Lilly Jørstad

Total Page：16

File Type：pdf, Size：1020Kb

Saverio Clemente Andrea De Amici Luca Targetti Lilly Jørsyad is a Norwegian mezzo-soprano born in Astrakhan, Russia. She starts singing folk music at the age of 4 and at the age of 16 she enrolls at the Astrakhan Conservatory. She later on moves to Norway but maintains her connection with Russia anyway. Winner of several prizes, she starts her Master Degree studies at the University of Tromsø in 2010 with Anne-Lise Sollied Allemano and Carlo Allemano. She partecipates in master classes with such singers as Luciana Serra, Luciana D'Intino, Renato Bruson, Leo Nucci, Ruggero Raimondi. Lilly Jørsyad participates to numerous festivals like: Kirsten Flagstad Fetsival, International Shalyapi Opera Festival, Rossini Opera Festival for young singers, Barents Festival, Pomorfestival, Tromsø opera festival, Oslo opera Festival, International Church Festival in Tromsø and Nordlysfestivalen. She is also an oratorio singer and performing in the major churches in Norway, including the Ishavskatedralen in Tromsø. In the summer 2012, she partakes in the Academia Rossiniana in Pesaro, and debuts in two Rossini's roles from Il viaggio a Reims (Marchesa Melibea and Modestina), under the baton of Alberto Zedda. The same year she’s a soloist at the Mariinsky Academy in St.Petersburg, Russia. She starts the Master Degree studies at Conservatorio di musica Luigi Cherubini with Gianni Fabbrini in 2013; later on she wins a role in the next Lilly Jørstad Cenerentola production at Quarto Concorso Lirico Internazionale Città di Mezzosoprano Ferrara debuting at Teatro Comunale in Ferrara as Angelina in Rossini’s La Cenerentola in 2014. She wins the III Prize in Concorso Internazionale di Canto Lirico Giacinto Prandelli and she sings Rosina in Il Barbiere di Siviglia under the baton of Mauro Perissinotto in Castello Estense in Ferrara. She enters to La Scala Academy, where she has the chance to performe Angelina again in a La Cenerentola production for children; at the same time she also gives concerts under the baton of Zubin Mehta, Stefano Ranzani, Giuseppe Finzi, Nayer Nagui, Pietro Mianiti in Milan, Abu Dhabi and in Egypt. She mades her debut at La Scala singing Rosina in Rossini’s Il barbiere di Siviglia in 2015 under the baton of Massimo Zanetti, directing by Jean- Pierre Ponnelle and being on stage with Leo Nucci as Figaro and Ruggero Raimondi as Don Basilio. After having been selected at the Ziino Competition she has been Rosina at Teatro Argentina in Rome. Among her next engagements, again Angelina at la Scala, Concerts in Norway, Rosina in Bergen and Meg in a Falstaff new production at the Wiener Staatsoper under Zubin Mehta. December 2015 InArt Management Via San Gregorio 53, 20124 Milano Tel. +39 02 97 37 41 66 / Fax +39 02 97 37 42 33 [email protected] www.inartmanagement.com .

