Ctba Newsletter 0603
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Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Look at the People on Being Entertaining by Larry Wilder
Volume 30 • Number 4 INSIDE THIS ISSUE! July • August The Circle of Fifths Unleased The Express Needs You Sound Advice 2010 Off Key Jammers Bluegrass Expresswww.oregonbluegrass.org Look at the People “I did not know that the On being entertaining technical aspects are far by Larry Wilder outweighed by a show’s personal touches” bluegrass genre. Listen to the Josh and Jake comedy and the relaxed interplay between all the Foggy Mountain Boys. The evolution of an entertainer I was no natural. When I began playing banjo and guitar in the 60’s, I could not sing, talk, smile or look at the audience. I was pathetically nervous and embarrassed to be on stage. When I finally began to speak on stage, I thought I had to use contrived or cute elocution. That didn’t work. I did not know that the technical Larry Wilder & the Stumptown Stars aspects are far outweighed by a show’s personal touches. As my real persona arry Wilder is a singer, national yodel audience. Bill would also invite ladies began to come out, the audiences champion, multi-instrumentalist and master from the audience to dance with him L reacted positively. They began to tell of ceremonies. Whether he’s performing in a onstage. They lined up. me how comfortable they would feel. packed concert hall or to five shoppers at a farmer’s Acts such as Reno & Smiley and Flatt & This was a breakthrough for me: I market, Larry fully engages his listeners. The Scruggs took it further with their family- realized that my relaxed, yet focused Express asked Larry to talk about entertainment – approach worked. -
Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday. -
Normandy Hospital, U Explore Possible Nursing Partnersh-P
University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers 4-21-1997 Current, April 21, 1997 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "Current, April 21, 1997" (1997). Current (1990s). 238. http://irl.umsl.edu/current1990s/238 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Riverwomen enter GLVC 8' Heads in ,a Duffel Bag offers little more t han a tourney with confidence. catchy rlame. See page 7. Seepage 5 1 f :. The Student Voice 30th Anniv{!rsary of UM-St. Louis 1966-1996 Issue 888 UNIVERSITY OF M/SSOURI-ST. LOUIS April21J 1997 Senate Possible land Under Cove(r) swap to link committee Honors College, approves South Campus budget by Kim Hudson news editor allocations UM-St. Louis and the city of Pagedale are by Bill Rolfes currently negotiating a land trade that will con news associate nect the South Campus and the Pierre Laclede Honors College. The books are now closed as the The University wants to obtain about seven Senate Student Affairs Committee acres of land in the far northwest comer of St. approved by a five to one vote (he Vincent County Park. To get it, the University proposed 1997-98 student acti'l'ity is negotiating a trade with Pagedale, which budget allocations. -
Music City Texas
# 8 9 JANUARY 1997 TOWNES IMN ZANDT The days up and down (hey come Like rain on a conga drum Forgetting most, remember some But don't turn none away Everything is not enough Nothing is too much to bear Where you've been is good and gone All you keep’s the getting there To live s to fly. lou; and high So shake the dust off of your wings And the sleep out of your eyes He changed my life MCT1996 POLL HONEST JOHN REVIEWS Russ Bartlett • Ray Campi v Professor Longhair • Michele Murphy j KEN SCHAFFER’S A EGGE • KIM MILLER • LINDA LOZANO SAFETY IN NUMBERS SHOWCASE at its new home in the highly acclaimed LA PALAPA Restaurant and Cantina 6640 HWY 290 EAST (east of Highland Mall) at 6:00PM, NO COVER ' ’+ o o * i > o ° <0 ¿F Í , í J . u N .»O' « a i Ken lays out the welcome mat to all comers TOGETHER seeking the quintessential Austin music moment, Sat, Jan 11th, Belton Acoustic Concert Series, 7pm (details 817/778-5440) because he”H bet