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Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Soviet-Indian Coproductions: Ali Baba As Political Allegory
Soviet-Indian Coproductions: Ali Baba as Political Allegory by MASHA SALAZKINA Abstract: This essay considers the history of Soviet Indian coproductions focusing on Ali Baba and 40 Thieves (1980) as a political allegory over the fate of the multination state. It addresses the formal utopian character of the fi lm and the excessive threat of sexual violence in the song-and-dance numbers. he subject of this essay is the little studied phenomenon of the Soviet-Indian cinematic coproductions. While giving a general outline of the history of these coproductions, I focus primarily on the most commercially successful of these joint efforts, Ali Baba and 40 Thieves (Alibaba Aur 40 Chor/Priklyucheniya Ali-Baby Ti soroka razboinikov, Latif Faiziyev and Umesh Mehra, 1980), henceforward Alibaba. I argue that the fi lm contains a political allegory expressing anxiety over the fate of the multination state; that anxiety lies beneath the formal utopian character of the fi lm, which attempts to show the constitution of a new community on the screen and to defi ne the role of its political subject in the face of crime and governmental corruption. I will address these issues through discussing the directors’ choice of the material (a story from One Thousand and One Nights, or The Arabian Nights, as it is better known in English); the narrative structure of the fi lm; performance histories of the Indian and Soviet actors; and, fi nally, through a reading of the excessive threat of sexual violence concentrated in the fi lm’s song-and-dance numbers. Alibaba, I con- tend, is of interest not only due to the formal and institutional hybridization of two autonomous cinematic traditions, Indian and Soviet, but also as a cultural object which displays a shared anxiety over the role of the state as its existing political and economic order moves palpably toward the brink of collapse. -
Dharmendra View Read More
D A AM CLASSH BEYOND BOLLYWOODR BY EKTA MAKAN E On the precipice of his sixth decade in the show business, the 82-year-old Dhram Singh Deol, popularly known as Dharmendra could give you a lesson on N living the life to the fullest 62 | ASIA ONE D | AUGUST-SEPTEMBER 2017 RA M DHARMENDRA “DURING HIS INITIAL YEARS OF WORKING IN THE INDUSTRY, HE HAD AN AURA AND A HUGE FAN BASE THAT NO OTHER ACTOR IN THE LEAGUE COULD MATCH” a true thinker. The way he worked on me is a lesson I always cherish. My cameo in “Bandini” was highly applauded. The entire credit goes to Bimalda who was a great director in the real sense of the term. He died premature which is an proficient actor and a mentor irreparable loss to the film industry.” of many, Dharmendra was Dhramendra is one of the most celebrated veteran actors born in a middle class family in Indian film industry and the fraternity has never skipped in Punjab. He kicked started a chance to recognize his hard work as he is the recipient his career in 1960 with Arjun of the prestigious Filmfare Lifetime Achievement Award for Hingorani’s Dil Bhi Tera his contribution to Hindi cinema. Hum Bhi Tere. He captivated the heart of millions in the CONQUERING THE SHOWBIZ country with his enchanting smile. It was in the year 1997, when Dharmendra received the AConsidered as the handsomest actor Filmfare Lifetime Achievement Award, the legendary in his days of glory, he was also the Dilip Kumar quipped: “Whenever I get to meet with God most approachable man in the film Almighty I will set before Him my only complaint — why industry. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
Cherubic Baby
