DOCSLIB.ORG

Weekly Newsletter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Weekly Newsletter Weekly Newsletter February 16, 2016 Volume 6, Issue 3 Parent Observation Week: February 22 - 28 Next week, February 22—28, we invite parents/ Inside this issue: guardians into the studio to observe your student’s class(es) throughout the week. Parent Observation 1 Week This is a wonderful opportunity to step inside the studios Summer Intensive 1 to see firsthand what your dancer has been working on Auditions at CB and celebrate their progress so far this season. We Calendar Highlights & 2 greatly appreciate your efforts to attend in support of You may come and go as needed, but Class Updates please do not enter a studio until the your dancer! Lobby Event 2 current exercise has finished and music has stopped. Congratulations Kids 2 We kindly ask you limit the number of observers to 2 Cast! people per dancer to allow for comfortable seating for Photography is allowed during Summer Programs 3 all who attend. Please see the helpful points to the observation, however please NO FLASH! 2016 right for class observation etiquette. FUZI Shoe Fitting 4 Posting pictures to social media: If Opportunity *Note: Children’s Division classes that take place in posting observation week photos to social media sites, please post photos of Wild Sweet Love 4 Studio D have been notified separately of observation plans. only your dancer. Please refer to your email for details. Summer Intensive Auditions at Cincinnati Ballet January and February are the months when many Summer Intensive Auditions are held. There are a number of programs holding their auditions at Cincinnati Ballet. Check out the “Summer Intensive Audition” Wall and Binder! In the back hallway next to the bulletin board, we have some Summer Intensive brochures hanging up! Saturday February 20: Indianapolis School of Ballet 4:00—4:30 pm, Registration Additional Summer Intensive 4:30—6:30 pm, Audition brochures may be found in a binder on the table in the hallway. Sunday February 21: Cincinnati Ballet Students are welcome to use this 12:30—1:30 pm, Registration resource to research program 1:30—3:30 pm, Audition options. Check back frequently as *Note: Academy students in Level 4 or below who are 12 years old and up, more are added each day. must attend one of the auditions (January 16 or February 21) to be considered for acceptance into the Summer Intensive program. The audition fee is waived for current Academy students. Page 2 Weekly Newsletter Calendar Highlights February/March 2016 February 15: No classes - President’s Day Sun Mon Tue Wed Thu Fri Sat February 17: FUZI Shoe Fitting (see pg. 4) 14 15 16 17 18 19 20 Cinderella No Classes FUZI Indianapolis 1:00 & President’s Day Shoe Fitting School of February 20: Indianapolis School of Ballet 6:30 PM Ballet Summer Intensive Audition Summer Int. Audition February 21: Cincinnati Ballet 21 22 23 24 25 26 27 Summer Intensive Audition Cincinnati Parent Atlanta Ballet Ballet Summer Observation Summer Int. Intensive Week Audition February 22 - 28: Parent Audition Observation Week 28 29 March 1 2 3 4 5 February 27: Atlanta Ballet Summer Parent Tuition BalletMet Observation Installment Summer Int. Intensive Audition Week Due Audition (Monthly March 1: Tuition Installment Due plans) (Monthly plans) 6 7 8 9 10 11 12 March 5: BalletMet Summer Intensive Audition 13 14 15 16 17 18 19 March 18 - 19: Wild Sweet Love Wild Sweet Wild Sweet Love Love 8:00 PM 2:00 & Please refer to the Academy handbook 8:00 PM for a complete calendar Class Updates, Changes, Reminders: Level 1 (Sunday 1:00 PM): This Sunday February 21, Level 1 1:00-2:15 PM will be taught by Ms. Rosa Compostella (subbing for Ms. Melissa Wood) Level 2 (Sunday 2:15 PM): This Sunday February 21, Level 2 2:15-3:45 PM will be taught by Ms. Rosa Compostella (subbing for Ms. Melissa Wood) Level 6 & 7: This Sunday February 21, Level 6/7 will be taught by Mr. Reginald Harris (subbing for Ms. Dawn Kelly) Lobby Event - Today, February 16 Please be aware that there will be an event held in the main lobby area of Cincinnati Ballet Tuesday February 16, 2016 this evening. 