OMHT Method for Weak Signal Processing of GPR and Its Application in Identification of Concrete Micro-Crack
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Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
The Romance of the Three Kingdoms Podcast. This Is Episode 48. Last
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 48. Last time, Sun Quan and the troops of the Southlands had just defeated and killed Huang (2) Zu (3), a close friend and top commander of Liu Biao, the imperial protector of Jing (1) Province. Sun Quan had also captured the key city of Jiangxia (1,4), which Huang Zu was defending. Upon receiving Huang Zu’s head, Sun Quan ordered that it be placed in a wooden box and taken back to the Southlands to be placed as an offering at the altar of his father, who had been killed in battle against Liu Biao years earlier. He then rewarded his troops handsomely, promoted Gan Ning, the man who defected from Huang Zu and then killed him in battle, to district commander, and began discussion of whether to leave troops to garrison the newly conquered city. His adviser Zhang Zhao (1), however, said, “A lone city so far from our territory is impossible to hold. We should return to the Southlands. When Liu Biao finds out we have killed Huang Zu, he will surely come looking for revenge. We should rest our troops while he overextends his. This will guarantee victory. We can then attack him as he falls back and take Jing Province.” Sun Quan took this advice and abandoned his new conquest and returned home. But there was still the matter of Su (1) Fei (1), the enemy general he had captured. This Su Fei was friends with Gan Ning and was actually the one who helped him defect to Sun Quan. -
Staff and Students
KIB STAFF AND STUDENTS HAN Min CHEN Shao-Tian WANG Ying JI Yun-Heng Director: XUAN Yu CHEN Wen-Yun LI De-Zhu DUAN Jun-Hong GU Shuang-Hua The Herbarium Deputy Directors: PENG Hua (Curator) SUN Hang Sci. & Tech. Information Center LEI Li-Gong YANG Yong-Ping WANG Li-Song ZHOU Bing (Chief Executive) LIU Ji-Kai LI Xue-Dong LIU Ai-Qin GAN Fan-Yuan WANG Jing-Hua ZHOU Yi-Lan Director Emeritus: ZHANG Yan DU Ning WU Zheng-Yi WANG Ling HE Yan-Biao XIANG Jian-Ying HE Yun-Cheng General Administrative Offi ce LIU En-De YANG Qian GAN Fan-Yuan (Head, concurrent WU Xi-Lin post) ZHOU Hong-Xia QIAN Jie (Deputy Head) Biogeography and Ecology XIONG De-Hua Department Other Members ZHAO JI-Dong Head: ZHOU Zhe-Kun SHUI Yu-Min TIAN Zhi-Duan Deputy Head: PENG Hua YANG Shi-Xiong HUANG Lu-Lu HU Yun-Qian WU Yan CAS Key Laboratory of Biodiversity CHEN Wen-Hong CHEN Xing-Cai (Retired Apr. 2006) and Biogeography YANG Xue ZHANG Yi Director: SUN Hang (concurrent post) SU Yong-Ge (Retired Apr. 2006) Executive Director: ZHOU Zhe-Kun CAI Jie Division of Human Resources, Innovation Base Consultant: WU Master' s Students Zheng-Yi CPC & Education Affairs FANG Wei YANG Yun-Shan (secretary) WU Shu-Guang (Head) REN Zong-Xin LI Ying LI De-Zhu' s Group LIU Jie ZENG Yan-Mei LI De-Zhu ZHANG Yu-Xiao YIN Wen WANG Hong YU Wen-Bin LI Jiang-Wei YANG Jun-Bo AI Hong-Lian WU Shao-Bo XUE Chun-Ying ZHANG Shu PU Ying-Dong GAO Lian-Ming ZHOU Wei HE Hai-Yan LU Jin-Mei DENG Xiao-Juan HUA Hong-Ying TIAN Xiao-Fei LIU Pei-Gui' s Group LIANG Wen-Xing XIAO Yue-Qin LIU Pei-Gui QIAO Qin ZHANG Chang-Qin Division of Science and TIAN Wei WANG Xiang-Hua Development MA Yong-Peng YU Fu-Qiang WANG Yu-Hua (Head) SHEN Min WANG Yun LI Zhi-Jian ZHU Wei-Dong MA Xiao-Qing SUN Hang' s Group NIU Yang YUE Yuan-Zheng SUN Hang YUE Liang-Liang LI Xiao-Xian NIE Ze-Long LI Yan-Chun TIAN Ning YUE Ji-Pei FENG Bang NI Jing-Yun ZHA Hong-Guang XIA Ke HU Guo-Wen (Retired Jun. -
Remaking History: the Shu and Wu Perspectives in the Three Kingdoms Period
Remaking History: The Shu and Wu Perspectives in the Three Kingdoms Period XIAOFEI TIAN HARVARD UNIVERSITY Of the three powers—Wei, Shu, and Wu—that divided China for the better part of the third century, Wei has received the most attention in the standard literary historical accounts. In a typical book of Chinese literary history in any language, little, if anything, is said about Wu and Shu. This article argues that the consider- ation of the literary production of Shu and Wu is crucial to a fuller picture of the cultural dynamics of the Three Kingdoms period. The three states competed with one another for the claim to political legitimacy and cultural supremacy, and Wu in particular was in a position to contend with Wei in its cultural undertakings, notably in the areas of history writing and ritual music. This article begins with an overview of Shu and Wu literary production, and moves on