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February 2009 I COMIN’AT ‘CHA!I 2008 SASS Southwest Regional Match
MercantileEXCITINGSee section our (starting on page 94) NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle PagePagePage 111 The Cowboy Chronicle~ The Monthly Journal of the Single Action Shooting Society ® Vol. 22 No. 2 © Single Action Shooting Society, Inc. February 2009 i COMIN’AT ‘CHA!i 2008 SASS Southwest Regional Match By Ringo Fire, SASS Life #46037 and Buffy Lo Gal, SASS Life #46039 ES!!! It’s finally here!!! HIGHLIGHTS start on page 73 I’ve been waiting … what?!? It’s over??? check out the vendors, and get ready Y Bull Shoals, SASS for side matches in the afternoon. #25400, summed it up when he said, Side matches were the routine pis- “When you check in on Thursday it’s tol, rifle, and shotgun speed match- like getting on a non-stop carnival es, along with derringer, pocket pis- ride, and when you open your eyes, tol, and long-range events. it’s already Sunday, and it’s over!” Following the side matches was That’s pretty much the way it a Wild Bunch match, under the went at Comin’ at ‘Cha, the 2008 direction and coordination of Goody, SASS Southwest Regional. It was SASS #26190, and Silver Sam, SASS four days of full-tilt boogie, non-stop #34718. That evening was the Cow- action, and fun. T-Bone Dooley, SASS boy Garage Sale (although some #36388, has always called Comin’ at pards did some early shopping while ‘Cha a party with a shoot thrown in, side matches were being shot) where and this year was no different. Okay, folks could try to sell stuff they had the theme was different … Mardi laying around the house or RV they Gras!!! And this year it was the no longer wanted, followed by the SASS Southwest Regional Cham- first night of Karaoke and the accom- pionship … but, you know what I Mardi Gras was the match theme … the festivities started during opening panying general rowdiness. -
Mutual Aesthetics Joseph D
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 Mutual Aesthetics Joseph D. Sherry Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Film and Media Studies Commons, and the Visual Studies Commons Recommended Citation Sherry, Joseph D., "Mutual Aesthetics" (2016). Honors Projects Overview. 117. https://digitalcommons.ric.edu/honors_projects/117 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. MUTUAL AESTHETICS VISUAL STYLE IN THE FILMS OF F.W. MURNAU AND JOHN FORD, 1928-1941 By Joseph D. Sherry An Honors Project Submitted in Partial Fulfillment Of the Requirements for Honors In The Film Studies Program The School of Arts and Sciences Rhode Island College 2016 Sherry 1 Introduction F.W. Murnau wrote, “All great arts have had great artists born to understand them as no other men can, and the motion picture is the single art expression of our age.”1 Murnau made this remark shortly after his masterpiece, Sunrise: A Song of Two Humans (1927), was released by Fox Film Corporation. Sunrise’s production riveted the entire studio lot due to its scope and Murnau’s international reputation; its subsequent critical success solidified Murnau’s place in Fox’s top-tier of directors. But John Ford, also one of Fox’s top-tier directors, once brusquely remarked, “It’s no use talking to me about art . -
Bucking Boradway
Bucking Broadway: A Rediscovered Treasure Archived under the wrong name by a collector in 1970, the film had rested in an archive storage cell for almost 30 years when it was finally identified as one of John Ford’s lost films. Harry Carey acted in this Western love story which has now been digitally restored. It was a major hit back in its day, because of the furious horse ride through the streets of New York and because of the big fight at the end. « Bucking Broadway: A Rediscovered Treasure », A Journey of Discovery AFF – CNC on www.cnc-aff.fr page 1/12 Rediscovery Each year, around 