Sophie Ellis-Bextor Wanderlust (Deluxe Wandermix Version) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Sophie Ellis-Bextor Wanderlust (Deluxe Wandermix Version) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Wanderlust (Deluxe Wandermix Version) Released: 2014 Style: Indie Rock MP3 version RAR size: 1786 mb FLAC version RAR size: 1758 mb WMA version RAR size: 1509 mb Rating: 4.4 Votes: 982 Other Formats: VOC XM DMF WAV MP2 AUD FLAC Tracklist Hide Credits 1 Birth Of An Empire 3:49 2 Until The Stars Collide 3:40 3 Runaway Daydreamer 4:00 4 The Deer & The Wolf 3:54 5 Young Blood 4:28 6 Interlude 2:23 7 13 Little Dolls 3:33 8 Wrong Side Of The Sun 3:51 9 Love Is A Camera 4:13 10 Cry To The Beat Of The Band 3:39 11 When The Storm Has Blown Over 3:31 The Deer & The Wolf (Role Reversal) 12 3:43 Remix – Freelance Hellraiser Cry To The Beat Of The Band (Break Up) 13 4:41 Remix – Freelance Hellraiser Wrong Side Of The Sun (Phoenix Rising) 14 3:43 Remix – Freelance Hellraiser Runaway Daydreamer (Secret) 15 4:25 Remix – Freelance Hellraiser Young Blood (Kick It) 16 6:43 Remix – Freelance Hellraiser Wandermix (Continuous Mix) 17 23:16 Remix – Freelance Hellraiser Companies, etc. Phonographic Copyright (p) – Douglas Valentine Limited Copyright (c) – Douglas Valentine Limited Published By – Imagem Music Published By – Kid Gloves Music Published By – Universal Music Publishing Mixed At – RAK Studios Mixed At – State Of The Ark Recorded At – State Of The Ark Recorded At – Bulgarian Embassy, The, London Mastered At – Abbey Road Studios Credits Art Direction – Michael Nash Associates Bass – Richard Jones Drums, Percussion – Phil Wilkinson Guitar – Seton Daunt Management – Wallace Productions Mastered By – Miles Showell Mixed By, Engineer – Richard Woodcraft Photography By – Sophie Muller Piano, Guitar, Backing Vocals, Synth, Keyboards [Various Keys], Sampler [Samples] – Ed Harcourt Producer – Ed Harcourt Written-By – Ed Harcourt, Sophie Ellis-Bextor Notes ℗&© 2014 Douglas Valentine Limited. Reissued edition. Includes a bonus mixes by the Freelance Hellraiser including "The Deer & The Wolf", "Cry to The Beat of the Band", "Wrong Side Of The Sun", "Runaway Daydreamer" and "Young Blood" and Wandermix Continuous mix. Other versions Category Artist Title (Format) Label Category Country Year EBGB's, Sophie Ellis- Wanderlust (CD, Essential EBGBCD002 EBGBCD002 Europe 2014 Bextor Album) Music & Marketing Wanderlust (CD, Sophie Ellis- EBGBCD002WM Album, RE + CD, EBGB's EBGBCD002WM UK 2014 Bextor Mixed) Wanderlust (Deluxe Sophie Ellis- Wandermix UK & none EBGB's none 2014 Bextor Version) (17xFile, Europe MP3, Album, Dlx, P/Mixed, 320) Sophie Ellis- Wanderlust (CD, Modulor MDJCD-1080 MDJCD-1080 Japan 2014 Bextor Album, Ltd, Del) Japan Sophie Ellis- Wanderlust (CD, EBGB003P EBGB's EBGB003P UK 2014 Bextor Album, Promo) Related Music albums to Wanderlust (Deluxe Wandermix Version) by Sophie Ellis-Bextor Various - Hellraiser 2005: Pinhead Goes To Italy Warmduscher battles DJ Hellraiser - Devil Fish / The Outer Limits Animosity - Bay Area Hardcore Freelance Whales - Weathervanes Freelance - Samba Theme Various - Hellraiser Party 2004 Christina Aguilera - Fighter Honey Hellraiser - Nothing But, Nothing But Right DJ Hellraiser - Acid Noir Coil - Hellraiser Themes Melbourne freelance after effects - Melbourne freelance after effects Bazzkiller - Hellraiser.

Copy Link

Recommended publications

The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life.
