Bing Bang Boys "I'm Feelin' Good" Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Bing Bang Boys "I'm Feelin' Good" mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: "I'm Feelin' Good" Country: US Released: 2002 MP3 version RAR size: 1255 mb FLAC version RAR size: 1946 mb WMA version RAR size: 1684 mb Rating: 4.5 Votes: 515 Other Formats: XM WAV AHX AC3 AIFF DMF ASF Tracklist 1 Georgia Stomp 2:23 2 That's A Habit 3:57 3 We Both Are Feelin' Good Right Now 2:27 4 Wait 'Till You Hear This One, Boy 2:39 5 Uncle Bill 3:23 6 Chevrolet Car / Jackson Stomp 3:30 7 Someday Sweetheart 2:41 8 Lonesome Blues 2:14 9 Creole Belle 2:58 10 Got The Farmland Blues 3:38 11 Combination Rag 2:06 12 When The Sun Goes Down 3:22 13 I Wonder Where She Went Blues 2:59 14 Tanner's Rag 2:10 15 Over In The Gloryland 3:16 16 Don't You Remember The Time 2:59 Companies, etc. Phonographic Copyright (p) – Mark Rubin Copyright (c) – Mark Rubin Recorded At – Synergy Studios Mixed At – Flashpoint Recording Studio Mastered At – Terra Nova Digital Audio Credits Artwork By – Greg Canote Bass [Cello-Bass], Tuba, Vocals – Mark Rubin Engineer – Neville Pearsall Fiddle, Vocals – Greg Canote Guitar [Banjo Guitar], Mandolin [Banjo Mandolin], Fiddle, Vocals – WB Reid Guitar [Banjo Guitar], Ukulele [Banjo Uke], Harmonica, Vocals – Jere Canote Layout [Digital Layout] – Steve Grill Mastered By – Jerry Tubb Mixed By – Bennet Spielvogel Photography By – John Gallagher Producer, Mixed By – Mark Rubin Barcode and Other Identifiers Barcode: 7 50532 99442 0 Related Music albums to "I'm Feelin' Good" by Bing Bang Boys Magnolia Jazz Band - Red Onion Blues Brett Rubin - Brett Rubin Pres. Collaborations Birdlegg & The Tight Fit Blues Band - Good Time Blues Jennifer Lopez - Feelin' So Good Jimmy Rogers - Feelin' Good The James Cotton Blues Band - Feelin' Good Texas Blue Serenaders - Texas Stomp / First Love Blues Dixieland Rhythm Kings - Steamboat Stomp / Terrible Blues.

Copy Link

Recommended publications

Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
[Show full text]
Look at the People on Being Entertaining by Larry Wilder
Volume 30 • Number 4 INSIDE THIS ISSUE! July • August The Circle of Fifths Unleased The Express Needs You Sound Advice 2010 Off Key Jammers Bluegrass Expresswww.oregonbluegrass.org Look at the People “I did not know that the On being entertaining technical aspects are far by Larry Wilder outweighed by a show’s personal touches” bluegrass genre. Listen to the Josh and Jake comedy and the relaxed interplay between all the Foggy Mountain Boys. The evolution of an entertainer I was no natural. When I began playing banjo and guitar in the 60’s, I could not sing, talk, smile or look at the audience. I was pathetically nervous and embarrassed to be on stage. When I finally began to speak on stage, I thought I had to use contrived or cute elocution. That didn’t work. I did not know that the technical Larry Wilder & the Stumptown Stars aspects are far outweighed by a show’s personal touches. As my real persona arry Wilder is a singer, national yodel audience. Bill would also invite ladies began to come out, the audiences champion, multi-instrumentalist and master from the audience to dance with him L reacted positively. They began to tell of ceremonies. Whether he’s performing in a onstage. They lined up. me how comfortable they would feel. packed concert hall or to five shoppers at a farmer’s Acts such as Reno & Smiley and Flatt & This was a breakthrough for me: I market, Larry fully engages his listeners. The Scruggs took it further with their family- realized that my relaxed, yet focused Express asked Larry to talk about entertainment – approach worked.
[Show full text]
Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday.
[Show full text]
Normandy Hospital, U Explore Possible Nursing Partnersh-P
University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers 4-21-1997 Current, April 21, 1997 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "Current, April 21, 1997" (1997). Current (1990s). 238. http://irl.umsl.edu/current1990s/238 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Riverwomen enter GLVC 8' Heads in ,a Duffel Bag offers little more t han a tourney with confidence. catchy rlame. See page 7. Seepage 5 1 f :. The Student Voice 30th Anniv{!rsary of UM-St. Louis 1966-1996 Issue 888 UNIVERSITY OF M/SSOURI-ST. LOUIS April21J 1997 Senate Possible land Under Cove(r) swap to link committee Honors College, approves South Campus budget by Kim Hudson news editor allocations UM-St. Louis and the city of Pagedale are by Bill Rolfes currently negotiating a land trade that will con news associate nect the South Campus and the Pierre Laclede Honors College. The books are now closed as the The University wants to obtain about seven Senate Student Affairs Committee acres of land in the far northwest comer of St. approved by a five to one vote (he Vincent County Park. To get it, the University proposed 1997-98 student acti'l'ity is negotiating a trade with Pagedale, which budget allocations.