1,000 films are deposited with the French film archives at the CNC. One of the CNC’s missions is to catalogue these films. During the cataloguing process, workers note the information listed on the film box labels and in the credits at the beginning of the film, if any. For silent films, the first title cards sometimes provide some information, but that is rare. Boxes to be catalogued This initial information is not always correct: a film may be kept in the wrong box or, as was often the case for silent films shown at carnivals, the name of the film may have been changed in order to make it more appealing and a better sell. The Catalogue The films are then reconsidered during a more in-depth cataloguing process, and that is when surprises can occur! That is how, 30 years after they were deposited by a collector, four reels of a film called Drame au Far West ended up being studied by an Archives librarian specialized in John Ford films. -
John Ford Birth Name: John Martin Feeney (Sean Aloysius O'fearna)
John Ford Birth Name: John Martin Feeney (Sean Aloysius O'Fearna) Director, Producer Birth Feb 1, 1895 (Cape Elizabeth, ME) Death Aug 31, 1973 (Palm Desert, CA) Genres Drama, Western, Romance, Comedy Maine-born John Ford originally went to Hollywood in the shadow of his older brother, Francis, an actor/writer/director who had worked on Broadway. Originally a laborer, propman's assistant, and occasional stuntman for his brother, he rose to became an assistant director and supporting actor before turning to directing in 1917. Ford became best known for his Westerns, of which he made dozens through the 1920s, but he didn't achieve status as a major director until the mid-'30s, when his films for RKO (The Lost Patrol [1934], The Informer [1935]), 20th Century Fox (Young Mr. Lincoln [1939], The Grapes of Wrath [1940]), and Walter Wanger (Stagecoach [1939]), won over the public, the critics, and earned various Oscars and Academy nominations. His 1940s films included one military-produced documentary co-directed by Ford and cinematographer Gregg Toland, December 7th (1943), which creaks badly today (especially compared with Frank Capra's Why We Fight series); a major war film (They Were Expendable [1945]); the historically-based drama My Darling Clementine (1946); and the "cavalry trilogy" of Fort Apache (1948), She Wore a Yellow Ribbon (1949), and Rio Grande (1950), each of which starred John Wayne. My Darling Clementine and the cavalry trilogy contain some of the most powerful images of the American West ever shot, and are considered definitive examples of the Western. Ford also had a weakness for Irish and Gaelic subject matter, in which a great degree of sentimentality was evident, most notably How Green Was My Valley (1941) and The Quiet Man (1952), which was his most personal film, and one of his most popular. -
SHOWDOWN at BUCK CREEK, the SOUTWESTERN REGIONAL by Captain George Baylor, SASS Life #24287 Photos by Major Photography
MercantileSee section our NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle PagePagePage 111 (starting on page 90) ew Y NEW Happy N ear! The Cowboy Chronicle~. The Monthly Journal of the Single Action Shooting Society ® Vol. 20 No. 1 © Single Action Shooting Society, Inc. January 2007 SHOWDOWN AT BUCK CREEK, THE SOUTWESTERN REGIONAL By Captain George Baylor, SASS Life #24287 Photos by Major Photography leburne, TX – The Ormsby See HIGHLIGHTS on page 73 Ranch is located in a lovely C part of Texas (as if there night, gave Texans an opportunity were any unlovely parts), south of to wear cowboy clothes we don’t usu- Fort Worth, north of Waco, in farm- ally wear because of the tempera- ing/ranching country. It has a well ture. Nueces Outlaw met me laid out shooting range with room Thursday morning wearing a for all the necessary stages, perma- Confederate Greatcoat. This may be nent props and buildings, and room