to a more detailed discussion of Wu’s cultural projects, both of which were intended to assert Wu’s legitimacy and cultural power vis-à-vis Wei and Shu’s claims to cultural and polit- ical orthodoxy. Ultimately, this article implicitly asks the question of how to write literary history when there is scant material from the period under question, and suggests that we perform textual excavations and make use of what we have to try and reconstruct, as best as we can, what once was. A good literary history of the Chinese medieval period, the age of manuscript culture and that of heavy textual losses and transfigurations, should be written with the awareness of the incomplete and imperfect nature of the data we do have, and incorporate the phenomenon of textual losses and transfigurations as well as some reflections on the underlying reasons into its narrative and critical inquiry. -
International Conference on Engineering and Business Management 2010
International Conference on Engineering and Business Management 2010 (EBM 2010) Chengdu, China 25 - 27 March 2011 Volume 1 of 4 Pages 1 - 740 ISBN: 978-1-61782-807-2 Printed from e-media with permission by: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 Some format issues inherent in the e-media version may also appear in this print version. Copyright© (2010) by the Scientific Research Publishing Inc. All rights reserved. Printed by Curran Associates, Inc. (2011) For permission requests, please contact the Scientific Research Publishing Inc. at the address below. Scientific Research Publishing Inc. P.O. Box 54821 Irvine, CA 92619-4821 Phone: (408) 329-4591 [email protected] Additional copies of this publication are available from: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 USA Phone: 845-758-0400 Fax: 845-758-2634 Email: [email protected] Web: www.proceedings.com Contents Volume 1 Entrepreneurship, Decision and Investment A Study of Corporate Information Disclosure in Social Responsibility Crisis Based on Subjective Game Yongsheng GE………………………………………………………………………………………………………………………(1) The Influence Degree of Management Active Behaviors on Financial Ratios Adjustment Jianguang Zhang, Valerie Zhu, Junrui Zhang, Linyan Sun, Donglin Liu…………………………………………………………(5) A Financial Warning Method for the Listed Companies of Information Industry Based on Bayesian Rough Set Zhang Hongmei, Tong Yuesong…………………………………………………………………………………………………(12) Research on relationship between top management team incentive, ownership -
An Analysis of Chinese Talent Management Strategy: Emphasis on Cao Cao’S Competencies from the Records of the Three Kingdoms
AN ANALYSIS OF CHINESE TALENT MANAGEMENT STRATEGY: EMPHASIS ON CAO CAO’S COMPETENCIES FROM THE RECORDS OF THE THREE KINGDOMS LU KUICHENG A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HUMAN RESOURCE DEVELOPMENT DEPARTMENT OF INTERNATIONAL GRADUATE STUDIES IN HUMAN RESOURCE DEVELOPMENT FACULTY OF EDUCATION BURAPHA UNIVERSITY MAY 2018 COPYRIGHT OF BURAPHA UNIVERSITY ACKNOWLEDGEMENTS I wish to express my sincere gratitude to the many people who supported and helped me in the completion of this study. For my worthily principle advisor Associate Professor Dr.Chalong Tubsree, I send my heartfelt thanks for his patience and guidance in helping me. In the process of composing this paper, he gave me much academic and constructive advice, and helped me to correct my paper. Without his enlightening instruction, impressive kindness and patience, I could not have completed my thesis. His keen and vigorous academic observation enlightened me not only in this thesis but also in my future study. At the same time, I would like to express my appreciation to my Co-advisor, who gave me useful literature knowledge and information in this paper. She is Assist. Prof. Dr. Wilai Limthawaranun. I am very grateful for her patient guidance in the course of my thesis writing. Finally, I would like to thank the teachers who helped me during my entire study process in the International Graduate Studies Human Resource Development Center of Burapha University. Dr. Watunyoo Suwannaset, Dr. Chalermsri Chantarathong and Rattanasiri Khemraj in the IG-HRD office, thank you for taking care of me meticulously for the last three years. -
Descriptions of the Various Characters in the Game