Copy Link

Recommended publications

CINDERELLA Websites
GIOACHINO ROSSINIʼS CINDERELLA Links to resources and lesson plans related to Rossiniʼs opera, Cinderella. The Aria Database: La Cenerentola http://www.aria- database.com/search.php?sid=e2dbb31103303fb8f096f9929cf13345&X=1&dT=Full&fC=1&searching=yes&t0=all &s0=Cenerentola&f0=keyword&dS=arias Information on 9 arias for La Cenerentola, including roles, voice parts, vocal range, synopsisi, with aria libretto and translation. Great Performances at the Met: La Cenerentola http://www.pbs.org/wnet/gperf/gp-at-the-met-la-cenerentola/3461/ Joyce DiDonato sings the title role in Rossiniʼs Cinderella story, La Cenerentola, with bel canto master Juan Diego Flórez as her dashing prince. The Guardian: Glyndebourne: La Cenerentola's storm scene - video http://www.theguardian.com/music/video/2012/jun/18/glyndebourne-2012-la-cenerentola-video Watch the storm scene in this extract from Glyndebourne's 2005 production of Rossini's La Cenerentola, directed by Peter Hall. IMSLP / Petrucci Music Library: La Cenerentola http://imslp.org/wiki/La_cenerentola_(Rossini,_Gioacchino) Read online or download full music scores and vocal scores for La Cenerentola, music by Gioacchino Rossini. Internet Archive: La Ceniecineta: opera en tres actos https://archive.org/details/lacenicientaoper443ferr Spanish Translation of La Cenerentola, 1916. Internet Archive: La Cenerentola: Dramma Giocoso in Due Atti (published 1860) https://archive.org/stream/lacenerentoladra00ross_0#page/n1/mode/2up Read online or download .pdf of libretto for Rossiniʼs opera, La Cenerentola. In Italian with English Translation. The Kennedy Center: Washington National Opera: La Cenerentola https://www.kennedy-center.org/events/?event=OPOSD Francesca Zambello discusses Rossiniʼs opera, Cinderella. Lyric Opera of Chicago: Cinderella Backstage Pass! https://www.lyricopera.org/uploadedFiles/Education/Children_and_Teens/2011- 12%20OIN%20Backstage%20Pass%20color.pdf Cinderella is featured in Backstage Pass, Lyric Opera of Chicagoʼs student magazine.
[Show full text]
Tuscia Operafestival™ Brings Italian Style to California IAOF Is Delighted
Tuscia Operafestival™ brings Italian Style to California IAOF is delighted to announce an exciting partnership with Italian luxury brand Bulgari, proud sponsors of the first edition of the “Italian Opera Festival”. Every night before the show will 'offer the public a free taste of the best wines and oils of the tuscia and Italy The Tuscia Operafestival™, now in its sixth season in the historic papal city of Viterbo, will see its Californian debut with the opening of the Italian Opera Festival™ in Orange County, the pearl of Southern California, at the Soka Performing Arts Center of Soka University in Aliso Viejo. The series of events will begin on Saturday, May 26th at 5:00 PM with a press conference hosted by the Italian Cultural Institute (1023 Hilgard Avenue, Los Angeles) and its director, Alberto Di Mauro, and will end on June 2nd, the “Festa della Repubblica”, national Italian holiday commemorating the independence of the Republic of Italy, to be celebrated at the Pico House (430 North Main Street, Los Angeles) in the presence of the Italian Consul General . This new version of our festival strives to promote the excellence of world renowned Italian products such as opera, art, wine, olive oil, water and fashion. The first cultural event, on Wednesday, May 30th at 7:00 PM, at the Soka Performing Arts Center (1 University Drive, Aliso Viejo) will be the recital of international opera star Bruno Praticò: "Buffo si nasce!" (We are Born Funny!), presenting operatic arias and duets by Italian composers Donizetti and Rossini. Recently featured at the LA Opera in the role of "Don Bartolo” in Rossini's Barbiere di Siviglia, Praticò is considered to be one of the greatest comic bass-baritone artists of our time.