5:00—7:00 PM Due to this event, parking and waiting space will be limited. We greatly appreciate your understanding and cooperation and kindly ask you please plan accordingly. Congratulations Cinderella Kids Cast! The Academy staff extends a big “Congratulations!” to all of our Academy students who were involved in the production of Cinderella this past weekend. Page 3 Weekly Newsletter Summer Programs 2016 - Save the date! At Cincinnati Ballet Academy, we know summer changes everything. With school out of session, summer offers the time and freedom to fuel your passion and take your dancing to the next level. From Kids Dance Camp to Summer Intensive, Cincinnati Ballet Academy hosts a variety of summer programs fit for all levels of training. Below, please see the dates for some of our summer program offerings for 2016. Additional programs will be announced at a later date. Registration for Kids Dance Camp and Youth Summer Intensive will not open for another few weeks. We will notify Academy families when registration materials become available. For more information: Visit http://cballet.org/wordpress/academy/summer-dance-classes/ Kids Dance Camp Monday - Friday, 9:30-12:30 PM Designed for dancers ages 4-8, June 6 - 10, Enchanted Kingdom these week-long programs July 18 - 22, At the Aquarium immerse students in a dance-themed adventure July 25 - 29, Under the Big Top they won’t soon forget! August 1 - 5, Treasures of Toyland Pre Pointe Workshop Monday - Friday, 2:00-4:30 PM June 6 - 10 Essential foundations for success on pointe. Placement in the Pre Pointe Workshop is Designed for dancers ages 10-14 based on teacher evaluation and who have recently relevant classical ballet coursework, along advanced to pointe work. with a current evaluation from a dance medicine professional and qualified instructor for pointe readiness. Youth Summer Intensive One, two, or three weeks available. Proficiency and progress for the July 18 - 22 aspiring pre-professional student! Three unique divisions provide July 25 - 29 individual attention and custom instruction for reaching the next August 1 - 5 level of technical and artistic ability. Division I Division II Division III Formerly known as Summer Dance Experience Formerly known as Summer Dance Workshop Formerly known as Junior Summer Intensive Monday—Friday, 1:00-4:30 PM Monday—Friday, 1:00-5:30 PM Monday—Friday, 1:00-5:30 PM *Note: In the coming weeks, current Academy students in Main Division Levels 1—3 will receive a letter stating their placement in the appropriate division of Youth Summer Intensive. Page 4 Weekly Newsletter Summer Programs 2016 continued... Summer Intensive A nationally recognized program Two, three, four, and five week offering intensive dance training to sessions available. students ages 12 and up. June 13 - July 15 Acceptance is by audition only. *Note: Academy students in Level 4 or below who are 12 years old and up, must attend one of the auditions (January 16 or February 21) to be considered for acceptance into the Summer Intensive program. The audition fee is waived for current Academy students. Fuzi Shoe Fitting with Xijun Fu A former Cincinnati Ballet company member and the creator and owner of FUZI, Mr. Xijun Fu, will be visiting Cincinnati Ballet on Wednesday February 17th to offer free individual pointe and ballet flat shoe fittings. Mr. Fu is offering these fittings to Cincinnati Ballet company dancers and any interested Academy students. This is not a requirement for any student, but an opportunity for those who may be interested. Please note, pointe shoe fittings are only for students currently dancing on pointe. Promotion sale prices are only $50 for pointe shoes and $20 for ballet flat shoes. Take advantage of this special opportunity and discounted prices! What: Individual pointe and ballet flat shoe fitting with Mr. Fu For more information about Mr. Fu and FUZI When: Wednesday February 17, 2016 products, please visit: 4:00—6:00 PM for interested Academy students No appointment necessary http://www.fuzi.net/products/ Where: Cincinnati Ballet- Studio D (downstairs) Wild Sweet Love: March 18 - 19 A triple-bill collaboration with BalletMet Columbus featuring Balanchine’s Who Cares? Age of Innocence: As a special treat, Wild Sweet Love: Featuring contemporary Who Cares?: Marking our sixth shared BalletMet Columbus performs Age of music from Roberta Flack to Queen, Trey production, we are bringing back this Innocence, choreographed by their own McIntyre’s Wild Sweet Love takes the Balanchine favorite in a big way with a full artistic director, Edwaard Liang. This modern audience on a tempestuous journey through corps de ballet in collaboration with BalletMet piece is inspired by Jane Austen and set to the ups and downs of love. Audiences may Columbus! Backed by some of Gershwin’s music by Thomas Newman and Philip be familiar with McIntyre’s acclaimed most popular melodies, George Glass. Two seasons ago, Cincinnati was piece Chasing Squirrel which was performed Balanchine’s Who Cares? celebrates the spirit treated to a performance of Liang’s on tour at New York’s Joyce Theater and of Broadway with an atmosphere evocative of Wunderland by BalletMet, which was returned to wow Cincinnati audiences last a fresh and exuberant New York City. Gallivant punctuated by Cincinnati Ballet and season. through city streets to toe tapping favorites such as I Got Rhythm and Who Cares?! BalletMet joining forces for Symphony in C. .
