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Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 285 April Oxford’S Music Magazine 2019
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 285 April Oxford’s Music Magazine 2019 “The mask probably is a defence mechanism. Focussing on this character of Tiger Mendoza rather than photo: Helen Messenger me as a person removes the notion of personality or race or even gender.” tiger mendoza Oxford’s collaboration king talks masks, movies & remixes Also in this issue: THE CELLAR - RIP WHEATSHEAF in peril? Introducing MEANS OF PRODUCTION FESTIVAL NEWS - the latest on Truck, Cornbury, Supernormal, Tandem & more plus all your Oxford music news, previews, reviews and five pages of gigs for April NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk THE CELLAR CLOSED ITS agreed, there were no guarantees doors for the last time on the 11th on the time frame of the building March. work, which required access to the The venue, which has been at the shop above and various structural heart of the Oxford music scene for considerations. Essentially, the 40 years under the ownership of the whole process took far longer than Hopkins family, was forced to shut we were expecting, and we simply after it failed to reach an agreement could not keep operating under these with landlords The St Michael’s and conditions. All Saints “charity”, over a new rent “We are grateful to the landlords for deal. recognising the cultural importance The closure comes at the end of of the venue, and we hope that an 18-month period that saw The we have saved this space from Cellar survive an application for a becoming a store room. -
Music Inspired by Astronomy, Organized by Topic an Annotated Listing by Andrew Fraknoi
Music Inspired by Astronomy, Organized by Topic An Annotated Listing by Andrew Fraknoi © copyright 2019 by Andrew Fraknoi. All rights reserved. Used with permission. Borresen: At Uranienborg Cage: Atlas Eclipticalis Glass: Orion Connections between astronomy and music have been proposed since the time of the ancient Greeks. This annotated listing of both classical and popular music inspired by astronomy restricts itself to music that has connections to real science -- not just an astronomical term or two in the title or lyrics. For example, we do not list Gustav Holst’s popular symphonic suite The Planets, because it draws its inspiration from the astrological, and not astronomical, characteristics of the worlds in the solar system. Similarly, songs like Soundgarden’s “Black Hole Sun” or the Beatles’ “Across the Universe” just don’t contain enough serious astronomy to make it into our guide. When possible, we give links to a CD and a YouTube recording or explanation for each piece. The music is arranged in categories by astronomical topic, from asteroids to Venus. Additions to this list are most welcome (as long as they follow the above guidelines); please send them to the author at: fraknoi {at} fhda {dot} edu Table of Contents Asteroids Meteors and Meteorites Astronomers Moon Astronomy in General Nebulae Black Holes Physics Related to Astronomy Calendar, Time, Seasons Planets (in General) Comets Pluto Constellations Saturn Cosmology SETI (Search for Intelligent Life Out There) Earth Sky Phenomena Eclipses Space Travel Einstein Star Clusters Exoplanets Stars and Stellar Evolution Galaxies and Quasars Sun History of Astronomy Telescopes and Observatories Jupiter Venus Mars 1 Asteroids Coates, Gloria Among the Asteroids on At Midnight (on Tzadik). -
Bulletin of the United States Fish Commission
