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Saroukhan Catalog ARABIC.Indd
Bibliotheca Alexandrina Armenian General Benevolent Union - Cairo Biblotheca Alexandrina presents in cooperation with Cairo Armenian General Benevolent Union CAGBU a retrospective exhibition of works by cartoonist Alexander Saroukhan Alexander Saroukhan Alexandria, from 9 to 28 December 2009 Alexandria, December 2009 Whenever we celebrate the creative momentum of one of our artists, I feel that flowing current which laid the exciting foundation of our glow- ing contemporary artistic movement. It is a feeling of pride and honor, and at the same time a feeling of gratitude and appreciation to- ward the pioneers who created modern Egyptian heritage. One of them is Saroukhan, the Egyp- tian artist of Armenian origin who represents a landmark in modern Egyptian caricature art that was the result of the Egyptian democratic move- ments in times of war, invasions, feudalism and political, social and cultural vitality. The BA Arts Center is grateful to the great artist’s family for their lending the BA these wonderful masterpieces, and grateful to the artists Mustafa El-Razzaz and Hrant Keshishian for their follow- ing-up and choosing from the works of this great artist’s heritage. We also appreciate the role of the Armenian General Benevolent Union in establish- ing this historical exhibition, which we hope to be a new start towards documenting the works of this artist and introducing him to the Egyptian generations of youth. Maestro Sherif Mohie Eldin Director of BA Arts Center The catalogue is prepared and texts written by: Hrant Keshishian Photography: Viken Varjabedian Translation of Arabic texts to English: Rita Yemenidjian Catalogue Design: Laura Kassabian Editing: Rita Yemenidjian Publisher: Cairo Armenian General Benevolent Union Printing: Nubar Printing House - Shubra - Cairo 4 3 6 5 In his memoirs, he referred to his fellowship with the caricature pioneer Abdel Moneim Rakha The Great Saroukhan in “Akhbar El-Yom” paper and his creation of the character of “El Masri Efendi”, which represented the conscience of the cynical helpless Egyptian citizen. -
Alia Mossallam 200810290
The London School of Economics and Political Science Hikāyāt Sha‛b – Stories of Peoplehood Nasserism, Popular Politics and Songs in Egypt 1956-1973 Alia Mossallam 200810290 A thesis submitted to the Department of Government of the London School of Economics for the degree of Doctor of Philosophy, London, November 2012 1 Declaration I certify that the thesis I have presented for examination for the PhD degree of the London School of Economics and Political Science is solely my own work. The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 99,397 words (excluding abstract, table of contents, acknowledgments, bibliography and appendices). Statement of use of third party for editorial help I confirm that parts of my thesis were copy edited for conventions of language, spelling and grammar by Naira Antoun. 2 Abstract This study explores the popular politics behind the main milestones that shape Nasserist Egypt. The decade leading up to the 1952 revolution was one characterized with a heightened state of popular mobilisation, much of which the Free Officers’ movement capitalized upon. Thus, in focusing on three of the Revolution’s main milestones; the resistance to the tripartite aggression on Port Said (1956), the building of the Aswan High Dam (1960- 1971), and the popular warfare against Israel in Suez (1967-1973), I shed light on the popular struggles behind the events. -
Al-Ahram Weekly, 12-18 August 1999, Issue No. 442 Points of Reference, Ahmed Abdel-Moeti Hegazi I Knew Abdel-Wahab Al-Bayyati for More Than 40 Years
