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Summer VILLAGE Edition Visitor
2013 O L D S T U R B R I D G E Summer VILLAGE Edition Visitor Redcoats & Rebels: 10 Years Lodging Reopens at OSV Independence Cake for July 4th Baseball: Doubleday Didn’t Do It Renewing the Freeman Farm Garden a member magazine that keeps you coming back Old Sturbridge Village, a museum and learning resource of A Big Idea That Started Small New England life, invites each visitor to find meaning, pleasure, A Message from President and CEO Jim Donahue relevance, and inspiration through the exploration of history. ike many big ideas, the Old Sturbridge Village Redcoats & Rebels event had humble beginnings. Back in August 2003, the OSV program staff was looking for new ways to use the Village for special events and decided to try something new. Their idea was to teach visitors about America’s military history by inviting VOLUME LIII, NO. 2 reenactors to OSV for a weekend. It was a good idea that has grown even better SUMMER 2013 over time—with profound benefits for the Village. What started as a small gathering of units that first year has grown into to the SUMMER EDITION ON THE COVER: a premier event: Redcoats & Rebels, now the Welcome largest Revolutionary War THEODORE WIEGAND WITH of our VISITOR magazine. We hope that you will learn and one that Yankee magazine has named a reenactment in New England OLD GLORY “Best in New England Top Event.” Read more about Redcoats on page 4. new things and come to visit the Village soon. There is This year marks the 10th anniversary of Redcoats & Rebels, which now always something fun to do at Old Sturbridge Village. -
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ADVOCATE INDUSTRY AND ENTERPRiSE, AND THE OF OF MECHANICAL OTHER IMPROVEMENTS. --------"-"_.. JOURNAL - AND - ---- -------- ---- - - -- ----- - ---- ----- ---- ----------------- --- - -- :.:;--=:.=-=-:;�= - .... ----. ---------- -<--.--.--..------ ---'--..;:-�====:::;- YOLUME I.1 THURSDAY, NEW-YORK, JULY 9, 1846. [NUMBER 42. ) �-���-��=��.�� '-1l'jl(;JJ .�<JllrmU�r1J'lliJ'll<Jll £Rll�rn.ll<Jll£�,1 MOJINING, I ALPHABETICAL LIST OF PATEN pUBLI.aEO EVEILY THUIISD.lY AT MACHINE FOR THE CLEANSING WHEAT TEES FOR 1845. BUNFu BUILDINGlton st., and .. Na!sau , Fig. (Concluded from ALSO,-Rntrance AT NO. 128COURT ST" 89 AND st. I. No. 41.) BOSTON, William Scnior,New York, 13 CAnE, PHILADELPHIA. 1'10.29 AR F Pierpont Seymour, Bloomfield, (The being at New East NY. Principal Office York.) Geo Shaw, Thompson. W COllO. Samuel Prairie, Ohio. PORTER,-Editor. Shearer, Bi� I Shecut, H New RUFUS I We H & H D'lY. Y rk. I �'r derkk E S ickels, New York, o thi. paper i_turnished w th two I Thomas Simpson, Norwich, Each number of i from D Conn. to five ORIGINAL ENGRAVINGS,many of them elegant, and l,Vm Y S inglet'_lIl, Springfield, Ill. SCIIU'TIFIC PRINer- illustrative of p F �Ianc East Masi. NEW INVENTIONS, and .I Golding, Camhridge, PLES, and contaiD� as much Interest BenJ �Illger!and. PatersolJ; NJ. C';RlOSlTU;�; and Slocum, ing telligence as ordinary daily papers, consisting of Joseph Syracu�e, NY. In six Va: noti eli of ha i al he Jabez Smith, Petersburg, the Me n c and ot r Smith, Chelsea, c progress of c Scienti John Cutts Ma8s. Improvements,-American and Foreign I ventions Theophilu6 Sinith, Galway, NY, fic n Smith, Cataloguei of Patcnts,-Bcientilic Essays, BellJ 1\1 Mas8ilion, Ohio, American of jJ Falls, ustrat ve of the the of Ira SrDith, Chagrin o. -
Ordination Sermons: a Bibliography1
