DOCSLIB.ORG

Silverfast Dcpro - the Digital Darkroom for Maximum Image Quality

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Silverfast Dcpro - the Digital Darkroom for Maximum Image Quality SilverFast DCPro - The Digital Darkroom for Maximum Image Quality SilverFast® DCPro - The Digital Darkroom for Maximum Image Quality SilverFast DCPro as well as SilverFast DC and DC-VLT are dedicated to working with pic- tures from digital cameras. DCPro is especially designed for processing of raw data for- mats, such as those coming from high-resolution digital cameras. Many a reader might object, that the camera manufacturer already supplies a free tool along with the camera. It is certainly no surprise those tools only support their own native raw formats. Despite those limitations SilverFast with its integrated work flow accomplishes output quality using the full potential of most all the different raw data formats. Working with Raw-Data-Formats in DCPro Currently all significant raw data formats of professional SLR cameras in the market are supported, and in addition high-resolution camera backs such as Canon, Nikon, Minolta, Olympus, Fuji and Jen-Optik. An up to date overview of all raw formats supported by DCPro can be found on our web page at: http://www.silverfast.com/show/dc-cameras-raw/en.html. What is RAW? – Back to the Beginning While most of the digital photographers are quite familiar with JPEG- and TIFF-formats, many do not know that an increasing number of cameras they are using, have a hidden treasure inside: the option to save pictures in raw format. With reference to digital cameras raw designates a file format, containing information, which is created by the camera sensor during the time of exposure. This information is directly saved onto the camera media 1:1. In order to use the high quality, which can be achieved from the raw format, with a standard image application, a special conversion process is required. The reason is that the architecture of the digital sensor does not supply the image data suitable for display on a monitor. A dedicated interpretation and adapta- tion of the digital raw material is needed. That is the reason constituting the selection of the expression “raw ”. © 2004 LaserSoft Imaging AG SilverFast DCPro - The Digital Darkroom for Maximum Image Quality Raw Conversion: Comparison of linear converted raw image and converted with profile To come to the point: If you want to realize the maximum quality from your camera, then you have to use raw format. A digital image that has been saved as JPEG or TIFF has under- gone extensive processing inside the camera. As a digital photographer you cannot influ- ence these processes and have to be content with what the manufacturer has designed into these functions. The raw format is in principle similar to the analog film, processed and enlarged in your own lab or darkroom. With DCPro the photographer can decide for him- self precisely how his pictures will come out. He can enjoy the benefits of the raw formats for the enhanced quality of his pictures: ● increased Dynamic Range compared to JPEGs or TIFFs ● post-processing White Balance without quality loss independent of camera settings during exposure. ● controllable Contrast Behavior with direct visual monitor feedback ● smart adjustment of Sharpness Enhancement ● adjustable Color Saturation ● Color Space Selection (e.g. sRGB, Adobe RGB) ● no Compression Deterioration ( e.g. with JPEG) However complicated those processes might be originally, with SilverFast DCPro processing of raw formats is no magic, but runs as a parallel thread in the background. Working with DCPro, for you as a user, it does not make any difference, whether you work with a JPEG- or a raw file from your digital camera. The big difference will be in the maximum quality that you can achieve. © 2004 LaserSoft Imaging AG - 2 - SilverFast DCPro - The Digital Darkroom for Maximum Image Quality Internal RAW-Format-Conversion Profile for your Camera By applying conversion profiles that are especially adjusted to the different camera models, it will assure the software is using the individual features of each cam- era and its camera sensor. When opening an image with SilverFast DCPro, it recognizes the relevant camera model and will connect the proper profile to the image automatically. Whether your camera is correctly and completely supported, can be checked by looking for the appearance of a third slider for tint and the light source pipette in the picture settings dialog. If this profile is not available, there will only be a linear conversion of raw data. In case your camera raw data images