Characters from Killers of the Three Kingdoms Zhou Yu (175-210) Zhen Luo (183-221) One of the most capable strategists for Sun Ce and his First wife of Wei's first emperor, Cao Pi. At a young age successor Sun Quan. In 200, Sun Ce was assassinated and she was personally involved in famine relief and gained power passed to his brother, Sun Quan. Zhou Yu took over the praise of many people. Her first husband was the son military affairs while Zhang Zhao was given domestic of the warlord Yuan Shao, who was defeated by Cao Cao affairs. Around this time, Cao Cao defeated Yuan Shao at the Battle of Guandu in 200.. After his death, his sons and he demanded that Sun Quan send a family member became involved in internecine struggles over their hostage. Zhou Yu advised against sending a hostage. This father's vast domain. Cao Cao played the two brothers off raised Zhou Yu's respect within the Sun family, and he against each other and eventually conquered all of the was treated as an elder brother by Sun Quan. In 206, Zhou Yuans' territory. During this campaign Cao Cao captured Yu attacked the local bandits, capturing over ten thousand Yecheng and his son Cao Pi, upon seeing Lady Zhen, and resettled them. In 208, Sun Quan ordered an attack on became obsessed with her beauty. Even though her Jiangxia, which was protected by the Sun family's husband was still alive at this point, Cao Pi forced her into nemesis, Huang Zu. Zhou Yu led the navy, and along with marriage. -
Coword and Cluster Analysis for the Romance of the Three Kingdoms
Hindawi Wireless Communications and Mobile Computing Volume 2021, Article ID 5553635, 8 pages https://doi.org/10.1155/2021/5553635 Research Article Coword and Cluster Analysis for the Romance of the Three Kingdoms Chao Fan 1,2 and Yu Li1,2 1The School of Artificial Intelligence and Computer Science, Jiangnan University, Wuxi 214122, China 2Jiangsu Key Laboratory of Media Design and Software Technology, Jiangnan University, Wuxi 214122, China Correspondence should be addressed to Chao Fan; [email protected] Received 1 March 2021; Revised 12 March 2021; Accepted 19 March 2021; Published 1 April 2021 Academic Editor: Shan Zhong Copyright © 2021 Chao Fan and Yu Li. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The Romance of the Three Kingdoms (RTK) is a classical Chinese historical novel by Luo Guanzhong. This paper establishes a research framework of analyzing the novel by utilizing coword and cluster analysis technology. At the beginning, we segment the full text of the novel, extracting the names of historical figures in the RTK novel. Based on the coword analysis, a social network of historical figures is constructed. We calculate several network features and enforce the cluster analysis. In addition, a modified clustering method using edge betweenness is proposed to improve the effect of clustering. Finally, both quantified and visualized results are displayed to confirm our approach. 1. Introduction ysis, cluster analysis, experiments, and the analysis of results. Conclusions are drawn in Section 6. The Romance of the Three Kingdoms, written by Luo Guanzhong, is generally considered to be one of the four great 2. -
The Romance of the Three Kingdoms Podcast. This Is Episode 105
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 105. Before we pick up where we left off, I have a quick announcement. Around the beginning the year, I appeared on the Sinica Podcast, where I had a great time chatting with Kaiser Kuo and Jeremony Goldkorn about the Three Kingdoms Podcast and about the cultural significance of the novel. So go over to the Sinica podcast, that’s spelled S-I-N-I-C-A, and check it out. And now, back to the show. Last time, Liu Bei was riding high as he crushed Dongwu in one battle after another in his quest to avenge his slain brothers. It got so bad for Dongwu that Sun Quan offered up a really sweet peace deal. He delivered into Liu Bei’s hands the two guys who assassinated Zhang Fei, and he promised to return Jing Province and Lady Sun, Liu Bei’s wife and Sun Quan’s sister. He also offered to be Liu Bei’s ally for all of eternity if Liu Bei would just call off his war, especially seeing how most of the people directly involved in his brothers’ deaths were now themselves dead. When the envoy and Liu Bei’s officials broached the topic of peace, however, Liu Bei flew into a rage. “The one I despise most is Sun Quan. If I ally with him now, I would be turning my back on my oath with my brothers. I shall exterminate Dongwu first, and then wipe out Wei.” Liu Bei even wanted to execute Dongwu’s envoy to show that he really meant business, but his officials managed to talk him out of it, and the envoy scampered back to Dongwu to tell Sun Quan that Liu Bei refused to talk peace despite his own officials’ advice. -
Talons and Fangs of the Eastern Han Warlords