Ordination Sermons: A Bibliography1 Aikman, J. Logan. The Waiting Islands an Address to the Rev. George Alexander Tuner, M.B., C.M. on His Ordination as a Missionary to Samoa. Glasgow: George Gallie.. [etc.], 1868. CCC. The Waiting Islands an Address to the Rev. George Alexander Tuner, M.B., C.M. on His Ordination as a Missionary to Samoa. Glasgow: George Gallie.. [etc.], 1868. Aitken, James. The Church of the Living God Sermon and Charge at an Ordination of Ruling Elders, 22nd June 1884. Edinburgh: Robert Somerville.. [etc.], 1884. Allen, William. The Minister's Warfare and Weapons a Sermon Preached at the Installation of Rev. Seneca White at Wiscasset, April 18, 1832. Brunswick [Me.]: Press of Joseph Grif- fin, 1832. Allen, Willoughby C. The Christian Hope. London: John Murray, 1917. Ames, William, Dan Taylor, William Thompson, of Boston, and Benjamin. Worship. The Re- spective Duties of Ministers and People Briefly Explained and Enforced the Substance of Two Discourses, Delivered at Great-Yarmouth, in Norfolk, Jan. 9th, 1775, at the Ordina- tion of the Rev. Mr. Benjamin Worship, to the Pastoral Office. Leeds: Printed by Griffith Wright, 1775. Another brother. A Sermon Preach't at a Publick Ordination in a Country Congregation, on Acts XIII. 2, 3. Together with an Exhortation to the Minister and People. London: Printed for John Lawrance.., 1697. Appleton, Nathaniel, and American Imprint Collection (Library of Congress). How God Wills the Salvation of All Men, and Their Coming to the Knowledge of the Truth as the Means Thereof Illustrated in a Sermon from I Tim. II, 4 Preached in Boston, March 27, 1753 at the Ordination of the Rev. -
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Racializing the Ancient World: Ancestry and Identity in the Early United States by Lyra D. Monteiro B.A., Anthropology and Classical Civilization, New York University, 2004 M.A., Classical Art and Archaeology, University of Michigan, 2006 M.A., Classical Studies-Latin, University of Michigan, 2006 M.A., Public Humanities, Brown University, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy Joukowsky Institute for Archaeology and the Ancient World Brown University May 2012 Text copyright © 2012 by Lyra D. Monteiro All images are copyright their respective creators This dissertation by Lyra D. Monteiro is accepted in its present form by the Joukowsky Institute for Archaeology and the Ancient World as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_____________ _________________________________ Susan E. Alcock, Advisor Date_____________ _________________________________ Seth Rockman, Advisor Recommended to the Graduate Council Date_____________ _________________________________ Corey D. B. Walker, Reader Date_____________ _________________________________ Ömür Harmanşah, Reader Approved by the Graduate Council Date_____________ _________________________________ Peter M. Weber, Dean of the Graduate School iii VITA Lyra Diana Monteiro was born in Port Townsend, Washington, on December 29, 1981. She studied Anthropology and Classical Civilizations at New York University, was elected to Phi Beta Kappa in 2003, and graduated summa cum laude in 2004. Between 2004-2006, she studied at the University of Michigan, Ann Arbor, and earned Masters degrees in Classical Art and Archaeology, and in Classical Studies-Latin. At Brown University, she earned a Masters degree in Public Humanities in 2009. Her doctoral studies were supported by the Mellon Fellowship for Humanistic Studies, the Rackham Merit Fellowship from the University of Michigan, the Joukowsky Presidential Fellowship from Brown University, a Graduate Teaching Fellowship from Brown University, the J.M. -
July2017.Pdf