[Show full text]
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
[Show full text]
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
[Show full text]
18460NCJRS.Pdf
If you have issues viewing or accessing this file contact us at NCJRS.gov. .. :.,.-r.~,. THE STATE IOF CONNECTICUT DEPARTMENT OF C,""UlDREN Al'ID YOUTH SERVICES ol\d th~ UNiVERSITY OF SRHOG~~)OR'~ Deportment of Counselor EdaJcation and HUlman Re!ioulrces, This microficb~ was produced from documents received for inclusion in the NCJRS data base. Since NCJRS cannot exercise control over the physical condition of the documents submitted, the individual frame quality will vary. The resolution chart on THE CONFERENCE PR.OCEED~u~G,S this ft~\me may be used to evaluate the ·document ~uality. , . for 2 8 ~ 11111 . _ 1.0 I!fu&'= 111!!1:~ ft~ il~3.2 I m 2.2 ~ ~J~6 ~ ~ m W40 ~ = 1.1 ""t;jJM,b. " 111111.25 .111111.4 11~11.6 MICROCOPY R!_SOLUTION TEST CHART NATIONAL Bl''lEAU OF STANDARDS-J96J-A which was held ! ,~~, _.....,;__ IE'J ______... Microfilming procedures used to create ~his fiche comply with the standards set forth in 41CFR 101·11.504 Points of view or opinions stated in this document are those of the author{s) and do Mt represent the official UNIVERSITY position or policies of ~'he U.S., Department of Justice. OF RIDGEPORT U.S. DEPARTMENT Of JUSTICE ~.port. Cot\neeHcut LAW ENFORCEMENT A~SISTANCE ADMINISTRATION NATIONAL CRIMINAL ZUSTICE REFERENCE SERVICE WA·SHfNGTON, D.C. 2~531 00. & f' ....~-. ..-....-"-.....--~"""- •• ~, ...~~ """_ l'Date filmetP 112/19/75 , ,- -'.--- '-"- ' .,---, ""', ,~ ,I' .., I ·~·mit! %a... , ..... ' -~ -, - ---'--;'''-- AU /~ .;~ 'I I " ' r I :1 STATE air ~OONNECTICUT ' ." I J Thomas J. Meskill, Governor '\l I I I ! Department of Ohi1dren and Youth Services I : Francis H.
[Show full text]
3 Britney Spears PVG(RHM)
3 Britney Spears PVG(RHM) 72982 5 Jonas Brothers PVG(RHM) 72989 17 Kings Of Leon PVG(RHM) 72411 22 Lily Allen PVG 45616 22 Taylor Swift PVG(RHM) 93924 101 Alicia Keys PVG(RHM) 96442 1001 Yanni PVG(RHM) 75509 1492 Counting Crows PVG(RHM) 67842 1961 The Fray PVG(RHM) 88479 1994 Jason Aldean PVG(RHM) 97854 05-Jun Jason Mraz PVG(RHM) 92135 ...Baby One More Time Britney Spears PV 110926 'O Mare E Tu Andrea Bocelli PVG 103448 'O Sole Mio Giovanni Capurro PV 84897 'O Sole Mio Giovanni Capurro PVG(RHM) 87932 'Round Midnight Thelonious Monk PVG(RHM) 92079 'S Wonderful George Gershwin PVG(RHM) 44924 'Tain't What You Do (It's The WayElla FitzgeraldThat Cha Do It) PVG(RHM) 74394 'Til I Hear You Sing Andrew Lloyd Webber PVG(RHM) 101457 'Til Summer Comes Around Keith Urban PVG(RHM) 70925 'Til Summer Comes Around Keith Urban PVG(RHM) 74111 'Til The Sun Goes Down Boyzone PVG(RHM) 102964 'Til Tomorrow (from Fiorello!) Jerry Bock PVG(RHM) 104346 (All I Can Do Is) Dream You Roy Orbison PVG(RHM) 99501 (Everything I Do) I Do It For YouBryan Adams PVGRHM 152272 (Everything I Do) I Do It For YouBryan (from Adams Robin Hood Prince OfPV Thieves) 46249 (Getting Some) Fun Out Of LifeMadeleine Peyroux PVG(RHM) 47413 (Ghost) Riders In The Sky (A CowboyJohnny Cash Legend) PVG(RHM) 86118 (I Heard That) Lonesome WhistleJohnny Cash PVG(RHM) 86103 (I Wish I Was In) Dixie Daniel Decatur Emmett PVG(RHM) 87928 (I'm A) Road Runner Junior Walker & The All StarsPVG(RHM) 77178 (I'm Going Back To) Himazas Fred Austin PVGRHM 101119 (I've Had) The Time Of My LifeGlee Cast PVG(RHM)