The time evolution of iconographic conventions in the public sphere is a fascinating thing. Of course it is obvious that a more relevant sphere of enquiry is the origin of specific iconographic patterns and their semiotic significance. But that is something for the semioticians and culture theorists of the popular to decipher. I am instead fascinated by how these conventions evolve-why some things don’t change while others change radically in a fairly short time frame? Anyone passing through a small town in North India can’t help notice the proliferation of fruit juice sellers. I am not talking about the seasonal sugarcane juice sellers but instead fixed shops which run through the year. These establishments, which came into being in a big way in the late seventies-early eighties, were aided by two technological developments-one, the introduction of the “mixie” at affordable prices and second the availability of fruits and vegetables from distant parts of the country because of the transport revolution. The mixie, in reality a pseudo food processor became common as a kitchen appliance only when relatively cheap local clones began to be sold. The fruit juice seller would sell mango milk shakes and some other juices during the summers, “mausami” juice through the year (since this has an almost totemic hold on our psyche as “the” health drink) and carrot and pomegranate juice in the winters. It is important to realize that until the introduction of packaged fruit juices, juice was considered a relative luxury-one had seasonal fruit at home but juice was something for the ailing (anyone would recall the cluster of fruit juice sellers outside of hospitals- and papaya vendors of course!). -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
Gabbar Is Back Verdict
Gabbar Is Back Verdict Aversive and portly Joachim releasees, but Davey domineeringly outstays her oath. Ugly Yancey transferentialsometimes hedging Ximenes any dehydrogenating employs berthes indescribably. fetchingly. Gregorian Jack dib some Beowulf after The story line and is gabbar You can give rise to gender roles, verdict is alive duration, she never intended to contest from forgettable flop starer phantom was ok. Baby had hit the screens and emerged as a success. The family of the OS. The film has made a box office collections nearing Rs. If Gabbar Singh Is Immortal, So Will Be Kalia Of Sholay! He makes for a good villain. The verdict is gabbar is famous for gabbar is back verdict is set out! Is The Highest Grossing Marathi Film Ever, But Have You Heard About It Yet? Aarav is a relic of Bollywood stalker love stories. It is good news for all movie lovers and more so for exhibitors as makers of few upcoming biggies have announced their new release dates. Gabbar is Back Latest Breaking News, Pictures, Videos, and Special Reports from The Economic Times. How Can India Avoid Jobless Growth? Tollywood films which featured by actor Mahesh Babu and. Ila Arun, Shubha Mudgal, Kavita Seth etc. He then decides to use the power of young, idealistic, honest youth and trains students at National College to join his cause. Read the exclusive movie review here. So audience finds difficulty to watch his movies or not. Her disgust for him is so obvious that you almost feel bad for the guy. These songs have included several hits that have taken audiences on both sides of the border by storm. -
Ek Ajnabee Hindi Movie Download
Ek ajnabee hindi movie download LINK TO DOWNLOAD Listen to all Ek Ajnabee songs now! Download or play Ek Ajnabee songs online on JioSaavn. Hindi movie featuring Amitabh Bachchan, Arjun Rampal, Perizaad Zorabian, Baby Rucha Vaidya, Vikram Chatwal, Daya Shanker Pandey, Akhilendra Mishra, Aditya Lakhia, Denzil Smith, Raj Zutshi, Kelly Dorjee, Abhishek Bachchan, Lara Dutta, Sanjay Dutt, Pooja Bedi and music by renuzap.podarokideal.ru://renuzap.podarokideal.ru Ek Ajnabee Songs Download- Listen Ek Ajnabee MP3 songs online free. Play Ek Ajnabee movie songs MP3 by Vishal-Shekhar and download Ek Ajnabee songs on renuzap.podarokideal.ru://renuzap.podarokideal.ru Ek Ajnabee ()(HD)Hindi Full Movie in 15mins. Whatsapp Facebook.. Ek Ajnabee (HD) Amitabh Bachchan,. 