Francesca Da Rimini
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Thoughts on Diegetic Music in the Early Operas of Zandonai1
DAVID ROSEN THOUGHTS ON DIEGETIC MUSIC IN THE EARLY OPERAS OF ZANDONAI1 Diegetic music – «music that (apparently) issues from a source within the narrative» (Gorbman, 23)2 – plays an important role in Zandonai’s early operas: not only does it appear frequently, but it often pushes the action forward, eliciting responses from the characters who hear it. And some of its uses are unusual, if not unprecedented. In this essay I focus on Il grillo del focolare but make cross-references to diegetic music in L’uccellino d’oro, Conchita, and Melenis as well. Readers unfamiliar with these operas may want to consult plot summaries, for example, in Dryden (469-79). Table 1 lists the passages referred to in this essay. 1 I want to express my thanks to the Centro internazionale di studi «Riccardo Zan- donai», especially to Diego Cescotti, Irene Comisso, and Federica Fortunato for assistance of all sorts before, during, and after the conference. Thanks go also to Gary Moulsdale for his comments on an earlier version of this text, to Ann Beck- man and other friends on WM-L (my favorite online opera discussion group) for answering some questions about precedents for certain uses of diegetic music, and to Carol Rosen for having translated into Italian the version of this essay that I delivered at the conference. 2 Citations refer to the Selective Bibliography at the end of this essay. The category ‘diegetic music’ thus includes both ‘musica in scena’ and ‘musica di scena’ (for the distinction see, for example, Girardi, 101-102). That is, it may include music emanating from offstage (whether in the wings or from the orchestra pit) or on- stage in full view of the audience. -
Download February 2021
ALWAYS Mendocino Coast's FREE Lighthouse February 2021 Peddler The Best Original Writing, plus the Guide to Art, Music, Events, Theater, Film, Books, Poetry and Life on the Coast ValentinesValentines DayDay ArtArt toto Enjoy,Enjoy, 22 GalleriesGalleries toto VisitVisit We’re blessed here on the coast with a world of art that surrounds us. We can take a look at the art, spend a li!le time gazing upon it, read something into it or just enjoy the moment. "is month two of our local galleries will have new exhibits and both are worth a look. So we’ve planned a day for you. Start your day in Gualala at the Dolphin Gallery for their new opening “Hearts for the Arts. "en take an easy 15 minute drive north to Point Arena for a stop at the Coast Highway art Collective where members of the collective will present Valentines Art. And don’t forget to look at the ocean as you drive between the two galleries. Both galleries will welcome you, and you will be assured a delightful day. At the Dolphin Gallery the new exhibit, “Hearts for the Arts”, brings together three artists: Jane Head’s focus on clay, Walt Rush’s on jewels, and Leslie Moody Cresswell’s glass. Cont'd on Page 12 Coast Highway Art Collective in February • Valentines Art and Poetry Meet February 6 By Rozann Grunig !e members of the Coast Highway Art mechanically adept artist mother” and her Council to deliver creative arts instruction Collective are hosting their "rst opening “gregarious, disordered, audacious poet fa- in K-12 classrooms around the Northern reception of 2021 on Saturday, February 6 ther,” she says. -
Airs Et Mélodies
