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Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Full Text In
Acta Universitatis Sapientiae, Philologica, 3, 2 (2011) 224-235 A Common Image Loss, A Common Memory Image Attempt for an Anthropology of Art Emese EGYED Babeş-Bolyai University Department of Hungarian Literary Studies [email protected] Orsolya LÁNG Sapientia Hungarian University of Transylvania Faculty of Sciences and Arts [email protected] Abstract. Teilhard de Chardin writes: “Man, ever since he has existed, offers himself as a spectacle for himself. In fact, he has been regarding nothing else for millennia than himself”.1 In search for the meanings of regard, spectacle, and vision, we have chosen the syncretic field of art since works of art initiate mechanisms of cognition the duration of which goes beyond perception. This is what we have experienced in the case of Federico Fellini’s (1920-1993) film Rome (1972), and János Géczi A.’s (1953-2005) short story Mint szénagyűjtéskor az árnyékban [Like at Hay Gathering, in the Shade]. Fellini is a legendary figure in the history of film, while János Géczi A., the outstanding Transylvanian writer, editor of Kriterion and Polis Publishing Houses, founder and head of Kalota Publishing House, who passed away tragically early, is only known by few. His individual volumes are: Holdfényben (In Moonlight, 1987), and Patthelyzetek (Deadlocks, 1992). Keywords: knowledge, hypogeum, image vision, cognition, double author Writing changes in time even within a given sign system, it is simplified, its logic becomes different. An image however has the same elementary and immediate effect on its onlooker even after thousands of years. Cave paintings, to the best of our present knowledge, primarily had a role in community building, with mystical 1 Quoted by Péter Nádas as a motto to his lecture Az égi és földi szerelemről (On Heavenly and Worldly Love). -
Adolescenti Italiani
LUCA TOCCACELI (Università Bicocca- Milano) Cantare i canti oggi: tra kolossal e opere rock* 1. L’EREDITA’ CLASSICA Confesso che, quando mi è giunta l’offerta di partecipare a questo dibattito con un intervento che mettesse in relazione Dante e la musica, ero davvero un po’ perplesso. Se la richiesta fosse stata quella di occuparmi di musica classica o lirica, quella che viene solitamente definita musica colta, il gioco sarebbe stato più semplice: anche limitandoci ai soli personaggi della Commedia, possiamo annoverare le Francesca da Rimini di Rachmaninoff, Staffa, Fournier-Gorre, Morlacchi, Borgatta, Devasini, Canetti, Marcarini, Götz, Napravnik, Zandonai, Mercadante. Per non parlare dei due lavori più notevoli sotto il titolo di Francesca da Rimini: il Poema sinfonico op. 77 del violinista bresciano Antonio Bazzini e la Fantasia op. 32 di Cajkovskij, la più famosa, anche in sede coreografica, delle composizioni dedicate al famoso personaggio femminile del quinto canto dell'Inferno. Altri personaggi danteschi: Pia de' Tolomei e il Conte Ugolino hanno sedotto Donizetti; Gianni Schicchi compare nel teatro di Giacomo Puccini. Ci sono stati autori che si sono cimentati con la Commedia nella sua completezza: il pensiero corre verso la Sinfonia Dante in quattro parti di Giovanni Pacini e, soprattutto, alla Dante-Symphonie di Franz Liszt, con la sua sinfonia in tre movimenti: Inferno, Purgatorio e Magnificat. Fu Wagner a dissuadere il compositore ungherese dal musicare il Paradiso; per la conclusione, pertanto, Liszt utilizzò il testo del Magnificat (tratto dal Vangelo secondo Luca), affidandolo ad un coro esclusivamente femminile. A Liszt dobbiamo anche una Fantasia quasi sonata Après une lecture de Dante. -
