SONGS AS ACTIONS a Scene from a Verse Play by Peter Viereck HAN
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
GSAK Camp Song Book
Girl Scouts of Alaska Song Book Song Index Fast/Circle Songs Alive, Awake, Alert Baby Duck Slow/Longer Songs Banjo Song Annie’s Song Bean Song Barges Banana Song (Mash) Blue Bottle Bananas in the Sky Camp Togowoods Birdie Song (Way up in the sky) Can a Woman Birdie Song (Early in the morning) Circle Game Black Socks Dip Dip and Swing Crazy Old McDonald Flicker of the Campfire Donut Song Happiness Runs Fly in the Grocery Store Heroes Forty Years On an Iceberg How Could Anyone Fred the Moose I am a Promise Ging Gang Goolie I Love the Mountains Hippo Song I’m Proud to Be Me Iga-Flyga-Fleega -Flyga Inspire Me It’s Not Hard Land of the Silver Birch Little Green Frog Life of a Voyageur Oh A Day A Lay Linger Moo Moo Magic Murray the Rabbit Boy May All of your Dreams Penguin Song Meg’s Lullaby Ping Pong Ball Moon on the Meadow Pirate Song On My Honor Princess Pat On the Loose Proud to be Me Peace Prune Song Puff the Magic Dragon Ratlin’ Bog Smores Salmon Song Swimming Shake, Shake, Shake Thinking Like a Mountain Skunk Hole Wee Baby Moon Sun Song Yukon Sally Supercalifornia Surfer Swimming in the Swimming Hole Tennessee Wiggle Walk Wadalee Atcha Alive Awake Alert Lima been I’m alive, awake, alert, enthusiastic [clap] Lima been I’m alive, awake, alert, enthusiastic [clap] Where oh where has Lima bean I’m alive, awake, alert Lima been I’m alert, awake, alive Lima been I’m alive, awake, alert, enthusiastic [clap] Where oh where has Lima bean Repeat subbing different bean names for the dog. -
Neoconservatism: Origins and Evolution, 1945 – 1980
Neoconservatism: Origins and Evolution, 1945 – 1980 Robert L. Richardson, Jr. A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2009 Approved by, Michael H. Hunt, Chair Richard Kohn Timothy McKeown Nancy Mitchell Roger Lotchin Abstract Robert L. Richardson, Jr. Neoconservatism: Origins and Evolution, 1945 – 1985 (Under the direction of Michael H. Hunt) This dissertation examines the origins and evolution of neoconservatism as a philosophical and political movement in America from 1945 to 1980. I maintain that as the exigencies and anxieties of the Cold War fostered new intellectual and professional connections between academia, government and business, three disparate intellectual currents were brought into contact: the German philosophical tradition of anti-modernism, the strategic-analytical tradition associated with the RAND Corporation, and the early Cold War anti-Communist tradition identified with figures such as Reinhold Niebuhr. Driven by similar aims and concerns, these three intellectual currents eventually coalesced into neoconservatism. As a political movement, neoconservatism sought, from the 1950s on, to re-orient American policy away from containment and coexistence and toward confrontation and rollback through activism in academia, bureaucratic and electoral politics. Although the neoconservatives were only partially successful in promoting their transformative project, their accomplishments are historically significant. More specifically, they managed to interject their views and ideas into American political and strategic thought, discredit détente and arms control, and shift U.S. foreign policy toward a more confrontational stance vis-à-vis the Soviet Union. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Imagination Movers: the Construction of Conservative Counter-Narratives in Reaction to Consensus Liberalism
Imagination Movers: The Construction of Conservative Counter-Narratives in Reaction to Consensus Liberalism Seth James Bartee Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Social, Political, Ethical, and Cultural Thought Francois Debrix, Chair Matthew Gabriele Matthew Dallek James Garrison Timothy Luke February 19, 2014 Blacksburg, Virginia Keywords: conservatism, imagination, historicism, intellectual history counter-narrative, populism, traditionalism, paleo-conservatism Imagination Movers: The Construction of Conservative Counter-Narratives in Reaction to Consensus Liberalism Seth James Bartee ABSTRACT The purpose of this study was to explore what exactly bound post-Second World War American conservatives together. Since modern conservatism’s recent birth in the United States in the last half century or more, many historians have claimed that both anti-communism and capitalism kept conservatives working in cooperation. My contention was that the intellectual founder of