Managing Your Digital Camera's RAW Files
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Digital High School Photography Curriculum
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2003 Digital high school photography curriculum Martin Michael Wolin Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Art Education Commons Recommended Citation Wolin, Martin Michael, "Digital high school photography curriculum" (2003). Theses Digitization Project. 2414. https://scholarworks.lib.csusb.edu/etd-project/2414 This Project is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. DIGITAL HIGH SCHOOL PHOTOGRAPHY CURRICULUM A Project Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Education: Career and Technical'Education by Martin Michael Wolin June 2003 DIGITAL HIGH SCHOOL PHOTOGRAPHY CURRICULUM A Project Presented to the Faculty of California State University, San Bernardino by Martin Michael June 2003 Approved by: Dr. Ronald^Pendelton, Second Reader © 2003 Martin Michael Wolin ABSTRACT The purpose of this thesis was to create a high school digital photography curriculum that was relevant to real world application and would enable high school students to enter the work force with marketable skills or go onto post secondary education with advanced knowledge in the field of digital imaging. Since the future of photography will be digital, it was imperative that a high school digital photography curriculum be created. The literature review goes into extensive detail about digital imaging. -
Adobe's Extensible Metadata Platform (XMP): Background [DRAFT -- Caroline Arms, 2011-11-30]
Adobe's Extensible Metadata Platform (XMP): Background [DRAFT -- Caroline Arms, 2011-11-30] Contents • Introduction • Adobe's XMP Toolkits • Links to Adobe Web Pages on XMP Adoption • Appendix A: Mapping of PDF Document Info (basic metadata) to XMP properties • Appendix B: Software applications that can read or write XMP metadata in PDFs • Appendix C: Creating Custom Info Panels for embedding XMP metadata Introduction Adobe's XMP (Extensible Metadata Platform: http://www.adobe.com/products/xmp/) is a mechanism for embedding metadata into content files. For example. an XMP "packet" can be embedded in PDF documents, in HTML and in image files such as TIFF and JPEG2000 as well as Adobe's own PSD format native to Photoshop. In September 2011, XMP was approved as an ISO standard.[ ISO 16684-1: Graphic technology -- Extensible metadata platform (XMP) specification -- Part 1: Data model, serialization and core properties] XMP is an application of the XML-based Resource Description Framework (RDF; http://www.w3.org/TR/2004/REC-rdf-primer-20040210/), which is a generic way to encode metadata from any scheme. RDF is designed for it to be easy to use elements from any namespace. An important application area is in publication workflows, particularly to support submission of pictures and advertisements for inclusion in publications. The use of RDF allows elements from different schemes (e.g., EXIF and IPTC for photographs) to be held in a common framework during processing workflows. There are two ways to get XMP metadata into PDF documents: • manually via a customized File Info panel (or equivalent for products from vendors other than Adobe). -
XMP SPECIFICATION PART 3 STORAGE in FILES Copyright © 2016 Adobe Systems Incorporated
XMP SPECIFICATION PART 3 STORAGE IN FILES Copyright © 2016 Adobe Systems Incorporated. All rights reserved. Adobe XMP Specification Part 3: Storage in Files NOTICE: All information contained herein is the property of Adobe Systems Incorporated. No part of this publication (whether in hardcopy or electronic form) may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of Adobe Systems Incorporated. Adobe, the Adobe logo, Acrobat, Acrobat Distiller, Flash, FrameMaker, InDesign, Illustrator, Photoshop, PostScript, and the XMP logo are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. MS-DOS, Windows, and Windows NT are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Apple, Macintosh, Mac OS and QuickTime are trademarks of Apple Computer, Inc., registered in the United States and other countries. UNIX is a trademark in the United States and other countries, licensed exclusively through X/Open Company, Ltd. All other trademarks are the property of their respective owners. This publication and the information herein is furnished AS IS, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies, makes no warranty of any kind (express, implied, or statutory) with respect to this publication, and expressly disclaims any and all warranties of merchantability, fitness for particular purposes, and noninfringement of third party rights. Contents 1 Embedding XMP metadata in application files . -
Silverfastjobmanager Silverfast Jobmanager for Film Scanner