exhibit a tendency for color inconsistencies, it may be, there isn’t a proper profile on your system. Workflow for Converting RAW-Data. Opening a raw file and working with it in SilverFast DCPro is in principle just the same as working with JPEG- or TIFF-files. Simply select the files you want to convert in the Overview of the VLT and drag them via “Drag & Drop” into an Album. As soon as the Camera raw data is moved into the active album, a small button with a green right arrow appears in the title bar of the album window. Clicking onto the green arrow will start the conversion as a background process and you can continue to work with SilverFast. left: First select the images you want to convert mid: Drag & Drop selected images into Album right: Conversion starts after clicking the green arrow © 2004 LaserSoft Imaging AG - 3 - SilverFast DCPro - The Digital Darkroom for Maximum Image Quality You can check the status of the conversion by monitoring the progress bar inside the picture thumbnail. Once the image has been completely converted a blue point appears in the upper left cor- ner. The conversion running as a background process enables you to work with SilverFast simulta- neously while several raw files are being converted. During daily work with lots of raw files it is advised that you start the conversion process in the background after importing files. Continue with the familiar SilverFast main dialog to do the desired changes and enhance- ments. Fortunately DCPro saves the settings that you have used, so anytime after a conversion, you can reopen the processed raw picture via the VLT and you are not required to repeat the previous changes again. The Next Steps The converted raw picture will from now on be your “digital original”. You can reopen it at any time with all previous settings, and then adjust for the required purpose and save as JPEG or TIFF. All familiar highlights and features of SilverFast Ai or HDR are available in DCPro. Precisely speaking, the feature set is identical with that of HDR, but is extended with reference to using raw formats. © 2004 LaserSoft Imaging AG - 4 - SilverFast DCPro - The Digital Darkroom for Maximum Image Quality This way the possibility returns to you achieving the best possible quality from your image data because you relieve your camera from the conversion decision and main- tain precise control, putting quality back into your grasp. More explanation on the advantage of raw data processing and the benefits of using a larger dynamic range can also be found here: http://www.silverfast.com/show/silverfast-hdr/en.html http://www.silverfast.com/show/48bits/en.html © 2004 LaserSoft Imaging AG - 5 -.
Load more

Recommended publications
  • 6.11 Description of the Special Functions of Silverfasthdr…
    6.11 Description of the Special Functions of SilverFastHDR…, and SilverFastDC… The scanner independent SilverFast versions SilverFastHDR… and SilverFastDC… principally have the same basic functions of the scanner modules of SilverFastAi…. The differences are listed in detail in Chapter 6.11. What are the Basic Differences? SilverFastAi, SilverFastAiStudio and SilverFastSE SilverFastAi is a true scan software and was developed individually for single scan types. The supported scanners are directly control- led by utilizing the internal dynamics of the scanner. The result is maximum quality. SilverFastAi is the name of the full version. This version may be extended by two features (at the time of printing this manual). “IT8 calibration” and “StudioUpgrade”. The IT8 calibration is included with several scanners, and may be purchased optionally for other scanners. The StudioUpgrade is generally available only as an option and turns a SilverFastAi version into a SilverFastAiStudio version. SilverFastSE is the special edition of the SilverFast scanning soft- ware. The dialogues and functions are limited and more recco- mended for novice users. SilverFastHDR, SilverFastHDRStudio SilverFastHDR works without a scanner and is used as a tool for optimising existing pictures. All RGB image files having a colour depth of 24 bits (8 bits per channel) and 48 bits (16 bits per chan- nel) can be processed. The files can be in Tiff or JPEG. SilverFastHDRStudio also works with RAW data of many digital cameras. SilverFast® Manual 6.11 • SilverFastDC…, -HDR… 253 MSt K6 11 E WebOpti.indd 190606 MSt E WebOpti.indb 253 19.06.2006 9:45:07 Uhr SilverFastDCVLT, SilverFastDCPro, SilverFastDCProStudio, SilverFastDCSE The SilverFastDC… versions are also hardware independent soft- ware packages for imaging that have been specially adapted for use by digital photographers.