Grand Tour E Turismo a Venezia 1.1
INTRODUZIONE p. 3 1 PREVISIONI E VISIONI: GRAND TOUR E TURISMO A VENEZIA 1.1. Viaggi narrati e viaggi ritratti: il paesaggio tra scrittura e immagini p. 15 1.2 . Il desiderio di possesso: viaggiatori-artisti e viaggiatori-clienti p. 33 1.3. Il faticoso esercizio dello sguardo: attese, invadenze e frustrazioni p. 47 2 IL GRAN TEATRO DI VENEZIA: IL PAESAGGIO VENEZIANO ATTRAVERSO LE ARTI DELLA RAPPRESENTAZIONE 2.1. Rimandi, incroci e contaminazioni: nascita dell’iconografia fotografica p. 63 2.2 . Fotografia e mito: il trionfo delle superfici p. 79 2.3. Lo sguardo tradotto: dall’immagine a stampa alla fotografia p. 91 3 SGUARDI ESTETICI E SGUARDI RAZIONALI: IL PAESAGGIO VENEZIANO NELLA PERCEZIONE DEL XIX SECOLO 3.1 . Fotografia e paesaggio: nascita di un nuovo sguardo artistico p. 109 3.2 . Cartografia, letteratura e fotografia: tra paesaggi interiori e paesaggi topografici 3.2.1. Idealità e razionalità nel paesaggio veneziano: storia di una collaborazione p. 125 3.2.2. La fotografia d’atelier: protagonisti e caratteri principali p. 149 4 TRADIZIONE E INNOVAZIONE NELLA FOTOGRAFIA DI PAESAGGIO: TEMPO E FORMA DI VENEZIA 4.1. Sguardi assoluti e sguardi relativi: la fotografia e la sua epoca p. 183 4.2 . Il tempo sospeso: lo sguardo tra rimando e contemplazione p. 201 4.2.1. Proiezioni personali e proiezioni collettive p. 221 4.2.2. Venezia città artificiale: stanze e palcoscenici p. 243 4.3. La fotografia tra itinerari artistici e urbani: dall’accumulo all’ordine p. 265 4.4. Venezia e il bon savage : un rapporto letto attraverso la fotografia p. -
Titre Construit 1Er Responsable Série Edith Piaf
Titre construit 1er responsable Série Edith Piaf (1963-2003) (20) : Volume 20 : Carnegie Hall 1956-1957 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (19) : Volume 19 : Carnegie Hall 1956 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (18) : Volume 18 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (17) : Volume 17 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Léo chante Ferré (16) : Léo chante l'espoir Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (16) : Volume 16 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Intégrale 1965-1995 (16) : Disque 16 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Léo chante Ferré (15) : Léo chante Et ... basta ! Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (15) : Volume 15 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] L'Intégrale (15) : Les Marquises Brel, Jacques L'Intégrale / Jacques Brel [Universal Music France S.a] Intégrale 1965-1995 (15) : Disque 15 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] L'Intégrale studio de Claude Nougaro (14) : Embarquement immédiat Nougaro, Claude L'Intégrale studio de Claude Nougaro / Claude Nougaro [Mercury France] Intégrale 1965-1995 (14) : Disque 14 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Edith Piaf (1963-2003) -
Dante Xxi: Uma Ponte Entre a Idade Média E a Contemporaneidade
PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO DA UNIVERSIDADE FEDERAL DE SANTA MARIA DANTE XXI: UMA PONTE ENTRE A IDADE MÉDIA E A CONTEMPORANEIDADE DANTE XXI: A BRIDGE BETWEEN THE AVERAGE AGE AND THE CONTEMPORANEITY DANTE XXI: UM PUENTE ENTRE LA EDAD MEDIA Y LA CONTEMPORANEIDAD Alexandro Buffon Universidade Feevale- [email protected] Cristina Ennes da Silva Docente Historia Medieval - Universidade Feevale – [email protected] Resumo Este estudo tem como tema a obra medieval A Divina Comedia de Dante Alighieri. O objetivo é identificar e analisar a apropriação dos elementos constantes na obra e reinterpretados pela banda Sepultura em seu registro sonoro Dante XXI. Produtos culturais de tempos e sociedades distintas, com características próprias de suas épocas, buscamos compreender semelhanças e diferenças que apresentam, veiculadas, é claro, aos seus respectivos contextos de produção. A análise se dará dentro da seguinte perspectiva: como Dante percebia o tema aqui escolhido em sua época e como a banda Sepultura reinterpreta e atualiza em seu registro sonoro esta visão para os dias atuais. Palavras-chave: Dante. Heavy Metal. Política. Abstract This study has as subject the medieval work Divine Comedy of Dante Alighieri. The objective is to identify and to analyze the appropriation of the elements constant in the medieval work and reinterpreted by the band Sepultura in its cd Dante XXI. Cultural products of times and distinct societies, with proper characteristics of its times, we search to understand similarities and differences that present, propagated, clearly, to its respective contexts of production. This analysis will be inside of the following perspective: how Dante perceived them at his time and how the band Sepultura reinterprets them and updates it in its sound recording with a vision of the current days. -
313 3D in Your Face 44 Magnum 5 X a Cosmic Trail A
NORMALPROGRAMM, IMPORTE, usw. Richtung Within Temptation mit einem guten Schuß Sentenced ALLOY CZAR ANGEL SWORD ACCUSER Awaken the metal king CD 15,50 Rebels beyond the pale CD 15,50 Dependent domination CD 15,50 Moderater NWoBHM Sound zwischen ANGRA BITCHES SIN, SARACEN, DEMON, Secret garden CD 15,50 Diabolic CD 15,50 SATANIC RITES gelegen. The forlorn divide CD 15,50 ALLTHENIKO ANGRA (ANDRE MATOS) Time to be free CD 29,00 ACID Back in 2066 CD 15,50 Japan imp. Acid CD 18,00 Devasterpiece CD 15,50 ANGUISH FORCE Engine beast CD 18,00 Millennium re-burn CD 15,50 2: City of ice CD 12,00 ACRIDITY ALMANAC 3: Invincibile imperium Italicum CD 15,50 For freedom I cry & bonustracks CD 17,00 Tsar - digibook CD & DVD 18,50 Cry, Gaia cry CD 12,00 ACTROID ALMORA Defenders united MCD 8,00 Crystallized act CD 29,00 1945 CD 15,50 Japan imp. RRR (1998-2002) CD 15,50 Kalihora´s song CD 15,50 Sea eternally infested CD 12,00 ABSOLVA - Sid by side CD 15,50 ADRAMELCH Kiyamet senfonisi CD 15,50 Broken history CD 15,50 ANIMETAL USA Shehrazad CD 15,50 Lights from oblivion CD 15,50 W - new album 2012 CD 30,00 313 ALTAR OF OBLIVION Japan imp. Opus CD 15,50 Three thirteen CD 17,00 Salvation CD 12,00 ANNIHILATED ADRENALINE KINGS 3D IN YOUR FACE ALTERED STATE Scorched earth policy CD 15,50 Same CD 15,50 Faster and faster CD 15,50 Winter warlock CD 15,50 ANNIHILATOR ADRENICIDE Eine tolle, packende Mischung aus AMARAN Alice in hell CD 12,00 PREMONITION (Florida) ILIUM, HAN- War begs no mercy CD 15,50 KER und neueren JAG PANZER. -
La Poétique Dissonante De La Divine Comédie : Dante Plagiaire De