common garb in colder climates, but for all of the campers and RVers that it’s rare in Texas (though, I suppose, arrive for a major SASS match. The not as rare as a Yankee Greatcoat). weather was perfect, chilly in the Friday morning the stages start- morning and seventies in the after- ed on time and ended on time. noon. Singlehandedly, I prevented Obviously the committee had been any rain. How? I remembered to keeping up with the “discussions” bring my $179 Fish Raincoat. Yes, I about what constitutes a good stage know Fish Raincoat replicas are $69 on the SASS Wire and in Tex’s edito- now. -
2000 Membership Cards ($1) Reserved Over the Phone
See you at the mo vi e s . Proud supporter of qu ee r events everywher e. Van c o u v er’s Gay & Lesbian Biweekly 1033 Davie Street, Suite 501, V an c o u v er, BC V6E 1M7 Tel : 604.684.9696 Fax : 604.684.9697 Email : xw ad ve r t i s i n g @ x t r a . c a CONTENTS Z Orientation 3 Sponsors 4 Acknowledgements 5 More Sponsors 6 Politicians’ Welcomes 8 Out On Screen Welcome 11 Mission Statement / Who We Are 13 Gerry Brunet Memorial Award 15 Presenting Community Programming 17 Opening Gala Z Punks 19 Opening Gala Z Chutney Popcorn 21 Z But I’m a Cheerleader 22 Z Wolves of Kromer / Hell for Leather 22 Z Gypsy Boys 23 Out On Screen Video Scholarship Program Z First Exposure 24 Z Millennial Guide to Gay Dating: Find ‘em, Love ‘em, Leave ‘em 25 Z Secrets Between Us 25 Z Intimates 26 Z Miguel / Michelle 26 Z Straightman / Campfire 27 CALENDAR 29 Z Living With Pride: Ruth Ellis @ 100 / Meeting Mr. Crisp 31 Z Love is an Art 31 Z Trans Shorts / Trans Panel 32 Z Our House / Baby Steps/ We’re Fathers Too 33 Z Two Brothers 33 Z Through Our Eyes: Women’s Shorts 34 Z Sexual Tourists: Going Bi Way 34 Z Working for Love 35 Essay 36 Z Latin Queens / Out and About / Stand by Your Man 37 Z Casablanket / Lovely is Your Name / Switch 39 Z Wicked: A Queer Exploration of Religion and Ritual 39 Z Queeressentials 40 Z And the Beat Goes On. -
February 2008 .A SHOOTING in SIN CITY
MercantileEXCITINGSee section our NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle(starting on PagepagePagePage 92) 111 The Cowboy Chronicle~ The Monthly Journal of the Single Action Shooting Society ® Vol. 21 No. 2 © Single Action Shooting Society, Inc. February 2008 .A SHOOTING IN SIN CITY . 6th Annual SASS Convention & Wild West Convention By Billy Dixon, SASS Life/Regulator #196 Photos by Black Jack McGinnis, SASS #2041 dress in funny old See HIGHLIGHTS on pages 74, 75 clothes, and some join to do some seri- and singles wearing their very best. ous costuming. Ladies adorned in close-fitting white From Wednes- or pearl satin and silk, or dazzling day evening when the eye in unexpected contrasts of Sugar Britches and I purple and green, or hand rolled yel- checked into the low roses on gun metal blue. Men as Riviera Hotel and strutted as peacocks in charcoal gray L Vegas, Casino we never set Prince Albert frocks over blood red Nevada – Well, the 6th Annual foot outside the vests. Long, trimmed moustaches SASS Convention & Wild West hotel until Sunday were shadowed by wide brimmed Christmas is added to the pages of morning when we Stetsons or tall silk stovepipe hats. history, and I for one am changed by checked out and The smell of exotic perfumes and its passing. Being wrong is a hateful departed for home. after-shaves wafted by with each experience for me, and I’ve been Between arrival and passing reveler. Layers of starched wrong. Having attended various departure, we had silk petticoats rustled with every Ends of Trail and other SASS func- one of the greatest step, while bustles added shape and tions for more than 20 years now, I SASS experiences texture to mystery. -
The Arizona Historical Review