LIVINE MERTENS Airs et mélodies MENU Tracklist p.4 Français p.10 English p.18 Nederlands p.26 Deustch p.36 LIVINE MERTENS Mezzo-soprano (Anvers, 1898 – Bruxelles, 1968) Airs et mélodies BOÏELDIEU François-Adrien (1775-1834) 1 « D’ici voyez ce beau domaine », Couplets de Jenny, dans La dame blanche (I, 5), 3’02 chœurs et orchestre du Théâtre royal de la Monnaie, dir. Maurice Bastin (Columbia RF29–WLB128) [ULB] THOMAS Ambroise (1811-1896) 2 « Connais-tu le pays ? », Cantabile de Mignon (I), 4’20 orchestre du Théâtre royal de la Monnaie, dir. Maurice Bastin (Columbia RFX30–LBX73) [KBR : Becko V/8/2b Mus] MASSENET Jules (1842-1912) 3 « Va ! laisse couler mes larmes », air de Charlotte dans Werther (III, 2), 2’28 avec accompagnement de piano (Edison 89259–F374) [KBR : Becko V/57/13 Mus] BIZET Georges (1838-1875) 4 « L’amour est un oiseau rebelle », Habanera de Carmen (I, 5), 2’43 avec accompagnement de piano (Edison 89257–F373) [KBR : Becko V/57/11a Mus] 5 « Près des remparts de Séville », Séguedille de Carmen (I, 10), 1’51 avec accompagnement de piano (Edison 89258–F373) [KBR : Becko V/57/11b Mus] GOUNOD Charles (1818-1893) 6 « Que fais-tu, blanche tourterelle », Chanson de Stéphano, dans Roméo et Juliette (III, 2e tableau) 2’44 avec accompagnement de piano (Edison 89260–F374) [ULB] 7 « Depuis hier je cherche en vain mon maître » – « Que fais-tu, blanche tourterelle », Chanson de Stéphano, dans Roméo et Juliette (III, 2e tableau), 4’09 orchestre du Théâtre royal de la Monnaie, dir. Maurice Bastin (Columbia RFX30–LBX74) [KBR: Becko V/8/2a MUS] OFFENBACH Jacques (1819-1880) 8 « Voici le sabre de mon père », Couplets de La grande duchesse de Gérolstein (I, 13), 3’12 chœurs et orchestre du Théâtre royal de la Monnaie, dir. -
A Ricordo Dei Prodotti Lavorati Nell'ex Stabilimento Alimentare “Arrigoni” I
Servizio Toponomastica Progetto “CHI SONO?” note sui nomi delle vie di CESENA Scheda relativa a : RICCARDO ZANDONAI Riccardo Zandonai, compositore italiano, nacque a Rovereto in provincia di Trento nel 1883 da famiglia di umili origini. Fin dall'infanzia espresse un notevole talento musicale incoraggiato dal padre che suonava il flicorno baritono nella banda del paese. Tuttavia fino al 1894 non intraprese studi regolari di musica, ma familiarizzò con gli strumenti musicali che aveva a disposizione come la chitarra dello zio, il violino led il clarinetto nella banda ed un vecchio organo della chiesa. Dal 1894 al 1896 frequenta il Liceo di Rovereto e sembra che il brano intitolato "Serenata e Barcarola" del 1894 fosse la prova di ammissione alla classe del maestro Gianferrari. Zandonai prosegui gli studi musicali e si diplomò nel 1901 presso il Conservatorio di Pesaro, diretto da Pietro Mascagni. Nel 1908, Arrigo Boito, fiducioso del talento del giovane musicista lo presentò all’Editore Ricordi, che lo incaricò di comporre la sua prima opera lirica, la fiaba "Il grillo del focolare" con la quale Zandonai si impone all'attenzione del pubblico e della critica. Seguirono le opere "Conchita (1911)", "Melenis" (1912) e "Francesca da Rimini" (1914), dall’omonima tragedia di D’Annunzio, considerata il capolavoro di Zandonai, introducendo nel modo musicale italiano, imperniato sul melodramma verista, elementi del sinfonismo tedesco e dell'impressionismo musicale francese. Anche le successive opere di Zandonai, fra le quali "Giulietta e Romeo" (1921), "I cavalieri di Ekebù" (1923), "Giuliano" (1928), "Una partita" (1933)e "La farsa amorosa" (1933) contengono pagine di notevole freschezza ed inventiva. -
Il Guestbook Della First