[Show full text]
03-10-2018 Semiramide Mat.Indd
GIOACHINO ROSSINI semiramide conductor Opera in two acts Maurizio Benini Libretto by Gaetano Rossi, based on production John Copley the play Sémiramis by Voltaire set designer Saturday, March 10, 2018 John Conklin 1:00–4:40 PM costume designer Michael Stennett lighting designer John Froelich revival stage director The production of Semiramide was Roy Rallo made possible by a generous gift from the Lila Acheson and DeWitt Wallace Fund for Lincoln Center, established by the founders of The Reader’s Digest Association, Inc. The revival of this production is made possible by a gift from Ekkehart Hassels-Weiler general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON The 34th Metropolitan Opera performance of GIOACHINO ROSSINI’S This performance semiramide is being broadcast live over The Toll Brothers– Metropolitan Opera conductor International Radio Maurizio Benini Network, sponsored in order of vocal appearance by Toll Brothers, America’s luxury oroe, high priest of the magi ® homebuilder , with Ryan Speedo Green* generous long-term support from idreno, an indian prince The Annenberg Javier Camarena Foundation, The Neubauer Family assur, a prince Foundation, the Ildar Abdrazakov Vincent A. Stabile Endowment for semir amide, queen of babylon Broadcast Media, Angela Meade and contributions from listeners arsace, commander of the assyrian army worldwide. Elizabeth DeShong There is no Toll Brothers– a zema, a princess Metropolitan Sarah Shafer Opera Quiz in List Hall today. mitr ane, captain of the guard Kang Wang** This performance is also being broadcast ghost of king nino live on Metropolitan Jeremy Galyon Opera Radio on SiriusXM channel 75.
[Show full text]
Jessica Pratt
JESSICA PRATT SerenadeVINCENZO SCALERA Serenade from Péchés de vieillesse (?G. Torre) Jules Massenet 1842–1912 Vincenzo Bellini 1801–1835 1 Ouvre tes yeux bleus 2.03 From Sei ariette No.3 from Poème d’Amour (P. Robiquet) 10 No.5 Per pietà, bell’idol mio 2.31 (P. Metastasio) Charles Gounod 1818–1893 11 No.1 Malinconia, ninfa gentile 1.29 2 Sérénade (V. Hugo) 4.07 (I. Pindemonte) Alfred Bachelet 1864–1944 12 La ricordanza (C. Pepoli) 5.25 3 Chère nuit (E. Adenis) 4.38 From Tre ariette (Anon.) Eva Dell’Acqua 1856–1930 13 No.2 Dolente immagine di Fille mia 3.04 4 Villanelle (F. van der Elst) 5.22 14 No.3 Vaga luna che inargenti 2.43 Léo Delibes 1836–1891 Gaetano Donizetti 1797–1848 5 Les Filles de Cadix (A. de Musset) 3.24 15 La zingara (C. Guaita) 3.53 16 Il barcaiolo 2.57 Gioachino Rossini 1792–1868 No.1 from Nuits d’été à Pausilippe 6 La separazione (F. Uccelli) 4.39 (L. Tarantini) 7 Mi lagnerò tacendo 2.32 17 Una lagrima (Preghiera) 4.09 from Péchés de vieillesse (P. Metastasio) from Matinée musicale (Anon.) 8 Addio ai viennesi (Anon.) 4.49 9 La fioraia fiorentina 3.56 62.18 Jessica Pratt soprano Vincenzo Scalera piano 3 Jessica Pratt Hailed by the New York Times as a soprano of ‘gleaming sound, free and easy high notes, agile coloratura runs and lyrical grace’, Jessica Pratt is considered one of today’s foremost interpreters of some of bel canto’s most challenging repertoire.
