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1 +\SHUDQGPLVXQGHUVWDQGLQJLQLQWHUDFWLRQDOKXPRU Geert Brône University of Leuven Department of Linguistics Research Unit &UHDWLYLW\+XPRUDQG,PDJHU\LQ/DQJXDJH (CHIL) E-mail address: [email protected] $ ¢¡¤£¦¥¢§©¨ £ This paper explores two related types of interactional humor. The two phenomena under scrutiny, K\SHUXQGHUVWDQGLQJ and PLVXQGHUVWDQGLQJ, categorize as responsive conversational turns as they connect to a previously made utterance. Whereas hyper-understanding revolves around a speaker’s ability to exploit potential weak spots in a previous speaker’s utterance by playfully echoing that utterance while simultaneously reversing the initially intended interpretation, misunderstanding involves a genuine misinterpretation of a previous utterance by a character in the fictional world. Both cases, however, hinge on the differentiation of viewpoints, yielding a layered discourse representation. A corpus study based on the British television series %ODFNDGGHU reveals which pivot elements can serve as a trigger for hyper- and misunderstanding. Common to all instances, it is argued, is a mechanism ofILJXUHJURXQG UHYHUVDO. Key words: interactional humor, hyper-understanding, misunderstanding, layering, mental spaces, figure-ground reversal 2 ,QWURGXFWLRQ Recent studies in pragmatics (see e.g. Attardo 2003) have shown a renewed interest in humor as a valuable topic of interdisciplinary research. More specifically, these studies have extended the traditional focus of humor research on jokes to include longer narrative texts (Attardo 2001a, Triezenberg 2004) and conversational data (Boxer and Cortés-Conde 1997, Hay 2001, Kotthoff 2003, Norrick 2003, Antonopoulou and Sifianou 2003, Archakis and Tsakona 2005). New data from conversation analysis, text linguistics and discourse psychology present significant challenges to linguistic humor theories like the General Theory of Verbal Humor (Attardo 1994, 2001a), and call for (sometimes major) revisions. -
Bald and Bold for St. Baldrick's
Wednesday, February 26, 2014 VOLUME 33 / NUMBER 22 www.uicnews.uic.edu facebook.com/uicnews twitter.com/uicnews NEWS UIC youtube.com/uicmedia For the community of the University of Illinois at Chicago Photo: S.K. Vemmer Carly Harte and Andrea Heath check each other’s new look after their heads were shaved in a fundraiser for St. Baldrick’s Foundation Thursday. The roommates drove from Milwaukee to Children’s Hospital University of Illinois for the event, which benefits pediatric cancer research at UIC and elsewhere. More on page 3; watch the video atyoutube.com/uicmedia Bald and bold for St. Baldrick’s INSIDE: Profile / Quotable 2 | Campus News 4 | Calendar 12 | Student Voice 13 | Police 14 | Sports 16 Composer Steve Everett finds the Honoring UIC’s Researchers of Cai O’Connell’s once-in-a-lifetime Women’s basketball gets ready to right notes the Year Olympics assignment break the record More on page 2 More on page 7 More on page 11 More on page 16 2 UIC NEWS I www.uicnews.uic.edu I FEBRUARY 26, 2014 profile Send profile ideas to Gary Wisby,[email protected] Composer Steve Everett hits right notes with technology By Gary Wisby Princeton and a guest composer at Eastman School of Music, Conservatoire National Supérieur de Mu- Epilepsy. sique de Paris, Conservatoire de Musique de Genève The chemical origins of life. in Switzerland, Rotterdam Conservatory of Music A young prostitute who lived in and Utrecht School of the Arts in the Netherlands. New Orleans’ notorious Storyville His compositions have been performed in Paris, 100 years ago. -
Blackadder Goes Forth Audition Pack
Blackadder Goes Forth Audition Pack Key Dates Audition Dates: • Tuesday 8 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 12 th May – 10.30am – 5.00pm • Sunday 13 th May – 10:00am – 3.00pm Recalls (if required): • Friday 18 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 19 th May – 10:00am – 1:00pm (Everyman Clubroom) Actors who are successfully cast need to understand that they MUST be available for all the following key dates • Technical Rehearsal: Sunday 11 th November (cast need to be available all day) • Dress Rehearsal: Monday 12 th November (evening) • Performance Dates: Tuesday 13 th – Saturday 17 th November; Evening Performances at 7.30pm, Saturday matinee at 2.30pm Rehearsal Nights Rehearsals will begin w/c Monday 3 rd September. Exact rehearsal nights will be confirmed nearer the time but are quite likely to be Tuesdays, Thursdays and Sundays. Not all cast will be required for every rehearsal. Plot Blackadder Goes Forth is set in 1917 on the Western Front in the trenches of World War I. Captain Edmund Blackadder is a professional soldier in the British Army who, until the outbreak of the Great War, has enjoyed a relatively danger-free existence fighting natives who were usually "two feet tall and armed with dried grass". Finding himself trapped in the trenches with another "big push" planned, his concern is to avoid being sent over the top to certain death. The show thus chronicles Blackadder's attempts to escape the trenches through various schemes, most of which fail due to bad fortune, misunderstandings and the general incompetence of his comrades. -