Il Guestbook della First Il guestbook della F.I.R.S.T. (Fabbrica Italiana Rulli Sonori Traforati) è un volumetto che raccoglie le impressioni di visitatori, acquirenti e musicisti che ebbero contatto con la sede operativa della ditta a Cremona o con quella amministrativa a Milano. Le loro testimonianze sono espresse sotto forma di lettere o biglietti pervenuti alla ditta o anche sotto forma di sottoscrizioni immesse direttamente nel volume. Esse attestano l’apprezzamento per i rulli, sia per quanto riguarda la scelta del repertorio, sia per quanto attiene alla qualità delle riduzioni musicali operate dal direttore della F.I.R.S.T., Michele D’Alessandro. Particolarmente rilevanti sono le esternazioni dei compositori relativamente al loro interesse che le proprie musiche venissero incluse nel catalogo della ditta e alla attestazione della fedeltà dei rulli nella resa sonora delle musiche originali. Il volume attualmente è in possesso della Fondazione Franco Severi Onlus, presso Villa Silvia di Cesena (sede del “Museo Musicalia” dedicato agli strumenti musicali meccanici). Si ringraziano il sig. Severi e la Fondazione per aver messo a disposizione il guestbook per la trascrizione e la riproduzione. Le trascrizioni dei testi e degli esempi musicali sono di Manuela Cesana, Flavio Pedrazzini e Pietro Zappalà. La traduzione inglese è di Claudio Delise. The guestbook of F.I.R.S.T. (Fabbrica Italiana Rulli Sonori Traforati) is a small volume that collects the impressions of visitors, buyers and musicians who had contact with the company’s operative office in Cremona or with the administrative office in Milan. Their testimonies are expressed in form of letters or cards received by the company or even in form of subscriptions entered directly into the volume. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 2 September 2000 – July 2001 ................................................................................................................................................................................ 23 September 2001 – July 2002 ................................................................................................................................................................................ 45 September 2002 – July 2003 ................................................................................................................................................................................ 73 September 2003 – July 2004 ................................................................................................................................................................................ 97 September 2004 – July 2005 ............................................................................................................................................................................. -
“De La Obra Literaria a La Escena En La Danza Española. El Sombrero De Tres Picos Y Medea”
“De la obra literaria a la escena en la danza española. El Sombrero de Tres Picos y Medea” Autora: Inés Hellín Rubio Director: Eduardo Blázquez Mateos Universidad Rey Juan Carlos 1 2 INFORME. TESIS DOCTORAL. INÉS HELLÍN RUBIO. TÍTULO; DE LA LITERATURA A LA ESCENA EN DANZA ESPAÑOLA. “EL SOMBRERO DE TRES PICOS” Y “MEDEA”. DIRECTOR: EDUARDO BLÁZQUEZ MATEOS 3 La doctoranda Inés Hellín Rubio ha cumplido y ha realizado con rigor científico la tesis doctoral, cuenta con el visto bueno del director de la tesis, al cumplir con los requisitos necesarios para poder defender la innovadora tesis doctoral sobre dos ballets narrativos, definiendo el cuerpo de una metodología de estudio de los ballets dramáticos. Las obras analizadas se enmarcan en la Historia del Espectáculo, desde un enfoque integrador, uniendo las artes se amplía la visión de la danza. El sentido didáctico y moralizante de las Artes, tiene en el marco devocional un Santuario convertido en Laboratorio de interpretación creativa. La tesis doctoral es un reflejo de la relación existente entre el texto y la escena, los ballets narrativos reflejan la idea de arte total, centrada