Load more

Recommended publications
  • AUDITION for FOUR COMPANIES in One Great Workshop
    Serious High School, College & Conservatory Dancers AUDITION for FOUR COMPANIES in One Great Workshop June 29, 2020 - August 2, 2020 Only 32 Dancers Accepted Classes with these Directors... Hope Muir Robert Curran Charlotte Ballet Louisville Ballet James Sofranko Adam Sklute Grand Rapids Ballet West Ballet PLUS other fantastic faculty! SUMMER 2020 INTENSIVE PERFORMANCE WORKSHOP June 29, 2020 – August 2, 2020 Study with Artistic Directors: Hope Muir, Charlotte Ballet Robert Curran, Louisville Ballet Adam Sklute, Ballet West James Sofranko Grand Rapids Ballet Monday - Saturdays 10am – 6pm (6 days per week) Tuition: $1,995 Cincinnati Ballet’s Victoria Morgan during a “Meet the Director” Lunch/Lecture • Use class as an Audition for these four companies. • Meet and ask questions of these Directors during the “Meet the Director” lecture series. • Classes in ballet technique, pointe technique, variations, together with jazz and modern will be included. Additional classes in Pilates and hip-hop will also be included. • Dance enrichment sessions of the workshops will include: question-and-answer ses- sions with professional dancers, technical theater production, video critique of his- toric ballet performances, plus discussions on resume, make-up and audition skills. • In the [Performance Intensive Workshop], you will learn what it is to be a member of a Corps de Ballet dancing with some of the finest professional dancers in the world. • All Performance Workshop Participants will be cast in a full-length production, La Bayadère. Performance: La Bayadère July 31, August 1 & 2, 2020 with Pennsylvania Ballet’s Sterling Baca and Nayara Lopes and San Francisco Ballet’s Sasha de la Sola! About Boca Ballet Theatre: Founded in 1990, Boca Ballet Theatre’s mission is to enrich the cultural landscape of our community and to educate our youth in classical ballet and concert dance through focused training, interaction with professional dancers and participation in full length ballets and contemporary choreog- raphy.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 P.M
    FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.213.4355 [email protected] For Tickets: 816.931.8993 or kcballet.org Kansas City Ballet Announces Stories of Resiliency: Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 p.m. WHO: * Moderator Allan S. Gray II, Former KCB board member and former board member of the Missouri Arts Council. He is also founding board member of the Kansas City Friends of Alvin Ailey. * April Berry, Former apprentice, and ballerina with ballet companies in New York, New Jersey and Washington, D.C., current Director of Community Engagement and Education at Kansas City Ballet and Kansas City Ballet School faculty member. * Karen Brown, Former ballerina with Dance Theatre of Harlem, current Assistant Professor of Dance at UMKC Conservatory, University of Missouri at Kansas City. * Whitney Huell, Former ballerina with Ballet West, current ballerina with Kansas City Ballet and Kansas City Ballet School faculty member. * Josh Bodden, former dancer with Miami City Ballet, Dance Theatre of Harlem, Cincinnati Ballet, current danseur with Kansas City Ballet and Kansas City Ballet School faculty member. WHAT: Four professional black dancers living and working in Kansas City share their journeys on navigating dance careers in the American Ballet World. Moderated by Allan S. Gray II, a respected Kansas City business professional and community leader, each panelist will impart their unique dance experiences, perspectives on diversity, inclusion and equity in ballet and respond to questions from the community sent in advance of the panel, as well as during the panel. Visit www.kcballet.org for more information.
