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NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum
Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
SWR Symphonieorchester 6 Artist in Residence: Nicolas Altstaedt 12 Fokus: György Kurtág 16
INHALT Grußwort 5 Das SWR Symphonieorchester 6 Artist in Residence: Nicolas Altstaedt 12 Fokus: György Kurtág 16 KONZERTKALENDER Orchester- und Kammerkonzerte 20 Symphonieorchester on Tour 140 KONZERTREIHEN Abonnementkonzerte Stuttgart 142 Mittagskonzerte Stuttgart 146 Abonnementkonzerte Freiburg 148 Linie 2 Freiburg 152 Abonnementkonzerte Mannheim 154 Kammerkonzerte 156 MUSIKVERMITTLUNG Erleben, mitmachen und staunen 160 Currentzis LABs 164 KARTENSERVICE Stuttgart 166 Freiburg 170 Mannheim 174 Freunde und Förderer 178 Das Team 180 Dirigenten · Solisten · Ensembles 182 Komponisten und Werke 184 Impressum 190 Kalendarium 191 Liebe Musikfreunde, neben Teodor Currentzis prägen vor allem zwei Persönlichkeiten die kommende Spielzeit. Zum einen der großartige junge Cellist Nicolas Altstaedt als Artist in Residence mit Cellokonzerten von Haydn, Walton, Schostakowitsch, Lutosławski und Salonen. Er wird auch als Dirigent und Kammermusiker mit dem SWR Symphonieorchester zusammenarbeiten. Zum anderen der ungarische Komponist György Kurtág, eine Lichtgestalt der Neuen Musik, dessen Œuvre sich in den verschiedensten Konzertformaten unserer Saison niederschlägt. Teodor Currentzis wird in der kommenden Spielzeit seine Auseinandersetzung mit dem Werk von Gustav Mahler vertiefen. Auf dem Programm stehen die Sinfonien Nr. 1, 9 und 10. Ebenso widmet er sich Kompositionen von Fauré, Strauss, Schostakowitsch, Webern und Kurtág – und dies nicht nur in Stuttgart, Freiburg und Mannheim, sondern auch bei den Salzburger Festspie- len und auf einer Europatournee durch fünf Länder. Hocherfreut sind wir über die Einladung aus dem Festspielhaus Baden-Baden, ab Mai 2020 die neu formierten Pfingstfestspiele als Residenz orchester bestreiten zu dürfen. An- und aufregende Abende dürfen wir Ihnen aber auch für alle weiteren Konzerte der kommenden Saison versprechen. Freuen Sie sich auf ein Wiedersehen mit so renommierten Dirigenten und Solisten wie Sir Roger Norrington, Christoph Eschenbach, Sabine Meyer und Krzysztof Urbański. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Beethoven Symphonies
BEETHOVEN SYMPHONIES MINNESOTA ORCHESTRA OSMO VÄNSKÄ BIS-SACD-1516 BIS-SACD-1516 LvB 3+8 4/19/06 11:10 AM Page 2 van BEETHOVEN, Ludwig (1770-1827) Symphony No. 3 in E flat major, ‘Eroica’, Op. 55 49'54 1 I. Allegro con brio 16'58 2 II. Marcia funebre. Adagio assai 15'07 3 III. Scherzo. Allegro vivace 5'56 4 IV. Finale. Allegro molto – Poco andante – Presto 11'38 Symphony No. 8 in F major, Op. 93 25'25 5 I. Allegro vivace e con brio 9'06 6 II. Allegretto scherzando 4'05 7 III. Tempo di Menuetto 4'48 8 IV. Allegro vivace 7'17 TT: 76'16 Minnesota Orchestra (leader: Jorja Fleezanis) Osmo Vänskä conductor Publisher: Bärenreiter, urtext edition by Jonathan Del Mar BIS-SACD-1516 LvB 3+8 4/19/06 11:10 AM Page 3 eethoven’s Third Symphony is one of the most momentous works in the history of music. It set new standards in size and complexity, at least in Bthe field of instrumental music, and in it the composer advanced so far ahead of his first audience that many of them were left with a feeling of be- wilderment, if not outright hostility – a situation that has since been repeated several times with works of other composers. Where did this new style spring from? Some have seen it as merely a continuation of the path set by Beetho- ven’s Second Symphony, which was also longer and more imposing than any previous symphony. There are indeed some similarities between the two works, such as the opening theme being played by the cellos rather than the violins. -
BRUCKNER SYMPHONY No