THE STONY CORALS OE THE PORTO RICAN WATERS. BY T: WAYLAND VAUGHAN. CONTENTS. Page. Page. Introduction 291 Discussion of Species—Continued. Table of Species 291 Class Anthozoa—Continued. Discussion of Species 292-318 Order Actiniae—Continued. Class Anthozoa 292 Family Favidae—Continued. Order Actiniae 292 Genus Manicina 305 Family Caryophyllidae 292 Manieina areolata 305 Genus Caryophyllia 292 Genus Platygyra 305,306 Caryophyllia berteriana? 292 Platygyra viridis 306-308 Genus Paracyathus 292 Family Agaricidse 309 Paracyathus de filippii 292 Genus Siderastrea 309 Genus Oyathoceras 293 Siderastrea radians 309 Cyathoceras portoricensis 293 Siderastrea siderea 309, 310 Genus Deltocyathus 293 Genus Agaricia 310 Deltocyathus italicus 293 Agaricia elephantotus 310 Agaricia sp 310, 311 Family Oculinidae 294 Agaricia cailleti 311 Genus Oculina 294 Genus Diaseris 311 Oculina diffusa? var 294 “ Diaseris ” crispa 311 Family Stylophoridse 294 Family Isoporidae 312 Genus Axhelia 294 Genus Isopora 312 Axhelia asperula 294 Isopora muricata 312, 313 Axhelia mirabilis 295 Isopora muricata ss. (== cervicornis) 313 Family Eusmilidae 295 Isopora muricata forma prolifera 313 Genus Meandrina 295 Isopora muricata forma palmata 313, 314 Meandrina maeandrites 296,297 Family Poritidae 314 Family Astrangidae 298 Genus Porites 314 Genus Cladocora 298 Porites porites 314-316 Cladocora arbuscula 298 Porites porites forma clavaria 316 Cladocora debilis 298 Porites porites forma furcata 316 Genus Astrangia 298 Porites porites forma divaricata 316 Astrangia solitaria? var. portoricensis 298,299 Porites astreoides 317 Astrangia astreiformis 300 Porites astreoides forma a 317 Family Orbicellidae 300 Porites astreoides forma /3 318 Genus Orbicella 300 Class Hydrozoa 318 Orbicella acropora var 301 Order Hydrocoral linse 318 Family Favidae 302 Family Milleporidae 318 Genus Favia 303 Genus Millepora 318 Favia fragum 303, 304 Millepora alcicornis 318 290 . -
Chanting up Zion: Reggae As Productive Mechanism for Repatriated Rastafari In
Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Shannon Dudley, Chair Giulia Bonacci Katell Morand Christina Sunardi Program Authorized to Offer Degree: Music i @Copyright 2017 David Aarons ii University of Washington Abstract Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons Chair of the Supervisory Committee: Shannon Dudley Ethnomusicology Since the 1960s, Rastafari from Jamaica and other countries have been “returning” to Ethiopia in the belief that it is their Promised Land, Zion. Based on extensive ethnographic research in Ethiopia between 2015 and 2017, this project examines the ways in which repatriated Rastafari use music to transform their Promised Land into a reality amidst various challenges. Since they are denied legal citizenship, Rastafari deploy reggae in creative and strategic ways to gain cultural citizenship and recognition in Ethiopia. This research examines how reggae music operates as a productive mechanism, that is, how human actors use music to produce social and tangible phenomena in the world. Combining theories on music’s productive capabilities with Rastafari ideologies on word-sound, this research further seeks to provide deeper insight into the ways Rastafari effect change through performative arts. I examine how Rastafari mobilize particular discourses that both challenge and reproduce hegemonic systems, creating space for themselves in Ethiopia through music. Rastafari use reggae in strategic ways to insert themselves into the contested national narratives of Ethiopia, and participate in the practice of space-making in Addis Ababa and Shashemene through sound projects. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
History Report Freiburg HOT 30.12.2015 00 Through 05.01.2016 23