Benefits Key: C - Free or Discounted Gift, Publication, or Service D - Discounted Admission F - Free Admission G - Gift Shop Discount P - Free Parking R - Restaurant Discount S - Special Event Offer T - Free or Discounted Tour(s) It is highly recommended to call ahead and do your own independent research on any institution you plan to visit. Name City Benefit Alabama Berman Museum of World History Anniston D Alaska Arizona Arizona Historical Society - Arizona History Museum Tucson D Arizona Historical Society - Downtown History Museum Tuscon D Arizona Historical Society - Fort Lowell Museum Tuscon D Arizona Historical Society - Pioneer Museum Flagstaff D Arizona Historical Society - Sanguinetti House Museum Yuma D Arizona Historical Society Museum at Papago Park Tempe D Gila County Historical Museum Globe F, T, P Heritage Square Foundation Pheonix T Show Low Historical Museum Show Low F, G The Jewish History Museum Tucson F Arkansas Historic Arkansas Museum Little Rock F, P, G Old Independence Regional Museum Batesville F Rogers Historical Museum Rogers G, S Shiloh Museum of Ozark History Springdale G California Banning Museum Wilmington G Bonita Museum and Cultural Center Bonita F, G, P California Historical Society San Francisco F Catalina Island Museum Avalon F Dominguez Rancho Adobe Museum Rancho Dominguez F, G, S El Presidio de Santa Barbara State Historic Park Santa Barbara F Folsom History Museum Folsom F Friends of Rancho Los Cerritos Long Beach G, S Goleta Valley Historical Society Goleta F, G Heritage Square Museum Los Angeles -
Adair, John]: MANUSCRIPT WRIT DATED APRIL 29, 1799
Item No. 1 Crockett Flees the Jurisdiction! 1. [Adair, John]: MANUSCRIPT WRIT DATED APRIL 29, 1799. JOHN ADAIR COMPLAINS THAT JOHN CROCKETT HAS FLED THE COUNTY, OWING ADAIR ONE HUNDRED GUINEAS. JUSTICE OF THE PEACE GABRIEL SLAUGHTER ORDERS THE SHERIFF OF MERCER COUNTY, WHERE BOTH ADAIR AND CROCKETT RESIDE, TO SEIZE CROCKETT'S ESTATE TO PAY THE DEBT. [Mercer County, KY: April 29, 1799]. Folio, single leaf 7.5" x 12.5", partly untrimmed. Completely in neat ink manuscript, signed by Gabl. Slaughter, docketed on verso. Light age toning, old folds. Very Good. John Adair [1757-1840], eighth Governor of Kentucky, fought in the Northwest Indian War, was a United States Congressman and a delegate to Kentucky's Constitutional Conventions of 1792 and 1799. Suspected of complicity with Aaron Burr, he lost his bid for a full term in the U.S. Senate in 1806; Adair was later acquitted. [Kleber: KENTUCKY ENCYCLOPEDIA, 1992.] Gabriel Slaughter [1767-1830], born in Culpeper County Virginia, moved to Kentucky in 1791. He was a Justice of the Peace of Mercer County and Kentucky's seventh Governor from 1816-1820. [Id. 825.] John Crockett belonged to the Kentucky branch of the Crockett family [Davy Crockett's father was a different John Crockett]. $500.00 Item No. 2 The Thriving, Illegal African Slave Trade 2. [African Slave Trade]: CORRESPONDENCE WITH SPAIN, PORTUGAL, BRAZIL, THE NETHERLANDS, SWEDEN, AND THE ARGENTINE CONFEDERATION, RELATIVE TO THE SLAVE TRADE. FROM JANUARY 1 TO DECEMBER 31, 1841, INCLUSIVE. PRESENTED TO BOTH HOUSES OF PARLIAMENT BY COMMAND OF HER MAJESTY, 1842. London: Printed by William Clowes and Sons, 1842. -
Maine Guide to Museums and Historic Homes (4Th Edition)
Maine Guide to Museums and Historic Homes FOURTH EDITION INDEX—1983-84 MAINE GUIDE TO MUSEUMS & HISTORIC HOMES Page Page Page Allagash 37 Gorham 3 Phillips 13 Aina 20 Greenville 34 Phippsburg 4-5 Ashland 37 Hampden 31 Pittston 18 Auburn 16 Harpswell 3 Poland Spring 18 Augusta 16-17 Head Tide 22 Porter 13 Bangor 28 Hinckley 17 Portland 5-6 Bar Harbor 28-29 Houlton 38 Prospect 24 Bath 20 Islesboro 22 Rangeley 13-14 Belfast 20 Islesford 31 Richmond 18-19 Bethel 10 Jay 11-12 Rockland 24-25 Biddeford 2 Katahdin Iron Works 34 Rumford Center 14 Blue Hill 29 Kennebunk 3 Saco 7 Boothbay 21 Kennebunkport 3-4 Scarborough 7 Boothbay Harbor 21 Kezar Falls 12 Searsport 25 Bridgton 10 Kittery 4 Sebago 14 Brooksville 29 Kittery Point 4 Sedgwick 32 Brunswick 2-3 Lee 31 Skowhegan 19 Buckfield 10 Liberty 22-23 Somesville 32 Bucksport 29 Lincoln 31-32 South Berwick 7 Burlington 29 Litchfield 17 South Bristol 25 Buxton 10 Livermore 12 South Casco 14 Calais 35 Lubec 35 South Solon 19 Camden 21 Machias 35 South Windham 14 Campobello, NB 36 Machiasport 36 Southwest Harbor 33 Canton 10 Madawaska 38 Standish 14-15 