisco Opera debut in 2010 as Joe in La Fanciulla del West and most recently returned to the Company as Calaf in Turandot, Radames in Aida, Don José in Carmen, and Pinkerton in Madama Butterfly. Last season, Jagde made role debuts as Maurizio in Adriana Lecouvreur at the Royal Opera House, Covent Garden and Froh in Das Rheingold in his first appearance with the New York Philharmonic. He also performed as Pinkerton in a house debut at Washington National Opera, and he sang for the first time at Madrid’s Teatro Real as Macduff in Macbeth and at Oper Stuttgart as Cavaradossi.
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CONTACT: Allie Honebrink Director of Marketing And
CONTACT: Allie Honebrink Director of Marketing and Communications 1555 Central Parkway, Cincinnati, OH 45214 513.562.1137 Direct 859.468.5509 Cell [email protected] FOR IMMEDIATE RELEASE CINCINNATI BALLET’S THE KAPLAN NEW WORKS SERIES IN TENTH SEASON New Works, New Venue, New Collaboration and New Dancers CINCINNATI, OH. The 2014-2015 Season brings a handful of new things to Cincinnati Ballet: the tenth annual production of season opener The Kaplan New Works Series, September 11-21; the transition to New Works performances in a new space, the Jarson-Kaplan Theater at the Aronoff Center for the Arts; a collaboration between returning choreographer Heather Britt and Vocal Arts Ensemble; a special, stand-alone piece, in keeping with New Works’ dedication to innovation, to be created, produced and performed by Elementz hip-hop studio; and adding four new dancers to the company’s roster, bringing the total to 26 dancers. New Works is poised to continue the self-made tradition of innovation and celebration, debuting four world premieres by choreographers including Cincinnati Ballet Artistic Director & CEO Victoria Morgan; Jennifer Archibald, founder and artistic director of Arch Dance Company in New York City; Cincinnati-based Heather Britt, founder of the wildly-popular DANCEFIX (formerly Rhythm & Motion) returns to choreograph for a sixth season; Amy Seiwert, returning to Cincinnati Ballet’s New Works for the second time in three seasons; and a Cincinnati premiere by William Whitener, former Kansas City Ballet artistic director and coach for the world premiere full-length ballet King Arthur’s Camelot. In addition to her new choreography for New Works itself, Archibald, a graduate of the renowned Alvin Ailey School in New York City, is creating a piece specifically for CBII (Cincinnati Ballet Second Company) to perform at Zoofari, the Cincinnati Zoo and Botanical Gardens’ annual fundraiser.
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Simon Boccanegra
Giuseppe Verdi Simon Boccanegra CONDUCTOR Opera in a prologue and three acts James Levine Libretto by Francesco Maria Piave and Arrigo PRODUCTION Boito after the play by Antonio García Gutiérrez Giancarlo del Monaco Saturday, February 6, 2010, 1:00–4:20 pm SET AND COSTUME DESIGNER Michael Scott Last time this season LIGHTING DESIGNER Wayne Chouinard STAGE DIRECTOR The production of Simon Boccanegra is made Peter McClintock possible by a generous gift from the estate of Anna Case Mackay. Additional funding was received from the Metropolitan Opera Club, the Annie Laurie Aitken Charitable Trust, The Eleanor Naylor Dana Charitable Trust, and Mr. and Mrs. Paul M. Montrone. The revival of this production was made possible by a gift from Barbara Augusta Teichert. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2009–10 Season The 134th Metropolitan Opera performance of Giuseppe Verdi’s Simon This performance is being broadcast Boccanegra live over The Toll Brothers– Metropolitan Opera Conductor International James Levine Radio Network, sponsored by in o r d e r o f v o c a l a p p e a r a n c e Toll Brothers, America’s luxury Paolo Albiani Gabriele Adorno ® homebuilder , Stephen Gaertner Marcello Giordani with generous long-term Pietro Amelia’s lady-in-waiting support from Richard Bernstein Joyce El-Khoury* The Annenberg Foundation, the Simon Boccanegra A captain Vincent A. Stabile Plácido Domingo Adam Laurence Endowment for Herskowitz Broadcast Media, Jacopo Fiesco, also and contributions known as Andrea from listeners James Morris worldwide. Maria, daughter of Simon Boccanegra, This performance also known as Amelia is also being Grimaldi broadcast live Adrianne Pieczonka on Metropolitan Opera Radio on SIRIUS channel 78 and XM channel 79.
