The Armory Show Work List
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Amanda Snyder Portland Modernist
BONNIE LAING-MALCOLMSON Amanda Snyder Portland Modernist PORTLAND ART MUSEUM OREGON Contents 9 Director’s Foreword Brian J. Ferriso 13 A Portland Modernist Bonnie Laing-Malcolmson Published on the occasion of the exhibition Amanda Snyder: Portland Modernist, Organized by the Portland Art Museum, Oregon, June 30 – October 7, 2012. 44 Biography This publication is made possible by a generous bequest of Eugene E. Snyder. Copyright © 2012 Portland Art Museum, Oregon All rights reserved. No portion of this publication may be reproduced without the 49 Checklist of Exhibition written permission of the publisher. Library of Congress Cataloguing-in-Publication Data. Amanda Snyder: Portland Modernist p. 58; cm Published on the occasion of an exhibition held at the Portland Art Museum, Portland, OR. June 30 – October 7, 2012 Includes exhibition checklist, artist biography, and illustrations ISBN 9781883124344 Published by Portland Art Museum 1219 SW Park Avenue Portland, Oregon 97205 Publication coordinator: Bruce Guenther Design: Bryan Potter Design Photography: Paul Foster Printed: Image Pressworks, Portland Director’s Foreword With the opening of The Arlene and Harold Schnitzer Center for Northwest Art in 2000, and the subsequent establishment of a permanently endowed Curator of Northwest Art in 2006, the Portland Art Museum signaled its intention to create an historical record of our artistic community and its participants through an active exhibition, collection, and publication program. This commitment has resulted in the creation of an ongoing one-person contemporary exhibition series for artists of our region, APEX, and the biennial Contemporary Northwest Art Awards, as well as a renewed focus on historic figures through landmark survey exhibitions like Hilda Morris and Lee Kelly. -
2013 Financial Statements and Report of Independent Accountants
GaryMcGee & Co. LLP CERTIFIED PUBLIC ACCOUNTANTS Portland Art Museum Financial Statements and Other Information as of and for the Years Ended June 30, 2013 and 2012 and Report of Independent Accountants P O R T L A N D A R T M U S E U M TABLE OF CONTENTS Page Report of the Treasurer 3 Report of Independent Accountants 4 Financial Statements: Statements of Financial Position 6 Statements of Activities 8 Statements of Cash Flows 10 Notes to Financial Statements 11 Supplementary Financial Information: Schedule of Operating Revenues and Expenses of the Northwest Film Center 30 Notes to Schedule of Operating Revenues and Expenses of the Northwest Film Center 31 Other Information: Governing Board and Management 32 Inquiries and Other Information 34 Report of the Treasurer The financial statements and other information con- The financial statements have been examined by the tained in this report have been prepared by manage- Museum’s independent accountants, GARY MCGEE & ment, which is responsible for the information’s integ- CO. LLP, whose report follows. Their examinations rity and objectivity. The financial statements have were made in accordance with generally accepted au- been prepared in accordance with generally accepted diting standards. The Audit Committee of the Board accounting principles applied on a consistent basis and of Trustees meets periodically with management and are deemed to present fairly the financial position of the independent accountants to review accounting, the PORTLAND ART MUSEUM and the changes in its net auditing, internal accounting controls, and financial assets and cash flows. Where necessary, management reporting matters, and to ensure that all responsibili- has made informed judgments and estimates of the ties are fulfilled with regard to the objectivity and in- outcome of events and transactions, with due consid- tegrity of the Museum’s financial statements. -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