Caribou 37 Monhegan Island 23 Stockholm 38 Casco 10-11 Monmouth 17-18 Strong 15 Castine 29-30 Monson 34 Sullivan 33 Cherryfield 35 Morrill 23 Thomaston 25-26 China 17 Naples 12 Thorndike 26 Columbia Falls 35 New Gloucester 12 Topsham 8 Corinna 30 New Sweden 38 Union 26 Cushing 21 Newburgh 32 Unity 26 Damariscotta 21 Newcastle 23 Van Buren 38 Deer Isle 30 Newfield 12 Vinalhaven 26 Dexter 30-31 North Berwick 4 Waldoboro 26-27 Dover-Foxcroft 34 North Bridgton 13 Waterville 19 Dresden 22 North Edgecomb 23 Wayne 19 Ellsworth 31 North Vassalboro 18 Wells 8 Fairfield 17 Old Orchard Beach 4 West Paris 15 Farmington 11 Old Town 32 Wilton 15 Farmington Falls 11 Orland 32 Winslow 19 Fort Fairfield 37 Orono 32 Winter Harbor 33 Fort Kent 37-38 Owls Head 23 Wiscasset 27 Franklin 31 Palermo 18 Yarmouth 8 Freeport 3 Paris 13 York 8-9 Friendship 22 Patten 34 York Harbor 9 Fryeburg 11 Pemaquid 23-24 Gilead 11 Pemaquid Point 24 Maine Guide to Museums and Historic Homes FOURTH EDITION Peter D. -
“The Humble, Though More Profitable Art”
“THE HUMBLE, THOUGH MORE PROFITABLE ART”: PANORAMIC SPECTACLES IN THE AMERICAN ENTERTAINMENT WORLD, 1794- 1850 by Nalleli Guillen A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Spring 2018 © 2018 Nalleli Guillen All Rights Reserved “THE HUMBLE, THOUGH MORE PROFITABLE ART”: PANORAMIC SPECTACLES IN THE AMERICAN ENTERTAINMENT WORLD, 1794- 1850 by Nalleli Guillen Approved: __________________________________________________________ Arwen P. Mohun, Ph.D. Chair of the Department of History Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Ann L. Ardis, Ph.D. Senior Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Katherine C. Grier, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ Rebecca L. Davis, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ David Suisman, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. -
The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2017 The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827 Todd R. Jones University of Kentucky, [email protected] Author ORCID Identifier: http://orcid.org/0000-0001-9464-8358 Digital Object Identifier: https://doi.org/10.13023/ETD.2017.133 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Todd R., "The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827" (2017). Theses and Dissertations--Music. 83. https://uknowledge.uky.edu/music_etds/83 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Guide to the Cyrus Parker Bradley Papers, 1818-1838 Pending
Guide to the Cyrus Parker Bradley Papers, 1818-1838 Pending Administrative Information Title and Dates: Cyrus Parker Bradley Papers, 1818-1838 Repository: New Hampshire Historical Society 30 Park Street Concord, NH 03301 603-228-6688 http://www.nhhistory.org/ Collection Number: 1913.001, 1979.019 Author of Finding Aid: Unknown. Rewritten and formatted by Sandra L. Wheeler Creator: Cyrus P. Bradley, 1818-1838 Language: The materials in this collection are in English. Extent: One half box containing seven folders. 134 items. Abstract: The Cyrus Parker Bradley Papers, 1818-1838, contain papers written while at Phillips Exeter Academy and Dartmouth College (1830-1837), letters to and from family and friends (1836-1838), and correspondence about contributions to his autograph collection. Access and Use Acquisition Information and Provenance: Gift of Almira Fletcher, 1913. Processing Information : This collection was processed by an unknown person at an unknown date. The original finding aid was written by an unknown person at an unknown date but was rewritten and formatted by Sandra L. Wheeler in April, 2014. This finding aid follows the standards set-forth by Describing Archives: A Content Standard . Access Restrictions: Available for research. Location: The collection is housed at the New Hampshire Historical Society in Concord, New Hampshire. Copyright/Conditions Governing Use: For permission to reproduce or publish materials from this collection, please contact the New Hampshire Historical Society. Researchers are responsible for following all copyright and intellectual property laws. Preferred Citation: Cyrus Parker Bradley Papers, 1913.001. New Hampshire Historical Society, Concord, NH. Date accessed. Collection Overview Biographical Information Cyrus P. Bradley was born in 1818 in Canterbury, NH. -