[Show full text]
Relazione Della Corte Dei Conti
SENATO DELLA REPUBBLICA XVIII LEGISLATURA Doc. XV n. 183 RELAZIONE DELLA CORTE DEI CONTI AL PARLAMENTO sulla gestione finanziaria degli Enti sottoposti a controllo in applicazione della legge 21 marzo 1958, n. 259 FONDAZIONE ROSSINI OPERA FESTIVAL (Esercizio 2018) Comunicata alla Presidenza il 16 luglio 2019 SEZIONE DEL CONTROLLO SUGLI ENTI DETERMINAZIONE E RELAZIONE SUL RISULTATO DEL CONTROLLO ESEGUITO SULLA GESTIONE FINANZIARIA DELLA FONDAZIONE ROSSINI OPERA FESTIVAL (ROF) 2018 Relatore: Consigliere Italo Scotti Ha collaborato per l’istruttoria e l’elaborazione dei dati: dott.ssa Paola Fazio Determinazione n. 84/2019 SEZIONE DEL CONTROLLO SUGLI ENTI nell’adunanza dell’11 luglio 2019; visto l’art. 100, secondo comma, della Costituzione; visto il testo unico delle leggi sulla Corte dei conti approvato con r.d. 12 luglio 1934, n. 1214; viste le leggi 21 marzo 1958, n. 259 e 14 gennaio 1994, n. 20; visto il d.p.c.m. 17 ottobre 1994, con il quale la Fondazione “Rossini Opera Festival” è stata sottoposta al controllo della Corte dei conti a norma dell’art. 2 della legge n. 259 del 1958; visto il bilancio di esercizio della Fondazione suddetta, relativo all’anno 2018, nonché le annesse relazioni del Presidente e del Collegio dei revisori dei conti, trasmessi alla Corte in adempimento dell’art. 4 della citata legge n. 259 del 1958; esaminati gli atti; udito il relatore, Consigliere Italo Scotti e, sulla sua proposta, discussa e deliberata la relazione con la quale la Corte, in base agli atti ed agli elementi acquisiti, riferisce alle Presidenze delle due Camere del Parlamento il risultato del controllo eseguito sulla gestione finanziaria della Fondazione per l’esercizio finanziario 2018; ritenuto che, assolti così gli adempimenti di legge, si possano comunicare alle dette Presidenze, a norma dell’art.
[Show full text]
Santa Fe Opera, 2012 Maometto II Triumphs in a Solid Season
1 Opera con Brio, LLC October 2012 Opera con Brio Fall 2012 Richard B. Beams Santa Fe Opera, 2012 Maometto II Triumphs in a Solid Season After many years of attending performances of opera, including all thirty-nine of Rossini’s works for stage, I occasionally leave a performance that is so compelling, powerful and moving that I find myself saying, this is why I still go to the opera. Such an occasion was the production of Rossini’s rarely encountered ambitious opera seria, Maometto II, given a truly festival-level performance during the summer of 2012 at the always-enticing Santa Fe opera. Indeed one could utter the same sentiments for the five-opera season itself, one of the more satisfying and artistically sound in recent memory, with its wide ranging and engaging array of the familiar, Puccini’s Tosca, to the esoteric, Karl Szymanowski’s bewilderingly symbolic King Roger. A Monumental Work from the Past In his essay introducing the opera in the Santa Fe program book, renowned musicologist and Rossini expert Philip Gossett calls Maometto II “one of the greatest serious operas written during the 19th century,” an assertion he has been making now for many years. Rightly so. I first realized the validity of this assertion at the modern premiere of the work in 1985 at the Rossini Opera Festival held each year in Rossini’s birthplace, Pesaro, Italy. The young Samuel Ramey was mesmerizing as the titular Maometto; the waif-like soprano, Cecelia Gasdia, a Gossett protégé, poignantly expressive in every wrenching phrase; Chris Merritt, at the height of his career, a thrilling, clarion Rossini tenor as Ann’s father, Paolo Erisso; and the exquisite rich-toned contralto, Lucia Valentini-Terrani (who sadly would die of cancer all too soon) in the trouser role of Calbo, Anna’s betrothed.