    [Show full text]
  • September 4, 2014 Kansas City Ballet New Artistic Staff and Company
    Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.
    [Show full text]
  • 1415 ALICE (In Wonderland)
    CONTACTS: Allie Honebrink Director of Marketing and Communications Cincinnati Ballet 1555 Central Parkway, Cincinnati, OH 45214 513.562.1137 Direct 859.468.5509 Cell [email protected] FOR IMMEDIATE RELEASE CINCINNATI BALLET PRESENTS ALICE (in wonderland) Celebrate Valentine’s Day in a dazzling world of wonder CINCINNATI, OH. Cincinnati Ballet presents the return of the wildly popular ALICE (in wonderland) this Valentine’s Day weekend, February 13-15 at the Aronoff Center for the Arts. Audiences have five opportunities to see this bold, spectacular take on Lewis Carroll’s classic stories with live instrumentation by the Cincinnati Symphony Orchestra. From the revolutionary vision of The Washington Ballet’s Septime Webre, ALICE (in wonderland) is refreshingly original, having premiered regionally in 2012, and showcases modern production elements such as elaborate, eye-popping scenery and characters who take flight. The production features gorgeous costumes by Liz Vandal and a commissioned score by Matthew Pierce. Cincinnati audiences may be familiar with Webre as the choreographer of Cincinnati Ballet’s praised production of Peter Pan, performed earlier this season. Liz Vandal is a celebrated costume designer whose unique, elaborate designs have graced the stage of Cirque du Soleil. The original score was created for an ensemble orchestra, but Cincinnati audiences will experience a version that is expanded to utilize the breadth of the magnificent Cincinnati Symphony Orchestra. Webre worked closely with composer, Pierce, throughout the creative process to give each character its own unique musical sound effects, bringing each of the favorite characters to life on stage. The vibrant cast is comprised of a combination of Cincinnati Ballet dancers, children from the Otto M.
    [Show full text]
  • For Immediate Release Media Contact
    FOR IMMEDIATE RELEASE MEDIA CONTACT: Jacalyn Lawton Public Relations Manager [email protected] [email protected] THEATER DISTRICT HOUSTON BOARD OF DIRECTORS APPOINTS JIM NELSON TO CHAIRMAN HOUSTON, TEXAS [Dec. 21, 2020] — Theater District Houston Board of Directors appoints Jim Nelson as its new Chairman. Nelson, Executive Director of Houston Ballet, will serve as the Chairman until September 2022. “I am honored to represent Houston’s expansive Theater District,” says Nelson. “The talent we have in our city is immense, and we have all showed the world our resiliency and creativity during this turbulent year.” Nelson succeeds Perryn Leech, who served in the role since 2014. Leech will depart Houston in March 2021 to assume the General Director seat at Canadian Opera Company, per his November announcement. “The Theater District is stronger due to Perryn’s leadership,” says Nelson. “He will be greatly missed, and we wish him the best on his next chapter.” Nelson has spent nearly his entire career in the arts. Beginning as a professional dancer, he performed for 11 years with Cincinnati Ballet, Houston Ballet and Ballet de Santiago. After retiring from the stage, Nelson was named general manager of Houston Ballet in August 2000. In 2005, he was selected for and attended the Stanford University Graduate School of Business Executive Program for Non-Profit Leaders. Since assuming the role of Houston Ballet’s Executive Director in 2012, Nelson has led the nonprofit through a period of transformational growth and acclaim. His tenure has included the pursuit of building large-scale, full-length ballets and expanding Houston Ballet's international exposure.