History Report Freiburg_HOT 30.12.2015 00 through 05.01.2016 23 Air Date Air Time Cat RunTime Artist Keyword Title Keyword Mi 30.12.2015 00:05 POP 02:56 Two Hours Traffic Amour Than Amis Mi 30.12.2015 00:08 J 00:02 Flüsterer_Ids1 Mi 30.12.2015 00:08 HIP 04:40 Chester Watson Chinamen (ft. Comme) Mi 30.12.2015 00:13 POP 02:50 We Invented Paris A View that almost kills (live bei echo-fm) Mi 30.12.2015 00:15 P 00:39 Vorlesung Intro1 Mi 30.12.2015 00:16 LYR 00:58 Fabian Lutz Plastik Senorita Mi 30.12.2015 00:17 P 00:47 Vorlesung Outro1 Mi 30.12.2015 00:18 POP 04:26 Jose Gonzalez Stay Alive Mi 30.12.2015 00:22 ARO 03:07 krakow loves adana Lost Mi 30.12.2015 00:25 POP 03:59 Balthazar Do Not Claim Them Anymore Mi 30.12.2015 00:29 NAC 04:30 Jet Timothy Mi 30.12.2015 00:34 RCK 03:48 Beck Blue Moon (Radio Edit) Mi 30.12.2015 00:38 EKR 03:02 Tubbe 5 Minute Love Mi 30.12.2015 00:41 RCK 03:57 Protomartyr Come & See Mi 30.12.2015 00:45 AMB 03:37 De-Phazz Jazz Music Mi 30.12.2015 00:48 NAC 03:16 William Fitzsimmons You Still Hurt Me (live at echo-fm) Mi 30.12.2015 00:52 SRO 03:56 A Tale Of Golden Keys Three Weeks Mi 30.12.2015 00:56 NAC 02:12 Neil Young The Needle And The Damage Done Mi 30.12.2015 00:58 ARO 03:31 EL VY Sleeping Light Mi 30.12.2015 00:61 POP 03:29 Phoebe Killdeer & The Short Straws The Fade Out Line (Radio Edit) Mi 30.12.2015 00:65 DPR 04:14 Scrubs bei dir Mi 30.12.2015 01:05 ARO 02:24 Oscar Breaking My Phone Mi 30.12.2015 01:07 SRO 02:53 Leo Abrahams Halo Effect Mi 30.12.2015 01:14 RCK 02:37 Plague Vendor Black Sap Scriptures Mi 30.12.2015 -
Music Data Mining Presents a Variety of Approaches to Successfully Employ Data Mining Techniques for the Purpose of Music Processing
Computer Science Chapman & Hall/CRC Music Data Mining Chapman & Hall/CRC Data Mining and Knowledge Discovery Series Data Mining and Knowledge Discovery Series The research area of music information retrieval has gradually evolved to address the challenges of effectively accessing and interacting large collections of music and associated data, such as styles, artists, Music Data lyrics, and reviews. Bringing together an interdisciplinary array of top researchers, Music Data Mining presents a variety of approaches to successfully employ data mining techniques for the purpose of music processing. Mining The book first covers music data mining tasks and algorithms and audio feature extraction, providing a framework for subsequent chapters. With a focus on data classification, it then describes a computational approach inspired by human auditory perception and examines instrument recognition, the effects of music on moods and emotions, and the connections between power laws and music aesthetics. Given the importance of social aspects in understanding music, the text addresses the use of the Web and peer-to-peer networks for both music data mining and evaluating music mining tasks and algorithms. It also discusses indexing with tags and explains how data can be collected using online human computation games. The final chapters offer a balanced exploration of hit song science as well as a look at symbolic musicology and data mining. and Tzanetakis and The multifaceted nature of music information often requires Ogihara, Li, algorithms and systems using sophisticated signal processing and machine-learning techniques to better extract useful information. An excellent introduction to the field, this volume presents state-of- the-art techniques in music data mining and information retrieval to create novel ways of interacting with large music collections. -
Magpie Salute NORISKDISC MANIA Major Muscle • Independent Spirit
10 augustus 2018 - nr. 349 Het blad van/voor muziekliefhebbers Magpie Salute NORISKDISC MANIA major muscle • independent spirit proudly presents dizzy De Canadese band Dizzy brengt op 17 augustus haar debuutalbum ‘Baby Teeth’ uit. Het album is oa. geproduceerd door Grammy nominee Damian Taylor en bevat liedjes die weerspiegelen hoe het is om volwassen te worden in een buitenwijk. #discover underworld ben khan & iggy pop De Britse Ben Khan komt op 10 augustus met zijn debuut- Twee legendes, Underworld en album ‘Ben Khan’! Het album Iggy Pop, brengen samen werd geproduceerd door o.a. PJ een nieuw album uit genaamd Harvey producer Flood. Khan ‘Teatime Dub Encounters’. speelt elk instrument op de plaat Het album bestaat uit 4 tracks, zelf en maakt ook gebruik van die zijn opgenomen tijdens computergestuurde geluiden. een spontane ‘afternoon tea #musthear encounter’ in Londen. #electronicmeetspunk 