they can find it here. Fri, Jan 24th, Waterloo Ice House, 6th & Lamar, 9pm Call 419-1781 for sign up and details Egge: Thu, Jan 30th, Artz Rib House, 7pm Miller: Rouse House Concert, with L J Booth, u THE BEST OF THE UP AND COMING’’ April 26th (837-2333) < J / l N U A R y n V oVonW r i / aUer'i' VÜRE f X W s B s n d Mondays at gabe's, 9pm V Tuesdays at *Jovita's, 8pm Saturday 4th, groken Spoke, 9pm Saturday 18th, Mucky Duck, Houston, 8pm <£ 10.30pm RETR9VOGU6 Jriday 24th, Cactus Cafe, 9pm, & RELICS with special guest Staid Cleaves 2024 South Lamar Boulevard • Phone No 442-4446 &K9Mg9Mg you t h e /j e s t 9 m eouM^ny m u s 9C 'EÜKSÍlH ^tryiIIiñJKS— i KUT MAKES MUSIC! 5 5 3 5 BURNET RD. -
See the Complete Program Book
2018 Conference Program Page 3 From Our Regional President We welcome you to our 11th annual SERFA Conference. We are delighted to return to Montreat with its serene and scenic campus nestled in the Blue Ridge Mountains and overlooking the lovely Lake Susan. Our conference committee has been working for months to ensure that you all have an opportunity to have an enjoyable and productive conference. We encourage you to take full advantage of all the conference has to offer by attending workshops and panels, mentoring sessions, jam sessions and showcases. I hope you will also get outside to relax and rejuvenate in the bucolic surroundings of Montreat. At Montreat we have the opportunity to dine together, so please use this as an opportunity to network and meet new friends. One of the best aspects of our friendly and intimate conference is that you will be able to meet all of the attendees at some time. We hope you will leave having made numerous new friends and acquaintances. We expect a number of first timers this year and look forward to helping you get the most out of our conference. If it is your first time, you might want to attend the Thursday morning panel, which may help you to make the most of your opportunities at the conference. If you have any questions please feel free to ask anyone wearing a staff badge. We are all eager to help you in any way. We welcome back all of our returnees and thank you for choosing once again to attend our conference. -
Guitar Slinger Bill Toms: “My First Love Is Soul Music”
JULY 2021 Volume 23 Issue 1 Best I’ve Ever Seen or Heard Talking with artists about concerts or albums they’ll always treasure by Gary Stoller This Month: Guitar Slinger Bill Toms: “My First Love Is Soul Music” Photo: Dean Zobec Known for his guitar slinging, Bill Toms wants his new album sician Bubs McKeg and featuring Will Kimbrough on guitar. to carry a lyrical message: “hope, compassion and the idea that Though much of the album was recorded remotely, it sounds actions speak louder than words.” like the full Hard Rain band, including a three-piece horn sec- tion, charging forward together in the studio. That may be an appropriate message during these tragic COVID-19 days. Recording of the album, Keep Movin’ On, The band, which often elicits musical visions of Bruce Spring- by Bill Toms & Hard Rain, began in February 2020 and then steen and Southside Johnny & the Asbury Jukes, consists of continued remotely when the pandemic struck throughout the Steve Binsberger on keyboards, Tom Breiding on guitar, Tom country. Valentine on bass, Phil Brontz on saxophone, George Arner on trumpet, Stephen Graham on trombone and Herr on drums. “I would record over loops and send to my producer Rick Wit- Toms’ gruff, expressive vocals and guitar are featured on every kowski,” says Toms, who has released 12 solo albums and was song, and Witkowski and other guest musicians contribute the lead guitar player for Joe Grushecky and the Houserockers. guitar, bass, strings and vocals. “He would play drums or have our drummer Bernie Herr come in. -
CTBA May 05 NL
