In Your Own Sweet Way
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
JREV3.8FULL.Pdf
JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc. -
Bird Observer
Bird Observer VOLUME 39, NUMBER 2 APRIL 2011 HOT BIRDS On November 20 the Hampshire Bird Club was waiting at Quabbin headquarters for the rest of the group to arrive when Larry Therrien spotted a flock of 19 swans in the distance— Tundra Swans! Ian Davies took this photograph (left). Since 2003 Cave Swallows have been a specialty of November, showing up in coastal locations in increasing numbers over the years. This year there was a flurry of reports along the New England coast. On Thanksgiving Day, Margo Goetschkes took this photograph (right) of one of the birds at Salisbury. On November 30, Vern Laux got a call from a contractor reporting a “funny bird” at the Nantucket dump. Vern hustled over and was rewarded with great views of this Fork-tailed Flycatcher (left). Imagine: you’re photographing a Rough- legged Hawk in flight, and all of a sudden it is being mobbed—by a Northern Lapwing (right)! That’s what happened to Jim Hully on December 2 on Plum Island. This is only the second state record for this species, the first being in Chilmark in December of 1996. On April 9, Keelin Miller found an interesting gull at Kalmus Beach in Hyannis. As photographs were circulated, opinions shifted toward a Yellow-legged Gull (left). Check out Jeremiah Trimble’s photo from April 13. CONTENTS BIRDING THE LAKEVILLE PONDS OF PLYMOUTH COUNTY, MASSACHUSETTS Jim Sweeney 73 THE FINAL YEAR OF THE BREEDING BIRD ATLAS: GOING OVER THE TOP John Galluzzo 83 37 YEARS OF NIGHTHAWKING Tom Gagnon 86 LEIF J ROBINSON: MAY 21, 1939 – FEBRUARY 28, 2011 Soheil Zendeh 93 FIELD NOTES Double-crested Cormorant Has Trouble Eating a Walking Catfish William E. -
Flight of the Bumblebee (Nikolai Rimsky-Korsakov) Stephen Reid | Elementary Music (Osceola) | Hickory Tree Elementary Mp3 Available Here
2018 Young People’s Concerts Beyond the Screen! Teacher Guidebook Thank you to our 2018 Sponsors! Daytona Beach Symphony Society Thank you also to our 2018 Partners: Orange County Public Schools School District of Osceola Volusia County Schools United Arts of Central Florida Visit OrlandoPhil.org/family-friendly to find more great offerings for kids and families! Meet our Guidebook Team! Putting together a Young People’s Concert requires hard work and the dedication of dozens of people over many months. Please welcome some of the key individuals who make the Young People’s Concert possible! Meet our Guidebook Team! The guidebook team is comprised of certified, veteran teachers who are passionate about music, the arts, and making learning fun! Christy Garton Cindy Krulick Finale from Firebird (Visual Art) Star Spangled Banner OCPS Resource Teacher Finale from Firebird Visual Art (K-12) Dommerich Elementary Orange County Public Schools [email protected] [email protected] Emily Light Katie Grace Miller In the Hall of the Mountain King Tempus Fugit Champion Elementary Sorcerer's Apprentice Volusia County Schools Mambo from West Side Story [email protected] Lake George Elementary Orange County Public Schools [email protected] Denise Mills Anka Pink Duo des fleurs / Sous le dôme épais Hoedown from Rodeo Lake Whitney Elementary OCPS Resource Teacher Orange County Public Schools (Music K-12) [email protected] Orange County Public Schools [email protected] Stephen Reid Dr. Leia Barrett Flight of the Bumblebee Director of Education Hickory Tree Elementary School Orlando Philharmonic Orchestra School District of Osceola [email protected] [email protected] If you have any questions about particular lessons, please contact the teacher who created the lesson originally. -
Personality and Dvds