OSMO VÄNSKÄ © Ann Marsden BRUCKNER SYMPHONY No. 4 ‘ROMANTIC’ MINNESOTA ORCHESTRA OSMO VÄNSKÄ BIS-SACD-1746 BIS-SACD-1746_f-b.indd 1 10-04-16 11.34.59 BRUCKNER, Anton (1824–96) Symphony No. 4 in E flat major, ‘Romantic’ 62'49 1888 version Edited by Benjamin M. Korstvedt (Int. Bruckner-Gesellschaft Wien) 1 I. Ruhig bewegt (nur nicht schnell) 18'06 2 II. Andante 16'18 3 III. Scherzo. Bewegt – Trio. Gemächlich 9'03 4 IV. Finale. Mäßig bewegt 18'55 Minnesota Orchestra (Jorja Fleezanis leader) Osmo Vänskä conductor 2 The Forgotten Face of Bruckner’s Fourth Symphony Bruckner’s Fourth Symphony, the ‘Romantic’, may be the composer’s most pop ular symphony, yet in a certain sense, it is not fully known. The symphony exists in three distinct versions, only two of which are familiar, even to Bruck - ner aficionados. The first version was composed in 1874 and revised in 1876 but withdrawn by the composer before it could be performed. It was first pub - lished a century later in 1975 and now occupies a secure if secondary place in the canon of Bruckner’s works. The second version was composed between 1878 and 1880, and premièred in February 1881. This is now by far the most often performed version of the symphony. The third version, completed in 1888 and published in 1890, is now much less well-known than its predecessors, yet this was the form in which Bruckner published the symphony and in which it established its reputation as one of the composer’s finest and most com mu nica - tive works. -
Duo Violin Recital Carla Trynchuk [email protected]
Andrews University Digital Commons @ Andrews University Concerts and Events 2015-2016 Concerts and Events Fall 9-19-2015 Duo Violin Recital Carla Trynchuk [email protected] Follow this and additional works at: http://digitalcommons.andrews.edu/events-2015-2016 Part of the Music Commons Recommended Citation Trynchuk, Carla, "Duo Violin Recital" (2015). Concerts and Events 2015-2016. Book 12. http://digitalcommons.andrews.edu/events-2015-2016/12 This Book is brought to you for free and open access by the Concerts and Events at Digital Commons @ Andrews University. It has been accepted for inclusion in Concerts and Events 2015-2016 by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Department of Music Presents Duo Violin Recital Olga Kaler, Violin Carla Trynchuk, Violin Beilin Han, Piano 8:15 PM Saturday, September 19, 2015 Howard Performing Arts Center PROGRAM and was honored as a Young Artist in 2003. In 2004, Ms. Han became a prize winner of the "Vianna Da Motta International Piano Competition" in Portugal. She was invited to perform Tchaikovsky Piano Concerto with University of Kansas Sonata No. 5 in E minor for Two Violins, Op. 3, No. 5 Jean Marie Leclair Symphony Orchestra, Mozart Piano Concerto with T'ang Quartet Allegro ma poco (1697-1764) in Singapore and Rachmaninoff Piano Concerto No. 2 with Portugal Gulbenkian Orchestra. Gavotte (Andante grazioso) Presto Ms. Han has toured internationally as a concert pianist performing in such countries as China, Portugal, Spain, and throughout the US. She also appeared on the radio show in Sonata for Two Violins, Op. -
TERI “Natsumatsuri” Suzuki Method Summer Festival at Home 2020
TERI “Natsumatsuri” Suzuki Method Summer Festival at Home 2020 Due to the spread of COVID-19, TERI had no choice but to cancel the 69th Summer School. This is disappointing for everyone. Therefore, TERI decided to offer an opportunity to share a fun time with Suzuki families from all over the world by planning an online “Natsumatsuri” (Summer Festival) which will be held on the first weekend in August. "Natsumatsuri" will take place over two days, August 1st (Sat.) and 2nd (Sun.), with a variety of programs planned. This event will be streamed to the world from the TERI hall in Matsumoto, the birthplace of the Suzuki Method. In consideration of the risk of COVID- 19 infections, the number of people gathering in Matsumoto will be kept to a minimum. On the first day, a special video of Dr. Shinichi Suzuki and a lecture by the TERI President, Dr. Hayano, will