Name, a Novel
NAME, A NOVEL toadex hobogrammathon /ubu editions 2004 Name, A Novel Toadex Hobogrammathon Cover Ilustration: “Psycles”, Excerpts from The Bikeriders, Danny Lyon' book about the Chicago Outlaws motorcycle club. Printed in Aspen 4: The McLuhan Issue. Thefull text can be accessed in UbuWeb’s Aspen archive: ubu.com/aspen. /ubueditions ubu.com Series Editor: Brian Kim Stefans ©2004 /ubueditions NAME, A NOVEL toadex hobogrammathon /ubueditions 2004 name, a novel toadex hobogrammathon ade Foreskin stepped off the plank. The smell of turbid waters struck him, as though fro afar, and he thought of Spain, medallions, and cork. How long had it been, sussing reader, since J he had been in Spain with all those corkoid Spanish medallions, granted him by Generalissimo Hieronimo Susstro? Thirty, thirty-three years? Or maybe eighty-seven? Anyhow, as he slipped a whip clap down, he thought he might greet REVERSE BLOOD NUT 1, if only he could clear a wasp. And the plank was homely. After greeting a flock of fried antlers at the shevroad tuesday plied canticle massacre with a flash of blessed venom, he had been inter- viewed, but briefly, by the skinny wench of a woman. But now he was in Rio, fresh of a plank and trying to catch some asscheeks before heading on to Remorse. I first came in the twilight of the Soviet. Swigging some muck, and lampreys, like a bad dram in a Soviet plezhvadya dish, licking an anagram off my hands so the ——— woundn’t foust a stiff trinket up me. So that the Soviets would find out. -
Blackadder Goes Forth the Final Push
CARDIFF OPEN AIR THEATRE FESTIVAL: EVERYMAN 20 Sophia Gardens Cathedral Road Cardiff CF11 9SQ AUDITION NOTICE “... if nothing else works, a total pig-headed unwillingness to look facts in the face will see us through.” General A.C.H. Melchett, VC KCB DSO (May 1917) BLACKADDER GOES FORTH THE FINAL PUSH from the BBC TV Series by Richard Curtis & Ben Elton It's 1917 and Edmund Blackadder is now a captain in the British Army at the Western Front, commanding gallant-but-dumb Lieutenant George St. Barleigh and the even dumber Private S. Baldrick. Waiting in fear of the dreaded order to go 'over the top' from the patently insane General Melchett and his twitchy staff officer, Captain Darling, Blackadder devises serial attempts to escape the trenches always with the offer of one of Baldrick's cunning plans. First broadcast on the BBC in 1989, Blackadder Goes Forth is one of the most intelligent as well as among the funniest of British sitcoms. Adapted & Directed by SIMON H WEST Performance Dates: Thursday 18th June to Saturday 27th June 2020 Festival Theatre, Sophia Gardens, Cardiff No performances on Sunday 19th June Technical & Dress Rehearsals: Sunday 14th June to Wednesday 17th June Rehearsal period will be short and intensive, taking place over just one month beginning around May 14th. Rehearsal days are to be confirmed but will include all day Sundays (10-5) plus a weeknight (7-10) Additional rehearsal days will be called nearer production period. Rehearsals will be carefully scheduled and not everyone will be called to every session. Please note that all performances take place in the open-air. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward. -
Edexcel English Literature Edexcel English Literature
Edexcel AS English Literature Edexcel Edexcel English Literature Part 3: Exploring drama Sue Dymoke Ian McMechan Mike Royston Jennifer Smith Edexcel English Literature Consultant: Jen Greatrex STUDENT BOOK STUDENT BOOK STUDENT BOOK CVR_ELIT_SB_AS_2482_CVR.indd 1 8/5/08 15:38:39 Edexcel English Literature Part 3: Exploring Drama Sue Dymoke Ian McMechan Mike Royston Jennifer Smith STUDENT BOOK Consultant: Jen Greatrex Part 3 Exploring Drama Contents Section A: Responding to drama 4 1 Viewing drama: the audience’s perspective 4 2 Performing drama: the actor’s and director’s perspectives 7 Section B: Analysing key elements of drama 9 1 Introduction 9 2 How dramatists set the scene 9 3 How dramatists develop the characters 13 4 