y enriquecida en el método de transducción literaria del texto al lenguaje plástico-artístico de Danza Española. Desde Tespis, uno de los padres del Teatro, a la tríada del teatro clásico, Sófocles, Esquilo y Eurípides, la elección de un tema como Medea, que remite a la historia del Vellocino de Oro, se explica desde la fusión y la relación entre las artes, desde la integración de teatro y danza; los apoyos se conforman desde la unión de la pintura y la poesía, para ir plasmando un itinerario estudiado y analizado con minuciosidad por parte de la doctoranda. -
Season 35 Fall 2015 Messiah
==?!JeIeb~ (O~ &5~~~ r;J'eoA04l/==l 'ORK COUNTY OHORAL SOCIElY SPONSORED IN PART BY A PORTION OFOUR CONCERT PROCEEDS • componunr Will BE DONATED TO ~MED'1l\ GREETINGS FROM OUR YCCS PRESIDENT ... Dear York County Choral Society Friends, We welcome you to the first con- \ cert of our 35th season and greatly • • • • • • appreciate your support! We are • YORK COUNTY delighted that you have joined us Choral Society today to celebrate the beginning of your holiday season with George Frideric Handel's Messiah. This concert promises to be a special one as the YCCS is collaborating with talented singers from five local churches whose names are list• ed in our program. Mr. Don Piers, Music Director of Westminster Presbyterian Church, presented our Board of Directors with this idea, and we found it to be a great way to celebrate our united love of Handel's Messiah. We also have designated the charitable orga• nization Toys for Happiness as the recipient of a portion of today's concert proceeds, and we are grateful to have the opportunity to give back to those in need this time of year. We thank Mr. Piers for his creative thinking, his generosity, musical talent, and hard work behind the scenes in assisting us with realizing this artistic project. In addition, we would like to take this time to thank the YCCS Board of Directors, our Artistic Director, Dr. Katherine Kinsey, and our patrons for their generous contributions to our organization. Most importantly we thank our singers (whose ages range from high school to retirement) for their diligence and musical dedica• tion. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 ............................................................................................................................................................................. -
Complete Programs Ending
COMPLETE PROGRAMS FOR WEEK ENDING JUNE DAREDEVILS DRIVE WAR ADMIRAL: CHAMPION AGAIN AT INDI- ANAPOLIS. READ ABOUT IT, PAGE 6 CAN RADIO AC- TORS REALLY ACT? SEE THE ANSWER IN PHOTOS, PAGE 22 Hear the greatest horserace of the decade-Monday, CBS SEASISCUIT: CHALLENGER AEA 8 7 8 OFFICIAL STAR OF STARS BALLOT RADIO GUIDE Mail to: Star of Stars Editor, M. L. Publisher Radio Guide, ANNENBERG, 731 Plymouth Court, CURTIS MITCHELL, Editor Chicago, Illinois. 12 My Choice for the Most Popular Human -Interest Show Is CONTENTS My Name Is This Week! Selected Outstanding Programs 1 "Millionaire's Toy" My Address Is The Saga of Hetty Green's Son By JAMES STREET 2 (This Ballot May Be Pasted on a Penny Postcard) $100,000 on the Nose Race of the Century 4 Highlights of This Week's Programs A Picture -Plan for Listening 5 The ballot above is for this week's election only. Read the instructions below before you vote. This ballot must be mailed by midnight this Saturday, June 4 Will Death Ride Again? Indianapolis Classic 6 Gene Lester Joins the Break- fast Club The Breakfast Club- in pictures 7 The March of Music RADIO GUIDE'S ANNUAL BY LEONARD LIEBLING 8 Hollywood Showdown BY EVANS PLUMMER 10 POLL Airialto Lowdown STARS 11 STAR OF BY MARTIN LEWIS On Short Waves BY A. MORRISON 12 THIS WEEK -MOST POPULAR HUMAN -INTEREST SHOW CHARLES Radio Guide's X -Word Puzzle 13 Listening to Learn STYLES in radio, as in everything else, are limited to one division each week, and the win- Education on the Air 14 constantly changing, fluctuating with public ners in the various classifications are announced Stories of Near -by Stations Meet Your Local Favorites! 15 taste and inclinations. -