personality FOLIOS and DVDs 6 PERSONALITY FOLIOS & DVDS Alfred’s Classic Album Editions Songbooks of the legendary recordings that defined and shaped rock and roll! Alfred’s Classic Album Editions Alfred’s Eagles Desperado Led Zeppelin I Titles: Bitter Creek • Certain Kind of Fool • Chug All Night • Desperado • Desperado Part II Titles: Good Times Bad Times • Babe I’m Gonna Leave You • You Shook Me • Dazed and • Doolin-Dalton • Doolin-Dalton Part II • Earlybird • Most of Us Are Sad • Nightingale • Out of Confused • Your Time Is Gonna Come • Black Mountain Side • Communication Breakdown Control • Outlaw Man • Peaceful Easy Feeling • Saturday Night • Take It Easy • Take the Devil • I Can’t Quit You Baby • How Many More Times. • Tequila Sunrise • Train Leaves Here This Mornin’ • Tryin’ Twenty One • Witchy Woman. Authentic Guitar TAB..............$22.95 00-GF0417A____ Piano/Vocal/Chords ...............$16.95 00-25945____ UPC: 038081305882 ISBN-13: 978-0-7390-4697-5 UPC: 038081281810 ISBN-13: 978-0-7390-4258-8 Authentic Bass TAB.................$16.95 00-28266____ UPC: 038081308333 ISBN-13: 978-0-7390-4818-4 Hotel California Titles: Hotel California • New Kid in Town • Life in the Fast Lane • Wasted Time • Wasted Time Led Zeppelin II (Reprise) • Victim of Love • Pretty Maids All in a Row • Try and Love Again • Last Resort. Titles: Whole Lotta Love • What Is and What Should Never Be • The Lemon Song • Thank Authentic Guitar TAB..............$19.95 00-24550____ You • Heartbreaker • Living Loving Maid (She’s Just a Woman) • Ramble On • Moby Dick UPC: 038081270067 ISBN-13: 978-0-7390-3919-9 • Bring It on Home. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
1962 Monterey Jazz Festival Program Pages Concerning the Real
• • • • • I e, . SUNDAY EVENING, ·SEPT. 23 Early Starling Time al 7:15P.M. Sharp 1. DIZZY GILLESPIE and the Trummy Young MONTEREY BRA.SS Joe Darensbourg Billy Cronk ENSEMBLE Danny Barcelona Joe Morello 2. JEA.NNE LEE and Eugene Wright RA.N BLAKE Entr'acte In keeping with the Monterey Jazz Festival's policy of 4. JEA.NNE LEE and introducing new talent, this unusual duo is making its West coast debut at the Festival. RA.N BLA.KE Entr'acte 3. "THE REA.L A.MBA.SSA.DORS" (excerpts) An original musical production with music and lyrics 5. LOUIS ARMSTRONG by Dave and lola Brubeck, featuring .. • A.ND HIS A.LL-STA.RS Louis Armstron9 With ... Jewel Brown, vocal Carmen McRa, Trum.my Young, trombone and vocal Dave Brubeck Joe Darensbourg, clarinet Lambert, Hendricks and Billy Kyle, piano Bill Cronk, bass Yolande Danny Barcelona, drums with ... And ... Billy Kyle LOUIS ARMSTRONG WORLD PREMIERE OF DAVE AND lOLA BRUBECK'S original musical production ••THE REAL AMBASSADORS~~ starring LOUIS ARMSTRONG CARMEN McRAE DAVE BRUBECK LAMBERT, HENDRICKS & YOLANDE The theme of "The Real Ambassadors" is contained On dosing night of the Monterey Jazz Festival, Sun in the title. Louis Armstrong, Brubeck, Dizzy Gillespie day, September 23 (at 7: 15 p.m. sharp) , one of the - all of whom have made extensive and highly ac most ambitious and unusual programs ever presented claimed overseas tours under the auspices of the U. S. on any festival stage will be given its first public per- Department of State - are the "real ambassadors" formance. · representing America to foreign peoples. -
COTT]MBIA F-E(GA(E,Y
TI COTT]MBIA f-E(GA(E,Y FOR IMMEDIATE RELEASE ocToBER 7, 1998 6THE DAVE BRUBECK COLLECTION' FEATURES IUVE CLASSIC LPS - BRUBECK TIME. BRABECK PL4YS BRABECK. BRABECKAND RUSHING. NNqNDENBURG GATE: REWSITED AND BRAVO! BRUBECK! _ ATND ANEYE.R- B EF ORE-RELEASED LIVE ALBUM, B UruED TR.E/,SUR^E^S Dave Brubeck personally chooses albums. picks unreleased bonus tracks. selects archival photos, oversees digital remastering/remixing and advises on new liner note addenda 5F anniversary release setfor October 2F in-store date on Columbia/Legacy Jazz Celebrating his 50th year as a recording artist, and the 17 years he spent at Columbia Records from 1953 to l970,The Dave Brubeck Collection presents the most ambitious jazz restoration series of the year. Five of Brubeck's classic, long out-of-print Columbia