    [Show full text]
  • Scanner Network Scanner Workgroup Scanner Mobile Scanner
    Führend in Scanning und Imaging Technology 2012 1 Document-Solutions • Image-Solutions • DMS-Solutions Inhaltsverzeichnis Department Scanner Network Scanner Workgroup Scanner Mobile Scanner » PS406U 4 » SN8016U 7 » PS283 13 » AD460 20 » PS406 4 » PN2040 8 » PS286 Plus 14 » AD450 21 » PL7500 5 » EasyScan 400 9 » PL1530 15 » D430 22 » OpticBook 4800 StandAlone 10 » PL2550 16 » S400 23 » A300 StandAlone 11 » PL806 17 » S410 24 » PL1500 18 » S420 25 » D600 26 » OC821 27 » S800 28 2 Buch Scanner Flachbett Scanner Film Scanner Produktübersichten » OpticBook A300 30 » OpticPro A360 35 » OpticFilm 120 41 » Dokumentenscanner 46 » OpticBook 4800 31 » OpticPro A320 36 » OpticFilm 8200i SE 42 » Netzwerk- und Mobile » OpticBook 3800 32 » OpticSlim 2600 37 » OpticFilm 8200i Ai 42 Scanner 47 » BookReader BAT 33 » OpticSlim 500+ 38 » OpticFilm 8100 43 » Buch-, Flachbett- und » OpticSlim 550 39 » OpticPro ST640 44 Filmscanner 48 » DocAction Software 49 3 PS Die Plustek SmartOffice PS406 bzw. erkennung. Mit einer Scangeschwindigkeit SmartOffice PS406/ PS406U PS406U sind kompakte Dokumenten- von 40 Seiten pro Minute und einem ADF- scanner der High-Speed-Klasse. Der Fassungsvermögen von 100 Blatt sind PS406U verfügt zusätzlich über eine beide Duplex-Scanner perfekt 406/U innovative Ultraschall-Doppelblatt- als Abteilungsscanner geeignet. Spezifikationen: Duplex-Farbscanner mit Auflösung (optisch): 600 dpi Ultraschall-Doppelblatt- 100 Blatt (DIN A4/ Letter, 70g/ erkennung (PS406U) Fassungsvermögen ADF: m²) 30 Visitenkarten/ 5 Plastikkarten Scangeschwindigkeit
    [Show full text]
  • Audit Manual Chapter 11
    Audit Manual Chapter 11 Advertising Agencies, Graphic Artists, Printers, and Related Enterprises Business Tax and Fee Division California Department of Tax and Fee Administration This is an advisory publication providing direction to staff administering the Sales and Use Tax Law and Regulations. Although this material is revised periodically, the most current material may be contained in other resources including Operations Memoranda and Policy Memoranda. Please contact any California Department of Tax and Fee Administration office if there are concerns regarding any section of this publication. Audit Manual TABLE OF CONTENTS ADVERTISING AGENCIES, GRAPHIC ARTISTS, PRINTERS, AND RELATED ENTERPRISES 1100.00 INTRODUCTION ...................................................................................................... 1101.00 General ....................................................................................................................................1101.05 General Steps in the Graphic Design and Printing Process .................................................... 1101.10 Identifying the Nature of Taxpayer’s Business and Status as Agent or Retailer ............................................................................................... 1101.15 TYPES OF RECORDS ............................................................................................. 1102.00 General ...................................................................................................................................1102.05 Summary
    [Show full text]
  • Downloadable PDF Documentation
    ® SilverFast English SilverFast the Digital Power Tool SilverFast® Software-Licence Agreement Do not open the software package or use this software until you have read and agreed to the terms and conditions of this software-licence Agreement! If you do not accept these terms and conditions, please leave the software in its packaging untouched and send it back to LaserSoft Imaging immediately! SilverFast (trademark) is a software package comprising software and user manual for a method of generating scans for the subsequent production of color separations and printing images. LaserSoft Imaging (“LS Imaging”) has developed the software and owns all rights of it: 1. Copyright (1) The user and licensee acknowledges that the copyright of the software in both source and object code form is owned by LS Imaging. (2) Manual and other documentation are protected by copyright. Illegal usage, also of the images of the manual, will cause claim for damages. 2. Licence (1) LS Imaging grants the licensee an exclusive and non-transferable licence to use the software object code and user manual for his or her own use. (2) This licence authorizes the use of SilverFast on a single personal computer at one time. Separate licenses are required for use on multiple processors and/or multiple sites. (3) The user and licensee is not allowed to copy in whole or in part SilverFast except for the purpose of making a backup copy. The licensee is neither allowed to copy in whole or in part supporting documentation supplied with SilverFast. (4) The software contains confidential information; this licence does not allow the licensee to change, adjust, to decompile, to disassemble or in any other way trying to find out the source code.
