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Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
Look at the People on Being Entertaining by Larry Wilder
Volume 30 • Number 4 INSIDE THIS ISSUE! July • August The Circle of Fifths Unleased The Express Needs You Sound Advice 2010 Off Key Jammers Bluegrass Expresswww.oregonbluegrass.org Look at the People “I did not know that the On being entertaining technical aspects are far by Larry Wilder outweighed by a show’s personal touches” bluegrass genre. Listen to the Josh and Jake comedy and the relaxed interplay between all the Foggy Mountain Boys. The evolution of an entertainer I was no natural. When I began playing banjo and guitar in the 60’s, I could not sing, talk, smile or look at the audience. I was pathetically nervous and embarrassed to be on stage. When I finally began to speak on stage, I thought I had to use contrived or cute elocution. That didn’t work. I did not know that the technical Larry Wilder & the Stumptown Stars aspects are far outweighed by a show’s personal touches. As my real persona arry Wilder is a singer, national yodel audience. Bill would also invite ladies began to come out, the audiences champion, multi-instrumentalist and master from the audience to dance with him L reacted positively. They began to tell of ceremonies. Whether he’s performing in a onstage. They lined up. me how comfortable they would feel. packed concert hall or to five shoppers at a farmer’s Acts such as Reno & Smiley and Flatt & This was a breakthrough for me: I market, Larry fully engages his listeners. The Scruggs took it further with their family- realized that my relaxed, yet focused Express asked Larry to talk about entertainment – approach worked. -
Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday. -
Normandy Hospital, U Explore Possible Nursing Partnersh-P
University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers 4-21-1997 Current, April 21, 1997 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "Current, April 21, 1997" (1997). Current (1990s). 238. http://irl.umsl.edu/current1990s/238 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Riverwomen enter GLVC 8' Heads in ,a Duffel Bag offers little more t han a tourney with confidence. catchy rlame. See page 7. Seepage 5 1 f :. The Student Voice 30th Anniv{!rsary of UM-St. Louis 1966-1996 Issue 888 UNIVERSITY OF M/SSOURI-ST. LOUIS April21J 1997 Senate Possible land Under Cove(r) swap to link committee Honors College, approves South Campus budget by Kim Hudson news editor allocations UM-St. Louis and the city of Pagedale are by Bill Rolfes currently negotiating a land trade that will con news associate nect the South Campus and the Pierre Laclede Honors College. The books are now closed as the The University wants to obtain about seven Senate Student Affairs Committee acres of land in the far northwest comer of St. approved by a five to one vote (he Vincent County Park. To get it, the University proposed 1997-98 student acti'l'ity is negotiating a trade with Pagedale, which budget allocations. -
Ctba Newsletter 0603
March 2006 Bluegrass Volume 28, Issue 3 Central Texas Bulletin Weird Acoustic Music by Tyler Balthrop Danny Barnes could easily be production, and in 1985, he White. This unique blend recognized as one of the weirdest received a degree in Audio of acoustic music became an people to play acoustic music. The Production from the instant phenom, and they fact is, he is an amazing musician, University of Texas. And thus accredited three successful and his strange thoughts will be began the long line of albums. Eventually, Danny forever saved on record. It’s the weirdness. left the ‘Livers’, and Austin in Taking to heart the “play 1997, looking for a change of Highlights story of a small-town Texas boy who made his own dreams... and anything with strings” pace on the west coast. He CTBA Info 2 then lived them. philosophy of idol John found it. Now living in Washington Deering Banjo 3 Born in Temple,TX, Danny Hartford, Danny worked to grew up in nearby Belton, and was create his own style of music, a state, Danny flies as a licensed Quincy’s 4 attracted style made up of all the pilot, skateboards, rides a unicycle, and plays disc golf Blue Highway & Festival to music at an early age. His different genres that he loved. Calendar 5 grandmother listened to Flatt and Bluegrass melted with punk, among many other things. Scruggs, and his father played a little which spilled over into the He still makes his own brand Old Settler’s Music Fest 6 banjo. His brothers introduced him blues, all of which of music, and it’s possibly March Show Calender & to other styles like Delta blues and complemented Danny’s sense some of his best yet. -