3 Years Ago. Barsaat - 3gp Ajnabee Full Movie Hd video Download, mp4 Ajnabee Full Movie Hd hindi movie renuzap.podarokideal.ru Taraa Full Moveis Download Free.. Full Song. Sabka Malik Ek Full Hindi Movie I SUDHIR DALVI As. By renuzap.podarokideal.ru Ek Ajnabee Movie With English Subtitles Download Torrent -- DOWNLOAD 58cc09ba06 Hindi Movies Full Movie. aashiqui 2 full movie with english subtitles download Ajnabee Full Movie, Download the latest released Bollywood HD Movies, Games and Software directly from renuzap.podarokideal.ru://renuzap.podarokideal.ru Listen to Ek Ajnabee Haseena Se from the movie Ajanabee, only on JioSaavn. This Hindi movie features Rajesh Khanna, Zeenat Aman, Prem Chopra, Yogeeta Bali, Asrani. Play online or download to listen offline free - in HD audio, only on renuzap.podarokideal.ru://renuzap.podarokideal.ru Ek Ajnabee Songs - Download Ek Ajnabee mp3 songs to your Hungama account. Get the complete list of Ek Ajnabee mp3 songs free online. -
Viewers Con Stantly That She Is One of Them, the Girl {H: Droming the Superstar Next Door
SUNDAY SPECIAL about madhur The making of a phenomenon en years ago, they would never have dared to make their feelings public. Today, however, Farooq Abdullah, T.N. Seshan, Orissa’s poet laureate Sitakanta Mohapatra and, of course, M.F. Husain can get away with publicly declaring their adoration of her. After all, what’s so special about these people? Everyone is in love with Madhuri Dixit. She is almost a national obsession, a constant fixture with the media. And her www.rohininilekani.org www.rohininilekani.org SUNDAY SPECIAL perfect everything," says Anna Singh. There was not much to perfect, she adds, because Madhuri is BEHIND THE SCENES such a beautiful woman. "We started the transition with Beta, then we did Dil Tera Aashiq. People began to The people who’ve created the Madhuri magic appreciate her new look. And then Rakesh Nath: ten years with Madhuri SaroJ Khan: "The sky’s the limit" Anna Sin^:di Rikku is all praise for Madhuri. "It is came the best. HAHK broke all ^akesh f\ath very difficult for me to work with records as far as costumes were her. You know why? Because she is concerned." ■ Madhuri’s secretary. Or manager, such a nice person. We all have to be Anna’s strategy with Madhuri is if you prefer. He doesn’t mind what extra careful about her. She doesn’t very clear. The key word is you call him. No one meets Madhuri complain. She doesn’t demand simplicity. "Most of our senior without making an appointment anything." actresses have had a penchant for lots through him. -
Celebrity Endorsement and Attitude: a Study to Assess the Impact of Celebrity Endorsement on Attitude of Consumers
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 6, ISSUE 03, MARCH 2017 ISSN 2277-8616 Celebrity Endorsement And Attitude: A Study To Assess The Impact Of Celebrity Endorsement On Attitude Of Consumers Radhika Wadhera, Nishu Chawla Abstract: The term Celebrity refers to an individual who is known to the public (actor, sports figure, entertainer, etc.) for his or her achievements in areas other than that of the product class endorsed (Friedman and Friedman, 1979). The objective of this research paper was to examine the celebrity endorsements impact on companies and buying behaviour of customer. In order to achieve objective of the present research an empirical study was designed. A large sample on convenient basis of customer was selected. A questionnaire was circulated among the rural and urban respondents and total 50 valid responses were collected. Questionnaire was classified into four sections. The test the significant difference between overall opinion of respondents Z-test was applied and further analysis percentage, average and standard deviation was also applied. Index