    [Show full text]
  • Managing Your Digital Camera's RAW Files
    News Volume II RAW files are generally maker/model specific and a few have started to gain visibility as formats, such as Nikon's 'NEF' and Canon's 'CRW', Kodak 'DCR', etc. The term 'raw' is used in essence, to take the exact output of the camera CMOS/CCD device and store it unaltered - usually in a format Managing Your Digital based on the TIFF format. Being un- altered, this format has some populari- Camera’s RAW Files ty as it is effectively a digital negative. RAW is simply pixel data as it comes directly off the CMOS/CCD, no in-ca- mera processing is performed. Typi- cally this data is 8, 10 or 12 bits per pixel. The advantage being that file sizes are considerably smaller than an equivalent TIFF file. The image has not been processed or white ba- It’s a JPEG world, the most common image format used these lanced which means you can correct the image, and it's a days with digital cameras. It is an acronym for Joint Photo- better representation of the "digital negative" captured. The graphic Experts Group (JPEG). A lot of cameras shoot them. disadvantage is you can't open these image files with a nor- Dozens of professional software packages support them. mal photo package. The main advantage of a 12-bit per pixel Heck, your Grandfather probably knows what they are. data is when you might need to make some major correc- tions to the white balance, exposure, and color. During the Not so for the RAW format-the uncompressed, unprocessed processing of an image, you lose bits of image data due to data file captured by the camera.
    [Show full text]
  • Preserving Raster Images Data Types Series Artefactual Systems and the Digital Preservation Coalition
    http://doi.org/10.7207/twgn21-13 Preserving Raster Images Data Types Series Artefactual Systems and the Digital Preservation Coalition DPC Technology Watch Guidance Note July 2021 © Digital Preservation Coalition 2021 and Artefactual Systems 2021 ISSN: 2048-7916 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without prior permission in writing from the publisher. The moral rights of the author have been asserted. First published in Great Britain in 2021 by the Digital Preservation Coalition. The Data Type Guidance Note Series Each Guidance Note in the Data Types series is designed to provide a primer on the current state of community knowledge about data types commonly encountered by those seeking to preserve digital holdings. Digital preservation is about keeping information findable, usable, and trustworthy over the long-term. The best approach for any repository will vary according to the scope and content of its holdings, available resources, and the expectations of its funders and users. There are however, broadly applicable good practices that have been established as a result of many years of research, practical implementation, and consensus building. These are presented here as a starting point, along with additional resources for further exploration. This series of Data Type Guidance Notes has been authored by staff at Artefactual Systems in collaboration with the Digital Preservation Coalition. These notes have been developed in conjunction with the UK Nuclear Decommissioning Authority. Digital preservation is an evolving field and continues to change and develop in response to external drivers and fresh challenges.
    [Show full text]
  • Products Supporting V4 of the ICC Specification
    Products supporting v4 of the ICC specification Adobe (see www.adobe.com for product details) Acrobat product family Adobe Creative Suite Adobe Document Server product family Adobe GoLive Adobe Graphics Server Adobe Illustrator Adobe InDesign product family Adobe PDF Library Adobe Photoshop product family Adobe Premiere product family After Effects Atmosphere PDF Print Engine PDF to PS PDF Trapper Agfa ApogeeX v2.5 Alwan Colour Expertise Alwan ColorPursuit product range Alwan LinkProfiler Alwan CMYK Optimizer product range Alwan Photoshop plug-ins product range AlwanColorHub Alwan ICCProfileProcessor Apago PDF Enhancer 3.1 Apple Mac OSX ColorVision (see www.colorvision.com for product details) SpyderPRO (TM) with OptiCAL (TM), a digital, seven-filter colorimeter for measurement of both CRT and LCD monitors and associated monitor calibration and profiling software. Color Solutions (see www.basiccolor.de for product details) basICColor display4 basICColor dropRGB basICColor SQUID2 Corel Corel Painter IX Corel DRAW 12 Corel PHOTO-PAINT 12 FFEI FFEI ColourKit Profiler Suite FFEI ColourKit Manager FFEI ColourKit Editor FFEI ColourKit Image Processor GretagMacbeth ColorPoint (a Powerpoint plug-in) Eye-One Match 3.6 huey Logosync CMM Profilemaker 5 Heidelberg Heidelberg Prinect Color Editor Heidelberg Prinect Printready Heidelberg Prinect MetaDimension Heidelberg Delta Technology Heidelberg Prinect Profile Toolbox (partial v4-support) ICS Remote Director Kodak Kodak ColorFlow API Suite v5.2.2 - toolkit for Kodak licensees (formerly known as "KCMS").