UNIVERSITÉ DU QUÉBEC À MONTRÉAL LA POÉTIQUE DISSONANTE DE LA DIVINE COMÉDIE: DANTE PLAGIAIRE DE BAUDELAIRE ? MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN ÉTUDES LITTÉRAIRES PAR OLIVIER BELLEAU AOÛT 2011 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans lei respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication oe la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de. [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf ententé contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» REMERCIEMENTS La réalisation de ce mémoire a été possible grâce au concours de plusieurs personnes auxquelles je voudrais témoigner toute ma reconnaissance. Je tiens d'abord à remercier le directeur de ce mémoire, Luc Bonenfant, sans qUI la concrétisation de ce projet aurait été impossible. -
Dante 700 Augustus 2021 De Kunsten Dante Alighieri, Aan Het Eind Van Zijn Laatste 33Ste Canto in Het Paradiso Volledig Opgegaan
Dante 700 Augustus 2021 De Kunsten Dante Alighieri, aan het eind van zijn laatste 33ste Canto in het Paradiso volledig opgegaan in een totale abstractie, heeft velen geïnspireerd om alles wat hij met woorden heeft verbeeld in een of andere kunstvorm tot uitdrukking te brengen. Het is een terugkeer op aarde, waardoor zijn gedachtegoed ook weer voor ons simpele zielen weer toegankelijk, zichtbaar is kunnen worden. Dit zichtbaar maken wat abstract is heeft verwantschap met de schilderijen, de afbeeldingen van de persoon Dante, zoals verhaald in mijn April bericht. Wij weten niet hoe hij eruit zag, slechts beelden, vage beschrijvingen over zijn persoon hebben we, niets concreets dus. Zijn portretten kunnen dus ook als een concretisering, visualisering gezien worden van de abstracte, in nevelen gehulde persoon Dante. Maar dit bericht gaat niet over de persoon Dante maar over zijn werk, een bron van inspiratie voor ongelooflijk veel kunstenaars. Die kunstuitingen zijn veelvormig, natuurlijk de schilderijen, beeldhouwwerken, etsen, maar ook in minder concrete uitingen als de muziek, film en literatuur. Maar waar te beginnen? Rodin,(1840- 1917) La Porte d’enfer Naar mijn mening kan niet beter begonnen worden dan bij de Denker van Rodin, Dante in eigen persoon, onderdeel uitmakend van de Hellepoort. Als ik aan dat beeld denk schieten mij de tranen nog steeds in de ogen. Nog als de dag van gisteren herinner ik mij de grote verslagenheid van kunstminnend Nederland toen de berichten over de diefstal van de Denker uit de tuin van het Singer in Laren in 2007 het nieuws bepaalde. Later in ongeloof omgezet toen het gestolen beeld, gelukkig, hoewel volledig getormenteerd was teruggevonden. -
Dante in a Modern Context: a Review of Sepultura's Album Dante XXI
LATCH: A Journal for the Study of the Literary Vol. 1 Artifact in Theory, Culture, or History (2008) Dante in a Modern Context: A Review of Sepultura's Album Dante XXI Matthew Teutsch University of Louisiana—Monroe Abstract Sepultura’s Dante XXI, an attempt to create a modern-day soundtrack for Dante’s Divine Comedy, provides us an opportunity of exploring the Divine Comedy through an aesthetic rendering of twenty-first-century national (and international) issues. The album also allows us to examine how a musical tenor can guide a modern audience along the same paths that Dante’s medieval readers transversed. Although Dante XXI does not provide a narrative, plot-informed version of Dante’s Divine Comedy, the musical tenor employed by the band provides a rough sketch of Dante’s journey. The listeners’ musical involvement encourages them to embark on this journey for themselves. Keywords Dante, Divine Comedy, Sepultura, Dante XXI, tenor, Italian literature In 2006, Sepultura, a thrash metal band from Brazil, unleashed Dante XXI on the world. As lead singer Derrick Green acknowledges, this album is a modern-day soundtrack