Marsden Hartley (American, 1877-1943), Still Life, No
THE ARMORY SHOW AT 100 October 18, 2013 - February 23, 2014 Marsden Hartley (American, 1877-1943), Still Life, No. 1, 1912. Oil on canvas, 31 ½ x 25 5/8 in. Columbus Museum of Art, Ohio: Gift of Ferdinand Howald, 1931.184. Vincent van Gogh (Dutch, 1853-1890), Mountains at Saint Rémy (Montagnes à Saint- Rémy), 1889. Oil on canvas, 28 ¼ x 35 ¾ in. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Justin K. Thannhauser, 1978, 78.2514.24 Maurice Prendergast (American, 1859-1924), Landscape with Figures, ca. 1910-12. Oil on canvas, 38 ½ x 52 ¾ in. Edward W. Root Bequest, 57.212, Munson-Williams-Proctor Arts Institute, Utica, New York. Image, Art Resource, NY Henri Matisse (French, 1869-1954), Blue Nude, 1907. Oil on canvas, 36 ¼ x 55 ¼ in. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.228. © 2013 Succession H. Matisse / Artists Rights Society (ARS), New York. Photography by Mitro Hood. John Sloan (American, 1871-1951), Sunday, Women Drying Their Hair, 1912. Oil on canvas, 26 1/8 x 32 1/8 in. Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, Museum Purchase, 1938.67. © 2013 Delaware Art Museum / Artists Rights Society (ARS), New York Paul Gauguin (French, 1848-1903), Parau na te Varua ino (Words of the Devil), 1892. Oil on canvas, 36 1/8 x 26 15/16 in. National Gallery of Art, Washington, Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman. Courtesy of the National Gallery of Art, Washington John Marin (American, 1870-1953), Woolworth Building, No. -
European & American Art Council
EUROPEAN & AMERICAN ART COUNCIL Newsletter March 2015 Curator's Column NOTE OUR NEW LECTURE TIMES President's Message In This Issue Dear Council Members, President's Message This month's newsletter seems to be a "SAVE Curator's Message THE DATE" message. I am certain that you are beginning to organize your calendars as our March Lecture weather becomes warmer and the days longer. Consequently, planning for our Spring activities Upcoming Events continues unabated with your Board. Guest Curator The Board is planning our March 19, 2015 evening meeting; hosting another Sunday afternoon reception for New Members our own David Margulis, April 19, 2015 in conjunction with the Italian Style exhibition; and our proposed trip to the Tacoma Art Past Lecture Museum, Wednesday May 13, 2015. Film In addition this is the time of year when the art councils begin their nominating process for next year's Executive Board. Our Giovanni Battista own Sarah Monro is chairing this committee and doing an Moroni outstanding job. Our European and American Art Council Annual meeting will be held on June 17, 2015 where I will present you a Board of Directors review of our 2014-2015 activities, acquisitions, and travel. In addition, members will be electing the 2015-2016 Board. President Just to keep us "on our toes", our Annual Meeting will include a Carol Ann Caveny tour by Dawson Carr, Ph.D., The Janet and Richard Geary Vice-President Curator of European Art, Portland Art Museum, introducing us to the exhibition: "Gods and Heroes, Masterpieces works from the Sarah Munro Ecole des Beaux-Arts, Paris". -
PDX CONTEMPORARY ART Is Pleased to Present New Paintings by Portland-Based Artist Adam Sorensen
FOR IMMEDIATE RELEASE Kill: February 30, 2020 WHO: Adam Sorensen WHAT: Skeleton WHEN: January 15 - February 29, 2020 WHERE: PDX CONTEMPORARY ART 925 NW Flanders Street, Portland, OR 97209 HOURS: 11:00 – 6:00 Tuesday – Saturday ADMISSION: Free Open First Thursday February 6, 2020, 6:00 – 8:00 EXHIBITION NOTES: PDX CONTEMPORARY ART is pleased to present new paintings by Portland-based artist Adam Sorensen. Bringing together many sources, including reference to the Hudson River School painters of the American West, the Romanticism of Caspar David Friedrich, animation aesthetics, and the ukiyo-e traditions of Japanese woodcuts, Adam