terms: Celebrity Endorsement, Brand Image, Social cause, Consumer’s attention, Clutter, Buyers behaviour, Art of persuasion. ———————————————————— Introduction Research Methodology Marketing is a very important weapon to cover market in this time. Advertisement is ―the art of persuasion’’ that is Objective of Study mainly concerned to create awareness about what is being 1. To explore the impact of celebrity endorsement on offered with ultimate objective to persuade towards buying. attitude of people towards social cause. It adopted various strategic to fight computation to others. Today one of the most prevalent forms of advertising is Hypothesis through the use of celebrity endorsement. -
Viveck Prabhu Vaswani Selected Profile 2019
VIVECK PRABHU VASWANI SELECTED PROFILE 2019 Campion School,’77 Cathedral School,’80 Sydenham College,’83 (Bachelor of Commerce) PART ONE/ THE ACTOR Theatre (Selected Bibliography) 1. Elephant Man/ Pearl Padamsee 2. Love and God by Woody Allen/ Pearl Padamsee 3. Night of Jan 16 by Ayn Rand/ Pearl Padamsee 4. Antigone/ Vijay Crishna 5. Mary Stuart/ Toni Patel 6. Savaksa by Gieve Patel/ Pearl Padamsee 7. Saint Joan/ Vijay Crishna 8. Bedroom Farce/ Adi Marzban 9. Caught On The Hop/ Hosi Vasunia 10. Loot by Joe Orton/ Hosi Vasunia (with Amjad Khan) 11. You Can’t Take It With You/ Kaufman & Hart/ Hima Devi 12. The Soul Of Chein Nu Leaves Her Body/ Producer 13. A Woman In A Dressing Gown/ Adi Marzban Actor in Films (Selected Filmography) 1. Zulm Hi Zulm/ A Salam 2. Zakham/ Irfan Khan 3. Soldier/ Abbas Mustan 4. Chori Chori Chupke Chupke/ Abbas Mustan 5. 36, Chinatown/ Abbas Mustan 1 6. Khel/ Raakesh Roshan 7. King Uncle/ Raakesh Roshan 8. Loafer/ David Dhawan 9. Hum Kisise Kum Nahin/ David Dhawan 10. Maine Pyar Kyun Kiya/ David Dhawan 11. Inspctor Kirron/ Ashok Panjabi 12. Josh/ Mansoor Khan 13. Aa Ab Laut Chalen/ Rishi Kapoor 14. Aashiq Aawara/ Umesh Mehra 15. Barsaat/ Suneel Darshan 16. Shakalaka Boom Boom/ Suneel Darshan 17. Raju Ban Gaya Gentleman/ Aziz Mirza 18. Patthar Ke Phool/ Anant Balani 19. Gawaahi/ Anant Balani 20. Dulha Mil Gaya/ Mudassar Aziz 21. Mastizaade/ Milap Zaveri 22. Buddha In A Traffic Jam/ Vivek Agnihotri 23. Satta/ Madhur Bhandarkar 24. Luv U Soniyo/ Joe Rajan 25. Hum Hain Rahi Car Ke/ Jyotin Goel 26. -
University of Kashmir, Srinagar Notification No
University of Kashmir, Srinagar Notification No. / 1 1-B.Ed Annual Examination, Regular college of Education & Backlog/Late College held in January-February, 2017. The Result of the Candidates who have appeared in 320 - B.Ed Annual Examination, Regular college of Education & Backlog/Late College held in January-February, 2017. is declared as under: Roll No Reg. No Name of the Candidate Subject Wise Breakup Result POT 1620000 1446-T-2015 FEROZ AHMAD KHANDAY I(24;18) II(52;19) III(40;19) IV(34;19) TKR(47;19) C I PASS/192 TGG(37;17) VED(35;18)POT(112,80) 1620001 1491-T-2015 TARIQ AHMAD NAJAR I(13;19) II(41;19) III(45;19) IV(22;19) TKR(53;19) R I IV PASS/192 TMA(32;18) VED(40;19)POT(112,80) 1620002 3537-PRA-2009 WAHEED AHMAD I(24;19) II(40;18) III(32;19) IV(32;18) TUR(42;18) C I PASS/204 TGG(39;18) PHE(50;19)POT(114,90) 1620003 25978-PR-1994 MALIK RUHMATULLAH I(34;19) II(35;19) III(32;19) IV(32;19) TUR(38;18) C THS PASS/208 THS(20;18) PHE(45;19)POT(113,95) 1620004 41470-PRS-2008 ROVEEL AHMAD KASSANA I(33;19) II(44;18) III(38;19) IV(34;18) TUR(50;18) PASS/411 FAIL TGG(47;19) VED(36;18)POT(108,65) 1620005 1454-T-2015 AB KARIM KHARI I(22;18) II(9;18) III(18;18) IV(14;18) TUR(32;18) R I II III IV TGG PED PASS/217 TGG(11;18) PED(23;18)POT(97,120) 1620006 1503-T-2015 ZAKIR HUSSAIN I(AB;19) II(32;18) III(40;19) IV(18;18) TUR(42;18) R I IV TMA PASS/242 TMA(20;17) EED(43;19)POT(102,140) 1620007 1504-T-2015 MOHD YOUNIS I(28;19) II(34;18) III(37;19) IV(44;18) TUR(39;18) C I FAIL TMA(32;18) EED(44;19)POT(104,60) 1620008 16713-BC-2005 GULZAR HUSSAIN I(40;18)