for the Divine Comedy. Going further, guitarist and lyricist Andreas Kisser reveals that the band’s purpose “was to find the inspiration to write music and of course to make people read the book.” In light of these statements, one might wonder what Sepultura adds to a discussion of Dante’s Divine Comedy? One answer is that the band provides a timely aesthetic injection of critical commentary about current political institutions. Another answer is that the band, with the assistance of graphic artist Stephan Doitschinoff, gives us a work that explores the musicality and spirituality present in the 159 Matthew Teutsch Dante in a Modern Context: pp. -
Dante Alighieri Und Sein Werk in Literatur, Musik Und Kunst Bis Zur
Klaus Ley (Hrsg.) Dante Alighieri und sein Werk in Literatur, Musik und Kunst bis zur Postmoderne mit Dante Alighieri und sein Werk in Literatur, Musik und Kunst bis zur Postmoderne Mainzer Forschungen zu Drama und Theater herausgegeben von Wilfried Floeck, Winfried Herget und Friedemann Kreuder im Auftrag des »Interdisziplinären Arbeitskreises für Drama und Theater« der Johannes Gutenberg-Universität Mainz Band 43 Klaus Ley (Hrsg.) Dante Alighieri und sein Werk in Literatur, Musik und Kunst bis zur Postmoderne mit Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National- bibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. Gedruckt mit Unterstützung des "Interdisziplinären Arbeitskreises für Drama und Theater" der Johannes Gutenberg-Universität Mainz. © 2010 · Narr Francke Attempto Verlag GmbH + Co. KG Dischingerweg5·D-72070 Tübingen Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Gedruckt auf säurefreiem und alterungsbeständigem Papier. Internet: http://www.francke.de E-Mail: [email protected] Druck und Bindung: Ilmprint, Langewiesen Printed in Germany ISSN 0940-4767 ISBN 978-3-7720-8377-8 Inhaltsverzeichnis -
06/12/2020 This Catalogue Cancels And
www.endofsilence.net This catalogue cancels and replaces any previous catalogue 06/12/2020 Questo catalogo annulla e sostituisce i cataloghi in data precedente LP (New, Used & Rarities) CD 1917 (Argentina) - Vision - CD, Album, RE, VG/VG+ € 4,90 217 - Atheist Agnostic Rationalist - CD, Album, Sealed M/M € 7,90 3 Inches Of Blood - Advance And Vanquish - CD, Album, Great copy, like new! NM/NM € 7,90 36 Crazyfists - Bitterness The Star - CD, Album, Sealed M/M € 6,90 95-C - Stuck In The past - CD, NM/VG+ € 4,90 A.N.I.M.A.L. - Animal 6 - CD, Album, Like new NM/NM € 7,90 Abominant - Onward To Annihilation - CD, Album, Dig, Sealed M/M € 9,90 ABORYM - Generator - CD - € 9,90 ABORYM - WITH NO HUMAN INTERVENTION - CD - 2003 - G /VG - USED € 5,90 Aborym - Psychogrotesque - CD, Album, Ltd, Dig, M/M € 9,90 Abrasive - Awakening of lust - CD € 6,90 Absolute Defiance - Systematic terror decimation - CD € 4,90 ABYSSUS - Into the Abyss - CD - € 9,90 AC/DC - Dirty Deeds Done Dirt Cheap - CD € 9,90 AC/DC - Dirty Deeds Done Dirt Cheap - CD € 11,90 AC/DC - Let Ther Be Rock - CD € 7,90 AC/DC - Rock or Bust - CD Digi Sealed € 11,90 AC/DC - Stiff upper lip - CD € 7,90 ACCEPT - DEATH ROW - CD - US PRESS 1995 - VG/VG - Used € 9,90 Accept - Hungry years - CD. Used € 6,90 ACCEPT - Metal heart - CD - Remastered Sealed € 9,90 Acheron - Kult Des Hasses - CD, Album, Sli, Sealed M/M € 7,90 ACROSTICHON - Engraved in Black - CD - Memento Mori Rec € 9,90 Action Swingers - More Fast Numbers - CD, EP, NM/VG+ € 4,90 www.endofsilence.net WhatsApp/Telegram/SMS: +39 3518979595 www.endofsilence.net [email protected] Pag.