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Annual Report Fiscal Year 2020
Maryland State Archives Annual Report Fiscal Year 2020 Annual Report of the State Archivist to the Governor and General Assembly (State Government Article, § 9-1007(d)) Timothy D. Baker State Archivist and Commissioner of Land Patents August 2020 Maryland State Archives 350 Rowe Boulevard · Annapolis, MD 21401 410-260-6400 · http://msa.maryland.gov MSA Annual Report Fiscal Year 2020 This Page Left Blank MSA Annual Report Fiscal Year 2020 This Page Left Blank MSA Annual Report Fiscal Year 2020 Table of Contents Agency Organization & Overview of Activities . 3 Hall of Records Commission Meeting of November 14, 2019 Agenda . 27 Minutes . .47 Chronology of Staff Events. .55 Records Retention Schedules . .65 Disposal Certificate Approvals . .. .70 Records Received . .78 Special Collections Received . 92 Hall of Records Commission Meeting of May 08, 2020 Agenda . .93 Minutes . .115 Chronology of Staff Activities . .121 Records Retention Schedules . .129 Disposal Certificate Approvals . 132 Records Received . 141 Special Collections Received . .. 158 Maryland Commission on Artistic Property Meeting of Agenda . 159 Minutes . 163 MSA Annual Report Fiscal Year 2020 This Page Left Blank 2 MSA Annual Report Fiscal Year 2020 STATE ARCHIVES ANNUAL REPORT FY 2020 OVERVIEW · Hall of Records Commission Agenda, Fall 2019 · Hall of Records Commission Agenda, Spring 2020 · Commission on Artistic Property Agenda, Fall 2019 The State Archives was created in 1935 as the Hall of Records and reorganized under its present name in 1984 (Chapter 286, Acts of 1984). Upon that reorganization the Commission on Artistic Property was made part of the State Archives. As Maryland's historical agency, the State Archives is the central depository for government records of permanent value. -
Black Women in Primetime Soap Opera: Examining Representation Within Genre Television
Black Women in Primetime Soap Opera: Examining Representation within Genre Television by Courtney Suggs A Thesis Submitted in Partial Fulfillment of Requirements for the Degree of Master of Science in Media Studies Middle Tennessee State University December 2019 Dissertation Committee: Dr. Katie Foss, Chair Dr. Sanjay Asthana Dr. Sally Ann Cruikshank ABSTRACT Using textual genre analysis, this research studied representation in primetime soap operas Scandal, How To Get Away with Murder, and Empire. Two hundred and eighty- three episodes were viewed to understand how black female identity is represented in primetime soap and how genre influences those representation. Using Collins (2009) theory of controlling images, this study found that black female protagonists were depicted as jezebels and matriarchs. The welfare mother stereotype was updated by portrayals of black woman as hard working. Soap opera conventions such as heavy talk helped provide context to stereotypical portrayals while conventions such as melodrama lead to reactive characterization. ii TABLE OF CONTENTS CHAPTER I: INTRODUCTION……………………………………………….….....1 Background……………………………………………………...………........3 CHAPTER II: LITERATURE REVIEW.....................................................................9 Black Women in Scripted Television…...........................................................9 Television Effects on Viewers……………………………………………....14 CHAPTER III: THEORETICAL FRAMEWORK………………………………....18 Representation Theory……………………………………………………...18 Genre Theory……………………………………………………………….19 -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Newdow V. Congress February 2013 Original Complaint Page Iii CLAIM 6