[Show full text]
Will Crutchfield Announces Teatro Nuovo, a New Bel Canto Opera
Will Crutchfield announces Teatro Nuovo, a new Bel Canto opera program to debut in July 2018 The nine-day inaugural festival will feature semi-staged productions of Rossini’s Tancredi and Mayr’s Medea in Corinto at the Performing Arts Center at SUNY Purchase Teatro Nuovo will continue and expand upon Crutchfield’s acclaimed Bel Canto at Caramoor series Monday, May 15, 2017 — FOR IMMEDIATE RELEASE — Will Crutchfield, longtime director of the Bel Canto at Caramoor series, announced today the formation of a new organization, Teatro Nuovo, that will continue and expand that program’s work as it departs from Caramoor next year. Teatro Nuovo will make its debut in July 2018 with a nine-day festival at the Performing Arts Center at SUNY Purchase, a versatile facility with multiple performance spaces. Headline events will be semi-staged productions of Rossini’s Tancredi and Mayr’s Medea in Corinto, along with orchestral concerts, vocal recitals, chamber music, and the afternoon lectures and panel discussions that have been a popular feature of Caramoor opera days. Full details of the Festival, running from July 28 to August 5, 2018, will be announced in a forthcoming release. The Festival will be preceded by an expanded version of Crutchfield’s renowned training program for young singers, which already counts over 500 alumni singing on stages and serving on faculties worldwide. The intensive five-week program will now be opened to selected orchestral players as well. Teatro Nuovo and SUNY Purchase are currently finalizing a partnership to host the training program. Crutchfield said of the new venture: “Teatro Nuovo is an exciting next step for us.
[Show full text]
Il Viaggio a Pesaro
IL VIAGGIO A PESARO La stampa estera O al Rossini Opera Festival R A S O A PE I GG A I V IL In copertina: Disegno acquerellato della pianta prospettica della città di Pesaro dipinta ai tempi di papa Gregorio XIII (Biblioteca Oliveriana, Pesaro Sala V, cartella n. 6, n. 8) Foto Studio Amati Bacciardi IL VIAGGIO A PESARO Regione Marche Comune di Pesaro Provincia di Pesaro e Urbino Fondazione Scavolini Presidente Luca Ceriscioli Sindaco di Pesaro Sovrintendente Gianfranco Mariotti Direttore artistico Alberto Zedda Ringraziamenti Il Festival ringrazia per la preziosa collaborazione gli amici che hanno prestato gratuitamente la loro opera di traduttore: Francesca Battistoni (dallo spagnolo), Maria Rosaria Boccuni (dal russo), Jakub Dolata (dal polacco), Patricia France- schini (dal tedesco), Raimonda Scuriatti Portocarrero (dal fiammingo). Si ringrazia inoltre la Biblioteca Oliveriana di Pesaro. IL VIAGGIO A PESARO La stampa estera al Rossini Opera Festival a cura di Simona Barabesi e Giacomo Mariotti Pesaro 2010 Suzanne Graham-Dixon (1931-2010) Questa pubblicazione è dedicata a Suzanne Graham-Dixon, responsabile per un quindicennio dei rapporti con la stampa estera di area anglosassone, collega meravigliosa e indimenticabile amica. Dal grand tour al villaggio globale Non è facile capire perché al Rossini Opera Festival due terzi degli spettatori e dei giornalisti accreditati siano stranieri, un dato senza paragoni nel nostro Paese, secondo una tendenza mantenutasi costante dal 1996 in poi. Credo infatti che le ragioni siano più di una. La prima è forse psicologica, e fa riferimento alla mentalità dei viaggiatori del grand tour, giovani rampolli delle nobili famiglie europee, che nel XVIII e XIX se- colo scendevano in Italia per il loro viaggio iniziatico con un misto di attrazione e di timore nei riguardi di un paese disordinato e diviso, ma sede del più imponente accumulo di bellezze, naturali e artistiche, di tutto il pianeta.