Al-Ahram Weekly, 12-18 August 1999, Issue No. 442 Points of reference, Ahmed Abdel-Moeti Hegazi I knew Abdel-Wahab Al-Bayyati for more than 40 years. And strangely, given the peripatetic nature of his life, we met for the first and last time in Cairo. I was 22 years old and he 31 when, in the winter of 1957, we met for the first time. The last time was earlier this year, when we both participated in a symposium held at the Cairo International Book Fair to celebrate 50 years since the emergence of free verse in Arabic. The last time I spoke to Al-Bayyati, though, was a few weeks ago, when I was in Paris, invited by the Institut du Monde Arabe to coordinate a festival of Arabic poetry scheduled for March next year. I suggested that a committee be formed bringing together people who might contribute to the success of such an event, and took it upon myself to contact Mahmoud Darwish, André Michael (the Arabic literature professor and head of the College de France), Gamaleddin Ben Sheikh and, of course, Al-Bayyati. We spoke over the telephone -- I in Paris, he in Damascus -- and he was full of energy as usual, and was as quick as ever to comment on the symposium in which we had both participated, and on the controversy that had ensued. Between our first and last meeting a great many miles have, of course, been covered. And for many of them we were fellow travellers, for I accompanied Al-Bayyati on many journeys, and visited him in many of the different places he would occupy -- the hotels and institutions, cafés and airports where he set up his temporary residence. -
Modern & Contemporary
MODERN & CONTEMPORARY ART SATURDAY 26 JUNE 2021 | DOHA | 7:30 PM MODERN AND SALE CONTACTS CLIENT SERVICES Ayoub Bouali CONTEMPORARY ART +974 4408 0526 In Arabic, English or German SATURDAY 26 JUNE 2021 | DOHA | 7:30 PM Arbia Khissibi +974 4408 0523 AUCTION AND VIEWING LOCATION In Arabic, French, or English ALBAHIE AUCTION HOUSE | KATARA | BUILDING 22C MODERN & CONTEMPORARY ART SPECIALIST VIEWING Habeeb Abu Futtaim +974 4408 0534 19 - 26 June 2021 In Arabic, Urdu or English Weekdays | 8:00am - 6:00pm Weekends | 3:00pm - 8:00pm ACCOUNTS Mohammed Sabreen +974 4408 0534 ABSENTEE AND TELEPHONE BIDDING [email protected] OPERATIONS MANAGER +974 4408 0534 Rebecca Joy Holt +974 4408 0535 ONLINE BIDDING Visit www.albahie.com to register GENERAL INFORMATION AND POST SALE SERVICES Shruti Shetti Currency | The auction will be conducted in US Dollars. [email protected] Payment will be requested in Qatari Riyal. +974 4408 0534 Conditions of Sale | This auction is subject to Notice of Bidders and Conditions of Sale at the back of the catalogue and on www.albahie.com AUCTION ADVISOR AUCTIONEER Dr. Aissa Deebi Ayoub Bouali AlBahie Auction House Katara, Building 22 C Follow us albahie FOREWARD Writing a foreward for an art auction for artists of the Arab homeland and its extended diaspora can be challenging. Thinking of how to draw a picture of the region makes me think of Francesco Goya's new work, especially if he was alive today. Perhaps this could be a conventional observation when you think of the Arab homeland; it's constantly a broad graphic representation, but I would argue that we could undoubtedly imagine this starting point by thinking alternatively about it. -
Commitment and Beyond: Reflections On/Of the Political in Arabic Literature Since the 1940S
Friederike Pannewick and Georges Khalil together with Yvonne Albers: Commitment and Beyond: Reflections on/of the Political in Arabic Literature since the 1940s Randa Aboubakr: The Egyptian Colloquial Poet as Popular Intellectual: A Differentiated Manifestation of Commitment eISBN: 978-3-95490-613-0 Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online- Publikationsplattform der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. The Egyptian Colloquial Poet as Popular Intellectual: A Differentiated Manifestation of Commitment Randa Aboubakr There have been various representations of the committed writer in Arabic literature since the 1950s; existing side-by-side, the most discussed could be said to be the ideal of the com- mitted author proposed by Jean-Paul Sartre in his 1947 essay “What is Writing?”. Sartre’s conceptualization of intellectual commitment was introduced into Arabic through the trans- lation of existentialist philosophy during the 1940s, which directed considerable attention to the writings of Sartre and Albert Camus. In the same year of its publication in France, Taha Hussein (Ṭāhā Ḥusayn, 1889–1973), a prominent Egyptian intellectual in his own right and holder of a doctorate in Arabic poetry from the Sorbonne, translated parts of Sartre’s “What is Writing?”, rendering the term ‘engagement’ as iltizām. -