6ix9ine Nadat de amerikaanse rapper eind 2017 zijn eerste single ‘Gummo’ uitbracht en hiermee doorbrak, komt hij nu met zijn debuutalbum ‘Day 69: The Graduation’. Het album kwam eerder al digitaal uit en is ondertussen al miljoenen keren gestreamed. #viral justice Justice komt 24 augustus polo & pan met een nieuw album ‘Woman Het Frans elektronische Worldwide’! Een album vol met producer/dj duo is terug met hun grootste hits en nummers een deluxe versie van hun van hun laatste album debuutalbum ‘Caravelle’. ‘Woman’. Opgenomen tijdens Deze nieuwe versie bevat vijf hun laatste tournee en nieuwe nummers inclusief daarna in de studio opnieuw een remix van de hitsingle geproduceerd. ‘Canopee’ door #10yearsofjustice Superorganism. #summer MANIA NO RISK DISC MAGPIE SALUTE High Water (Mascot-Provogue/Bertus) 2LP Ltd clear vinyl, CD Vorig jaar verscheen al een live-album voornamelijk gevuld met covers van Magpie Salute, maar dat bleek slechts een vingeroefening met het nu verschenen officiële debuut High Water. -
Coral Reef Fish and Fisheries Final Technical Report
Coral Reef Fish and Fisheries Final Technical Report CARIBBEAN REGIONAL OCEANSCAPE PROJECT (CROP) Saint Kitts and Nevis, Dominica, Saint Lucia, Saint Vincent and the Grenadines, Grenada Photo: Peter Mumby Photo: The Nature Conservancy Rachel Zuercher, Melanie Esch, and Alastair R. Harborne Tropical Fish Ecology Lab, Institute of Environment & Department of Biological Sciences, Biscayne Bay Campus, 3000 NE 151st Street, North Miami, FL 33181, USA. Email: [email protected] March 2021 Mapping fishing and fish biomass in the Eastern Caribbean 2021 Acknowledgements Thank you to the following individuals and organizations who have kindly provided essential data for this project: Dr Lynnette Roth and the Atlantic Gulf Rapid Reef Assessment (AGRRA), Dr Sascha Steiner (Institute for Tropical Marine Ecology), Drs Robert Steneck (University of Maine) and Peter Mumby (University of Queensland), Drs Andy Estep, Matt Pauvfe and the Waitt Institute, Dr Jason Flower (UC Santa Barbara), Dr Jean- Philippe Marechal (Observatoire du Milieu Marin Martiniquais), Drs. Steven Newman and Nick Polunin (Newcastle University), and Dr Iliana Chollett (Independent Consultant). In addition, multiple spatial data layers for the project were provided by The Nature Conservancy, and we acknowledge funding for data development from the German Federal Ministry for the Environment, Nature Conservation and Nuclear Safety (BMU). And a sincere thank you to those who have provided direction and shared their knowledge of fisheries and the marine environment in the Lesser Antilles: Olando Harvey (Grenada Fisheries Division), Charlie Prospere (St. Lucia Department of Fisheries), Marc Williams (St. Kitts and Nevis Department of Marine Resources), Jennifer Cruickshank-Howard (St. Vincent and the Grenadines Fisheries Division), Mark Archibald (Antigua and Barbuda Fisheries Division), Kris Isaacs (St. -
Friday Refrain
Genre Artist Album Dream Death Dissemination 80s Rock Cub Sport This Is Our Vice 80s Rock Day Wave Headcase/Hard To Read Christian Newsboys Love Riot Christian Steven Curtis Chapman Worship & Believe Country Granger Smith Remington Country Loretta Lynn Full Circle Electronica Tiga No Fantasy Required IndieM Miike Snow iii Metal Big Ups Before A Million Universes Metal Church of Misery And Then There Were None Metal Wolvserpent Aporia:Kala:Ananta Playground of Heron Oblivion Heron Oblivion Rock Playground of Hotel Lights Get Your Hand In My Hand Rock Playground of La Sera Music For Listening To Music To Rock Playground of M. Ward More Rain Rock Playground of Nada Surf You Know Who You Are Rock Playground of Poliça United Crushers Rock Playground of Prince Rama Xtreme Now Rock Playground of RNDM Ghost Riding Rock !1 Genre Artist Album Playground of Robert Pollard Of Course You Are Rock Playground of Sego Once Was Lost Now Just Hanging Rock Around Playground of Thao & the Get Down A Man Alive Rock Stay Down Playground of The Rubens Hoops Rock Playground of Wintersleep The Great Detachment Rock Playground of Yndi Halda Under Summer Rock Playground of The Coral Distance Inbetween Rock Playground of Wall of Death Loveland Rock Pop Club Cheval Discipline Pop Judah And The Lion Folk Hop N’ Roll Pop The Zolas Swooner Pop-Rock Tonight Alive Limitless Poppy Singer- Nicholas Krgovich The Hills Songwriter Punk Rock Adult Books Running From the Blows Rap/Hip-Hop Bas Too High To Riot Rock Dead Stars Bright Colors Rock Violent Femmes We Can Do Anything -