Central Texas Bluegrass Volume 27 Bulletin Number 5 May 2005 New members 2005 CTBA WILLA PORTER MUSIC SCHOLARSHIP. Bill Groll BuffaloGrass Bluegrass will survive and thrive only if talented young musicians carry it Upcoming Steve Kaufman forward into the future. The Central Texas Bluegrass workshop and Concert Association has The CTBA will sponsor established this scholarship fund to pay for awards to students three-time National Flatpick who have Guitar Champion, Steve demonstrated a serious interest and performance talent in blue- Kaufman, for a two-day gui- grass music,and who show a need for financial assistance to tar workshop and concert in support their musical studies. Recipients must be living in Austin on January 20 & 21. Texas. Details will be coming as the Please let us know if you are aware of any deserving event nears! applicants. Note that the application deadline is May 15, 2005. You can read about last year's winner and get more information along with a downloadable application form at: http://www.cen- A very big thank you to David traltexasbluegrass.org/Scholarships.htm. & Barbara Brown of Corpus Of course we wouldn't decline a donation to this worthy Christi, TX for thier contribu- program. tion to the 2005 Willa Porter This year's scholarship is named after Willa Porter, a Music Scholarship. long-time bluegrass supporter and CTBA member who passed away earlier this year. CTBA member Clifton Bowren got 3rd place in the CTBA News Poteet Strawberry Festival • CTBA Bluegrass Saturday Night at Artz Old Timers Fiddle Contest for The CTBA has agreed with Artz Ribhouse to host an event the ages 67 and older. -
VIETNAM VETERANS of AMERICA Office of the National Chaplain
VIETNAM VETERANS OF AMERICA Office of the National Chaplain March/April 2016 LEON ROBERT “Lennie” ARMAGOST - Died Sunday, November 22, 2015 at his residence, after a lengthy illness with cancer. He was 65 years of age and a resident of Byrnedale, Pennsylvania. He was born January 28, 1950 in Bradford, Pennsylvania to the late Earl and Caroline (née Stewart) Armagost. He was married to Edna (née Beck) Friday-Armagost, she survives. Lennie is also survived by his children: Mikki Snyder of Alabama, Mrs. Michael (Marissa) Norcross of Bradford, Katie Jo Armagost of Penfield, Keith Armagost and wife Sarah of Brockway and step-sons Tony Friday and wife Jeannette of Weedville, Russell Friday and wife Lisa of San Diego, CA, and Scott Friday of Penfield, four grandchildren and one great grandchild. Lennie was also preceded in death by a grandson and a step-son: Brian Friday. Lennie was born and raised in Bradford; he was a graduate of Bradford Area High School. He enjoyed golfing and watching sports. He was a truck driver for most of his life and part owner of The New White Horse Inn in Byrnedale. Lennie served in Vietnam with the United States Air Force as a Morse Code Interceptor. He was also a member of Vietnam Veterans of America – Saint Marys Chapter #720, of Dagus Mines. A Memorial Service was held on Saturday, November 28, 2015 at 2:00 PM at The New White Horse Inn in Byrnedale, PA. Military Honors were accorded by the American Legion Post #978 and the Vietnam Veterans of America Chapter #720 of Dagus Mines will also be having a service. -
Everett Rock's Bands
Everett Rock Band/Musician List "D" Last Update: 6/28/2020 "D" List for Bands/Musicians Genre* From & Genre "D" CR Bellingham Classic Rock D Campbell Al R Denver Alternative Rock D. DWELLER Fk Rp Seattle Funk / R&B / Rap D. HU$TAL P H RB Seattle Pop / Hip Hop / R & B D.evolution.Aires R Seattle Rock D.O.A. Pk Burnaby, British Columbia, CA Punk D.O.G.S. R Gn Al Tokyo, JP Rock / Grunge / Alternative Rock D.Y.A. G Pk Ra Bellingham Garage / Punk / Reggae Da Beckoning Band Al Mountlake Terrace Alternative DA27 M T Hc Seattle Metal / Thrash Metal / Post Hardcore Daana String Quartet Cl A Seattle Classical Acoustic Dabouge E Seattle Electronica / Down-tempo / Drum & Bass DaCoda R Everett Rock DaCoda Dacoda CR Seattle Classic Rock Dada Fructose R? From? Rock? Daddy Treetops C B Edison Blues / Folk / Country DaddyLok Tha Boss HADEZ CLICK 6GUNZMUZIK Tacoma DaddyLok H Hip Hop Daddy's Gotta Girlfriend R Lynnwood Rock DAGOBAH M Pk UK Metal / Punk / Rock Daikaiju R Ps Sf Huntsville, Alabama Rock / Psychedelic / Surf Dain Norman R Kennesaw, Ga/Gainesville, FL Rock Dain Norman and The Chrysalis Effect R B Pk Tacoma Rock / Blues / Proto-Punk Daisy Chain B S R Seattle Blues / Neo-soul / Rock Daisy O'Connor I F Bellingham, Austin, TX Indie Folk DAKOTA M Santa Rosa, CA Metal / Metalcore Dakota Neuman C P R Monroe Country / Pop / Rock Dakota Poorman Band C R Am Seattle Country / Southern Rock / Americana Dakota Reese Ex P Seattle Experimental Pop Dale Ann Bradley BG Kentucky Blue Grass Dale James Pratt R A Seattle Rock / Acoustic Damanshen Rp Hc H St. -