February 9-19, 2021
SAVANNAH'S WEEK LONG CELEBRATION OF SONG FEBRUARY 9-19, 2021 AMERICANTRADITIONSCOMPETITION.COM All events will begin at 7pm on the date listed, and remain available to watch at the audience’s leisure until February 28, 2021. TUESDAY FEB. 9 Quarterfinal 1 Sponsored by Tricia & David Guggenheim WEDNESDAY FEB. 10 Quarterfinal 2 Sponsored by Kathie & Les Anderson THURSDAY FEB. 11 Quarterfinal 3 pro Sponsored by Nancy McGirr & David Goslin FRIDAY FEB. 12 Quarterfinal 4 Sponsored by Patty & Heyward Gignilliat TUESDAY FEB. 16 Judges Concert Sponsored by The Charles C. Taylor and Samir gram Nikocevic Charitable Foundation WEDNESDAY FEB. 17 Semifinal 1 Sponsored by Hedy & Michael Fawcett THURSDAY FEB. 18 Semifinal 2 flow Sponsored by Danny Cohen FRIDAY FEB. 19 Final Round Sponsored by Savannah Morning News 14 ATC PRESIDENT 15 ATC DIRECTOR 16 ABOUT THE ATC ATC BOARD OF DIRECTORS EDUCATIONAL OUTREACH 17 JUNIOR ATC 18 IN-KIND DONATIONS of 19 VOLUNTEERS table 20 ATC DONORS 22 AWARDS 24 PAST GOLD MEDAL WINNERS 25 SPONSORS 26 2021 JUDGES cont 28 PIANISTS 29 INSTRUMENTALISTS 30 2021 CONTESTANTS ents W E C R E A T E D Y N A M I C V I D E O C O N T E N T F O R B U S I N E S S A N D C R E A T I V E P L A T F O R M S . S A V A N N A H , G A 3 1 4 0 1 | 7 0 6 . 4 4 9 . 1 2 1 2 WELCOME TO THE 28TH YEAR OF ATC A N O T E F R O M A T C B O A R D P R E S I D E N T Greetings all. -
Bibliografia Aggiornata
Bibliografia zandonaiana Bibliografia zandonaiana a cura di Diego Cescotti (ultimo aggiornamento: 31 dicembre 2015) A. EPISTOLARI Milano, Archivio Storico Ricordi Rovereto, Biblioteca Civica (Fondo Zandonai) Pavia, Centro di ricerca sulle tradizioni manoscritte di autori moderni e contemporanei Gardone, Archivi del Vittoriale Catania, Biblioteca Regionale Universitaria Firenze, Collezione privata Leonardi Roma, Istituto Italiano di Storia della Musica c/o Accademia Nazionale di Santa Cecilia (fondo De Rensis) Castelvecchio di Barga, Archivio G. Pascoli Verona, Società Letteraria B. TESTI DI CONSULTAZIONE GENERALE Sono compresi in questa sezione i riferimenti a cataloghi, enciclopedie, dizionari, testi storiografici, manuali e simili, incluse le citazioni brevi da opere più vaste o monografie e antologie riguardanti argomenti collaterali, nel qual caso si specificano le pagine riferite a Zandonai. Per i contributi in miscellanee, antologie e cataloghi citati in toto si troverà un rimando semplificato, rinviando alla citazione principale per i dati completi. 1928 LUALDI, ADRIANO: Serate musicali, Milano, Treves 1928, passim. 1934 DAMERINI, Adelmo: Pensieri sulla musica d’oggi, «Rassegna della Istruzione artistica», Roma, Ministero della Educazione Nazionale 1934. 1936 Composizioni di Riccardo Zandonai di proprietà G. Ricordi e C., in Collana di Autori contemporanei, Milano, Ricordi 1936. 1949 RONCAGLIA, Gino: Invito all’Opera, Milano, Tarantola 1949. 1953 CONFALONIERI, Giulio: Guida alla musica, Milano, Accademia 1953. 1954 GATTI, Guido Maggiorino: Cinquanta anni di opera e balletto in Italia, Roma, Bestetti 1954. 1956 BARBLAN, Guglielmo: Riccardo Zandonai e la fede nel melodramma, Milano, «Ricordiana», n. 9, 1956, 1956 «Zandonai, Riccardo», in Il Mondo della Musica, vol. II, Milano, Garzanti 1956, p. 2795 (con una scheda su Francesca a pp.