[Show full text]
VICTORIA YAROVAYA Mezzo-Soprano Winner of The
VICTORIA YAROVAYA Mezzo-Soprano Winner of the special Mercedes Viñas Prize in the International singing contest Francisco Viñas in 2013, Victoria Yarovaya is one of the most outstanding young mezzo-sopranos to come out of Russia recently. Born in Moscow, she began studying music at 5 years old as a soloist in a well-known children’s choir and went on to win many competitions. She was awarded a scholarship from the New Names Foundation and graduated from the Academic Music College at the Tchaikovsky Moscow State Conservatory as a pianist. Her postgraduate studies were at the Opera Centre under Galina Vishnevskaya, she attended master classes given by Riccardo Muti, Mauro Trombetta, Mimi Curtsi and Irina Bogachova and joined the Academia Rossiniana in Pesaro, where she worked under Alberto Zedda. She became a soloist at the Novaya Opera in Moscow in 2009 and in the same year appeared with the Rossini Opera Festival in Pesaro as Marchesa Melibea IL VIAGGIO A REIMS and as Rosina IL BARBIERE DI SIVIGLIA with the Fondazione Pergolesi Spontini. In 2010 she returned to the Rossini Opera Festival as Demetrio-Seveno DEMETRIO E POLIBIO and in the same year first appeared with the Glyndebourne Festival. Recently she appeared as Tisbe CENERENTOLA for the Glyndebourne Festival Opera, returned to the Rossini Opera Festival in Pesaro to sing Ernestina L’OCCASIONE FA IL LADRO, appeared again in the role of Demetrio DEMETRIO E POLIBIO at the Teatro di San Carlo di Napoli, made her role debut as Hänsel HÄNSEL UND GRETEL for Glyndebourne Touring Opera and sang Dido DIDO AND AENEAS for the Novaya Opera Moscow.
[Show full text]
Download the Pdf of the Biography
Conductor Roberto Abbado, awarded the prestigious “Premio Abbiati” by the Ital- ian Music Critics Association for his “accomplished interpretative matu- Particularly significant are his symphonic tours with the Israel Philhar- rity, the extent and the peculiarity of a repertoire where he has offered monic Orchestra (Spain 2005), the Chamber Orchestra of Europe (Eu- remarkable results through an intense season”, is Musical Director of rope 2006), the Saint Paul Chamber Orchestra (Europe 2007), the Mag- Parma’s Festival Verdi. He studied orchestra conducting under Franco gio Musicale Fiorentino (Bucarest Enescu Festival 2009), the Orchestra Ferrara at the Teatro La Fenice in Venice and at the Accademia Nazion- Verdi di Milano (Switzerland 2009), the Orchestre Philharmonique de ale di Santa Cecilia in Rome, where he was invited – the only student in Monte-Carlo (Russia 2011), and the Boston Symphony Orchestra (USA, the history of the Academy – to lead the Orchestra di Santa Cecilia. He East Coast 2011). made his debut in the United States in 1991 in New York conducting the St. Luke’s Orchestra. Since then he has returned regularly to the US Particularly significant are his symphonic tours with the Israel Philhar- to lead the Symphonic Orchestras of the cities of Boston, Philadelphia, monic Orchestra (Spain 2005), the Chamber Orchestra of Europe (Eu- Chicago, Cleveland, Dallas, San Francisco, as well as the Los Angeles rope 2006), the Saint Paul Chamber Orchestra (Europe 2007), the Mag- Philharmonic, the Saint Paul Chamber Orchestra – of which he is one of gio Musicale Fiorentino (Bucarest Enescu Festival 2009), the Orchestra the “Artistic Partners” – working with soloists like Yo-Yo Ma, Midori, Ni- Verdi di Milano (Switzerland 2009), the Orchestre Philharmonique de gel Kennedy, Gil Shaham, Joshua Bell, Hilary Hahn, Vadim Repin, Sarah Monte-Carlo (Russia 2011), and the Boston Symphony Orchestra (USA, Chang, Yefim Bronfman, Mitsuko Uchida, Alfred Brendel, Radu Lupu, East Coast 2011).