[Show full text]
Redox D.A.S. Artist List for Period: 01.02.2020
Page: 1 Redox D.A.S. Artist List for period: 01.02.2020 - 04.02.2020 Date time: Number: Title: Artist: Publisher Lang: 01.02.2020 00:03:33 HD 066204 ZA VRATI SABRINA ZAVŠEK 00:03:06 ANG 01.02.2020 00:06:37 HD 031375 WOULD I LIE TO YOU LEMON ICE 00:03:17 ANG 01.02.2020 00:10:06 HD 001245 ONE MORE NIGHT PHIL COLLINS COLUMBIA 00:04:36 ANG 01.02.2020 00:14:32 HD 024568 LIVING ON MY OWN (THE EGG RMX) FREDDIE MERCURY EMI 00:05:33 ANG 01.02.2020 00:20:01 HD 010203 KOT DA JE PRVIČ NUŠA DERENDA RTS 00:03:29 SLO 01.02.2020 00:23:37 HD 003317 I LOVE YOU FUN FACTORY REGULAR RECORDS00:04:56 ANG 01.02.2020 00:28:27 HD 031385 I DONT LIKE MONDAYS MARK OH 00:03:14 ANG 01.02.2020 00:31:39 HD 038492 OBJEM PAPIR CELINKA 00:04:41 SLO 01.02.2020 00:36:32 HD 035359 MONDAY MORNING MELANIE FIONA UNIVERSAL MOTOWN00:03:36 ANG 01.02.2020 00:40:01 HD 034499 MANOS AL AIRE NELLY FURTADO UNIVERSAL MUSIC00:03:25 LATINOESP 01.02.2020 00:43:19 HD 013336 YEAH YEAH KINGSTON MENART 00:03:33 SLO 01.02.2020 00:47:26 HD 017762 OPA OPA DESPINA VANDI ULTRA 00:03:21 ANG 01.02.2020 00:50:45 HD 024067 DAJ DAJ PORINI (DJ SVIZEC TURBO SPRICERFREDY REMIX)MILER MENART 00:03:52 SLO 01.02.2020 00:54:36 HD 022191 PLAN B ANŽEJ DEŽAN RTS 00:03:01 SLO 01.02.2020 00:57:35 HD 002362 THE DEVIL SENT YOU TO LORADO BACCARA BMG 00:03:59 ANG 01.02.2020 01:01:28 HD 050542 MR LONELY BOY LOVELY QUINCESS 00:03:07 ANG 01.02.2020 01:04:29 HD 024105 OKOLI MENE VSE SI TI TULIO FURLANIČ RTV 00:03:24 SLO 01.02.2020 01:08:05 HD 041795 HUNGRY HEART BRUCE SPRINGSTEEN 00:03:16 ANG 01.02.2020 01:11:11 HD 031424
[Show full text]
Februar 2020
Page: 1 Redox D.A.S. Artist List for period: 01.02.2020 - 29.02.2020 Date time: Number: Title: Artist: Publisher Lang: 01.02.2020 00:03:33 HD 066204 ZA VRATI SABRINA ZAVŠEK 00:03:06 ANG 01.02.2020 00:06:37 HD 031375 WOULD I LIE TO YOU LEMON ICE 00:03:17 ANG 01.02.2020 00:10:06 HD 001245 ONE MORE NIGHT PHIL COLLINS COLUMBIA 00:04:36 ANG 01.02.2020 00:14:32 HD 024568 LIVING ON MY OWN (THE EGG RMX) FREDDIE MERCURY EMI 00:05:33 ANG 01.02.2020 00:20:01 HD 010203 KOT DA JE PRVIČ NUŠA DERENDA RTS 00:03:29 SLO 01.02.2020 00:23:37 HD 003317 I LOVE YOU FUN FACTORY REGULAR RECORDS00:04:56 ANG 01.02.2020 00:28:27 HD 031385 I DONT LIKE MONDAYS MARK OH 00:03:14 ANG 01.02.2020 00:31:39 HD 038492 OBJEM PAPIR CELINKA 00:04:41 SLO 01.02.2020 00:36:32 HD 035359 MONDAY MORNING MELANIE FIONA UNIVERSAL MOTOWN00:03:36 ANG 01.02.2020 00:40:01 HD 034499 MANOS AL AIRE NELLY FURTADO UNIVERSAL MUSIC00:03:25 LATINOESP 01.02.2020 00:43:19 HD 013336 YEAH YEAH KINGSTON MENART 00:03:33 SLO 01.02.2020 00:47:26 HD 017762 OPA OPA DESPINA VANDI ULTRA 00:03:21 ANG 01.02.2020 00:50:45 HD 024067 DAJ DAJ PORINI (DJ SVIZEC TURBO SPRICERFREDY REMIX)MILER MENART 00:03:52 SLO 01.02.2020 00:54:36 HD 022191 PLAN B ANŽEJ DEŽAN RTS 00:03:01 SLO 01.02.2020 00:57:35 HD 002362 THE DEVIL SENT YOU TO LORADO BACCARA BMG 00:03:59 ANG 01.02.2020 01:01:28 HD 050542 MR LONELY BOY LOVELY QUINCESS 00:03:07 ANG 01.02.2020 01:04:29 HD 024105 OKOLI MENE VSE SI TI TULIO FURLANIČ RTV 00:03:24 SLO 01.02.2020 01:08:05 HD 041795 HUNGRY HEART BRUCE SPRINGSTEEN 00:03:16 ANG 01.02.2020 01:11:11 HD 031424