John Leckie Album Sessions
CRAFT ohn Leckie’s remarkable career started at Abbey Road Studios in 1970 when he landed a job as a tape operator. He was soon working with members of The Beatles, and before long was engineering on Pink Floyd’s Meddle John Leckie album sessions. Other early engineering credits included Mott The Hoople, J Wings and Soft Machine, before he was employed as a producer in 1975 Muse, Radiohead, The Verve, Baaba Maal, The Stone Roses, with Be-Bop Deluxe and made a series of albums with the band over the next XTC — GEORGE SHILLING interviews a producer few years. Leckie also started producing the likes of The Adverts, Magazine and XTC. After the latter’s 3D-E.P. he sneaked off to The Manor during his two- whose recordings span four decades. week holiday and finished mixes off in free evenings at Advision. But Abbey Road refused to hire him out when XTC later wanted to go to The Townhouse, Did you ever get offered a producer credit for an album you’d despite him having three albums and a single in the charts, so in 1978 he left engineered? — and thrived, producing several Simple Minds albums, the first Public Image No, I wish they’d done that for Soft Machine because on the first day, Mike Limited single and a Human League E.P. During the 80s, productions included Ratledge, who was the only original member — he played wah-wah organ, or three The Fall albums, and he headed abroad, including a spell in Nigeria’s EMI fuzz organ — turned up and resigned; he said, I’m off! And it was Karl Jenkins, Studios. -
at Wit's End in America Let’S Get Right to the Point
By Craig Zerouni : At Wit's End in America Let’s get right to the point. songwriter/guitarist Andy saying things that are subtly boyhood musical idols were, was formed in Swindon, “He (Andrews) was XTC’s music has been Partridge. Standing in a outrageous. “Bach’s quite besides the Beatles, the England. writing these songs that the described as “controlled large (dry) shower deep in good,” he says of the com Monkees. “I wanted to be in Partridge’s staccato rest of us considered sub experimentalism,” which is the bowels of the Events poser, “because he’s just the Monkees,” he says, not outline of that period runs standard and he was a bit about as good a description Center before their recent sterile meanderings up and too surprisingly, because like the highlights of the six peeved that we didn’t like his as one could want. The sound appearance here turns out to down the scale.” Reasons for “they were in a group and o’clock news: “Got together songs,” explains Partridge. is fresh, bright and witty, be the only place we can his personality, or at least a they were having lots of fun ’73...couldn’t play very “They were O.K., but they with a self-confidence talk, so we do. framework for it, emerge and getting girls and being well...very flashy weren’t as good as the stuff running through it that is Partridge is a small, pink later when on one occasion successful and at that age, I clothes...’76 record com we’d been doing, and we both obvious and pleasing, man, with little round he admits “I used to like was 13, that’s what I wanted panies started getting in thought it would be a step and which works: last year’s glasses and an aire of comedians a lot.” Does, he to do.” terested in us...had a per down...we’d be throwing out Drums and Wires Lp went mischief about him.