7. Annie's Song John Denver
Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2. -
Osome People Are Born to Live with Horses," the Renowned
PROFILE ffi,u#kffi The Sin ng Oo oy 'oSomepeople are bornto live with horses,"the renowned singer-songwritersays By Peter Feniak an Tysonwrote his first songback in 1962at his manager's apartmentin NewYorkCity. Impressedbythe precocious songwritingofhis youngfriend BobDylan, Tysoncrafted "Four StrongWinds," a wistfi.rlsong about fading love, set in Canada'svast spaces. It becamea classic. A11these years later, as winter closesin on fie ranchlands ofsouthwesternAlbertat EasternSlopes, where the foothills trying to takecare ofmy lir'estockand keep them fed.Itt not rise to meetthe Rockies,itt nearing-20"C (-a'F). In his fa- a big job. I donl havea lot herein the winter-my horses 'And mous song,Tlson wrote, thosewinds sure can blow and a few longhorns.Most of my livestockstuff is in the cold way out there."As we connecton this frosty moming, summerseason. They comein in May and go out in Octo- ' he is living thosewords. "Yeah, brutal. Brutal heretoday, he ber. In this weather,they just try to get out of the wind, get 'Wind, says. too." behind a windbreak lt's amazinghow they handleit. But if 'em 'em It's early,but the voiceofa hundred songsand more has you cankeep fed,get out of the whd, and keep'em beenup for a while, doing rancher'swork "TodayI'm just watered,they cantake a 1otofit." 14 cooDTrMEs 'va,c 20rb \d &iF- 'fyson I n 1959,Tyson passed thr ough this cor.rntry,heading east ln 1976,a frustrated ,rtrll<edaway from his music ca- from Vancouver a rugged young Westerner carrying a reerand movedbackwest. -
Ian & Sylvia Early Morning Rain Mp3, Flac
Ian & Sylvia Early Morning Rain mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Early Morning Rain Country: US Style: Folk MP3 version RAR size: 1878 mb FLAC version RAR size: 1771 mb WMA version RAR size: 1699 mb Rating: 4.1 Votes: 361 Other Formats: VQF RA TTA RA AIFF DMF MOD Tracklist Hide Credits Come In Stranger 1 1:52 Written-By – Johnny Cash Early Morning Rain 2 3:55 Written-By – Gordon Lightfoot Nancy Whiskey 3 2:35 Written-By – Trad.* Awake Ye Drowsy Sleepers 4 4:00 Arranged By, Adapted By – Sylvia Fricker Marlborough Street 5 2:15 Written-By – Ian Tyson Darcy Farrow 6 3:30 Written-By – Steve Gillette, Tom Campbell Travelling Drummer 7 2:25 Written-By – Sylvia Fricker Maude's Blues 8 3:56 Written-By – Sylvia Fricker Red Velvet 9 2:16 Written-By – Ian Tyson I'll Bid My Heart Be Still 10 2:46 Arranged By, Adapted By – Sylvia Fricker For Lovin' Me 11 2:16 Written-By – Gordon Lightfoot Song For Canada 12 4:06 Written-By – Ian Tyson, Pete Gzowski Companies, etc. Copyright (c) – Vanguard Records Credits Bass – Russ Savakus Guitar – Monte Dunn Vocals, Autoharp – Sylvia* Vocals, Guitar, Twelve-String Guitar – Ian* Notes © 1965 Vanguard Records ,A Welk Music Group Company Barcode and Other Identifiers Barcode: 0 15707-9175-2 0 Matrix / Runout: DIDX-067648 2 Mould SID Code: IFPI L329 Other versions Category Artist Title (Format) Label Category Country Year VSD-79175 Ian & Sylvia Early Morning Rain (LP, Album) Vanguard VSD-79175 US 1965 Early Morning Rain (LP, Album, VRS-9175 Ian & Sylvia Vanguard VRS-9175 -
Music City Texas
# 8 9 JANUARY 1997 TOWNES IMN ZANDT The days up and down (hey come Like rain on a conga drum Forgetting most, remember some But don't turn none away Everything is not enough Nothing is too much to bear Where you've been is good and gone All you keep’s the getting there To live s to fly. lou; and high So shake the dust off of your wings And the sleep out of your eyes He changed my life MCT1996 POLL HONEST JOHN REVIEWS Russ Bartlett • Ray Campi v Professor Longhair • Michele Murphy j KEN SCHAFFER’S A EGGE • KIM MILLER • LINDA LOZANO SAFETY IN NUMBERS SHOWCASE at its new home in the highly acclaimed LA PALAPA Restaurant and Cantina 6640 HWY 290 EAST (east of Highland Mall) at 6:00PM, NO COVER ' ’+ o o * i > o ° <0 ¿F Í , í J . u N .»O' « a i Ken lays out the welcome mat