be broadcasted. On the second day, we will have fun group lessons for each instrument with TERI Special Instructors followed by a live stream of their performances. We invite you to join us via YouTube Live. https://www.youtube.com/channel/UCVj6m1TSTu476lH67IVVIOg We are looking forward to you joining us online August 1st and 2nd! Prof. Dr. Ryugo Hayano President, Talent Education Research Institute “NATSUMATSURI” SCHEDULE (Japan time) August 1st (Sat.) 18:00-18:45 Dr. Shinichi Suzuki’s video and Dr. Ryugo Hayano’s (TERI President) lecture. August 2 (Sun.) 9:00-15:00 Programs for each instrument 9:00-9:45 Flute Course Program with Takeaki Miyamae *Group Lesson Minuet No. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre -
ICTURES at an XHIBITION E Mussorgsky Schumann
EII OUE MINNESOTA J ORCHESTRA ravel orchestrations PICTURES at an XHIBITION E mussorgsky schumann chabrier debussy ravel A PROF. JOHNSON 24-BIT RECORDING the orchestrator ravelNothing fascinated Maurice Ravel more than translating piano music into the language of the virtuoso orchestra. The time was ripe, for by 1900 Rimsky- Korsakov and Richard Strauss had brought a new opulence to symphonic scoring. Son of a Swiss engineer and automotive pioneer, Ravel was a born transcriber who prided himself on the precision of his orchestral craft as he stretched the instruments to the limits of what they could do. Like Debussy, Ravel was trained primarily as a pianist, and most of what he wrote originated at the keyboard. But everything was fair game for his brilliant metamorphoses, not only his own piano works which were given dual lives, but also the music of others, some of which remains unpublished. Paradoxically, though he was a master of the orchestra, only three of Ravel’s own symphonic works were originally scored for orchestra, beginning with the Rapsodie espagnol of 1907, when he was already 32 and quite famous in France. His transformations are so compelling that it is hard to remember that the orchestral sonorities are not the originals. Ravel: Alborada del gracioso Bizet’s Carmen, produced in the year Ravel was born, marked the beginning of the Gallic intrigue with the Iberian peninsula. But of all the Frenchmen susceptible to the smoldering rhythms that seemed to waft from across the Pyrénées, none carried on a more addictive flirtation with the idiom than Ravel, who created music bearing the imprint of his heritage. -
The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
Boston Symphony Orchestra Concert Programs, Summer, 1994
Boston Symphony Orchestr S E I J I O Z A W A MUSIC DIRECTOR Tangtewrod THE INTERIOR § ALTERNATIVE The Home Furnishing Center Come Visit The Berkshires Newest Attraction We've QUADRUPLED Our Selling Space BROADENED Our Product Line INCREASED Our Stock Levels But We've Kept The Same LOW PRICES We're Famous For! Fabric, Bedding, Wallpaper, Oriental Carpets, Area Rugs On site sewing for small projects We Feature FAMOUS BRAND Seconds At Tremendous Savings! Mon - Sat 10 - 5 5 Hoosac St. Adams, Ma. (413) 743 - 1986 * 2MI V I j? Seiji Ozawa, Music Director One Hundred and Thirteenth Season, 1993-94 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T Zervas, Vice-Chairman and President-elect Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and David B.Arnold, Jr. Deborah B. Davis Mrs. BelaT. Kalman Mrs. August R. Meyer Peter A. Brooke Nina L. Doggett Allen Z. Kluchman Molly Beals Millman James F. Cleary Dean Freed Harvey Chet Mrs. Robert B. Newman - John F. Cogan,Jr. Avram J. Goldberg Krentzman Peter C. Read Julian Cohen Thelma E. Goldberg George Krupp Richard A. Smith William F Connell Julian T Houston R. Willis Leith, Jr. Ray Stata . William M. Crozier, Jr. Trustees Emeriti Veron R. Alden Nelson J. Darling, Jr. Mrs. George I. Mrs. George Lee Philip K.Allen Archie C. Epps Kaplan Sargent Allen G. Barry Mrs. Harris Albert L. Nickerson Sidney Stoneman Leo L. Beranek Fahnestock Thomas D. Perry, Jr.