How dramatists use language and verse form 17 5 How dramatists advance the plot 20 6 How dramatists construct an ending 24 7 Identifying contexts for your plays 30 Section C: Comparing plays in their contexts 31 1 Relating your plays to their context: an example 31 2 Building material on context into your response 33 3 The history of English drama, 1300–1800 34 2 Exploring prose Contents 3 2 Exploring prose M02A_ELIT_SB_2482_U02A.indd 119 22/5/08 11:28:06 A Responding to drama 1Content Viewing drama: the audience’s perspective Activity 1 1 Choose one TV or fi lm drama and one stage drama to give your opinion about. Then fi ll in a copy of the chart below. Myself as an audience: stage and screen Drama on screen Drama on stage Title of the drama seen: Title of the drama seen: Liked/disliked it because: Liked/disliked it because: • • • • • • Rating 5: (excellent) to 1 (bad): Rating 5: (excellent) to 1 (bad): 2 Compare your choices and your opinions with a partner’s. -
A Sanctifying Myth: the Syriac History of John in Its Social, Literary, and Theological Context Jacob Aaron Lollar
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 A Sanctifying Myth: The Syriac History of John in Its Social, Literary, and Theological Context Jacob Aaron Lollar Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES A SANCTIFYING MYTH: THE SYRIAC HISTORY OF JOHN IN ITS SOCIAL, LITERARY, AND THEOLOGICAL CONTEXT By JACOB A. LOLLAR A Dissertation submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 Jacob A. Lollar defended this dissertation on June 22, 2018. The members of the supervisory committee were: Nicole Kelley Professor Directing Dissertation Svetla Slaveva-Griffin University Representative David Levenson Committee Member Matthew Goff Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii I dedicate this dissertation to my daughter, Kora, for all the nights spent thinking through the details while I rocked you to sleep. Je t'aime, ma chèrie iii ACKNOWLEDGMENTS Several people have been instrumental in helping me complete this project. I would like to thank my committee: Nicole Kelley, David Levenson, Matthew Goff, and Svetla Slaveva- Griffin. Thank you to Nicole Kelley for being such a generous advisor and for helping me stay focused on my topic. David Levenson provided so much helpful feedback on my Syriac translations and helped me sort through the manuscript history. A special thanks to Anne- Catherine Baudoin in Paris who was such a wondeful hostess and assisted me in securing access to several libraries and institutions while I was there. -
St. Baldrick's Has Students, Staff Going Bald
March 2009 Lane Technical College Prep High School Volume 41/Issue 4/ Page 1 St. Baldrick’s has students, staff going bald IN THE HEART Baldrickʼs and raised $63,000 with OF THE By Noemi Villanueva her ten teammates who also partic- ipated. This year, she is helping by The hospital visits seemed to fundraising for the big event. never end. While enduring six “I am trying to spread the word,” WARRIOR brutal sessions of chemotherapy said Sheridan. “I have told each of and 31 radiations, Alicia Sheridan, my teachers and friends to go bald Div. 020, grasped on to the meager and if they donʼt, I encourage them News 10 to 15 percent chance she had of to buy a cupcake from me. The surviving. profi ts go to St. Baldrickʼs.” SPAC Awards Sheridanʼs battle was a rough For many, Sheridan served as one, but within the past couple their inspiration for participating of years she has overcome stage in the Challenge. Several others BSA Play four of Ewingʼs Sarcoma, a cancer wanted to show support for their found in the bones. She is not cur- own loved ones. Italian Exchange rently undergoing any more treat- “[I wanted to do the Challenge be- ments and hopes her remission cause] two of my cousins had can- will continue. cer,” said Marina Diaz, Div. 172. “Throughout it all, my family and “I also did it because I know girls Features friends were extremely supportive, wonʼt shave [their heads] since it but the physical and mental toll would be emotional for them. -
UNIVERSITY of VAASA Faculty of Philosophy English Studies Erika Bertell Translation of Wordplay and Allusions the Finnish Subti