ManualAi6 K6 12 E.qxd5 31.10.2003 14:47 Uhr Seite 279 SilverFastJobManager SilverFast JobManager for Film Scanner Overview To activate the JobManager, click on “JobManager”-button in the vertical list of buttons to the left of the large SilverFastAi preview window. SilverFastAi dialog using Macintosh SilverFastAi dialog using Windows 6.12 ® ManualAi6 K6 12 E.qxd5 SilverFast Manual 040903 279 ManualAi6 K6 12 E.qxd5 31.10.2003 14:47 Uhr Seite 280 SilverFastJobManager SilverFastJobManager Tools Icons indicating the current correc- SilverFastJobManager-Menu tions and the output format chosen: Referring to actions with relation to complete jobs (such as saving and loading) Execute auto-adjust before sca Name of current jobs Gradation curve changes in A star (*) indicates, whether a job effect has been changed Selective colour correction Image information active File name Active filter RGB output format selected Output dimensions / scaling Horizontal and vertical Lab output format selected Output resolution – file size CMYK output format selected Icons representing actions with reference to the Job: Add the active frame from the preview Add all frames from the preview 6.12 Add images from image overview dialog window Activate VLT Starting and stopping Directory File format of job execution the final images will selection box for the be saved to during desired file format. Delete the job entries selected execution. Edit parameters of the job entry selected Copy job-entry parameters 280 SilverFast® Manual ManualAi6 K6 12 E.qxd5 31.10.2003 14:47 Uhr Seite 281 SilverFast JobManager™ Purpose of the JobManager What is the JobManager? SilverFastJobManager (from here on referred to as “JM”) is a built-in function for the scan software SilverFastAi, as well as for the Photoshop plugins which operate independently of a scanner and the Twain modules SilverFastHDR, SilverFastDC and SilverFastPhotoCD. -
Digital Forensics Tool Testing – Image Metadata in the Cloud
Digital Forensics Tool Testing – Image Metadata in the Cloud Philip Clark Master’s Thesis Master of Science in Information Security 30 ECTS Department of Computer Science and Media Technology Gjøvik University College, 2011 Avdeling for informatikk og medieteknikk Høgskolen i Gjøvik Postboks 191 2802 Gjøvik Department of Computer Science and Media Technology Gjøvik University College Box 191 N-2802 Gjøvik Norway Digital Forensics Tool Testing – Image Metadata in the Cloud Abstract As cloud based services are becoming a common way for users to store and share images on the internet, this adds a new layer to the traditional digital forensics examination, which could cause additional potential errors in the investigation. Courtroom forensics evidence has historically been criticised for lacking a scientific basis. This thesis aims to present an approach for testing to what extent cloud based services alter or remove metadata in the images stored through such services. To exemplify what information which could potentially reveal sensitive information through image metadata, an overview of what information is publically shared will be presented, by looking at a selective section of images published on the internet through image sharing services in the cloud. The main contributions to be made through this thesis will be to provide an overview of what information regular users give away while publishing images through sharing services on the internet, either willingly or unwittingly, as well as provide an overview of how cloud based services handle Exif metadata today, along with how a forensic practitioner can verify to what extent information through a given cloud based service is reliable. -
UK Photography Activity Badge
making a start in photography Jessops is proud to support The Scout Association and sponsor the Scout Photographer Badge know your camera! welcome to the Single use cameras SLRs Digital cameras Single use cameras offer an inexpensive and ‘Single lens reflex’ cameras, often called SLRs, Digital cameras come in both compact and SLR exciting world of risk-free way to take great photos. They are built come in two main types - manual and auto-focus. formats. Rather than saving an image to film, complete with a film inside and once this is used SLRs give you greater artistic control as they can digital cameras save images onto memory cards. photography! up, the whole camera is sent for processing. They be combined with a vast range of interchangeable They have tiny sensors which convert an image are perfect for taking to places where you may lenses and accessories (such as lens filters). You electronically into ‘pixels’ (short for picture To successfully complete the Photographer Badge, be worried about losing or damaging expensive can also adjust almost every setting on the camera elements) which are put together to make up the you will need to learn the basic functions of a equipment (Scout camp for example) and you can yourself - aiding your photographic knowledge complete image. camera, how to use accessories, and how to care even get models suitable for underwater use - and the creative possibilities! for your equipment. You will also need to Capturing images this way means that as soon as perfect for taking to the beach! understand composition, exposure and depth of With manual SLRs, the photographer is in complete the picture is taken, you can view it on the LCD field, film types, how to produce prints and control - and responsible for deciding all the screen featured on most digital cameras. -
Alternative Processes a Few Essentials Introduction
