Chapter 6 Special Functions
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Photo History Newsletters • Vol
THE AMALGAMATED PHOTO HISTORY NEWSLETTERS • VOL. 2-2 2021 We hope that the Covid pandemic soon passes away so we can get back to normal with regular meetings and events. In the interim here are addi- tional newsletters to keeping you read- ing. Please enjoy. Ken Metcalf of the Graflex Journal has another interesting issue which should entertain you well. Another fine newsletter comes from The Western Canada Photographic Historical Association in British Colum- bia with some fine reading content. Permissions granted: Graflex Journal– Ken Melcalf The Western Canada Photographic Historical Association– Tom Parkinsion SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 3 2020 FEATURES some leather that was a good match. Thickness was right, color was good, and the pebble grain was close National Graflex Gets a New Coat by Paul S. Lewis……..….....….....….1 enough. So, I had them send me a large sheet; 12x17. Camera Group - Roger Beck………….…….………...….…..…………....2 Having a good supply would allow for some mistakes Viewing Wild Animals at Night by William V. Ward …….…...…………..4 and assure me that there would be enough length and Hold It! Part 1 by Ken Metcalf.……………….…………….…………….....5 width to cover the missing panels with one complete Graflex Patents by Joel Havens….…..………………...…………….…...12 piece. The source I used was Cameraleather ([email protected]). I did just check with them to be sure similar material is available. The report is that although the material is available, supply is limited. So, with material and camera in hand, the next step Ed: Mr. Lewis is a Graflex Journal subscriber and author was to get the new cover panels cut out and attached. -
Digital High School Photography Curriculum
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2003 Digital high school photography curriculum Martin Michael Wolin Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Art Education Commons Recommended Citation Wolin, Martin Michael, "Digital high school photography curriculum" (2003). Theses Digitization Project. 2414. https://scholarworks.lib.csusb.edu/etd-project/2414 This Project is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. DIGITAL HIGH SCHOOL PHOTOGRAPHY CURRICULUM A Project Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Education: Career and Technical'Education by Martin Michael Wolin June 2003 DIGITAL HIGH SCHOOL PHOTOGRAPHY CURRICULUM A Project Presented to the Faculty of California State University, San Bernardino by Martin Michael June 2003 Approved by: Dr. Ronald^Pendelton, Second Reader © 2003 Martin Michael Wolin ABSTRACT The purpose of this thesis was to create a high school digital photography curriculum that was relevant to real world application and would enable high school students to enter the work force with marketable skills or go onto post secondary education with advanced knowledge in the field of digital imaging. Since the future of photography will be digital, it was imperative that a high school digital photography curriculum be created. The literature review goes into extensive detail about digital imaging. -
Silverfastjobmanager Silverfast Jobmanager for Film Scanner
ManualAi6 K6 12 E.qxd5 31.10.2003 14:47 Uhr Seite 279 SilverFastJobManager SilverFast JobManager for Film Scanner Overview To activate the JobManager, click on “JobManager”-button in the vertical list of buttons to the left of the large SilverFastAi preview window. SilverFastAi dialog using Macintosh SilverFastAi dialog using Windows 6.12 ® ManualAi6 K6 12 E.qxd5 SilverFast Manual 040903 279 ManualAi6 K6 12 E.qxd5 31.10.2003 14:47 Uhr Seite 280 SilverFastJobManager SilverFastJobManager Tools Icons indicating the current correc- SilverFastJobManager-Menu tions and the output format chosen: Referring to actions with relation to complete jobs (such as saving and loading) Execute auto-adjust before sca Name of current jobs Gradation curve changes in A star (*) indicates, whether a job effect has been changed Selective colour correction Image information active File name Active filter RGB output format selected Output dimensions / scaling Horizontal and vertical Lab output format selected Output resolution – file size CMYK output format selected Icons representing actions with reference to the Job: Add the active frame from the preview Add all frames from the preview 6.12 Add images from image overview dialog window Activate VLT Starting and stopping Directory File format of job execution the final images will selection box for the be saved to during desired file format. Delete the job entries selected execution. Edit parameters of the job entry selected Copy job-entry parameters 280 SilverFast® Manual ManualAi6 K6 12 E.qxd5 31.10.2003 14:47 Uhr Seite 281 SilverFast JobManager™ Purpose of the JobManager What is the JobManager? SilverFastJobManager (from here on referred to as “JM”) is a built-in function for the scan software SilverFastAi, as well as for the Photoshop plugins which operate independently of a scanner and the Twain modules SilverFastHDR, SilverFastDC and SilverFastPhotoCD. -