    [Show full text]
  • University of Oklahoma Graduate College Second and Trainee Companies in the United States
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SECOND AND TRAINEE COMPANIES IN THE UNITED STATES: AN ANALYSIS OF PAST AND PRESENT MISSIONS A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF FINE ARTS IN DANCE By TYE ASHFORD LOVE Norman, Oklahoma 2016 SECOND AND TRAINEE COMPANIES IN THE UNITED STATES: AN ANALYSIS OF PAST AND PRESENT MISSIONS A THESIS APPROVED FOR THE SCHOOL OF DANCE BY ______________________________ Mr. Jeremy Lindberg, Chair ______________________________ Mr. Ilya Kozadayev ______________________________ Mr. Robert Bailey © Copyright by TYE ASHFORD LOVE 2016 All Rights Reserved. Acknowledgements I first want to thank my extraordinary committee members who without their inspiration in class and in life this document could not be possible, chair Jeremy Lindberg, as well as Ilya Kozadayev and Robert Bailey. I also want to thank the faculty of the University of Oklahoma School of Dance for their continuous support throughout my career, and valuable guidance from Dean Mary-Margaret Holt. I am also lucky to have the best family you could ask for, and their support is priceless. The phone call from home everyday is something I always look forward to. Thank you so much Mom and Dad! I also want to salute my amazing wife who is my biggest fan, thesis editor, best friend, and greatest love. I want to dedicate this document to my late mentor, John Magnus. John inspired many, including myself, to pursue a career in dance with his incredible passion and knowledge of guiding dancers. A passion I hope to pass down to future generations.
    [Show full text]
  • Season 8 Nutcracker Media
    ! FOR IMMEDIATE RELEASE November 13, 2017 Contact: Erika Overturff (Artistic Director & CEO), 402-541-6946 Click here for downloadable full-resolution photos NEW RUSSIAN DANCE ADDS FLAIR TO THE NUTCRACKER OMAHA — A lively new Russian dance will premiere next week in Ballet Nebraska’s upcoming production of The Nutcracker. The Russian dance is typically an audience favorite, said Erika Overturff, Ballet Nebraska’s founder and artistic director. "The music is some of the most well-known and memorable in the entire ballet," she said. "The new Russian dance is a high-energy piece featuring two men and three women. Tchaikovsky's spirited music for this variation provided inspiration for the new choreography, which combines Russian folk steps, fast turns, and big jumps and tricks.” "Our new costume designs complete the effect," she said, "showcasing colorful fabrics in blue and teal, black fur trim, grand swirling skirts for the women, and of course boots and fur hats!" Beyond the new Russian dance, Overturff said, The Nutcracker will continue the traditional scenes and colorful characters that audiences appreciate: young Clara, whose dreams take her on a fantastic journey; her mysterious uncle Drosselmeyer; the menacing Rat Queen; the delicate Sugar Plum Fairy; and more. This combination of a charming story, lively action, and brilliant music and dancing makes The Nutcracker a ballet with something for everyone, she said. “In any Nutcracker audience you’re likely to find children enjoying their first ballet experience… families sharing a beloved tradition… and experienced ballet fans savoring the brilliant classical style and the artists’ interpretations,” she said.