Alternative Processes A Few Essentials Introduction Chapter 1. Capture Techniques From Alternative Photographic Processes: Crafting Handmade Images Chapter 2. Digital Negatives for Gum From Gum Printing: A Step-by-Step Manual, Highlighting Artists and Their Creative Practice Chapter 3. Fugitive and Not-So-Fugitive Printing From Jill Enfield?s Guide to Photographic Alternative Processes: Popular Historical and Contemporary Techniques 2 Featured Books on Alternative Process Photography from Routledge | Focal Press Use discount code FLR40 to take 20% off all Routledge titles. Simply visit www.routledge.com/photography to browse and purchase books of interest. 3 Introduction A young art though it may be, photography already has a rich history. As media moves full steam ahead into the digital revolution and beyond, it is a natural instinct to look back at where we?ve come from. With more artists rediscovering photography?s historical processes, the practice of photography continually redefines and re-contextualizes itself. The creative possibilities of these historical processes are endless, spawning a growing arena of practice - alternative processes, which combines past, present and everything in between, in the creation of art. This collection is an introduction to and a sample of these processes and possibilities. With Alternative Photographic Processes, Brady Wilks demonstrates techniques for manipulating photographs, negatives and prints ? emphasizing the ?hand-made? touch. Bridging the gap between the simplest of processes to the most complex, Wilks? introduction demonstrates image-manipulation pre-capture, allowing the artist to get intimate with his or her images long before development. In the newly-released Gum Printing, leading gum expert Christina Z. -
6.11 Description of the Special Functions of Silverfasthdr…
6.11 Description of the Special Functions of SilverFastHDR…, and SilverFastDC… The scanner independent SilverFast versions SilverFastHDR… and SilverFastDC… principally have the same basic functions of the scanner modules of SilverFastAi…. The differences are listed in detail in Chapter 6.11. What are the Basic Differences? SilverFastAi, SilverFastAiStudio and SilverFastSE SilverFastAi is a true scan software and was developed individually for single scan types. The supported scanners are directly control- led by utilizing the internal dynamics of the scanner. The result is maximum quality. SilverFastAi is the name of the full version. This version may be extended by two features (at the time of printing this manual). “IT8 calibration” and “StudioUpgrade”. The IT8 calibration is included with several scanners, and may be purchased optionally for other scanners. The StudioUpgrade is generally available only as an option and turns a SilverFastAi version into a SilverFastAiStudio version. SilverFastSE is the special edition of the SilverFast scanning soft- ware. The dialogues and functions are limited and more recco- mended for novice users. SilverFastHDR, SilverFastHDRStudio SilverFastHDR works without a scanner and is used as a tool for optimising existing pictures. All RGB image files having a colour depth of 24 bits (8 bits per channel) and 48 bits (16 bits per chan- nel) can be processed. The files can be in Tiff or JPEG. SilverFastHDRStudio also works with RAW data of many digital cameras. SilverFast® Manual 6.11 • SilverFastDC…, -HDR… 253 MSt K6 11 E WebOpti.indd 190606 MSt E WebOpti.indb 253 19.06.2006 9:45:07 Uhr SilverFastDCVLT, SilverFastDCPro, SilverFastDCProStudio, SilverFastDCSE The SilverFastDC… versions are also hardware independent soft- ware packages for imaging that have been specially adapted for use by digital photographers. -
Scanner Network Scanner Workgroup Scanner Mobile Scanner
Führend in Scanning und Imaging Technology 2012 1 Document-Solutions • Image-Solutions • DMS-Solutions Inhaltsverzeichnis Department Scanner Network Scanner Workgroup Scanner Mobile Scanner » PS406U 4 » SN8016U 7 » PS283 13 » AD460 20 » PS406 4 » PN2040 8 » PS286 Plus 14 » AD450 21 » PL7500 5 » EasyScan 400 9 » PL1530 15 » D430 22 » OpticBook 4800 StandAlone 10 » PL2550 16 » S400 23 » A300 StandAlone 11 » PL806 17 » S410 24 » PL1500 18 » S420 25 » D600 26 » OC821 27 » S800 28 2 Buch Scanner Flachbett Scanner Film Scanner Produktübersichten » OpticBook A300 30 » OpticPro A360 35 » OpticFilm 120 41 » Dokumentenscanner 46 » OpticBook 4800 31 » OpticPro A320 36 » OpticFilm 8200i SE 42 » Netzwerk- und Mobile » OpticBook 3800 32 » OpticSlim 2600 37 » OpticFilm 8200i Ai 42 Scanner 47 » BookReader BAT 33 » OpticSlim 500+ 38 » OpticFilm 8100 43 » Buch-, Flachbett- und » OpticSlim 550 39 » OpticPro ST640 44 Filmscanner 48 » DocAction Software 49 3 PS Die Plustek SmartOffice PS406 bzw. erkennung. Mit einer Scangeschwindigkeit SmartOffice PS406/ PS406U PS406U sind kompakte Dokumenten- von 40 Seiten pro Minute und einem ADF- scanner der High-Speed-Klasse. Der Fassungsvermögen von 100 Blatt sind PS406U verfügt zusätzlich über eine beide Duplex-Scanner perfekt 406/U innovative Ultraschall-Doppelblatt- als Abteilungsscanner geeignet. Spezifikationen: Duplex-Farbscanner mit Auflösung (optisch): 600 dpi Ultraschall-Doppelblatt- 100 Blatt (DIN A4/ Letter, 70g/ erkennung (PS406U) Fassungsvermögen ADF: m²) 30 Visitenkarten/ 5 Plastikkarten Scangeschwindigkeit -
A Digital Astrophotography Primer - OR - This Is NOT Your Daddy’S SLR!