The Emergence of Egyptian Radio 12 3
1 2018 Issue Edited by Grammargal 2 The Voice of the Arabs The Radio Station That Brought Down Colonialism Abbas Metwalli 3 Contents 1. Introduction, by Ahmed Said 6 2. The Emergence of Egyptian Radio 12 3. The Founding of the Voice of the Arabs 18 4. Mohamed Fathi Al-Deeb 27 5. The Voice of the Arabs during Nasser’s Era 34 6. The Influence of the Arab parameter 37 7. The Call for Arab Nationalism 58 8. Arabic Broadcasts from Cairo 62 9. The June 1967 War 66 10. A Commentary by Ahmed Said 68 11. The Maligned Ahmed Said 73 12. Ahmed Said, by Sayed Al-Ghadhban 76 13. The 60th Anniversary, by Fahmy Omar 79 14. The Voice in the Eyes of Foreigners 81 15. Whose Voice 85 16. Nasser’s Rule & The role of Radio 91 17. Nasser’s Other Voice, by William S. Ellis 93 18. The Voice of the Arabs during Sadat’s Era 97 19. The Broadcasters’ Massacre of 1971 99 20. Mohamed Orouq 112 21. May 15,1971 in the Memory of Egyptians 117 22. The Voice of the Arabs, a school of Innovators 118 23. The Voice of the Arabs During Mubarak’s Era 140 24. The Voice During the Muslim Brotherhood Era 145 25. The Voice of the Arabs Female Stars 156 26. The Age of Radio Networks 161 27. The Voice of the Arabs Network 163 28. The Radio Syle of the Voice of the Arabs 166 29. Chiefs of the Voice of the Arabs 172 30. The Voice of the Arabs today 186 31. -
A Small Box in the Heart Ibtihal Salem
University of Wisconsin Milwaukee UWM Digital Commons French, Italian and Comparative Literature Faculty French, Italian and Comparative Literature Books Department 2016 A Small Box in the Heart Ibtihal Salem Caroline Seymour-Jorn University of Wisconsin - Milwaukee, [email protected] Follow this and additional works at: https://dc.uwm.edu/freita_facbooks Part of the Fiction Commons, and the Near Eastern Languages and Societies Commons Recommended Citation Salem, Ibtihal and Seymour-Jorn, Caroline, "A Small Box in the Heart" (2016). French, Italian and Comparative Literature Faculty Books. 1. https://dc.uwm.edu/freita_facbooks/1 This Book is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in French, Italian and Comparative Literature Faculty Books by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. A Small Box in the Heart by Ibtihal Salem Translated from the Arabic by Caroline Seymour-Jorn A Small Box in the Heart by Ibtihal Salem Translated from the Arabic by Caroline Seymour-Jorn Revised July 2016 Not for duplication without the translator’s permission. 2 Table of Contents Translator’s Note……………………………………………………………..Page 3 Introduction…………………………………………………………………...Page 4 Part I: The Old Quarter………………………………………………………..Page 10 Part II: Emigration…………………………………………………………….Page 49 Part III: Longing……………………………………………………………...Page 100 3 Ibtihal Salem, Cairo, 2010 4 Translator’s Note In this novel Ibtihal Salem takes a cinematic approach toward exploring the dialectic between present consciousness and memory. This involves abrupt shifts between scenes describing Maryam’s experience, dreams and memory both from when she is growing up in Cairo and when she goes to work in Iraq. -
Regional Conference “Blue Growth in the Mediterranean and the Black
FAO ISSN 2070-6103 46 FISHERIES AND AQUACULTURE PROCEEDINGS Regional Conference: Blue Growth in the Mediterranean and the Black Sea – Developing sustainable aquaculture for food security in the Mediterranean and Black Sea – Developing sustainable aquaculture Blue Growth Regional Conference: FAO FISHERIES AND AQUACULTURE PROCEEDINGS 46 46 Regional Conference Blue Growth in the Mediterranean Regional Conference and the Black Sea: developing sustainable aquaculture for food Blue Growth in the Mediterranean and security the Black Sea: developing sustainable 9–11 December 2014 aquaculture for food security Bari, Italy The Regional Conference "Blue Growth in the Mediterranean and the Black Sea: developing sustainable