THE ARMORY SHOW AT 100 October 18, 2013 - February 23, 2014
Marsden Hartley (American, 1877-1943), Still Life, No. 1, 1912. Oil on canvas, 31 ½ x 25 5/8 in. Columbus Museum of Art, Ohio: Gift of Ferdinand Howald, 1931.184.
Vincent van Gogh (Dutch, 1853-1890), Mountains at Saint Rémy (Montagnes à Saint- Rémy), 1889. Oil on canvas, 28 ¼ x 35 ¾ in. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Justin K. Thannhauser, 1978, 78.2514.24
Maurice Prendergast (American, 1859-1924), Landscape with Figures, ca. 1910-12. Oil on canvas, 38 ½ x 52 ¾ in. Edward W. Root Bequest, 57.212, Munson-Williams-Proctor Arts Institute, Utica, New York. Image, Art Resource, NY
Henri Matisse (French, 1869-1954), Blue Nude, 1907. Oil on canvas, 36 ¼ x 55 ¼ in. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.228. © 2013 Succession H. Matisse / Artists Rights Society (ARS), New York. Photography by Mitro Hood.
John Sloan (American, 1871-1951), Sunday, Women Drying Their Hair, 1912. Oil on canvas, 26 1/8 x 32 1/8 in. Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, Museum Purchase, 1938.67. © 2013 Delaware Art Museum / Artists Rights Society (ARS), New York
Paul Gauguin (French, 1848-1903), Parau na te Varua ino (Words of the Devil), 1892. Oil on canvas, 36 1/8 x 26 15/16 in. National Gallery of Art, Washington, Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman. Courtesy of the National Gallery of Art, Washington
John Marin (American, 1870-1953), Woolworth Building, No. 28, 1912. Watercolor over graphite, 18 ½ x 15 9/16 in. National Gallery of Art, Washington, Gift of Eugene and Agnes E. Meyer. © 2013 Estate of John Marin / Artists Rights Society (ARS), New York.
Pierre-Auguste Renoir (French, 1841-1919), Algerian Girl, 1881. Oil on canvas, 20 x 16 in. Museum of Fine Arts, Boston, Juliana Cheney Edwards Collection, 39.677
Francis Picabia (French, 1879-1953), Dances at the Spring, 1912. Oil on canvas, 47 7/16 x 47 ½ in. Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950, 1950-134-155. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris
Marcel Duchamp (French, 1887-1968), Nude Descending a Staircase (No. 2), 1912. Oil on canvas, 57 7/8 x 35 1/8 in. Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950, 1950-134-59. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris / Succession Marcel Duchamp
Augustus E. John (Welsh-British, 1878–1961), The Way Down to the Sea, 1909–11. Oil on canvas, 29⅞ × 26⅜ in. (76 × 67 cm). Private collection. Photo, Richard Greenly Photography
Henri Manguin (French, 1874–1949), La Naïade, Cavalière, 1906. Oil on canvas, 28 × 35 in. (71 × 89 cm). Private Collection, Lausanne, Switzerland. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris
Honoré Daumier (French, 1808–1879), Third Class Carriage (Un Wagon de Troisième Classe), 1856–58. Oil on panel, 10¼ × 13⅜ in. (26 × 33.9 cm). Fine Arts Museums of San Francisco, Museum purchase, Whitney Warren, Jr. Bequest Fund in memory of Mrs. Adolph B. Spreckels, Bequest funds of Henry S. Williams in memory of H. K. S. Williams, Magnin Income Fund, Art Trust Fund, Alexander and Jean de Bretteville Fund, Art Acquisition Endowment Income Fund in honor of Mrs. John N. Rosekrans, 1996.51
Eugène Delacroix (French, 1798–1863), Christ on the Lake of Genesareth, ca. 1853. Oil on canvas, 17¾ × 21⅝ in. (45.1 × 54.9 cm). Portland Art Museum, Portland, Oregon. Gift of Mrs. William Mead Ladd and her children: William Sargent Ladd, Charles Thornton Ladd, and Henry Andrews Ladd in memory of William Mead Ladd
Pierre Puvis de Chavannes (French, 1824–1898), Le Verger, Les Enfants au verger, L’Automne, ca. 1885–89. Oil and pencil on canvas, 31½ × 39 in. (80 × 99 cm). The City College of New York
Association of American Painters and Sculptors, Inc., International Exhibition of Modern Art, 1913. Exhibition catalogue. New-York Historical Society
Overhead view of Armory installation, 1913. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution
Note: Editorial use only. Works must be used in their entirety with no cropping, detailing, overprinting, or running across the gutter. Additionally, the reproductions must be fully captioned as provided.