Sorensen makes landscape paintings that are familiar, yet otherworldly. On one hand optimistic and sublime, these paintings depict watery rills, lakes, and rivers that transport the viewer to a place with elements that are easily recognizable, but altogether feel utopian. Adam Sorensen, FlusSkelett, 2019, oil on linen, 38” x 34” With this utopia comes a sinister absence— a landscape that feels untouched and unaltered by life. Skeleton makes reference to a reexamination and excavation of past work, with many of the paintings in the show referencing and revisiting works that the artist has made over his fifteen year-long career. Adam Sorensen received a Bachelors of Fine Arts from Alfred University in New York and a Post-Baccalaureate Certificate in painting from the Studio Art International, Florence, Italy. His work has been featured in numerous solo and group exhibitions, including shows at PDX CONTEMPORARY ART (Portland, OR), Whatcom Museum (Bellingham, WA), Archer Gallery (Vancouver, WA), Worksound (Portland, OR), and the Newberg Gallery at the Glasgow School of Art (Glasgow, Scotland). -
Kunst Los Layout-Katalog-SKB 25.05.2009 9:56 Uhr Seite 1 Layout-Katalog-SKB 25.05.2009 9:56 Uhr Seite 2 Layout-Katalog-SKB 25.05.2009 9:56 Uhr Seite 3
Dokument1 25.05.2009 9:53 Uhr Seite 1 kunst los Layout-Katalog-SKB 25.05.2009 9:56 Uhr Seite 1 Layout-Katalog-SKB 25.05.2009 9:56 Uhr Seite 2 Layout-Katalog-SKB 25.05.2009 9:56 Uhr Seite 3 kunst los Paul Antonius Brigitte Benkert Arvid Boecker Claudia Brieske Helmut Butzbach Werner Constroffer Heinz Diesel Gabriele Eickhoff Johannes Fox Annette Grund Bettina van Haaren Leslie Huppert Hans Husel Hermann Th. Juncker Wolfgang Klauke Ingeborg Knigge Lukas Kramer Volker Lehnert Annegret Leiner Jolande Lischke-Pfister Uwe Loebens Lilo Netz-Paulik Andrea Neumann Aloys Ohlmann Sigrún Ólafsdóttir Werner Rauber Gertrud Riethmüller Norbert Simon Erwin Steitz Christine Steitz-Kramer Barbara Steitz-Lausen Eine Ausstellung des Saarländischen Künstlerbundes in der Stadtgalerie Saarbrücken vom 11.10. bis 16.11.2003 Layout-Katalog-SKB 25.05.2009 9:56 Uhr Seite 4 Paul Antonius Textmontage siehe auch S. 15 Layout-Katalog-SKB 25.05.2009 9:56 Uhr Seite 5 kunst los kunst los . Startsignal eines olympischen Wettbewerbs, in dem die Besten und Stärksten um den Lorbeer wetteifern, oder nur die Schnellsten und Ellenbogenbewehrtesten um die besten Wände im Ausstellungsraum? kunst los . Warnruf von der Stadtmauer, dass nunmehr die Gauk- ler und Taschenspieler anrücken: „Leute, holt die Wäsche rein . ?“ kunst los . Seufzer einer geplagten Seele, bejammernd das grausa- me Geschick einer spitzwegischen Existenz außerhalb bürgerlicher Sicherheit: „Uns trägt kein Volk!“ (Paul Klee)? kunst los . Dekretierung einer – möglicherweise schon wieder ob- soleten – ästhetischen Position, deren zentrales Dilemma darin liegt, dass sie die Fesseln tradierter Museumskunst zu sprengen versucht, aber Werke hervorbringt, die „ohne den Bezugsrahmen des Museums nicht wahrzunehmen wäre(n)“ (Werner Haftmann), die „Kunst der Kunstlosigkeit“ nämlich? Aber eins nach dem anderen, oder möglicherweise: eins mit dem anderen, oder alles miteinander. -
TEFAF Catalogue, Entitled Sei (Awakening), Marks the Kanata Aesthetic, and We Are Proud to Have Represented Him for Over 25 Years
TEFAF MAASTRICHT 2021 TEFAF 2021 A LIGHTHOUSE A LIGHTHOUSE CALLED KANATA CALLED KANATA TEFAF Maastricht 2021 11th - 19th September Early Access (9th) VIP Preview (10th) Our Raison D'etre Yufuku Gallery ended its 27 years of existence in June 2020, and from its ashes was borne Indeed, a foreign audience has long supported Japanese aesthetics, and were often the first A Lighthouse called Kanata. to pick up on the beauty of things that the Japanese themselves could not see. Ukiyoe, Jakuchu, the Gutai School and the Mono-ha, Sugimoto, Kusama … these Japanese artists Kanata means “Beyond” or “Far Away” in