LPs of the 1950s and '60s (three of the five including rare, previously unreleased material) have been remastered and remixed under the personal supervision of Brubeck (and his musical director Russell Gloyd). The first edition of The Dave Brubeck Collection includes BRaBECK TIME (the Dave Brubeck Quartet's first studio recording); BRUBECK PLAYS BRUBECK (his first solo piano outing); BRUBECK AND RaSHING (with blues shouter Jimmy Rushing); BRANDENBaRG GATE: REWSITED (featuring a l0-part suite); andBRAVO| BRUBECK! (performed live in Mexico with local musicians). Joining these is BURIED TREASIIRES, an entire album's worth of material from 1967, representing the Dave Brubeck Quartet's final known previously unreleased recordings for the label. All six CDs, which include bonus tracks where available, newly-written addenda to the original reprinted liner notes, and previously uncirculated archival photography personally selected by Brubeck, are scheduled for October 20'h in-store date on Columbia/Legacy lazz, a division of Sony Music. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
David Van Kriedt Papers
http://oac.cdlib.org/findaid/ark:/13030/kt187025dm No online items Finding aid of the David Van Kriedt Papers Processed by Don Walker Holt-Atherton Department of Special Collections University of the Pacific Library 3601 Pacific Ave. Stockton, CA 95211 Phone: (209) 946-2404 Fax: (209) 946-2942 URL: http://www.pacific.edu/Library/Find/Holt-Atherton-Special-Collections.html © 2007 University of the Pacific. All rights reserved. Finding aid of the David Van MSS 297 1 Kriedt Papers Finding aid of the David Van Kriedt Papers Collection number: MSS 297 Holt-Atherton Department of Special Collections University of the Pacific Library Stockton, California Processed by: Don Walker Date Completed: 2002 Encoded by: Michael Wurtz © 2007 University of the Pacific. All rights reserved. Descriptive Summary Title: David Van Kriedt papers Dates: ca 1948 Collection number: MSS 297 Creator: Van Kriedt, David, 1922-1994 Collection Size: 1 linear foot Repository: University of the Pacific. Library. Holt-Atherton Dept. of Special Collections Stockton, California 95211 Abstract: Collection consists primarily of musical scores and parts by David van Kriedt. Physical location: For current information on the location of these materials, please consult the library's online catalog. Languages: Languages represented in the collection: English Access Collection open for research. Publication Rights Permission for publication is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. Preferred Citation David Van Kriedt papers. MSS 297. Holt-Atherton Department of Special Collections, University of the Pacific Library. -
Bell Strike Fails to Curtail Service
Zoners Rej ect Airport Townhouse Proj ect SEE STORY PAGE 13 Sunny and Mild Sunny and mild today. Cloudy and mild with chance of show- Ked Bank, Freehold f FINAL ers tonight and Friday. Long Branch / EDITION Momnoiith County's Outstanding'Home Newspaper VOL 94 NO. 13 RED BANK, N.J., THURSDAY, July 15,1971 TEN CENTS. Bell Strike Fails to Curtail Service ,. -Telephone company ^execu- says its complicated strike-en- the incidents were '"regret- executive, who .was assigned A prime reason for this is tives and supervisory person- ding procedures guarantee table," but warned that union the task of giving directory the fact that more than 95 per- nel found themselves in- the walkout will last at least members were getting tired assistance at the Ked Bank of- cent of all telephone calls are stalling telephones, repairing two weeks. of "talk, talk, talk." fice. handled by automatic equip- switches and answering the Some Long Delays In Monmouth County, vir- Chores Vary ment not requiring any hu- phone today as the nationwide A company spokesman in tually all of the 430 switch- Another executive, he said, man assistance. telephone strike entered its New Jersey said % per cent of board operators were out on was sent to Neptune to give a However, all calls to the second day. all calls were handled without strike, and the task of keeping hand in installing telephones "operator" for assistance,, Bell spokesmen in Washing- problems by supervisory per- service as normal as possible and maintaining equipment/ and special long distance ton reported that generally, sonnel, but long delays were fell to those normally sitting In spite of the nationwide calls, are being handled by su- the public was hardly both- reported in reaching long dis- behind desks. -