[Show full text]
MEGAN MARINO Mezzo-Soprano
MEGAN MARINO mezzo-soprano www.meganmarino.com marino.meg@gmail.com • Photo by Dario Acosta GENERAL MANAGEMENT Sempre Artists Kristin Cowdin, President & Artist Manager • 4768 Broadway, #330, New York, NY 10034 tel: +1 212 653 8895 [email protected] www.sempreartists.com • • EUROPEAN MANAGEMENT Intermusica Isla Mundell-Perkins, Artist Manager, Vocal & Opera • 9 Kingsway, London WC2B 6XF, United Kingdom tel: +44 20 7608 9915 [email protected] www.intermusica.co.uk • • PUBLIC RELATIONS Blalock Branding Jonathan Blalock, Founder & CEO • tel: +1 336 512 6832 [email protected] www.blalockbranding.com • • MEGAN MARINO mezzo-soprano www.meganmarino.com marino.meg@ gmail.com • BIOGRAPHY Megan Marino is praised by Opera News as “a gifted actress with a strong, appealing voice graced by a rich lower register.” In the 2019-20 season, she returns to the Metropolitan Opera as Flora in La traviata, Opéra national de Paris as Wellgunde in Das Rheingold at the start of the company’s new Ring Cycle, and Opera Colorado for her beloved portrayal of Rosina in Il barbiere di Siviglia. She makes as debut and subsequent appearances with the Opéra national de Bordeaux’s Da Ponte Trilogy in which she debuts the roles of Susanna in Le nozze di Figaro, Zerlina in Don Giovanni, and Dorabella in Così fan tutte with Mark Minkowski conducting; she will reprise Le nozze di Figaro with him and Les musiciens du Louvre on tour in Israel. Future seasons see her debut at the Gran Teatre del Liceu and further returns to the Metropolitan Opera, Santa Fe Opera, Opéra national de Paris, and Dallas Opera.
[Show full text]
L'italiana in Algeri
L’ITALIANA IN ALGERI L’ITALIANA IN ALGERI Rossini Opera Festival 2013 Sommario A cura dell’ufficio edizioni e archivio storico Péchés all’Italiana... del Rossini Opera Festival (di un compositore quasi musicologo) di Azio Corghi p. 13 Consulenza scientifica della Fondazione Rossini Péchés, Italian Style... Immagine grafica coordinata (by a Composer, almost a Musicologist) Massimo Dolcini by Azio Corghi p. 23 Progettazione grafica Antonio Trebbi De amore di Alberto Zedda p. 31 Service Fotoedit, Repubblica di San Marino Concerning Love by Alberto Zedda p. 39 Stampa Studiostampa, Repubblica di San Marino Soggetto p. 47 luglio 2013 Story p. 53 Stampato su carta Pordenone Vergata/Laid Avorio del Gruppo Cordenons spa Argument p. 59 Handlung p. 63 Argumento p. 67 p. 72 Schema musicale p. 76 Libretto p. 79 Gioachino Rossini, elementi biografici p. 127 Quando non diversamente indicato, fonte dell’apparato iconografico è il volume Rossini sulla scena dell’Ottocento. Bozzetti e figurini dalle collezioni italiane. A cura di Maria Ida Biggi e Carla Ferraro, Pesaro, Fondazione Rossini, 2000. Ritratto di Gioachino Rossini, 1856. Xilografia da una fotografia di Mayer & Pierson, Parigi dopo 1856 (Collezione L’ITALIANA Reto Müller, Basel)) IN ALGERI Dramma giocoso per musica in due atti di Angelo Anelli Musica di Gioachino Rossini Personaggi Mustafà, Bey d’Algeri Elvira, moglie di Mustafà Zulma, schiava confidente d’Elvira Haly, Capitano de’ Corsari Algerini Lindoro, giovine Italiano, schiavo favorito di Mustafà Isabella, Signora Italiana Taddeo, compagno d’Isabella Eunuchi del Serraglio, Corsari Algerini, Schiavi Italiani Pappataci, Femmine del Serraglio, Schiavi Europei, Marinari La scena si finge in Algeri Prima rappresentazione Venezia, Teatro a S.
[Show full text]