Japanese, a romantic ideal imbued by the two and movements were virtually forgotten within Japan, yet had garnered global recognition CLAY GLASS characters that comprise it, literally meaning “Towards” and “You.” Towards you, I wish by its appreciation in Europe and America. Likewise, by highlighting Japanese aesthetics to be, but you are far away. This is a quintessentially Japanese ideal, filled with ambiguity outside of Japan, we hope for greater recognition of today’s artists by those who are willing Sueharu Fukami 8 Niyoko Ikuta 24 and nuance. to support them. And ultimately, it is our hope that such international recognition will go on to influence Japanese audiences, thereby reintroducing and reimporting our aesthetics Ken Mihara 10 Sachi Fujikake 26 Like much in our language, it gives the impression that you, of all persons, is far from me, within and throughout Japan. This will then lead to instil in future generations the beauty Keizo Sugitani 12 Masaaki Yonemoto 28 and yet, we long and yearn to be together. -
Suzan Shutan Installation Artist
SUZAN SHUTAN New Haven, Connecticut USA www.suzanshutan.com Education 1988 MFA Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ 1977 BFA California Institute of the Arts, Valencia, CA Selected Grants, Awards, Residencies 2018 & 14 Foundation for Contemporary Arts, NYC, NY- Emergency Grant 2012-13 Artist Fellowship Grant-Sculpture, DECD/ CT Office of the Arts 2011 Contemporary Art Center Los Vegas, NV-3rd Place Monetary Award, Juror Julie Sasse, Chief Curator Modern & Contemporary Art, Tuscon Museum of Art, AZ 2009 State of Connecticut Commission on Culture & Tourism- Finalist-Federal Public Art Program- Juvenile Courthouse Culture Inside, Galerie Clairefontaine, Luxembourg- Photomeetings International Photo Fest -Workshop Award 2007 Artists Resource Trust, Berkshire Taconic Community Foundation, Great Barrington, MA- Artist Grant 2003 Artslink, CEC International Partners, New York City, NY- Artist Fellowship, Collaborative Project Poland State of Connecticut Commission on Culture & Tourism- Artist Fellowship Grant 1997 Sculpture Space Inc.,Utica, NY & Virginia Center for the Arts, VA- Artist Residency Awards Fairfield University, CT- Humanities Grant, Exhibition Development, 1996 Art Matters Inc., New York City, NY- Artist Fellowship Yaddo, Saratoga Springs, NY- Artist Residency Award 1994 Connecticut Commission on Arts, Tourism, Culture, History & Film- Artist Fellowship Grant 1993 Bemis Foundation, Omaha, NE- Artist Residency & Patron Grant International Exhibitions 2019 Claudia Weil Gallery, Friedberg, Germany 2018 The Bulgakov Museum , Kiev Ukraine- ICONS: 13 WOMEN curated by Dr. Billy Gruner, West PI Associated University of Southern Queensland, Australia- RNOP curated by Dr. Billy Gruner, West Projects Associated 2017 Mala Gallery The National Art Museum, Arsenal Complex, Kiev, Ukraine- 0/1-KNO Kyiv Non Objective- Inaugurial Kiev, Ukraine Bruch & Dallas Project Space, Cologne, Germany- Europa curated by Dr. -
Events and News June 2015
Events and News June 2015 In This Issue Saturday, June 20th Two Gallery Tour Tour of Two Retrospectives in NW CAC Annual Meeting Portland followed by the CAC Annual Meeting and Reception Recommended: Lecture on Ai Weiwei Recommended: Stan Douglas New at the Museum Quick Links Portland Art Museum To update your contact information please click here and then click "Update Profile/Email Address" CAC Board of Directors 2014-2015 President Pam Berg Vice President Daniel Peabody Treasurer Jeff Miller Secretary Linda Mantel Membership Richard Testut Travel Christopher Perry 2:00 pm Program Chair & Immediate Past President Mel Katz: James Minden From Painting to Sculpture Hospitality Chair Tamara English Laura Russo Gallery 805 NW 21st Avenue, Portland Board Members At- Large You are invited to join CAC members on tour of two David Adams Michael Greicus retrospective shows at two