aquaculture for food 9–11 December 2014 security" was organized by the General Fisheries Commission for Bari, Italy the Mediterranean (GFCM) of the Food and Agriculture Organization of the United Nations (FAO) in collaboration with the Italian Presidency of the Council of the European Union, the Italian Ministry of Agriculture, Food and Forestry Policies (MiPAAF) and the European Commission and in partnership with the International Organisation for the Development of Fisheries in Central and Eastern Europe (Eurofish) and the International Union for Conservation of Nature (IUCN). This event took place at the International Centre for Advanced Mediterranean Agronomic Studies, Institute of Bari (CIHEAM Bari), Italy. The conference was attended by more than 140 representatives of governments and international organizations, delegates, experts and practitioners from 16 Mediterranean and Black Sea riparian countries, who exchanged their views on the most salient issues connected to sustainable aquaculture development in the region. The conference acknowledged the key role to be played by the sector in achieving food security, employment and economic development in the region, under a blue growth perspective. -
Culture Aspect Egypt Tourist Attractions Culture
ARABIC LANGUAGE AND CULTURE ARABIC LESSONS AND CULTURE PRESENTATIONS ARABIC ONE LESSONS LINK LOTE https://docs.google.com/presentation/d/114ZM6NrAg2957dMII8AzbOlBhFLtVF1GTvXN47Es2MY/edit#slide= LESSON 1 id.p1 LESSON 2 https://docs.google.com/presentation/d/1qAHQRRLbz3JCqjbhMb3_yiirJ7dPesZKwNB7YN2B_Is/edit https://docs.google.com/presentation/d/1SG16wm87E2SVfNqdR0Rc3JiL9ODLzwVi6q-oAUIP4mQ/edit#slide LESSON 3 =id.p CULTURE ASPECT EGYPT TOURIST ATTRACTIONS Pyramids of Giza https://docs.google.com/presentation/d/1LfJDY55yeVHOw_Vs1UsMR-uyR5r-w9c0jjleaEcDJRo/edit#slide=id LESSON 4 .g40e62b9512_0_0 https://docs.google.com/presentation/d/125NpxOe2AvteNftWqM7VTNJS4dKJipU_quiKnMO1Mkg/edit#slide LESSON 5 =id.g40f962b1a0_0_0 https://docs.google.com/presentation/d/1v5o_OQ8wFFVzT3OE9BgryuIDkX6WH_LdQdSYmgCw9xU/edit#sli LESSON 6 de=id.g41ec363b02_0_0 Meraty Modeer Aam -My Wife is a General CULTURE ASPECT CINE CLUB Manager] https://docs.google.com/presentation/d/1hnwxZ55b0HHyRZY_XKNSenPReYk6CNfIU3C_upThIgQ/edit#slid LESSON 7 e=id.g41edd00b47_0_0 https://docs.google.com/presentation/d/1gweYZB3TtYbaGBeJZnUFNtginAN26UTIOz9fZlBAGAc/edit#slide=i LESSON 8 d.g41edd00b47_0_0 https://docs.google.com/presentation/d/1hKyP_3AQhI4Q1Co_Nc3Ez0364R_gNY45xXH4IM3ZMLk/edit#slid LESSON 9 e=id.g41edd00b47_0_0 CULTURE ASPECT EGYPTIAN CELEBRITIES Salah Jahin (1930 - 1986) https://docs.google.com/presentation/d/1RU57Y4jV-yIA4AAtaUZcC38SU6vkLtJyZ1_AtHCi-NY/edit#slide=id. LESSON 10 g41edd00b47_0_0 https://docs.google.com/presentation/d/1_5TcB-VX8fCuYJPEIuBcKgEaRQ9TLGGtJw1vTkJhVCU/edit#slide -
The American University in Cairo Press
Fall_2010_catalog_cover_final_Catalog_coverFall2008_final 20.07.10 15:28 Seite 1 Arabic Literature in Translation Archaeology and Ancient Egypt Architecture and the Arts History and Biography Language Studies Politics, Economics, and Social Issues Religious Studies Travel Literature and Guidebooks TheThe AmericanAmerican UniversityUniversity The American University in Cairo Press Cairo New York London inin Cairo Cairo www.aucpress.com PressPress Complete Catalog Fall 2010 Twentieth-Century Egyptian Art The Private Collection of Sherwet Shafei Mona Abaza With Collector’s Notes by Sherwet Shafei A prominent Cairo art gallery owner displays masterpieces of modern Egyptian art never previously published This sumptuous full-color volume retraces the high- lights of the country’s twentieth-century art world through the private collection of one of Cairo’s most reputable private gallery owners. The 200 color reproductions of paintings from Sherwet Shafei’s collection represent works from very early pioneers such as Shaaban Zaki and Ervand Dermirdjan to later figures such as Salah Taher and Abd El Hadi El Gazzar. In a comprehensive introduction that examines the life and career of Sherwet Shafei and her pivotal role in promoting and creating a market for modern Egyptian art, the author also addresses the tenden- cies of emerging art collectors in Egypt’s “blossom- ing” market, the burdens of forgery, and the impact of globalization on the art industry. This book serves as a repository of Egyptian cultural heritage by offering a rare viewing of a valuable collection that has yet to be displayed in its entirety. Mona Abaza is professor of sociology at the American University in Cairo and is currently visiting professor of Islamology at Lund University in Sweden. -