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Osuva UNIVERSITY OF VAASA Faculty of Philosophy English Studies Erika Bertell Translation of Wordplay and Allusions The Finnish Subtitling of Blackadder Master‘s Thesis Vaasa 2014 1 TABLE OF CONTENTS ABSTRACT 4 1 INTRODUCTION 6 1.1 Material 12 1.2 Method 18 1.3 Blackadder – The Whole Damn Dynasty 22 1.3.1 Situation Comedies 24 1.3.2 British Humour in Blackadder 25 1.4 Subtitling in Finland 31 1.4.1 (In)visibility of Translators 32 1.4.2 BTI International and Audiovisual Translators 33 1.4.3 Audiovisual Translators United 34 2 VERBAL HUMOUR 36 2.1 Humour Theories 37 2.2 Wordplay 41 2.3 Allusions 46 3 SUBTITLING 51 3.1 General Information 52 3.1.1 DVD Translation 54 3.2 Limitations and Constraints 55 3.2.1 Benefits of Subtitling 58 3.3 Subtitling and Pictorial Links 60 4 TRANSLATION STRATEGIES FOR VERBAL HUMOUR 66 4.1 Views on the (Un)translatability of Verbal Humour 67 4.2 Holmes's Retentive and Re-creative Strategies 69 4.3 Translation Techniques for Wordplay 71 2 5 TRANSLATION OF VERBAL HUMOUR IN BLACKADDER 73 5.1 Findings 74 5.2 Retention of Verbal Humour 78 5.2.1 Examples in Wordplay 80 5.2.2 Examples in Allusions 81 5.3 Re-creation of Verbal Humour 83 5.3.1 Examples in Wordplay 84 5.3.2 Examples in Allusions 87 5.4 Omission and Addition of Verbal Humour 88 5.4.1 Examples in Wordplay 89 5.4.2 Examples in Allusions 91 6 CONCLUSIONS 94 WORKS CITED 98 4 UNIVERSITY OF VAASA Faculty of Philosophy Discipline: English Studies Author: Erika Bertell Master’s Thesis: Translation of Wordplay and Allusions The Finnish Subtitling of Blackadder Degree: Master of Arts Date: 2014 Supervisor: Kristiina Abdallah ABSTRACT Ulkomaisten, tekstitettyjen komediasarjojen osuus Suomen televisiotarjonnassa kasvaa alati, ja markkinoilla on myös enemmän kuin koskaan DVD-käännöksiä. -
The Defence Academy Yearbook 2009 a Selection of Commended Essays
Defence Academy Yearbook 2009 The Defence Academy Yearbook 2009 A Selection of Commended Essays With a foreword by Lt Gen Andrew Graham CBE © Crown Copyright and © individual authors Editor: E McCarthy, R&AB Research and Publications Manager Copy Editor: Anne Aldis Defence Academy Yearbook i PUBLISHER’S NOTE: The views expressed in this paper are entirely and solely those of the individual authors and do not necessarily reflect official thinking and policy either of Her Majesty’s Government or of the Ministry of Defence. EDITOR’S NOTE: There have been minor alterations to the texts of these essays to conform with the constraints of this volume. ©All Serving Officers’ work is published under Crown Copyright. © Crown Copyright, © individual authors and Cranfield University ii Defence Academy Yearbook Contents – Preliminary Foreword by Lt Gen Andrew Graham CBE, Director General Defence Academy .........................................1 A ‘Pashtun Awakening?’ Can the Iraqi Anbar Province Strategy of Co-opting Local Militias to Fight Against Insurgents be Successful in Afghanistan? By Maj Paul Meagher ............................................................................................................................................2 Analyse the Impact of the Changing Strategic Environment on the Delivery of Air Power By Wg Cdr Stuart Hatzel .................................................................................................................................... 28 Evaluate the Implications for the Maritime Component of the -
The Memoirs of Lætitia Pilkington Vol II
The Memoirs Of Lætitia Pilkington Vol II Published by the Ex-classics Project, 2013 http://www.exclassics.com Public Domain LÆTITIA PILKINGTON CONTENTS TITLE PAGE.......................................................................................................................................3 DEDICATION.....................................................................................................................................4 PREFACE............................................................................................................................................6 The Memoirs of Laetitia Pilkington Volume 2...................................................................................9 -2- MEMOIRS, VOL II. TITLE PAGE MEMOIRS OF Mrs. Lætitia Pilkington, WIFE TO THE Rev. Mr. Matthew Pilkington. Written by HERSELF. Wherein are occasionally interspersed, Her POEMS, With a VARIETY of SECRET TRANSACTIONS of some EMINENT PERSONS. ——————————————————————————— VOL II. ——————————————————————————— Cursed be the verse, how well so e'er it flow, That tends to make one worthy man my foe; Gives vice a sanction, innocence a fear, Or from the pale eyed virgin draws a tear. POPE. — Longa est injuria, longa Ambages: sed summa sequar fastigia rerum. VIRG ÆN.I. — Pudet haec opprobria nobis, Et dici poruisse, & non potuisse refelli. OVID. ==================================== DUBLIN Printed: London reprinted: and sold by R. Griffiths, at the Dunciad in Ludgate Street. 1749. -3- LÆTITIA PILKINGTON DEDICATION To the right honourable the