    [Show full text]
  • Bitmap Vs. Vector
    4197c01.qxd 5/30/03 8:22 AM Page 1 CHAPTER 1 The Basics of a Scanned Image Welcome to a new world of digital imaging! This book will serve as your guide to both the how and the why of digital imaging with SilverFast, with information on pixels, color correction, image restoration, and much more. The first two chapters are not specifi- cally about the use of SilverFast, but the background information you’ll obtain about the digital imaging process is absolutely essential if you’re to make informed, appropriate choices during the scanning process. In this first chapter, the following topics are covered: ■ Bitmap vs. vector ■ Parts of an image ■ Capture bit depth, channels, and shades of gray ■ The resolution concept ■ Color theory and color modes ■ File formats for print or the Internet COPYRIGHTED MATERIAL 4197c01.qxd 5/30/03 8:22 AM Page 2 2 ■ CHAPTER 1: THE B ASICS OF A S CANNED I MAGE Bitmap vs. Vector In today’s information-packed world, we are bombarded with graphic images from television sets, computer screens, billboards, and magazines. As you float in this stream of digital con- tent, contemplate this fundamentally important bit of information: Despite the wide variety of visual communication methods used to disseminate these images, every graphic brought to you through digital processes can be placed into one of two categories; it is either vector or bitmap. Vector graphics are composed of a series of points and lines connecting the points (see Figure 1.1). Although some of these lines may be perfectly straight, it is more likely that any two points are joined by a line featuring one or more curves.
    [Show full text]
  • The Official Guide Taz Tally, Ph.D
    SYBEX Index SilverFast®: The Official Guide Taz Tally, Ph.D. Index Copyright © 2003 SYBEX Inc., 1151 Marina Village Parkway, Alameda, CA 94501. World rights reserved. No part of this publication may be stored in a retrieval system, transmitted, or reproduced in any way, including but not limited to photocopy, photograph, magnetic or other record, without the prior agreement and written permission of the publisher. ISBN: 0-7821-4197-8 SYBEX and the SYBEX logo are either registered trademarks or trademarks of SYBEX Inc. in the USA and other countries. TRADEMARKS: Sybex has attempted throughout this book to distinguish proprietary trademarks from descriptive terms by following the capitalization style used by the manufacturer. Copyrights and trademarks of all products and services listed or described herein are property of their respective owners and companies. All rules and laws pertaining to said copyrights and trademarks are inferred. This document may contain images, text, trademarks, logos, and/or other material owned by third parties. All rights reserved. Such material may not be copied, distributed, transmitted, or stored without the express, prior, written consent of the owner. The author and publisher have made their best efforts to prepare this book, and the content is based upon final release software whenever possible. Portions of the manuscript may be based upon pre-release versions supplied by software manufacturers. The author and the publisher make no representation or warranties of any kind with regard to the completeness or accuracy of the contents herein and accept no liability of any kind including but not limited to performance, merchantability, fitness for any particular purpose, or any losses or damages of any kind caused or alleged to be caused directly or indirectly from this book.
    [Show full text]
  • Silverfast Manual
    Manual English ® 2 1 • Introduction SilverFast Manual MSt K0 E WebOpti.indd 060808 1. Introduction Copyright Copyright © 1994-2010 SilverFast®Ai, LaserSoftImaging™AG, Germany No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, or otherwise, without the prior written permission of LaserSoftImaging™AG. The software SilverFast®Ai is copyrighted by LaserSoftImaging™AG and may only be used as stated in the license agreement. The purchaser may only copy the software for backup purposes. All other kinds of copies are prohibited and will be prosecuted by law. LaserSoftImaging™AG does not guarantee, that this software will run without errors on all Macintosh- or Windows-Systems. LaserSoftImaging™AG will, however, replace damaged software. The software described in this manual is part of the licensing which becomes effective when the buyer opens the CD package. The software may be used according to these licensing agreements. All mentioned trademarks are the protected trade marks of the respective owners. SilverFast®Ai is a protected trademark of LaserSoftImaging™AG, Germany. The SilverFast®Ai software was developed by Karl-Heinz Zahorsky, Nils Heidorn, Eric Flyvbjerg, Dr. Martin Münier, Ralf Magnussen, Headquarters Ron Pokriefke, Thomas Belli, Martina Steidele and Nick D’Amato . LaserSoft Imaging AG Luisenweg 6-8 , Manual written by Karl-Heinz Zahorsky and Gerhard Wolff. D 24105 Kiel, Germany Editing by Gerhard Wolff. Phone: +49-431-56009-0 Fax: +49-431-56009-98 All photographs by Karl-Heinz Zahorsky e-mail: [email protected] Patents: EP 1594301, EP 1744278 http://www.SilverFast.de © 1997-2010.