Harbmichel Georgetown 0076M
“IRHAL!”: THE ROLE OF LANGUAGE IN THE ARAB SPRING A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Arab Studies By Nazir Nader Harb Michel, M.P.A. Washington, DC April 18, 2013 Copyright 2013 by Nazir Nader Harb Michel All Rights Reserved ii “IRHAL!”: THE ROLE OF LANGUAGE IN THE ARAB SPRING Nazir N. Harb Michel, M.P.A. Thesis Advisor: Fida Adley, Ph.D. ABSTRACT This research investigates the explanatory power of Arabic dialects in describing why the ‘Arab Spring’ is a transnational regional phenomenon rather than an isolated local event specific to Tunisia or Egypt? Is the Arabic language (standard), or its colloquial variants (dialects), part of the explanation, and to what extent? In a December 31, 2011 YouTube posting, Al-Arabiya spotlights language as a critical component of the Arab Spring uprisings. In countries where certain kinds of speech and particularly anti-regime expression are monitored, regulated, and punishable by both legal and extra-legal means, an imperative like /irHal/ (MSA: ‘depart’) is interpreted by regime security apparatuses as action. Elliot Colla explains that the “slogans the protestors are chanting are couplets—and they are as loud as they are sharp.” This poetry is “not an ornament to the uprising,” but rather it is a veritable “soundtrack and also composes a significant part of the action itself.” In the Arab Spring uprisings, then, poets are warriors. Code choices about Modern Standard Arabic (MSA) and Colloquial Arabic (CA) in the context of the Arab Spring reflect Reem Bassiouney’s concept of “involvement,” a psycho-social objective related to the speaker’s intended level of audience engagement. -
Modern & Contemporary Middle Eastern
Modern & Contemporary Middle Eastern Art New Bond Street, London I 24 October 2018 Modern & Contemporary Middle Eastern Art New Bond Street, London | Wednesday 24 October 2018 at 3pm VIEWING Please note: REGISTRATION ILLUSTRATIONS Thursday 18 October Telephone bidding is available only IMPORTANT NOTICE Front cover: lot 24 9am to 4:30pm on lots where the lower end Please note that all customers, Back cover: lot 16 Friday 19 October estimate is at £1000 or above. irrespective of any previous Inside front cover: lot 13 Inside back cover: lot 16 9am to 4:30pm activity with Bonhams, are Sunday 21 October ENQUIRIES Nima Sagharchi required to complete the Bidder 11am to 3pm Registration Form in advance of Monday 22 October +44 (0) 20 7468 8342 IMPORTANT INFORMATION the sale. The form can be found 9am to 4.30pm [email protected] In February 2014 the United Tuesday 23 October at the back of every catalogue States Government 9am to 4.30pm Noor Soussi and on our website at www. announced the intention to Wednesday 24 October +44 (0) 20 7468 8345 bonhams.com and should be ban the import of any ivory 9am to 1pm [email protected] returned by email or post to the into the USA. Lots specialist department or to the containing ivory are Ф SALE NUMBER CONDITION REPORTS bids department at indicated by the symbol Requests for condition reports printed beside the Lot 24940 [email protected] for this sale should be emailed number in this catalogue. to: [email protected] To bid live online and / or leave CATALOGUE internet bids please go to £30.00 Please note that all lots www.bonhams.com/ marked with the symbol R CUSTOMER SERVICES auctions/24940 and click on the Monday to Friday (Persian/Iranian in origin) may BIDS 8.30am to 6pm Register to bid link at the top left be subject to restrictions on +44 (0) 20 7447 7447 +44 (0) 20 7447 7447 of the page.