UK Photography Activity Badge
making a start in photography Jessops is proud to support The Scout Association and sponsor the Scout Photographer Badge know your camera! welcome to the Single use cameras SLRs Digital cameras Single use cameras offer an inexpensive and ‘Single lens reflex’ cameras, often called SLRs, Digital cameras come in both compact and SLR exciting world of risk-free way to take great photos. They are built come in two main types - manual and auto-focus. formats. Rather than saving an image to film, complete with a film inside and once this is used SLRs give you greater artistic control as they can digital cameras save images onto memory cards. photography! up, the whole camera is sent for processing. They be combined with a vast range of interchangeable They have tiny sensors which convert an image are perfect for taking to places where you may lenses and accessories (such as lens filters). You electronically into ‘pixels’ (short for picture To successfully complete the Photographer Badge, be worried about losing or damaging expensive can also adjust almost every setting on the camera elements) which are put together to make up the you will need to learn the basic functions of a equipment (Scout camp for example) and you can yourself - aiding your photographic knowledge complete image. camera, how to use accessories, and how to care even get models suitable for underwater use - and the creative possibilities! for your equipment. You will also need to Capturing images this way means that as soon as perfect for taking to the beach! understand composition, exposure and depth of With manual SLRs, the photographer is in complete the picture is taken, you can view it on the LCD field, film types, how to produce prints and control - and responsible for deciding all the screen featured on most digital cameras. -
Spirit 4K® High-Performance Film Scanner with Bones and Datacine®
Product Data Sheet Spirit 4K® High-Performance Film Scanner with Bones and DataCine® Spirit 4K Film Scanner/Bones Combination Digital intermediate production – the motion picture workflow in which film is handled only once for scan- ning and then processed with a high-resolution digital clone that can be down-sampled to the appropriate out- put resolution – demands the highest resolution and the highest precision scanning. While 2K resolution is widely accepted for digital post production, there are situations when even a higher re- solution is required, such as for digital effects. As the cost of storage continues to fall and ultra-high resolu- tion display devices are introduced, 4K postproduction workflows are becoming viable and affordable. The combination of the Spirit 4K high-performance film scanner and Bones system is ahead of its time, offe- ring you the choice of 2K scanning in real time (up to 30 frames per second) and 4K scanning at up to 7.5 fps depending on the selected packing format and the receiving system’s capability. In addition, the internal spatial processor of the Spirit 4K system lets you scan in 4K and output in 2K. This oversampling mode eli- minates picture artifacts and captures the full dynamic range of film with 16-bit signal processing. And in either The Spirit 4K® from DFT Digital Film Technology is 2K or 4K scanning modes, the Spirit 4K scanner offers a high-performance, high-speed Film Scanner and unrivalled image detail, capturing that indefinable film DataCine® solution for Digital Intermediate, Commer- look to perfection. cial, Telecine, Restoration, and Archiving applications. -
6.11 Description of the Special Functions of Silverfasthdr…
6.11 Description of the Special Functions of SilverFastHDR…, and SilverFastDC… The scanner independent SilverFast versions SilverFastHDR… and SilverFastDC… principally have the same basic functions of the scanner modules of SilverFastAi…. The differences are listed in detail in Chapter 6.11. What are the Basic Differences? SilverFastAi, SilverFastAiStudio and SilverFastSE SilverFastAi is a true scan software and was developed individually for single scan types. The supported scanners are directly control- led by utilizing the internal dynamics of the scanner. The result is maximum quality. SilverFastAi is the name of the full version. This version may be extended by two features (at the time of printing this manual). “IT8 calibration” and “StudioUpgrade”. The IT8 calibration is included with several scanners, and may be purchased optionally for other scanners. The StudioUpgrade is generally available only as an option and turns a SilverFastAi version into a SilverFastAiStudio version. SilverFastSE is the special edition of the SilverFast scanning soft- ware. The dialogues and functions are limited and more recco- mended for novice users. SilverFastHDR, SilverFastHDRStudio SilverFastHDR works without a scanner and is used as a tool for optimising existing pictures. All RGB image files having a colour depth of 24 bits (8 bits per channel) and 48 bits (16 bits per chan- nel) can be processed. The files can be in Tiff or JPEG. SilverFastHDRStudio also works with RAW data of many digital cameras. SilverFast® Manual 6.11 • SilverFastDC…, -HDR… 253 MSt K6 11 E WebOpti.indd 190606 MSt E WebOpti.indb 253 19.06.2006 9:45:07 Uhr SilverFastDCVLT, SilverFastDCPro, SilverFastDCProStudio, SilverFastDCSE The SilverFastDC… versions are also hardware independent soft- ware packages for imaging that have been specially adapted for use by digital photographers. -