to all comers TOGETHER seeking the quintessential Austin music moment, Sat, Jan 11th, Belton Acoustic Concert Series, 7pm (details 817/778-5440) because he”H bet they can find it here. Fri, Jan 24th, Waterloo Ice House, 6th & Lamar, 9pm Call 419-1781 for sign up and details Egge: Thu, Jan 30th, Artz Rib House, 7pm Miller: Rouse House Concert, with L J Booth, u THE BEST OF THE UP AND COMING’’ April 26th (837-2333) < J / l N U A R y n V oVonW r i / aUer'i' VÜRE f X W s B s n d Mondays at gabe's, 9pm V Tuesdays at *Jovita's, 8pm Saturday 4th, groken Spoke, 9pm Saturday 18th, Mucky Duck, Houston, 8pm <£ 10.30pm RETR9VOGU6 Jriday 24th, Cactus Cafe, 9pm, & RELICS with special guest Staid Cleaves 2024 South Lamar Boulevard • Phone No 442-4446 &K9Mg9Mg you t h e /j e s t 9 m eouM^ny m u s 9C 'EÜKSÍlH ^tryiIIiñJKS— i KUT MAKES MUSIC! 5 5 3 5 BURNET RD. -
Ian Tyson Ian Tyson
WINTER 2010 Ian Tyson The singer/songwriter shares his life and music in The Long Trail Mojave Desert Trail Ride Steve Thornton’s Winter Portfolio The Living Words of the Constitution Part 13 Display until March 15 www.paragonfoundation.org $5.95 US The Journal of the PARAGON Foundationion,, Inc.Inc. OUR MISSION The PARAGON Foundation provides for education, research and the exchange of ideas in an effort to promote and support Constitutional principles, individual freedoms, private property rights and the continuation of rural customs and culture – all with the intent of celebrating and continuing our Founding Fathers vision for America. The PARAGON Foundation, Inc. • To Educate and Empower We invit e you to join us. www.paragonfoundation.org photo by Steve Thornton IN THIS ISSUE 12 88 Of Note Charreria Current Events and Culture The Forerunner of from Out West American Rodeo By Guy de Galard 40 The Cowboy Way Profile 92 Don Edwards Riding the Mojave By Darrell Arnold An Out Back Adventure By Mark Bedor 45 R-CALF USA 96 Special Section Ranch Living Life on the Ranch with Thea Marx 53 American Agri-Women 101 Special Section Great White Western Shirts A Portfolio 55 Photography byWilliam Reynolds Big Doin’s in Cow Town The Legendary Fort Worth 109 Stock Show The Magnificent Seven at 50 By Mark Bedor A Remembrance By T.X. “Tex” Brown 59 FFA 114 Special Section Range Writing Cowboy Poetry from 66 All Over the West Your Rights By Daniel Martinez 116 Recommended Reading 70 Old and New Books The Living Words Worthy of Your Nightstand of the Constitution By Nicole Krebs 119 PARAGON Memorials 73 Winter in the West 120 A Steve Thornton Portfolio Out There 83 America: Where the Power Resides Cover photograph of Ian Tyson Best Overall Part One: Common Law Courtesy Ian Tyson and Mascioli Publication 2009 Entertainment photo photo by Steve Thornton By Marilyn Fisher WINTER 2010 VOLuME 6 NO. -
“I Didn't Consider Myself an Authentic Backwoods Folksinger, Never
or the last four decades or so, Ian Tyson while Fricker leaned toward English ballads. of his best-known and most-loved songs, Ian has lived on the eastern slope of the Though their musical tastes were somewhat sometimes has found that a burden over the Canadian Rockies in Alberta. It’s ranch different, they found common ground in the years. “I’ve written a lot of other songs since country, mountain and prairie, and blend of their voices and in songs that ranged then,” he said recently. although it is changing, still a place from ballads to blues, and soon included songs With a mix of their own songs, covers Fwhere those who live there both wrest their by other rising stars of the folk community, of other contemporary songwriters, and livings out of the land and know they have to among them Joni Mitchell, Gordon Light- traditional music with imaginative arrange- work with land and weather to survive. “It’s foot, and Phil Ochs. “We soon became sort ments, the couple, who married in 1964, just a mosaic of Western values and emblems,” of the Kansas City Stars of Toronto,” Sylvia kept on forging their own path through the Tyson said. recalled in an earlier conversation, describing folk-music scene. Keeping the energy they’d He should know. Some years ago, he had their popularity back then, “so we thought it shown on folk songs such as “Nova Scotia a hand in re-inventing the image of the West was time to hit the big time.” They auditioned Farewell” and “Jesus Met the Woman at the and rewriting the history of cowboy music.