Ctba Newsletter 1003
Central Texas Bluegrass Association Bluegrass Bulletin Volume 32, No. 3 March, 2010 RiceGrass March 27-28 BY RIXI ROSENBERG fire jamming is encouraged. Other Cabin 10 Inc. and Central Texas nearby lodging and camping are Bluegrass Association will host also available. the first ever RiceGrass Festival. All festival proceeds will further Inaugural festivalgoer's will enjoy the scholarship awards given by an eclectic mash-up of Old Cabin 10 Inc. and Central Texas Timey and Bluegrass perform- Bluegrass Association, which are ances. both cultural non-profit organiza- The festival will run Saturday, tions. March 27 and Sunday, March 28, For more information on ticket 2010 in Fischer, TX on the rustic sales/pricing, accommodations and grounds of the Fischer Haus B&B a complete lineup, which is about 60 miles Southeast please visit h t t p : / / of Austin and about 50 miles www.cabin10.com/riceGrass.htm North of San Antonio. Saturday acts include Two High String Band, Caroline Herring and Danny Barnes and Sunday‘s lineup promises Lonestar Blue- grass and dueling legends Byron Berline & Alan Munde. Primitive camping is available on Saturday night and acoustic camp- Alan Munde & Byron Berline BY SARAH HAGERMAN group Country Gazette. But back took him over to jam with some On a Friday afternoon at the then they were still college kids, of The Stone Mountain Boys who University of Oklahoma, fiddle living in the folk scene of the mid were in town. They were mainly player Byron Berline walked into -1960‘s with a hunger to learn in Dallas, Texas and had come up a folk music jam. -
Jenny Scheinman: Here on Earth by Dave Lynch | May 2017
Bernstein Artists, Inc. 282 Flatbush Avenue, Suite 101; Brooklyn, NY 11217 ph 718.623.1214 - fx 718.638.6110 - www.bernsarts.com Jenny Scheinman: Here On Earth By Dave Lynch | May 2017 Jenny Scheinman digs deeply into Americana roots on her spare, evocative 2017 album Here on Earth, casting aside the appealing vocals of her singer/songwriter persona for a set of 15 brief instrumental numbers featuring the violinist -- or make that fiddler -- supported mainly by longtime collaborator Bill Frisell (guitar) and Bad Livers' Danny Barnes (banjo, guitar, and tuba), with occasional appearances by Robbie Fulks (guitar and banjo) and Robbie Gjersoe (resonator guitar). The absence of drums and bass contributes to the album's intimate appeal, with the instrumental lineup sometimes suggesting a few friends gathered together for a fiddle, guitar, and banjo session on the front porch of a cabin in an Appalachian holler. Scheinman was commissioned to write many of these songs as soundtrack material for a project entitled Kannapolis: A Moving Portrait, in which director Finn Taylor and editor Rick LeCompte assembled and presented archival footage of Piedmont region dwellers originally filmed by North Carolina photographer and documentarian H. Lee Waters between 1936-1942, from the Great Depression to shortly thereafter. Joined by Fulks and Gjersoe, Scheinman performed in live accompaniment to Waters' images of ordinary people who made the best of hard times, and who no doubt found comfort in the simple, unadorned beauty of folk music not unlike the warm and heartfelt songs the violinist has penned here. Scheinman evokes a bygone era through the grain of her rough-hewn double stops on the opening "A Kid Named Lily," the traditional stylings of her melody and chorus accompanied by expert fingerpicking from Fulks.