Michael Newdow Pro hac vice (pending) USDC-SDNY Bar PO Box 233345 Sacramento, CA 95823 (916) 273-3798 [email protected] Edwin M. Reiskind, Jr. Friend & Reiskind PLLC 100 William Street, #1220 New York, NY 10038 (212) 587-1960 (212) 587-1957 (Fax) [email protected] IN THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK Civil Action No. ORIGINAL COMPLAINT ROSALYN NEWDOW; KENNETH BRONSTEIN; BENJAMIN DREIDEL; NEIL GRAHAM; JULIE WOODWARD; JAN AND PAT DOE; DOE-CHILD1 AND DOE-CHILD2; ALEX AND DREW ROE; ROE-CHILD1, ROE-CHILD2, AND ROE-CHILD3; VAL AND JADE COE; COE-CHILD1 AND COE-CHILD2; NEW YORK CITY ATHEISTS; FREEDOM FROM RELIGION FOUNDATION; Plaintiffs, v. THE CONGRESS OF THE UNITED STATES OF AMERICA; THE UNITED STATES OF AMERICA; TIMOTHY F. GEITHNER, SECRETARY OF THE TREASURY; RICHARD A. PETERSON, DEPUTY DIRECTOR, UNITED STATES MINT; LARRY R. FELIX, DIRECTOR, BUREAU OF ENGRAVING AND PRINTING; Defendants. IN THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK Newdow v. The Congress of the United States Original Complaint TABLE OF CONTENTS TABLE OF AUTHORITIES ........................................................................................................ v JURISDICTION AND VENUE ................................................................................................... 1 PARTIES ........................................................................................................................................ 2 A. PLAINTIFFS ........................................................................................................................ -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Gotti – Il Primo Padrino
Presentano GOTTI – IL PRIMO PADRINO Di Kevin Connolly Con John Travolta, Kelly Preston, Pruitt Taylor Vince, Stacy Keach, Spencer Rocco Lofranco, William DeMeo e Stacy Keach AL CINEMA DAL 13 SETTEMBRE Durata: 112 minuti I materiali sono scaricabili dall’area stampa di www.eaglepictures.com Ufficio stampa film Ufficio stampa Eagle Pictures Ornato Comunicazione Via Flaminia, 954 [email protected] 00191 Roma Tel. + 39 06.3341017 + 39 06.33213374 [email protected] CAST TECNICO Regia Kevin Connolly Sceneggiatura Leo Rossi Lem Dobbs Prodotto da Randal Emmett George Furla Marc Fiore Micheal Froch Direttore della fotografia Michael Barrett Musiche Armando Christian Perex Jorge Gomes Scenografia Patricio M. Farrell Costumi Olivia Miles Montaggio Jim Flynn CAST ARTISTICO John Gotti JOHN TRAVOLTA Victoria KELLY PRESTON Angelo Ruggiero PRUITT TAYLOR VINCE John A. SPENCER LOFRANCO Sammy Gravano WILLIAM DEMEO Neil Delacroce STACY KEACH Sinossi Il gangster John Joseph Gotti (John Travolta) scala i ranghi della mafia italiana di New York senza pietà. Dopo aver organizzato un sanguinoso colpo nelle strade di Manhattan all’inizio degli anni ’80, Gotti diventò il capo della famiglia criminale dei Gambino, assicurandosi un posto nei libri di storia con il nome di “Teflon Don” – il protetto del sottocapo Aniello Della Croce (Stacey Keach). Ripercorrendo gli eventi cruciali che hanno definito la sua carriera criminale durante gli anni ’70, e le conseguenze di quei giorni di gloria fino a quando negli anni ’90 fu colpito dalla malattia, il film presenta il ritratto di un uomo il cui percorso è stato segnato da violenza, ambizione, e, nonostante tutto, amore per la famiglia. -
Ann-Kathrin Deininger and Jasmin Leuchtenberg
STRATEGIC IMAGINATIONS Women and the Gender of Sovereignty in European Culture STRATEGIC IMAGINATIONS WOMEN AND THE GENDER OF SOVEREIGNTY IN EUROPEAN CULTURE EDITED BY ANKE GILLEIR AND AUDE DEFURNE Leuven University Press This book was published with the support of KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). Selection and editorial matter © Anke Gilleir and Aude Defurne, 2020 Individual chapters © The respective authors, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. Attribution should include the following information: Anke Gilleir and Aude Defurne (eds.), Strategic Imaginations: Women and the Gender of Sovereignty in European Culture. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) ISBN 978 94 6270 247 9 (Paperback) ISBN 978 94 6166 350 4 (ePDF) ISBN 978 94 6166 351 1 (ePUB) https://doi.org/10.11116/9789461663504 D/2020/1869/55 NUR: 694 Layout: Coco Bookmedia, Amersfoort Cover design: Daniel Benneworth-Gray Cover illustration: Marcel Dzama The queen [La reina], 2011 Polyester resin, fiberglass, plaster, steel, and motor 104 1/2 x 38 inches 265.4 x 96.5 cm © Marcel Dzama. Courtesy the artist and David Zwirner TABLE OF CONTENTS ON GENDER, SOVEREIGNTY AND IMAGINATION 7 An Introduction Anke Gilleir PART 1: REPRESENTATIONS OF FEMALE SOVEREIGNTY 27 CAMILLA AND CANDACIS 29 Literary Imaginations of Female Sovereignty in German Romances -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
Radar, Bikini Run Slated at Bent's Camp Feb. 14
NORTH WOODS TRADER Saturday, Feb. 14, 2015 Page 2 FEATURED RESTAURANT LODGE RESTAURANT On the Famous Cisco Chain of Lakes Radar, bikini run slated Bloody Mary Bar every Saturday and Sunday at Bent’s Camp Feb. 14 Nightly specials including Old-Fashioned Chicken Dinner • Prime Rib • Broasted Chicken Ribs & Wings • Homemade Pizzas This week’s featured Our House Specialty: Canadian Walleye served 7 different ways establishment is Bent’s Famous Friday Fish Fry & Fresh Salad Bar on Fridays! Camp Lodge Restaurant, located on the Cisco Chain of OPEN 6 DAYS A WEEK 11 A.M. TO CLOSE ~ CLOSED TUESDAYS Lakes in Land O’ Lakes. www.bents-camp.com The annual Radar Run (715) 547-3487 benefitting the Frosty Snow- 6882 Helen Creek Rd., 10 miles west of Land O’ Lakes on Cty. B mobile Club of Land O’ Lakes is set Saturday, Feb. 14, from 10 a.m. to 3 p.m. The bikini run will take place at Bent’s Camp at 3 p.m. Live music with Taylor Davis will begin at 4 p.m. There also will be an outdoor ice bar, food, raffles and more. Bent’s Camp, established in 1896, features cabin rentals, a bait shop, gift shop and a lodge restaurant with a full bar. Amy and Craig Kusick bought the business in April of 2011 with the goal of mak- ing Bent’s Camp a great place to visit year after year. Located on the Cisco Chain of Lakes, Bent’s Lake, a bar and restaurant, cabin rentals, bait The restaurant was built Camp offers impressive views of Mamie shop and gift shop. -
Pendulum (1965) Pendulum Staff
Lesley University DigitalCommons@Lesley Pendulum Special Collections and Archives Spring 1965 Pendulum (1965) Pendulum Staff Follow this and additional works at: https://digitalcommons.lesley.edu/pendulum Recommended Citation Staff, Pendulum, "Pendulum (1965)" (1965). Pendulum. 6. https://digitalcommons.lesley.edu/pendulum/6 This Article is brought to you for free and open access by the Special Collections and Archives at DigitalCommons@Lesley. It has been accepted for inclusion in Pendulum by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected]. PENDULUM65 ~ LH . I 1 1 f .P4 ; 1965 ~ r. I LESLEY COLLEGE LIB'RARY 29 Everett Street Cambridge, MA 02238 Spring 1965 Lesley College Cambridge, Massachusetts Ll-/ I . ftf /1h~ Cover by Janina Herter, '66 EDITORIAL BOARD Juanita L. Johnston, Editor Eileen Cutler, Assistant Editor Celeste Amenta, Prose Editor Joan Teachout, Poetry Editor Pamela Wilson, Art Editor STAFF Meryl Rubin, Business Manager Brenda Hunt , Advertising Manager Joan Schackman , Circulation Manager Gloria Knell , Publicity Manager Jonina Herter, Layout Editor Judith Kaye, Typing and Proofreading PENDULUM , founded by the Friends of the Livingston Stebbins Library, is published once a year, and contains prose , verse , and graphic art by und ergraduates and alumnae of Lesley College. Subscription rates: $2.00 per issue, $3.50 for two issues. NUMBER ONE VOLUME SIX ;l~AY2 4 1979 CONTENTS Title Author Page A Madder Tea