postwar conservatism, Russell Kirk, made imagination, and not anti-communism or capitalism, the thrust behind that movement in his seminal work The Conservative Mind. In The Conservative Mind, published in 1953, Russell Kirk created a conservative genealogy that began with English parliamentarian Edmund Burke. Using Burke and his dislike for the modern revolutionary spirit, Kirk uncovered a supposedly conservative seed that began in late eighteenth-century England, and traced it through various interlocutors into the United States that culminated in the writings of American expatriate poet T.S. Eliot. What Kirk really did was to create a counter-narrative to the American liberal tradition that usually began with the French Revolution and revolutionary figures such as English-American revolutionary Thomas Paine. -
A RESOLUTION to Honor the Memory of Legendary Guitarist Reggie Young
SENATE JOINT RESOLUTION NO.101 By Johnson A RESOLUTION to honor the memory of legendary guitarist Reggie Young. WHEREAS, the members of this General Assembly were saddened to learn of the passing of Reggie Young of Nashville, a humble gentleman whose talents as a guitarist were incomparable among his peers yet accessible to the average listener; and WHEREAS, during a brilliant career that spanned seven decades, Reggie Young served as the anchor of house bands at Memphis's Royal Studios/Hi Records and American Studios and was later one of Nashville's finest session players; and WHEREAS, greatly revered among his peers, Reggie Young was not a household name, but his signature work on guitar and sitar continues to be heard and appreciated worldwide; and WHEREAS, his talents earned him engagements with a stunning array of artists, from Bob Dylan to Gladys Knight, the Staple Singers to Paul Simon, Herbie Mann to Joe Cocker, and B.B. King to Sinead O'Connor; and WHEREAS, Mr. Young played on many monumentally popular recordings, including Dusty Springfield's "Son of a Preacher Man," the Box Tops' "Cry Like a Baby," Elvis Presley's "Suspicious Minds" and "In the Ghetto," and literally hundreds of other hits and classics; and WHEREAS, always a self-effacing professional, Reggie Young never sought to stand out among his fellow musicians in the studio; he played within the context of the song, adding special touches that magically made the song and the recording better, but he also excelled as a soloist when need be; and WHEREAS, he invented and played the iconic opening to Dobie Gray's "Drift Away" on the spot in the studio and recorded one of the greatest sitar solos of all-time on B.J. -
A Third View of the New Deal Peter Viereck
New Mexico Quarterly Volume 26 | Issue 1 Article 7 1956 A Third View of the New Deal Peter Viereck Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Viereck, Peter. "A Third View of the New Deal." New Mexico Quarterly 26, 1 (1956). https://digitalrepository.unm.edu/nmq/vol26/ iss1/7 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Viereck: A Third View of the New Deal Peter Viereck A THIRD VIEW OF THE NEW DEAL "Men fight and lose the battle, and the thing they fought for comes about in .pite of their defeat; and when it comes, turns out to be not what they meant; and other men have to fight for what they meant under another name,"-WlLLIAM MOlUUS :- "Thestrange alchemy of time h3.! somehow converted the Democrats into the truly conservative party of this country-the party dedicated to conserving all that is belt, and building solidly and sarely on these foundaqons:'-ADLAl STEVENSON, 1952 I EW DEAL LIBERAL: "The New Deal was not com munist-infiltrated, as the hysterical witch-hunters N. charged. Instead, it represented a native radicalism that wisely hindered Wall Street, educated the masses to become less conservative than before, and discarded outdated institutions." Republican: "The New Deal was communist-infiltrated, just as our patriotic businessmen charged at the time. -
Concert Press Release