[Show full text]
01/18 Vol.2 Life in LP
01/18 Vol.2 Life in LP memoirmixtapes.com Memoir Mixtapes Vol.2: Life in LP January 1, 2018 Created by Samantha Lamph/Len Curated and edited by Samantha Lamph/Len and Kevin D. Woodall Visual identity design by J.S. Robson Cover stock photography courtesy of Daniele Levis Pelusi, publically available on Unsplash.com Letters from the Editors Dearest Friends, Readers, and Contributors: Hello again. Welcome back. We heard your origin stories last time; this time around we wanted to know about those moments that changed you, and I hope you’re ready to have your mind blown because the the albums that provided the soundtrack for those critical contributors in Memoir Mixtapes Vol.2: Life in LP definitely times. did not come to fuck around. Boy did you guys deliver. We asked them to tell us about an album that changed their life, and they proceeded to take us back in time to revisit Life in LP, Vol.2 of Memoir Mixtapes, has got a bit of those pivotal moments and experiences that changed them everything. We’ve got heartbreak, awakenings, self- irrevocably, for better, or for worse, or just for different. discovery, laughter. It’s all here. The work we were fortunate enough to have received, and the work we have been Every one of these 34 voices explores a unique experience, privileged to showcase here, reflects the widely complex and but each piece does have one thing in common: the fucked-up nature of the human condition. I’m very proud of soundtrack is fuckin’ killer.
[Show full text]
Examining Concept Albums' Methods of Constructing Meaning in the Digital Age Mario Alonzo Dozal University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2012-01-01 This Is The Art Form: Examining Concept Albums' Methods Of Constructing Meaning In The Digital Age Mario Alonzo Dozal University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Communication Commons, and the Music Commons Recommended Citation Dozal, Mario Alonzo, "This Is The Art Form: Examining Concept Albums' Methods Of Constructing Meaning In The Digital Age" (2012). Open Access Theses & Dissertations. 2076. https://digitalcommons.utep.edu/open_etd/2076 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. THIS IS THE ART FORM: EXAMINING CONCEPT ALBUMS’ METHODS OF CONSTRUCTING MEANING IN THE DIGITAL AGE MARIO ALONZO DOZAL Department of Communication APPROVED: _______________________________ Roberto Avant-Mier, Ph.D., Chair _______________________________ Richard D. Pineda, Ph.D. _______________________________ Jeffrey Sirkin, Ph.D. _______________________________ Benjamin Flores, Ph.D. Interim Dean of the Graduate School Copyright © by Mario Alonzo Dozal 2012 Dedicated to Grandma, Grandpa, Mom, and Dad. THIS IS THE ART FORM: EXAMINING CONCEPT ALBUMS’ METHODS OF CONSTRUCTING MEANING IN THE DIGITAL AGE By MARIO ALONZO DOZAL MA THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2012 Acknowledgements First and foremost, my family deserves a million thanks because without them my accomplishments would mean nothing.