A Digital Astrophotography Primer - OR - This is NOT your Daddy’s SLR! Page 1 of 22 Table of Contents A Digital Astrophotography Primer...........................................................................................................................................................1 Table of Contents.......................................................................................................................................................................................2 Introduction............................................................................................................................................................................................3 What is an SLR, anyways? ....................................................................................................................................................................3 SLR, DSLR, What’s the Difference?.....................................................................................................................................................4 The Viewfinder ......................................................................................................................................................................................4 The Focus Mechanism ...........................................................................................................................................................................5 The Capture Medium .............................................................................................................................................................................6 -
Development of National Digital Evidence Metadata
JOIN (Jurnal Online Informatika) Volume 4 No. 1 | Juni 2019 : 24-27 DOI: 10.15575/join.v4i1.292 Development of National Digital Evidence Metadata Bambang Sugiantoro Magister of Informatics, UIN Sunan Kalijaga, Yogyakarta, Indonesia [email protected] Abstract- The industrial era 4.0 has caused tremendous disruption in many sectors of life. The rapid development of information and communication technology has made the global industrial world undergo a revolution. The act of cyber-crime in Indonesia that utilizes computer equipment, mobile phones are increasingly increasing. The information in a file whose contents are explained about files is called metadata. The evidence items for cyber cases are divided into two types, namely physical evidence, and digital evidence. Physical evidence and digital evidence have different characteristics, the concept will very likely cause problems when applied to digital evidence. The management of national digital evidence that is associated with continued metadata is mostly carried out by researchers. Considering the importance of national digital evidence management solutions in the cyber-crime investigation process the research focused on identifying and modeling correlations with the digital image metadata security approach. Correlation analysis reads metadata characteristics, namely document files, sounds and digital evidence correlation analysis using standard file maker parameters, size, file type and time combined with digital image metadata. nationally designed the highest level of security is needed. Security-enhancing solutions can be encrypted against digital image metadata (EXIF). Read EXIF Metadata in the original digital image based on the EXIF 2.3 Standard ID Tag, then encrypt and insert it into the last line. -
Digital Negative (DNG) Specification
Digital Negative (DNG) Ë Specification Version 1.1.0.0 February 2005 ADOBE SYSTEMS INCORPORATED Corporate Headquarters 345 Park Avenue San Jose, CA 95110-2704 (408) 536-6000 http://www.adobe.com Copyright © 2004-2005 Adobe Systems Incorporated. All rights reserved. NOTICE: All information contained herein is the property of Adobe Systems Incorporated. No part of this publication (whether in hardcopy or electronic form) may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of Adobe Systems Incorporated. Adobe, the Adobe logo, and Photoshop are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. All other trademarks are the property of their respective owners. This publication and the information herein is furnished AS IS, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies, makes no warranty of any kind (express, implied, or statutory) with respect to this publication, and expressly disclaims any and all warranties of merchantability, fitness for particular purposes, and noninfringement of third party rights. Table of Contents Preface . .vii About This Document . vii Audience . vii How This Document Is Organized . vii Where to Go for More Information . viii Chapter 1 Introduction . 9 The Pros and Cons of Raw Data. 9 A Standard Format . 9 The Advantages of DNG . 10 Chapter 2 DNG Format Overview . .11 File Extensions . 11 SubIFD Trees . 11 Byte Order . 11 Masked Pixels .