For more information contact: Rick Harmon Alabama Tourism Department 334-242-0583 Top Alabama musicians to culminate bicentennial with free Montgomery concert More than a dozen of Alabama’s top musicians will present a free concert of the state’s greatest hits in front of the Capitol in Montgomery on Dec. 14 as part of the celebration of the culmination of Alabama’s three-year bicentennial. “American Idol”-winner Taylor Hicks and Hank Williams daughter Jett Williams will co-host the 4 p.m. show. Performers include Allison Moorer, who has been nominated for Academy, Grammy, Americana Music Association and Academy of Country Music awards, John Paul White, a four-time Grammy winner, Martha Reeves, a Rock and Roll Hall of Fame inductee, Jimmy Hall, who led Southern blues/rock band Wet Willie, Eddie Floyd, who had the hit “Knock on Wood” and recorded and toured with the Blues Brothers, Candi Staton, the R&B great who had the disco hit “Young Hearts Run Free” and Dan Penn, who co-wrote such classics as “I’m Your Puppet,” “Cry Like a Baby” and “Dark End of the Street.” All these artists will be backed up by the 14-piece Muscle Shoals Allstars with David Hood and other legendary session players who have played on hits by artists such as Aretha Franklin, Wilson Pickett, Bob Dylan, Paul McCartney, The Staple Singers, Paul Simon, Bob Seger and Percy Sledge. “The state of Alabama played a seminal role in the history of rock and roll, and many of the musicians who helped create that history are performing in this concert,” said Lee Sentell. -
Peter Viereck's View of Metternich's Conservative Internationalism
wbhr 1|2012 Peter Viereck’s View of Metternich’s Conservative Internationalism GERGELY EGEDY Writing in 1849 a keen-eyed observer, Gustav von Usedom came to the conclusion that “Metternich was a principle”, “a banner which one part of the century followed while another took a stand against it”.1 Peter Vi- ereck, one of the most influential exponents of the “conservative renais- sance” in the United States after the World War II looked upon Metternich as the “principle” of true conservatism. He held that a political philosophy in the abstract is incomplete, its content can be grasped better if we con- nect it to a historical figure who tried to realize it. In his view it was Klemens von Metternich, the powerful chancellor and foreign minister of the Hapsburg Empire in the first half of the nineteenth century who is “an object lesson not only of short-run conservative action but of an enduring conservative philosophy”. To put it tersely, Viereck was of the view that Metternich had become “conservatism’s lasting symbol”, although in most modern eyes the symbol of conservatism at its most unpopular.2 One of the crucial components of the political principle represented by Metternich is “conservative internationalism”. Viereck had no doubt that the world needed conservative internationalism in the twentieth centu- ry even more than in the nineteenth century. In the foreword to the first, 1949 edition of Conservatism Revisited he expressis verbis stated: in order to reassess the present western crisis, the historian must revisit the earlier crisis most resembling ours. This requires revisiting the “unacknowledged ancestor of our Western union, Metternich’s Concert of Europe…”3 In the following study the present author will try to outline Viereck’s interpreta- tion of Metternichian conservatism, with a special emphasis on conserva- tive internationalism. -
Rescuing Burke
Missouri Law Review Volume 72 Issue 2 Spring 2007 Article 1 Spring 2007 Rescuing Burke Carl T. Bogus Follow this and additional works at: https://scholarship.law.missouri.edu/mlr Part of the Law Commons Recommended Citation Carl T. Bogus, Rescuing Burke, 72 MO. L. REV. (2007) Available at: https://scholarship.law.missouri.edu/mlr/vol72/iss2/1 This Article is brought to you for free and open access by the Law Journals at University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Missouri Law Review by an authorized editor of University of Missouri School of Law Scholarship Repository. For more information, please contact [email protected]. Bogus: Bogus: Rescuing Burke MISSOURI LAW REVIEW VOLUME 72 SPRING 2007 NUMBER 2 Rescuing Burke Carl T. Bogus* I. INTRODUCTION Edmund Burke needs to be rescued. His legacy is held hostage by the modem conservative movement, which proclaims Burke to be its intellectual progenitor. Conservatives consider Burke the fountainhead of their political philosophy - the great thinker and eloquent eighteenth-century British statesman who provides conservatism with a distinguished heritage and a coherent body of thought. Burke has achieved iconic status; Reaganites wore his silhouette on their neckties.' Legal scholars applaud court decisions and jurisprudential philosophies as Burkean, or denounce them as not being genu- inely Burkean. But Burke's memory has been wrongfully appropriated. Ed- mund Burke was a liberal - at least by today's standards - and it is time to restore him to his proper home. This Article has three objectives. The first is to demonstrate Burke's lib- eralism.