Talons and Fangs of the Eastern Han Warlords Yimin Lu A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Yimin Lu (2009) ii Talons and Fangs of the Eastern Han Warlords Yimin Lu, Ph. D Department of East Asian Studies University of Toronto, 2009 Abstract Warriors are a less visible topic in the study of imperial China. They did not write history, but they made new history by destroying the old. The fall of the first enduring Chinese empire, the Han, collides with the rise of its last warriors known as the “talons and fangs.” Despite some classical or deceptive myths like the Chinese ideal of bloodless victories and a culture without soldiers, the talons and fangs of the Eastern Han warlords demonstrated the full potential of military prestige in a Confucian hierarchy, the bloodcurdling reality of dynastic rivalry, as well as a romantic tradition infatuated with individual heroism. iii Table of Content: Introduction (1-22) Chapter One (23-68) The Age of Warlords 1. The Eastern Han – Three Kingdoms Transition 2. Han Military Institutions 3. Three Kingdoms Military Organizations: Adjustments and Developments 4. Han Military Aristocracy Chapter Two (69-104) The Everyday Warriors 1. Social Standing 2. Occupational Backgrounds 3. Daily Necessities 4. Military Market 5. The Soldiers’ Women: Marriage and Prostitution 6. Military Pastimes Chapter Three (105-137) Military Equipment: Physical and Mental 1. Arms and Armor 2. Military Theories, Codes of Warfare iv Chapter Four (138-173) Noble Veterans of the North 1. -
2017 Chinese Automation Congress (CAC)
2017 Chinese Automation Congress (CAC) Jinan, China 20-22 October 2017 Pages 1-792 IEEE Catalog Number: CFP1785U-POD ISBN: 978-1-5386-3525-4 1/10 Copyright © 2017 by the Institute of Electrical and Electronics Engineers, Inc. All Rights Reserved Copyright and Reprint Permissions: Abstracting is permitted with credit to the source. Libraries are permitted to photocopy beyond the limit of U.S. copyright law for private use of patrons those articles in this volume that carry a code at the bottom of the first page, provided the per-copy fee indicated in the code is paid through Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923. For other copying, reprint or republication permission, write to IEEE Copyrights Manager, IEEE Service Center, 445 Hoes Lane, Piscataway, NJ 08854. All rights reserved. *** This is a print representation of what appears in the IEEE Digital Library. Some format issues inherent in the e-media version may also appear in this print version. IEEE Catalog Number: CFP1785U-POD ISBN (Print-On-Demand): 978-1-5386-3525-4 ISBN (Online): 978-1-5386-3524-7 Additional Copies of This Publication Are Available From: Curran Associates, Inc 57 Morehouse Lane Red Hook, NY 12571 USA Phone: (845) 758-0400 Fax: (845) 758-2633 E-mail: [email protected] Web: www.proceedings.com Table of Contents Initial Research on Vibration Reduction for Quadcopter Attitude Control: An Additive-state-decomposition-based Dynamic Inversion Method, pp.1-6 Jing Zhang; Guang-Xun Du; Quan Quan A New Influence Diagrams Approach based on Grey -
Jian'an Literature Revisited: Poetic Dialogues in the Last Three
Jian’an Literature Revisited: Poetic Dialogues in the Last Three Decades of the Han Dynasty Hsiang-Lin Shih A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: David R. Knechtges, Chair Ching-Hsien Wang Zev Handel Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2013 Hsiang-Lin Shih University of Washington Abstract Jian’an Literature Revisited: Poetic Dialogues in the Last Three Decades of the Han Dynasty Hsiang-Lin Shih Chair of the Supervisory Committee: Professor David R. Knechtges Department of Asian Languages and Literature The Jian’an period (196-220), which is best known through the fictionalized account in the Romance of the Three States, is also an important literary period. It is celebrated for its major writers such as Cao Cao, Cao Pi, Cao Zhi and Wang Can. Previous scholars have mainly been concerned with the life and poetry of an individual writer. In this dissertation, I attempt to take an approach that crosses the boundary between individual writers. I read Jian’an poems— including shi, fu, and yuefu—as the authors’ poetic dialogues with their contemporaries. This approach is based on the fact that the writers gathered at the court of Cao Cao and shared the language of poetry. Whether drinking together or living apart, they often engaged in a dialogue on a common topic through the medium of writing. Their topics range from travel, careers, expeditions, to merriment. Like the Athenian speechmakers in Plato’s “Symposium,” Jian’an writers also tried to impress, persuade, entertain and challenge one another in their poems.