    [Show full text]
  • 070-085 Digitalb SP 06-05
    FOTOGRAFÍA DIGITAL ACCESORIOS PARA CÁMARAS o ñ e j e a u i q ESTUCHES KITS DE ACCESORIOS V e e p Estuche de cuero p/ DX-6490, 7590..........................................#1382084 ..........29,95 Kit de viaje para Serie DX Pack batería recargable, d o Bolso para cámara digital – Pequeño.........................................#1337443 ............9,95 t Cargador rápido, bolsa p/cámara, adaptador de CA internac.......#1318047 ...........34,95 s i l K o Bolso para cámara digital – Mediano.........................................#8611501 ..........19,95 ÓPTICA B k Bolso para cámara digital – Grande...........................................#8542755 ..........29,95 a Lente convertidor gran angular p/ DX-6490...............................#1033323 ........139,95 k d a o d Trípode para cámara digital........................................................#8062135 ..........24,95 Lente gran angular (Retinar 0.6) p/cámaras EasyShare ............#1895796 ..........44,95 K o K FUENTES DE POTENCIA Lente teleconversor (2x) p/cámaras EasyShare ........................#1192467 ..........54,95 Baterías recargables AA (4) .......................................................#1350222 ..........12,95 Kit lentes aproximación (43mm) p/ DC-4800 ............................#1064419 ..........29,95 KLIC-5000 Batería p/ serie LS, DX7440, 7630...........................#8499741 ..........19,95 Kit lentes aproximación (37mm) p/ DX Series...........................#1382175 ..........29,95 KLIC-5001 Batería para DX-6490, 7440, 7590, 7630 ................#1064062
    [Show full text]
  • Chapter 6 Special Functions
    Chapter 6 Special functions MSt K6 1-10 E WebOpti.indd 191 19.06.2006 10:38:59 Uhr Special Functions All additional and special functions are described in Chapter 6. Some of these functions are scanner specific and may behave dif- ferently depending on the combination of the software and hard- ware and some menus may differ or not be displayed at all. 6. Special Functions 193 6.1 The Densitometer 194 6.2 Improving the Sharpness of Artwork 199 6.3 De-screening an image* 205 6.4 GANE® 211 6.5 Line Art Scans (1 Bit)* 215 6.6 Multiple Sampling 217 6.7 NegaFix - Scanning Negatives* 219 6.8 The Use of Various Film Holders* for Film Scanners* 235 6.9 File formats in SilverFast 241 6.10 Focussing the Scanner* 249 6.11 Description of the Special Functions of SilverFastHDR…, and SilverFastDC… 253 6.12 SilverFastJobManager 343 6.13 SilverFastSRD (Dust- and Scratch Removal) 369 6.14 SilverFastAACO Auto-Adaptive Contrast Optimization 399 6.15 Clone Tool 401 6.16 PrinTao 405 ® 192 6 • Special functions SilverFast Manual MSt K6 1-10 E WebOpti.indd 190606 MSt E WebOpti.indb 192 19.06.2006 9:42:47 Uhr 6. Special Functions 6.1 Densitometer For precise monitoring of density values 6.2 Unsharp Masking To enhance the image with better sharpness (detail contrast) 6.3 Descreening To eliminate possible moire patterns when scanning printed images. 6.4 SilverFastGANE Filter for reduction of grain and noise structures in film scans 6.5 Line art To scan black and white samples (not greyscale) 6.6 Negative Scans To scan greyscale or colour negatives.
    [Show full text]