Arizona Historical Review, Vol. 4 No. 3 (October 1931) Item Type text; Article Publisher Arizona State Historian (Phoenix, AZ) Journal Arizona Historical Review Rights This content is in the public domain. Download date 04/10/2021 15:27:04 Link to Item http://hdl.handle.net/10150/623324 THE ARIZONA HISTORICAL REVIEW Vol. IV. October, 1931. No. 3. CONTENTS The Pleasant Valley War _ 5 Its Genesis, History and Necrology BY WILL C. BARNES Captain Thomas H. Rynning 3 5 BY JOE CHISHOLM Some Unpublished History of the Southwest 50 Containing the Diary of Mrs. Granville H. Oury, Wife of the First Delegate from Arizona to the Confederate Congress, Kept as She Fled with Her Husband into Mexico following the Civil War, after Refusing the Oath of Allegiance BY COL. CORNELIUS C. SMITH Apache Misrule _64 BY JOHN P. Cwm Arizona Museum Notes 72 BY ELIZABETH S. OLDAKER Book Reviews _73 Editorial Notes 79 Contributors 79 Last Frontier 81 Published Quarterly by the ARIZONA STATE HISTORIAN EFFIE R. KEEN SIDNEY KARTUS Editor Managing Editor Associate Editors Contributing Editors JOHN P. CLUM GOLDIE WEISBERG WILL C. BARNES RUFUS KAY WYLLYS EFFIE R. KEEN, STATE HISTORIAN JOHN ARTHUR NELSON Advertising and Circulation Manager Subscription $3.00 a year. Single copies MOO. Entered as second class matter at the Postoffice at Phoenix, Arizona, under Act of Congress, October 3, 1917, Sec. 395. ARIZONA HISTORY FOR SALE The following books, published by the state, are for sale at the office of the State Historian, Capitol Building, Phoenix, Arizona. Farish History of Arizona Volumes I and 2 Price $1.50 per volume A limited number of Volumes 5 and 6 of this History at $5.00 per volume A few unbound copies of Volumes Three and Four of the Farish History at $3.00 each. -
Nanticoke Legacy
\ NANTICOKE LEGACY NANTICOKE HISTORICAL SOCIETY NEWSLETTER Samantha Mill House, 495 E. Main Street, Nanticoke, PA – 570-258-1367 IN THIS ISSUE: SOCIETY NEWS: * Society Sponsors Premier of Huber Breaker Film *It started with a medal *The Nanticoke Hospital Clock the Saga Continues IN HONOR OF OUR MILITARY A NANTICOKE HERO WILL BE MISSED NANTICOKE’S LINK TO MURDER INC. A LEADER IN NANTICOKE MYSTERY QUESTION LAST ISSUES ANSWER - PLUS OUR NEW QUESTION: OUR TOWN NANTICOKE DVDS ARE AVAILABLE JUST WHAT IS A DON’T MISS OUT ON THIS FABULOUS DOCUMENTARY COAL BALL? CALL THE SOCIETY OFFICE TODAY AT 570-258-1367 A MILLION MEMORIES ….GONE EDITORS NOTE Volume 2, Issue 22 FEBRUARY 2020 1 NANTICOKE HISTORICAL SOCIETY MISSION STATEMENT: The object of this society is for educational, charitable, and literary purposes with a primary focus to research, preserve, develop and disseminate the history of Nanticoke, Pennsylvania. To collect artifacts, memorabilia and historical documents and facts of Nanticoke, Pennsylvania and to store such items in a central location or specific area where these articles may be preserved, appreciated and used by the citizens of Nanticoke to enhance their heritage NANTICOKE HISTORICAL SOCIETY Samantha Mill House Upcoming meeting (Next to the Mill Memorial Library) schedule Off Kosciuszko Street 495 East Main Street Nanticoke, PA 18634 570-258-1367 FEBRUARY 27 MARCH 26 APRIL 30 Our Web Site www.nanticokehistoryonline.org All meetings take place at 7 Email p.m. the last Thursday of Office email - [email protected] the month at the Samantha Newsletter email - [email protected] Mill House located next to the Mill Memorial Library. -
The Arizona Historical Review