Scanner Network Scanner Workgroup Scanner Mobile Scanner
Führend in Scanning und Imaging Technology 2012 1 Document-Solutions • Image-Solutions • DMS-Solutions Inhaltsverzeichnis Department Scanner Network Scanner Workgroup Scanner Mobile Scanner » PS406U 4 » SN8016U 7 » PS283 13 » AD460 20 » PS406 4 » PN2040 8 » PS286 Plus 14 » AD450 21 » PL7500 5 » EasyScan 400 9 » PL1530 15 » D430 22 » OpticBook 4800 StandAlone 10 » PL2550 16 » S400 23 » A300 StandAlone 11 » PL806 17 » S410 24 » PL1500 18 » S420 25 » D600 26 » OC821 27 » S800 28 2 Buch Scanner Flachbett Scanner Film Scanner Produktübersichten » OpticBook A300 30 » OpticPro A360 35 » OpticFilm 120 41 » Dokumentenscanner 46 » OpticBook 4800 31 » OpticPro A320 36 » OpticFilm 8200i SE 42 » Netzwerk- und Mobile » OpticBook 3800 32 » OpticSlim 2600 37 » OpticFilm 8200i Ai 42 Scanner 47 » BookReader BAT 33 » OpticSlim 500+ 38 » OpticFilm 8100 43 » Buch-, Flachbett- und » OpticSlim 550 39 » OpticPro ST640 44 Filmscanner 48 » DocAction Software 49 3 PS Die Plustek SmartOffice PS406 bzw. erkennung. Mit einer Scangeschwindigkeit SmartOffice PS406/ PS406U PS406U sind kompakte Dokumenten- von 40 Seiten pro Minute und einem ADF- scanner der High-Speed-Klasse. Der Fassungsvermögen von 100 Blatt sind PS406U verfügt zusätzlich über eine beide Duplex-Scanner perfekt 406/U innovative Ultraschall-Doppelblatt- als Abteilungsscanner geeignet. Spezifikationen: Duplex-Farbscanner mit Auflösung (optisch): 600 dpi Ultraschall-Doppelblatt- 100 Blatt (DIN A4/ Letter, 70g/ erkennung (PS406U) Fassungsvermögen ADF: m²) 30 Visitenkarten/ 5 Plastikkarten Scangeschwindigkeit -
Strands and Standards Commercial Photography 1
STRANDS AND STANDARDS COMMERCIAL PHOTOGRAPHY 1 Course Description An introduction to the field of commercial photography. This course will cover concepts, including but not limited to purchasing a digital camera; image capture; image editing; and image output. This course will also feature Adobe Photoshop, its features and use. These concepts will enable the student to be more knowledgeable and prepared to enter the field of commercial photography. CAMERA REQUIREMENT: It is recommended that students have access to a Digital SLR camera. However Digital Point and Shoot cameras can be used and will be covered in this course. At a minimum, cameras must use removable memory cards and have adjustable mode settings. Mobile devices may be used to complete some, but not all of the listed objectives. SOFTWARE REQUIREMENT: Photoshop or Photoshop Elements, Adobe Lightroom Intended Grade Level 10-12 Units of Credit 0.5 Core Code 40.13.00.00.012 Concurrent Enrollment Core Code 40.13.00.13.012 Prerequisite None Skill Certification Test Number 537 Test Weight 0.5 License Type CTE and/or Secondary Education 6-12 Required Endorsement(s) Endorsement 1 Commercial Photography Endorsement 2 NA Endorsement 3 NA ADA Compliant: August 2020 COMMERCIAL PHOTOGRAPHY 1 STRAND 1 Students will have knowledge of the history of photography. Standard 1 History of Photography • Overview of the origins of Technical Photographic Processes, and major milestones. • Camera Obscura • Wet Plate • Film • Digital • Sensor development • Storage development Standard 2 Evolution and future of Digital Photography. • Adobe Photoshop • Camera Raw STRAND 2 Students will be able to understand and apply the multi-step process of workflow. -
I. Basic Operation (Preparation)
10 lcon indicators used in this manual BASIC OPERATION (PREPARATION) BASIC OPERATION Operation direction Attention Lamp blinking I. BASIC OPERATION (PREPARATION) Attaching the Camera Strap 11 123 BASIC OPERATION (PREPARATION) BASIC OPERATION 1. Use a coin or similar object to slide the clasp 3. To remove the strap, repeat step 1. in the direction of the arrow. 2. Put the clasp onto the strap lug of the cam- • Adjust the length of the strap with the buckle. era with the arrow indication facing out, and • After fitting the strap and adjusting the length, pull slide the lock plate back to the original posi- the strap hard to confirm that the strap has tion. securely attached to the camera. • There is a pocket on the strap so you can store a small accessory. 12 Loading the Batteries 123 BASIC OPERATION (PREPARATION) BASIC OPERATION 1. To remove the battery holder, lift the battery 3. To secure the battery holder, turn the battery holder release knob and turn it in the direc- holder release knob in the direction of the tion of the arrow. arrow. 2. Load six 1.5V AA-size batteries in the battery holder in accordance with the diagram located in the battery holder. 13 • This camera requires battery power for operation. Always use six 1.5V AA size batteries. • The ISO film speed and number of exposed frames are unchanged if the batteries are replaced. (PREPARATION) BASIC OPERATION • Keep spare batteries on hand when shooting out doors or while traveling. • Use of the optional Remote Battery Pack 645 is recommended when the camera is used in extremely low temperatures. -