[Show full text]
Ctba Newsletter 0603
March 2006 Bluegrass Volume 28, Issue 3 Central Texas Bulletin Weird Acoustic Music by Tyler Balthrop Danny Barnes could easily be production, and in 1985, he White. This unique blend recognized as one of the weirdest received a degree in Audio of acoustic music became an people to play acoustic music. The Production from the instant phenom, and they fact is, he is an amazing musician, University of Texas. And thus accredited three successful and his strange thoughts will be began the long line of albums. Eventually, Danny forever saved on record. It’s the weirdness. left the ‘Livers’, and Austin in Taking to heart the “play 1997, looking for a change of Highlights story of a small-town Texas boy who made his own dreams... and anything with strings” pace on the west coast. He CTBA Info 2 then lived them. philosophy of idol John found it. Now living in Washington Deering Banjo 3 Born in Temple,TX, Danny Hartford, Danny worked to grew up in nearby Belton, and was create his own style of music, a state, Danny flies as a licensed Quincy’s 4 attracted style made up of all the pilot, skateboards, rides a unicycle, and plays disc golf Blue Highway & Festival to music at an early age. His different genres that he loved. Calendar 5 grandmother listened to Flatt and Bluegrass melted with punk, among many other things. Scruggs, and his father played a little which spilled over into the He still makes his own brand Old Settler’s Music Fest 6 banjo. His brothers introduced him blues, all of which of music, and it’s possibly March Show Calender & to other styles like Delta blues and complemented Danny’s sense some of his best yet.
[Show full text]
Music City Texas
# 8 9 JANUARY 1997 TOWNES IMN ZANDT The days up and down (hey come Like rain on a conga drum Forgetting most, remember some But don't turn none away Everything is not enough Nothing is too much to bear Where you've been is good and gone All you keep’s the getting there To live s to fly. lou; and high So shake the dust off of your wings And the sleep out of your eyes He changed my life MCT1996 POLL HONEST JOHN REVIEWS Russ Bartlett • Ray Campi v Professor Longhair • Michele Murphy j KEN SCHAFFER’S A EGGE • KIM MILLER • LINDA LOZANO SAFETY IN NUMBERS SHOWCASE at its new home in the highly acclaimed LA PALAPA Restaurant and Cantina 6640 HWY 290 EAST (east of Highland Mall) at 6:00PM, NO COVER ' ’+ o o * i > o ° <0 ¿F Í , í J . u N .»O' « a i Ken lays out the welcome mat to all comers TOGETHER seeking the quintessential Austin music moment, Sat, Jan 11th, Belton Acoustic Concert Series, 7pm (details 817/778-5440) because he”H bet they can find it here. Fri, Jan 24th, Waterloo Ice House, 6th & Lamar, 9pm Call 419-1781 for sign up and details Egge: Thu, Jan 30th, Artz Rib House, 7pm Miller: Rouse House Concert, with L J Booth, u THE BEST OF THE UP AND COMING’’ April 26th (837-2333) < J / l N U A R y n V oVonW r i / aUer'i' VÜRE f X W s B s n d Mondays at gabe's, 9pm V Tuesdays at *Jovita's, 8pm Saturday 4th, groken Spoke, 9pm Saturday 18th, Mucky Duck, Houston, 8pm <£ 10.30pm RETR9VOGU6 Jriday 24th, Cactus Cafe, 9pm, & RELICS with special guest Staid Cleaves 2024 South Lamar Boulevard • Phone No 442-4446 &K9Mg9Mg you t h e /j e s t 9 m eouM^ny m u s 9C 'EÜKSÍlH ^tryiIIiñJKS— i KUT MAKES MUSIC! 5 5 3 5 BURNET RD.
[Show full text]
See the Complete Program Book
2018 Conference Program Page 3 From Our Regional President We welcome you to our 11th annual SERFA Conference. We are delighted to return to Montreat with its serene and scenic campus nestled in the Blue Ridge Mountains and overlooking the lovely Lake Susan. Our conference committee has been working for months to ensure that you all have an opportunity to have an enjoyable and productive conference. We encourage you to take full advantage of all the conference has to offer by attending workshops and panels, mentoring sessions, jam sessions and showcases. I hope you will also get outside to relax and rejuvenate in the bucolic surroundings of Montreat. At Montreat we have the opportunity to dine together, so please use this as an opportunity to network and meet new friends. One of the best aspects of our friendly and intimate conference is that you will be able to meet all of the attendees at some time. We hope you will leave having made numerous new friends and acquaintances. We expect a number of first timers this year and look forward to helping you get the most out of our conference. If it is your first time, you might want to attend the Thursday morning panel, which may help you to make the most of your opportunities at the conference. If you have any questions please feel free to ask anyone wearing a staff badge. We are all eager to help you in any way. We welcome back all of our returnees and thank you for choosing once again to attend our conference.