THE ARIZONA HISTORICAL REVIEW Vol. IV. October, 1931. No. 3. CONTENTS The Pleasant Valley War ______________________________________________ _ Its Genesis, History and Necrology BY WILL C. BARNES Captain Thomas H. Rynning ________________ _ ________ 35 BY JoE CHISHOLM Some Unpublished History of the Southwest _____ _ ____50 Containing the Diary of Mrs. Granville H. Oury, Wife of the First Delegate from Arizona to the Confederate Congress, Kept as She Fled with Her Husband into Mexico following the Civil War, after Refusing the Oath of Allegiance BY COL. CoRNELIUS C. SMITH Apache Misrule _________________________64 BY JoHN P. CLUM Arizona Museum Notes _________________________________~ z BY ELIZABETH s. OLDAKER Book Reviews _______ Editorial Notes __________ -79 Contributors __________ -79 Last Frontier_______ 81 Published Quarterly by the ARIZONA ST A TE HISTORIAN EFFIE R. KEEN SIDNEY KARTUS Editor Managing Editor Associate Editors Contributing Editors JOHN P. CLUM GOLDIE WEISBERG WILL C. BARNES RUFUS KAY WYLLYS EFFIE R. KEEN, STATE HISTORIAN JOHN AR THUR NELSON Advertising and Circulation Manager Subscription $3.00 a year. Single copies $1.00. Entered as second class matter at the Postoffice at Phoenix, Arizcma, under Act of Congress, October 3, 1917, Sec. 395. ARIZONA HISTORY FOR SALE The following books, published by the state, are for sale at the office of the State H istorian, Capitol Building, Phoenix, Arizona. Farish History of Arizona Volumes I and 2 Price $1. 50 per volume A limited number of Volumes 5 and 6 of this History at $ 5.00 per volume A few unbound copies of Volumes Three and Four of the Farish H istory at $3 .00 each. -
10485.Ch01.Pdf
© 2007 UC Regents Buy this book University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its ac- tivities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Every effort has been made to identify and locate the rightful copyright holders of all material not specifically commissioned for use in this publication and to secure permission, where applicable, for reuse of all such ma- terial. Credit, if and as available, has been provided for all borrowed material either on-page, on the copyright page, or in an acknowledgement section of the book. Errors, omissions, or failure to obtain authorization with respect to material copyrighted by other sources has been either unavoidable or unintentional. The au- thor and publisher welcome any information that would allow them to correct future reprints. Library of Congress Cataloging-in-Publication Data Kalinak, Kathryn Marie, 1952–. How the West was sung : music in the westerns of John Ford / Kathryn Kalinak. p. cm. Includes bibliographical references and index. isbn-13: 978-0-520-25233-2 (cloth : alk. paper) isbn-13: 978-0-520-25234-9 (pbk. : alk. paper) 1. Ford, John, 1894–1973—Criticism and interpreta- tion. 2. Motion picture music—United States—History and criticism. I. -
Microsoft Outlook
Robert Shields From: Jeff Rapsis <[email protected]> Sent: Monday, May 10, 2021 5:38 AM To: silentfilmmusic Subject: Saddle up and rediscover the Western with Town Hall Theatre summer silent film series Attachments: hells_hinges.jpg; salomy_jane.jpg; covered_wagon.jpg; go_west.jpg MONDAY, MAY 10, 2021 / FOR IMMEDIATE RELEASE Contact: Jeff Rapsis • (603) 236-9237 • [email protected] Saddle up and rediscover the old West with Town Hall Theatre summer silent film series Roots of the Western revealed in a dozen rip-roaring and rarely screened silent features, all shown with live music WILTON, N.H.—It's a genre as old as the movies. It's the Western, and its origins will be explored in a summer-long series of rarely screened silent films at the Town Hall Theatre in Wilton, N.H. The series, which includes seven programs and a dozen movies, runs from early June through late August. The screenings are free to the public; a donation of $10 per person is suggested to support the Town Hall Theatre's silent film series. All programs will feature live music by silent film accompanist Jeff Rapsis. "Many of these films are over 100 years old, and so they're not far removed from the 'Old West' depicted in them," Rapsis said. The series ranges from big budget Hollywood epics such as 'The Covered Wagon'—the top grossing film of 1923—to obscure fare such as 'Salomy Jane' (1914), an early feature and the sole surviving film of the California Motion Picture Corp. Along the way, audiences will sample the stern morality of William S.