[Show full text]
Heidemann Dissertation
Hearing Women’s Voices in Popular Song: Analyzing Sound and Identity in Country and Soul Kate Heidemann Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Kate Heidemann All rights reserved Abstract Hearing Women’s Voices in Popular Song: Analyzing Sound and Identity in Country and Soul Kate Heidemann In this study I combine music analysis with critical theory to investigate how different conceptions of feminine identity—intersecting with race and class—are materialized through recorded sound. I present interpretive analyses of four popular songs recorded and released between 1967 and 1974: “Baby, I Love You” by Aretha Franklin, “Fist City” by Loretta Lynn, “If I Were Your Woman” by Gladys Knight and the Pips, and “Jolene” by Dolly Parton. My analyses focus on vocal performance, and vocal quality (or timbre) in particular, as I investigate the means by which the sounds of these recordings participate in cultural discourse on gender, sexuality, race, and class. These songs narrate moments in sexual love relationships (the hope of new love or the threat of infidelity), while the performances of each vocalist, the studio musicians, and the work of engineers and producers combine to create representations of black and working-class femininity that express varying degrees of assertiveness and vulnerability in the face of unequal gender power relations. I compare and contextualize these sonic expressions of identity with the personas these vocalists presented in their professional and public lives, illustrating how these recordings participate in the construction of a multi-faceted and always- emergent history of American womanhood.
[Show full text]
Witness Mountain Institute
The Beverly Rogers, Carol C. Harter Black Witness Mountain Institute Spring 2020 Witness: The Modern Writer as Witness Alex Berge CRAFT Literary Andrew Bertaina Andrew Collard Western Michigan University Miranda Dennis University of Massachusetts Amherst Andrea Eberly See next page for additional authors Follow this and additional works at: https://digitalscholarship.unlv.edu/witness Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Berge, Alex; Bertaina, Andrew; Collard, Andrew; Dennis, Miranda; Eberly, Andrea; Greenberg, Emily; Heisinger-Nixon, Day; Helen, Sarah; Johnson, L.A.; Kellor, Anne Liu; Kuryla, Mary; Newman, Emmy; Palmqvist, Lara; Potter, Mary Lane; Schwartz, David Lerner; Sharpe, Michelle; Sudhakar, Nina; Ten, Kristina; Tran, Eric; and Yenser, Pamela, "Witness: The Modern Writer as Witness" (2020). Witness. 2. https://digitalscholarship.unlv.edu/witness/2 This Book is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Book in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Book has been accepted for inclusion in Witness by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Authors Alex Berge, Andrew Bertaina, Andrew Collard, Miranda Dennis, Andrea Eberly, Emily Greenberg, Day Heisinger-Nixon, Sarah Helen, L.A.
[Show full text]
ASCAP/BMI Comment
Stuart Rosen Senior Vice President General Counsel November 20, 2015 Chief, Litigation III Section Antitrust Division U.S. Department of Justice 450 5th Street NW, Suite 4000 Washington, DC 20001 Re: Justice Department Review of the BMI and ASCAP Consent Decrees To the Chief of the Litigation III Section: BMI recently alerted its community of affiliated songwriters, composers and publishers to the profound impact 100% licensing would have on their careers, both creatively and financially, if it were to be mandated by the U.S. Department of Justice. In a call to action, BMI provided a letter, one for songwriters and one for publishers, to which their signatures could be added. The response was overwhelming. BMI received nearly 13,000 signatures from writers, composers and publishers of all genres of music, at all levels in their careers. Some of the industry's most well- known songwriters added their names, including Stephen Stills, Cynthia Weil, Steve Cropper, Ester Dean, Dean Pitchford, Congressman John Hall, Trini Lopez, John Cafferty, Gunnar Nelson, Lori McKenna, Shannon Rubicam and Don Brewer, among many others. Enclosed you will find the letters, with signatures attached. On behalf of BMI, I strongly urge you to consider the voices of thousands of songwriters and copyright owners reflected here before making a decision that will adversely affect both the creators, and the ongoing creation of, one ofAmerica's most important cultural and economic resources. Vert truly yours, Stuart Rosen 7 World Trade Center, 250 Greenwich Street, New York, NY 10007-0030 (212) 220-3153 Fax: (212) 220-4482 E-Mail: [email protected] ® A Registered Trademark of Broadcast Music, Inc.
[Show full text]