Portland galleries. We will Glenda Goldwater start at the Laura Russo Gallery at 2 pm where we will Kate Johnson view a retrospective of work by Mel Katz (b. 1932 Bruce Morrison Brooklyn, NY) from paintings and wall sculptures to his Council most recent machine cut, anodized aluminum wall Coordinator Jan mounted sculptures. A continuing theme for Katz is his Quivey career-long fascination with shape and contour and a 503-276-4242 playfulness with positive and negative shapes. His [email protected] work is in the collection of the Portland Art Museum. (Exhibiting concurrently with the gallery exhibition, at the Hallie Ford Museum of Art in Salem is Mel Katz: On and Off the Wall: A Retrospective which runs from June 6 - August 23, 2015.) Then we will each each travel on our own about eight blocks away to... -
Annual Report
July 1, 2007–June 30, 2008 AnnuAl RepoRt 1 Contents 3 Board of Trustees 4 Trustee Committees 7 Message from the Director 12 Message from the Co-Chairmen 14 Message from the President 16 Renovation and Expansion 24 Collections 55 Exhibitions 60 Performing Arts, Music, and Film 65 Community Support 116 Education and Public Programs Cover: Banners get right to the point. After more than 131 Staff List three years, visitors can 137 Financial Report once again enjoy part of the permanent collection. 138 Treasurer Right: Tibetan Man’s Robe, Chuba; 17th century; China, Qing dynasty; satin weave T with supplementary weft Prober patterning; silk, gilt-metal . J en thread, and peacock- V E feathered thread; 184 x : ST O T 129 cm; Norman O. Stone O PH and Ella A. Stone Memorial er V O Fund 2007.216. C 2 Board of Trustees Officers Standing Trustees Stephen E. Myers Trustees Emeriti Honorary Trustees Alfred M. Rankin Jr. Virginia N. Barbato Frederick R. Nance Peter B. Lewis Joyce G. Ames President James T. Bartlett Anne Hollis Perkins William R. Robertson Mrs. Noah L. Butkin+ James T. Bartlett James S. Berkman Alfred M. Rankin Jr. Elliott L. Schlang Mrs. Ellen Wade Chinn+ Chair Charles P. Bolton James A. Ratner Michael Sherwin Helen Collis Michael J. Horvitz Chair Sarah S. Cutler Donna S. Reid Eugene Stevens Mrs. John Flower Richard Fearon Dr. Eugene T. W. Sanders Mrs. Robert I. Gale Jr. Sarah S. Cutler Life Trustees Vice President Helen Forbes-Fields David M. Schneider Robert D. Gries Elisabeth H. Alexander Ellen Stirn Mavec Robert W. -
Charity Art Auction in Favor of the CS Hospiz Rennweg in Cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten
Rotary Club Wien-West, Vienna-International, Our Auction Charity art Köln-Ville and München-Hofgarten in cooperation with That‘s how it‘s done: Due to auction 1. Register: the current, Corona- related situation, BenefizAuktion in favor of the CS Hospiz Rennweg restrictions and changes 22. February 2021 Go to www.cs.at/ charityauction and register there; may occur at any time. please register up to 24 hours before the start of the auction. Tell us the All new Information at numbers of the works for which you want to bid. www.cs.at/kunstauktion Alternatively, send us the buying order on page 128. 2. Bidding: Bidding live by phone: We will call you shortly before your lots are called up in the auction. You can bid live and directly as if you were there. Live via WhatsApp: When registering, mark with a cross that you want to use this option and enter your mobile number. You‘re in. We‘ll get in touch with you just before the auction. Written bid: Simply enter your maximum bid in the form for the works of art that you want to increase. This means that you can already bid up to this amount, but of course you can also get the bid for a lower value. Just fill out the form. L ive stream: at www.cs.at/kunstauktion you will find the link for the auction, which will broadcast it directly to your home. 3. Payment: You were able to purchase your work of art, we congratulate you very much and wish you a lot of pleasure with it.