Exhibition Texts
EXHIBITION TEXTS Return after Use This booklet is published in association with the exhibition American Perspectives: Stories from the American Folk Art Museum Collection, presented February 11–May 31, 2020, at the American Folk Art Museum, New York. All texts are by Stacy C. Hollander, exhibition curator, unless otherwise indicated. Share Your Story folkartmuseum.org/Perspectives.html AMERICAN FOLK ART MUSEUM 2 Lincoln Square New York, NY 10023 www.folkartmuseum.org Edited by Cindy Trickel Designed by Kate Johnson Copyright © 2020 American Folk Art Museum, New York. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the museum. This exhibition is supported in part by Art Bridges, the David Davies and Jack Weeden Fund for Exhibitions, the Richard C. von Hess Foundation, the Juliet Lea Hillman Simonds Foundation, the Gladys Krieble Delmas Foundation, the Stacy C. Hollander Fund for Exhibitions, the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and the Council for Traditional Folk Art. America is a nation of stories. Each life is a series of experiences; they make Everyone has a story to tell—a life lived as a us who we are. witness to and participant in events both These become the stories that we use to invoke private and shared. The stories that we tell as truths, assert authenticity, and appeal to our individuals are single strands in a grander better natures through the precious values narrative. -
Bowdoin College Museum of Art Maine's Lithographic Landscapes: Town & City Views, 1830–1870 December 12, 2019–May
Bowdoin College Museum of Art Maine’s Lithographic Landscapes: Town & City Views, 1830–1870 December 12, 2019–May 31, 2020 Label Text Maine citizens commissioned panoramic lithographs to celebrate their towns and cities, creating twenty-three major prints between 1832 and 1866. These large works reveal not only the young state’s economic and architectural development, but also provide insights into how these commercial centers viewed themselves and wished others to see them. The German invention of lithography, allowing prints to be made from a smooth surface onto which an image could be drawn, arrived in America in 1819. Involving artists, printers, publishers, and financial underwriters, the process made it possible for images to be reproduced inexpensively for wide distribution. This printmaking innovation came to New England when John Pendleton opened his Boston shop in 1825. Describing Pendleton’s work in 1828, author John Neal of Portland wrote of his astonishment “at the vigor and beauty of lithographic prints and at the hidden capacities of the art.” From Bangor to Saco, residents turned to such leading artists as Fitz Henry Lane and talented local artists, including Esteria Butler and Cyrus William King. During the same period when Rufus Porter painted landscapes of New England’s natural beauty, these artists publicized the state’s urban and commercial development. Bowdoin College appeared in several prints beginning in 1825, based on paintings, sketches, and photographs. These views provide an in-depth examination of the campus as well as the institution’s development before the first widely circulated albumen photograph appeared in 1860. Celebrating the bicentennial of Maine’s statehood, this exhibition explores Maine’s history and the role lithography played in promoting the state and its early artistic and economic aspirations.