Describing Species
DESCRIBING SPECIES Practical Taxonomic Procedure for Biologists Judith E. Winston COLUMBIA UNIVERSITY PRESS NEW YORK Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 1999 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data © Winston, Judith E. Describing species : practical taxonomic procedure for biologists / Judith E. Winston, p. cm. Includes bibliographical references and index. ISBN 0-231-06824-7 (alk. paper)—0-231-06825-5 (pbk.: alk. paper) 1. Biology—Classification. 2. Species. I. Title. QH83.W57 1999 570'.1'2—dc21 99-14019 Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 98765432 p 10 98765432 The Far Side by Gary Larson "I'm one of those species they describe as 'awkward on land." Gary Larson cartoon celebrates species description, an important and still unfinished aspect of taxonomy. THE FAR SIDE © 1988 FARWORKS, INC. Used by permission. All rights reserved. Universal Press Syndicate DESCRIBING SPECIES For my daughter, Eliza, who has grown up (andput up) with this book Contents List of Illustrations xiii List of Tables xvii Preface xix Part One: Introduction 1 CHAPTER 1. INTRODUCTION 3 Describing the Living World 3 Why Is Species Description Necessary? 4 How New Species Are Described 8 Scope and Organization of This Book 12 The Pleasures of Systematics 14 Sources CHAPTER 2. BIOLOGICAL NOMENCLATURE 19 Humans as Taxonomists 19 Biological Nomenclature 21 Folk Taxonomy 23 Binomial Nomenclature 25 Development of Codes of Nomenclature 26 The Current Codes of Nomenclature 50 Future of the Codes 36 Sources 39 Part Two: Recognizing Species 41 CHAPTER 3. -
Applied Ethnomusicology and America's Classical Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons SAVING JAZZ: APPLIED ETHNOMUSICOLOGY AND AMERICA’S CLASSICAL MUSIC A MASTER’S THESIS SUBMITTED TO THE GRADUATE FACULTY LIBERTY UNIVERSITY BY CHRIS LONG IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY APRIL 2014 © 2014 Chris Long Acknowledgements Upon graduating from college with a bachelor’s degree in Cultural Anthropology (emphasis in folklore and music), I expected to embark on additional studies in ethnomusicology after only a short break. However, one thing led to another and it was almost thirty years before the opportunity to study at Liberty University presented itself. I would like to thank John Benham and Katherine Morehouse for making the Liberty program a welcoming place for someone so out of practice and out of touch with academia. I have found your sensitivity to students, your expertise in the field, and your encouragement in the spiritual dimensions of music to be life changing. The seeds of ethnomusicological passion were planted early in my college career. I am very grateful to Alan Dundes, my anthropology advisor, for encouraging me to pursue music inside of anthropology and folklore, and specifically for allowing me to get my feet wet by collecting and analyzing dozens of versions of the folk song, Frankie and Johnny. I also appreciate anthropology professor James Deetz who allowed me to explore what I believed were the parallels between American vernacular architecture and musical form. I am indebted to composer Olly Wilson for providing me new ways to understand popular music and identify and distinguish both European and African elements that are jointly present in American popular forms.