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Cincinnati Opera Releases Premiere Recording of Scott Davenport Richards and David Cote’S BLIND INJUSTICE
MEDIA RELEASE February 12, 2021 Contact: Katie Syroney, Director of Communications (513) 768-5526 or [email protected] Media resources: Album art and artist images available upon request. Cincinnati Opera Releases Premiere Recording of Scott Davenport Richards and David Cote’s BLIND INJUSTICE Cincinnati, Ohio—Cincinnati Opera is proud to release the live audio recording of the world premiere production of Blind Injustice, the critically acclaimed new opera with music by Scott Davenport Richards and libretto by David Cote. Directed by Robin Guarino, Blind Injustice was hailed as a “powerful piece of music theater” (The Wall Street Journal) and a “masterpiece” (CityBeat). The opera was recorded in the Wilks Studio at Cincinnati’s Music Hall in July 2019 and is being released on the Fanfare Cincinnati label. The digital album is now available for purchase via Amazon Music, iTunes, and other digital music retailers, and for streaming via Amazon Music, Apple Music, Spotify, Pandora, and other music streaming services. The compact disc release is available for pre-order at cincinnatiopera.org/bravo-shop. Blind Injustice premiered at Cincinnati Opera in July 2019 to sold-out audiences and rave critical reviews. The opera explores the true stories of six innocent people who were convicted of crimes they did not commit, then ultimately freed by the Ohio Innocence Project (OIP). A collaboration with the OIP and Cincinnati’s Young Professionals Choral Collective (YPCC), the opera is based on casework by the OIP and the book Blind Injustice by University of Cincinnati law professor and OIP Director Mark Godsey, as well as interviews with the six exonerees: Rickey Jackson, Nancy Smith, Clarence Elkins, and the East Cleveland 3—Derrick Wheatt, Laurese Glover, and Eugene Johnson.
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Norman Treigle Papers
NORMAN TREIGLE PAPERS 23 Boxes, 34 audiotape reels, 24.73 linear feet Special Collections & Archives J. Edgar & Louise S. Monroe Library Loyola University New Orleans ColleCtion 20 NORMAN TREIGLE PAPERS Reference Code Collection 20 Name and LoCation of Repository Special Collections and Archives, J. Edgar & Louise S. Monroe Library, Loyola University New Orleans Title Norman Treigle Papers Date 1940s-1970s Extent 23 boxes, 34 audiotape reels, 24.73 linear feet Name of Creator Norman Treigle, (1927-1975) Administrative/BiographiCal History Adanelle Wilfred (Norman) Treigle was born in New Orleans on March 6, 1927, the youngest of five children born to Wilfred and Claudia (Fischer) Treigle. His introduction to music was through his mother, who played both piano and organ, and his singing career began as a boy soprano in a church choir. At 16, “Addie” graduated from Alcee Fortier High School where he had been active in musical and dramatic presentations. He served in the U.S. Navy during the last two years of World War II and returned to New Orleans in 1945. A career in business was eclipsed by music as the young bass-baritone performed in churches and synagogues and with musical and theatrical groups. He married his childhood sweetheart, Loraine Siegel, in 1946, and the following year their son, Norman, was born. 2 Determined to pursue a musical career, Treigle entered Loyola University where he studied with Elisabeth Wood for seven years. He won the New Orleans Opera House Auditions of the Air in 1947 and made his operatic debut with the company as the Duke of Verona in Roméo et Juliette.
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