    [Show full text]
  • Too Hot to Handel Cincinnati Ballet's the Nutcracker Les Ballets
    Too Hot to Handel November 29, 30 2003 Cincinnati Ballet's The Nutcracker December 5-14 2003 Les Ballets Africains February 27 2003 Dance Theatre of Harlem March 4-7, 2003 DETROIT Home of Michigan Opera Theatre David DiChiera, General Director DAIMLERCHRYSLER DaimlerChrysler Corporation Fund Copyright 2010,2003-04 Michigan Dance Series Opera Theatre No one can guarantee success. But knowing how to rehearse for it certainly helps. With over 250 relationship managers dedicated to one-on -one service, a full array of the latest financial products, and an emphasis on helping local businesses succeed, the Standard Federal Commercial Banking team makes sure your needs are always front and center. For more information, call 1-248-822-5402 or visit standardfede ralbank.c om . True Possibility. Standard Federal Bank ABN AMRO standardfederalbank.com ©2003 Standard Federal BankNA Copyright 2010, Michigan Opera Theatre Sur ender to Love DETROIT OPERA HOUSE . HOME OF MICHIGAN OPERA THEATRE ]B~VO 2003-2004 The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Winer CONTRIBUTORS Dr. David DiChiera, General Director Matthew S. Birman, Editor Laura Wyss cason Michigan Opera Theatre Staff PUBLISHER ON STAGE Live Publishing Company TOO HOT TO HANDEL. .4 Frank Cucciarre, Design and Art Direction Program ............ .5 Blink Concept &: Design, Inc. Production Artist Profiles .................. ... ...... .6 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Rackham Symphony Choir ..... .. .............. .7 Marygrove College Chorale and Soulful Expressions Ensemble 7 Physicians' service provided by Henry Ford Medical Center. Too Hot to Handel Orchestra ... .... .... ........ 7 THE NUTCRACKER .9 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House.
    [Show full text]
  • Preparatory Dance Program Guidelines
    Table of Contents DANCE AT PEABODY 3 ARTISTIC STAFF 4 DANCE FACULTY 5 TRAINING PROGRAMS 8 Young Children’s Program 8 Primary Ballet Program 8 Pre-Professional Program 9 Open Program 11 Estelle Dennis/Peabody Dance Training Program For Boys 12 PREPARATORY DANCE POLICIES 13 APPERANCE GUIDELINES 14 ATTENDANCE POLICIES AND PROCEDURES 15 PERFORMANCE INFORMATION 16 OTHER DANCE OPPORTUNITIES 17 2 Peabody Preparatory Dance The Dance Department of the Peabody Preparatory is one of the oldest continuously-operating dance training cen- ters in the United States. Starting with the first class in eu- rhythmics offered in 1914, and throughout its remarkable life span, the Preparatory Dance Department has pio- neered new dance forms, mounted numerous collabora- tive projects, partnered with prominent figures in 20th and 21st century American dance, and produced accomplished professional dancers, choreographers, directors, and teachers. Barbara Weisberger, visionary leader and founder of Penn- sylvania Ballet, served as Artistic Adviser for the Preparatory Dance Department from 2001-2018. Working closely with late Director Carol Bartlett (Chair 1988-2012), Weisberger reinvigorated the ballet curriculum and expanded prepara- tory dance’s programing. Now Under the leadership of Melissa Stafford, Chair since 2012, Preparatory Dance is keeping in step with the progression of American dance into the 21st century and remains committed to: offering high-quality dance training for stu- dents of all levels age 3 to adult; presenting imaginative professional-level perfor- mances; offering Pre-Professional Ballet and Contemporary dance summer inten- sives; partnering with our community through master classes, seminars, work- shops, and other dance events – most offered free of charge; and training and supporting male dancers through the ground-breaking Estelle Dennis/Peabody Dance Training Program for Boys.
    [Show full text]