Party Cleo Nikora 7 Ah, Youth! Patricia Egan 11 The Wapshot Scandal Joan Knight 12 snow sherry rosner 14 Out of Bounds Elaine Frankel 17 Black Against White Joan Teachout 19 A Tease Laurie Abrams 22 The Wapshot Scandal Jonina Herter 23 To Catch A Butterfly Abbie-Jane Poore 24 Composition Jill Resnick 25 Remnants Sherry Stadtman 27 Hunger in A Farewell to Arms Pamela Wilson 29 Spring Jonina Herter 31 Puddles Laurie Abrams 32 One Year Later Joan Teachout 33 Hissing Tales Patricia Egan 36 Joy Jonina Herter 37 Time Judy Johnson 38 The Trodden Ways Elaine Frankel 41 To T. -
Universidade Federal Do Rio Grande Do Sul Faculdade De Biblioteconomia E Comunicação Departamento De Comunicação Comunicaç
1 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO DEPARTAMENTO DE COMUNICAÇÃO COMUNICAÇÃO SOCIAL – HABILITAÇÃO PUBLICIDADE E PROPAGANDA FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal PORTO ALEGRE 2016 2 FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal Trabalho de Conclusão de Curso apresentado à Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção do grau de Bacharel em Comunicação Social – Publicidade e Propaganda. Orientadora: Profª. Drª. Maria Berenice da Costa Machado PORTO ALEGRE 2016 3 FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal Trabalho de Conclusão de Curso apresentado à Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção do grau de Bacharel em Comunicação Social – Publicidade e Propaganda. Aprovado em: BANCA EXAMINADORA _______________________________ Profª. Drª. Maria Berenice da Costa Machado Orientadora _______________________________ Profª. Drª. Mariângela Machado Toaldo Examinadora _______________________________ Prof. Dr. Rudimar Baldissera Examinador 4 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO AUTORIZAÇÃO Autorizo o encaminhamento para avaliação e defesa pública do TCC (Trabalho de Conclusão de Curso) intitulado “GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: ESCÂNDALOS E OCULTAÇÕES DA POLÍTICA NA SÉRIE SCANDAL” de autoria de Fernanda Fagundes Xavier, estudante do curso de Comunicação Social – Habilitação Publicidade e Propaganda, desenvolvida sob minha orientação. Porto Alegre, .............. de ............................. -
Théophile Gautier;
LITTLE FRENCH MASTERPIECES TllEOlIlILK CiAUilER From a copper print Masterpieces of Literature Theophile Gautier Translated by George Burnham Ives With an Introduction by Fredcric-Cesar De Sumichrast G. P. Putnam's Sons New York and London Cbc Ikiitchcrbochcr iprcr5 1907 Copyright, 1903 BY G. P. PUTNAM'S SONS Zbe ftnlcfjcibocfccr press, IRcw Uorft 2Z5^? Introduction tvii] Th6ophile Gautier (1811-1872) the happy youth of Romanticism, Gautier, IN like many another enthusiast, madly wor- shipped those painters in whom the gift of colour oft outweighed the sense of form. He was an adorer of the most glowing pal- ettes, and the Venetians on the one hand and Rubens on the other won his constant praise. It so happened that the Museum of the Louvre was well provided with masterpieces of the one and the other school, and there it was that Gautier made his first acquaintance with the beauty and splendour of colour which, it must be owned, was sadly lacking in the works of the school of David and his suc- cessors. Then, though he was later on to become one of the most persistent globe-trotters [ix] Introduction that France has ever turned out, he had not begun to travel when he felt the fascination of Rubens. That charm he has described time and again in his various articles and books; it held him fast; it compelled him to a quest as important in his eyes, at that time, as that of Jason or Sir Galahad. So he started for Belgium in the belief that it was a land filled to overflowing with splendid creatures, golden-haired, blue-eyed, and voluptuously formed.