[Show full text]
Texas Bluegrass June 1, 2014
Central IBMA Member Vol. 36 No. 6 Texas Bluegrass June 1, 2014 CTBA’s 18th Annual Band Scramble and Garage Sale Fundraiser Sunday, July 6th, 2014 2:00 - 6:00 PM Threadgill’s Restaurant (#1), 6416 North Lamar, Austin, TX. It’s again that time of the year for the Central Texas Bluegrass Association’s biggest fundraiser – the Garage Sale and Band Scramble! Mark your calendars for Sunday, July 6, and make plans to come out and be a part of this popular event. This year’s festivities will be held at the Threadgill’s Restaurant on North Lamar, beginning with their weekly Sunday Bluegrass Brunch from 11:00 am to 1:00 pm, followed by the Garage Sale and Band Scramble from 2:00 – 6:00 pm. This is a super fun event, so come on by to participate in the scramble or to cheer on your favorite pickers if you’re just a listener. We’ll pass the tip jar to raise money for the CTBA Youth Scholarship program, one of CTBA’s primary missions. On an annual basis, we offer financial support to music camps and workshops for deserving young people. DONATIONS NEEDED! We need your donations to make the Garage Sale a success. Please check around the house for musical items that you no longer want or need. Items that have been donated in the past have included instruments, recording devices, CDs, DVDs, strings, books, etc. These contributions are tax deductible. Simply drop the items off in the collection box at Fiddler’s Green (1809 W.35th, Austin, TX 78703) or contact Eddie Collins ([email protected]) to make ar- rangements or with questions regarding the band scramble.
[Show full text]
A Conversation with Danny Barnes by Frank Goodman (11/2005, Puremusic.Com)
A Conversation with Danny Barnes By Frank Goodman (11/2005, Puremusic.com) In the summer of 2003 we reviewed a great record from the Terminus label called Dirt on the Angel by Danny Barnes. We were interviewing another Terminus artist that month, Tywanna Jo Baskette. We'd been aware of our interviewee for some time, but were quite taken aback by the sheer magnitude of Barnes, of whom we were woefully ignorant. Now a couple of years later, we were happy to see Get Myself Together appear in the mailbox, the latest Barnes epistle. It's along the same trajectory that Dirt was traveling, and demonstrates more of the virtuosic playing and singular writing of this Texan transplanted to the musically fertile Northwest sector, an island community called Port Townsend, WA. It's here that Danny loosely joined a family of musicians that includes the likes of Bill Frisell, Robin Holcomb, Wayne Horvitz, Tucker Martine, Laura Veirs, and many others. As we looked a little further into the story of Barnes, what we found was what many that preceded us knew quite well, that he was the co founder and front man of the iconoclastic Bad Livers, a band that toured and thrived eccentrically for over a decade, bluegrass and old-timey to a point, but with obvious and visceral punk underpinnings. Barnes and bassist Mark Rubin were joined at the hip in this duality, to state it simply. The Bad Livers were a product of many influences, the aforementioned are just the most evident. Between them, there are and were many other avid musical interests that included klezmer and blues, Country, rock, jazz, classical and various ethnic musics.
[Show full text]
CTBA NL June 05
Central Texas Bluegrass Volume 27 Bulletin Number 6 June 2005 2005 Willa Porter Music Scholarship Winner Announced The CTBA Board is very others that he has received pleased to announce that instruction. Christopher knew Christopher Quinters of Willa Porter and Magnolia, Texas, is the recipi- really enjoyed her playing. He ent of the 2005 CTBA Willa said, ∏I would be honored to Porter Music win a Scholarship. This scholarship scholarship named after her.∑ covers tuition and on-site Several strong recommenda- room and board for tions were submitted an aspiring Texas bluegrass on Christopher∂s behalf. It musician to attend Camp seems clear that Christopher Bluegrass (July 17-22, is passionate about 2005). Camp Bluegrass the banjo and bluegrass music. (www.campbluegrass.com) is noted for quality teaching Please know that board had a and small classes in state of difﬁcult time choosing the art facilities. The faculty between very worthy includes some applicants. We are delighted of the best instructors anywhere. to give this deserving young man the chance to attend Camp Bluegrass. You may ﬁnd more Christopher is 15 and has been playing banjo information about this program as for one year. He has not been well as our other programs on our website, able to afford regular banjo lessons, and it∂s www.centraltexasbluegrass.org. been through the kindness of New members Twangzilla Amy Bell Bluegrass in the Schools Update Charles Parker Wayne Langdon CTBA members, Eddie Collins, Wes Green and Mark Rubin, gave a special Lori Torgerson presentation on bluegrass music to about eighty 4th graders at Highland Park Elementary on May 20th.