Files/2014 Women and the Big Picture Report.Pdf>, Accessed 6 September 2018
The neuroscientific uncanny: a filmic investigation of twenty-first century hauntology GENT, Susannah <http://orcid.org/0000-0003-0091-2555> Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26099/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26099/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. THE NEUROSCIENTIFIC UNCANNY: A FILMIC INVESTIGATION OF TWENTY-FIRST CENTURY HAUNTOLOGY Susannah Gent A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate Declaration I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University’s policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acknowledged. 4. The work undertaken towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Perfection V500 Photo
Epson Perfection V500 Photo Scanner Parts Optional Automatic Document Feeder The Automatic Document Feeder (B12B813391) allows you to Scanner cover automatically load multiple-page documents into your scanner. See the on-screen User’s Guide for instructions on installing and using the optional Automatic Document Feeder (ADF). Scan to PDF button Automatic Document Feeder Scan to Power switch E-mail button Copy button Start button Paper support Holds up the paper that is loaded in the ADF. Document mat Transparency unit Carriage transportation lock Spare paper path guide Document table The paper path guide directs documents smoothly onto the scanner's document table. A spare paper path guide is included. If the surface of the paper path guide gets dirty, you can clean it or replace it with the spare guide. Scanner OPTION port transportation lock USB interface DC inlet connector ADF Document Mat Place this mat over a document if you need to scan it from the document table when the ADF is installed. Cover cable (Transportation unit) 7/07 Epson Perfection V500 Photo - 1 Epson Perfection V500 Photo Electrical Scanner Specifications Note: Check the label on the AC adapter or on the back of the scanner for General voltage information. Scanner type Flatbed color Scanner Photoelectric device Color CCD line sensor Rated voltage DC 24 V Effective pixels 54,400 × 74,880 pixels at 6400 dpi* Rated current 1.3 A Scanning area may be restricted if Power consumption 16.0 W (17.5 W with ADF) operating resolution setting is large. 7.5 (6.5 W with ADF) ready -
Manual Sinar P2 / C2 / F2 / F1-EN (PDF)
lnstructionManual The cameras Operatingcontrols of the SINAR iT p2andc2 1 Coarse-focusclamping lever 2 Finefocusing drive with depth of field scale 3 Micrometer drive for vertical (rise and fall) shift 4 Micrometer drive for lateral(cross) shift 5 Micrometerdrive for horizontal-axistilts 6 Micrometer drive for vertical-axisswings 7 lmageplane mark 8 Coarse-tilt (horizontal axis) clamping lever; movementused for verticalalignment of stan- dards with camerainclined up or down, alsofor coarse tilting to reservefull micrometertilt (5) rangefor sharpnessdistribution control. Fig.1 Contents The cameras 2 The planeof sharpnessand depthof field 11 - Controls 2 - Zerosettings Fufiher accessories 12 3 - - Mountingthe camera SINARCOLOR CONTROLfitters 12 4 - - The spirit levels Exposure meters 12 4 - - The base rail 4 AutomaticSINAR film holder - Changingcomponents 4 and shuttercoupling 12 - Film - The bellows 5 holders 13 - Camera backs s Final points 14 - Switchingformats p2 on the STNAR andc2 6 - Maintenance 14 - Switchingformats g on the SINARf2 andtl - Cleaning 14 - The convertible g camera - Adjusting the drives 14 - The bellowshood 9 - Cleaninglenses, filters and mirrors 14 - Viewingaids 9 - Warranty 14 - Transport l0 - Furtherinstruction manuals 14 The view camera movements 10 Remark: The camerac2 is no longerpart of the SINARsales programme, but can stiltrbe combined by the individualSINAR components. Operatingcontrols of the S|NARt2andtl 1 Coarse-focusclamping knob 2 Finefocussing drive with depthof fieldscale 3 Clampingwheel for verticalshift 4 Clampinglever for lateralshift 5 Clampinglever for swing (verticalaxis) 6 Clampinglever for tilt (horizontalaxis) 7 Angle-meteringscale for tilt and swingangles 8 lmageplane mark Zero setting points of the cameras CAMERAMODELS REAR(IMAGE) STANDARD FRONT(LENS) STANDARD NOTES SINARo2 With regularor special gxi|2 - 4x5 / White l White White dot for standardbearer 5x7 /13x18 Green i dots White lateralshift on With F/S back j or.