[Show full text]
Banjo Newsletter Contents Index: Volumes I–XL; Nov. 1973–Oct. 2013
This is a highly selective index of features, articles and tablatures that have appeared in Banjo Newsletter Contents Index: Banjo Newsletter since its introduction in November 1973, up through October 2006. The bold type listings after the date indicate a Volumes I–XL; Nov. 1973–Oct. 2013 feature or lead article that was highlighted by a cover illustration. (But not always; sometimes Volume 1 18 April 1975 – Orpheum #2 Peg-Head Pattern; there was no matching illustration, and some 1 Nov. 1973 – Start-Up of Banjo NewsLetter; 5-String Rock-Type Lick; 5th String Capo (Re-visited); Pull The Dobro?; First Five Frets Fretless?; TAB: Bristol Steam issues had no distinct feature.) Thus this index Plug Earl; TABS: Liberty; Irish Spring; Over The Wa- Convention Blues terfall; Sunflower Dance; Shelby Rock; Roanoke; I’ll is selective and arbitrary, but hopefuly useful. 2 Dec. 1973 – Pickers & Their Identities; Richelieu Fly Away Columns that have appeared on a regular Mute; Banjo Picker’s Dream; TAB: Santa Claus 19 May 1975 – BILL EMERSON; Old Time Ban- basis (Back-Up, Scruggs Center, Beginner’s 3 Jan. 1974 – Zither Banjo; Neck Truss-Rod; Banjo jos; G Minor Down-Hill Progression; D Tuning Lick; Corner, Chorducopia, Old-Time, Melodic Sounds; Triplets; TAB: Arkansas Traveler Clawhammer, Arrangement Development, 4 Feb. 1974— Gibson Banjo Information (Tom Mor- Bridge Experiments (plastic); Stutzman’s Place; Wey- Clinch Mountain Banjo, Reno Banjo, Shop gan – 1); Banjo Bridge Info; Dillard Style Runs; TAB: mann Peg-Head Pattern; TABS: Flop-Eared Mule; West Talk, etc.) are not always listed, but their Arab Bounce Fork Girls; Old Time Religion; Cuckoo’s Nest; 5 March 1974 – More Dillard Runs; Gibson Banjo column titles are usually listed.
[Show full text]
John the Revealator Freeform American Roots #106
* JOHNINMON I #IJ7/M6 JUNE 2008 JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #106 ROOTS BIRTHS & DEATHS REVIEWS &&&&& Cor not) HEYBALE • JIM PATTON & SHERRY BROKUS WALTER HYATT* MISS LESLIE • BECKY SCHLEGEL THE SWINDLES • TREMOLOCO VA: THE VERY BEST OF OUTLAW COUNTRY MUSIC ROAD RECORDS WaterStreet Market Music, Art & Surf Fest 300 block N. Water Street COMING SOON Corpus Christi, Texas 78401 June 6th—8th, 2008 Friday, June 6th R ib b o n O f H ighw ay — 8pm Max Stalling headlines at the Executive Surf Club, Endless Skyway The McKay Brothers open. ¿10. A Woody Guthrie tribute featuring narration Saturday, June 7th by Bob Childers Art booths and music from ioam-8pm, all daytime activities are free. 10am Walk of Fame Ribbon Cutting 10:30 Museum Ribbon Cutting: Texas Women. Texas Waves 11am Tribute to Chelo Silva from Music Historian John Conquest 11:15-11:45 Max Stalling (Courtyard) noon-13 0 Pat Grogan & Friends (Executive Surf Club) i2:30-2pm 8c 5-6pm Free Caricatures drawings (Courtyard) Jimmy LaFave: 1:30-5:30 Hot Rod Car Club (parking lot) The Bohemia Beat Collection 1:45-2:15 Ted Roddy (Courtyard) Double disc with 7 2:30-3:15 Gina Haley Band (Courtyard) unreleased bonus tracks 3pm-6pm Downtown Music Video Contest, Viewing 8c Voting (Texas Surf Museum) 3:30-4:15 Aloha Dave (Executive Surf Club) 5pm Hula Hoop Contest w/Johnny B Good (Courtyard) 6pm Phil Hurd 8c Non Essential Personnel 8pm Two Tons of Steel w/Matt Hole (doors, ¿8) Sunday, June 8th Music and Art Booths from ioam-6pm.
[Show full text]